RIP to Tim Curry, who helped turn 'Rocky Horror' into a cult classic.

The cult of 'Rocky Horror' has its own rituals

The movie was initially a commercial failure, but it began amassing a loyal following through midnight showings, where audience members dressed as their favorite characters and acted out scenes from the movie in the aisles—a tradition that continues to this day.

'Harold and Maude' became a cult classic thanks to a one-screen theater in Minnesota that featured the film for two years straight.

Broadway's 10 biggest flops

For every "Carousel" or "Cabaret," there's a "Spider-Man: Turn off the Dark"—a show that never found its footing, sometimes in a public and disastrous way. Here are 10 Broadway musicals the producers and stars would probably rather we forget. Some, like "The Rocky Horror Show" and "Breakfast at Tiffany's," were eventually revived and relatively well received. Others, like "Into the Light"—which involved mimes, metaphysics, and the legend of the Shroud of Turin—have rightfully stayed buried.

'Plan 9 from Outer Space' gained an audience after it was trashed by critics

The science-fiction film went mostly unnoticed in its original theatrical run, often playing in double-features aimed at teenagers. It wasn't until 1980, when film critics Harry and Michael Medved dubbed it the "worst film ever made," that it began to attract a cult following. In 1994, Johnny Depp starred in a biopic about its director, Ed Wood.

‘Horror hosts’ helped build the genre’s cult following

Horror is now considered high art, but much of its cult popularity is due to the B-movies that defined the genre. Starting in the 1950s, many of these low-grade films were licensed on the cheap by television networks to fill airtime, introduced by “horror hosts”—MCs with campy, over-the-top personas.

B-movie king Roger Corman mentored many of the star directors of 1970s Hollywood, including Francis Ford Coppola, Martin Scorsese, and Ron Howard.

'The Big Lebowski' slowly spawned a cult following—and a religion

When it was released in 1998, the Coen brothers' film didn't garner overwhelming critical praise or generate impressive ticket sales. Over time, though, it's become one of the defining cult movies, with midnight showings where audience members dress as Jeff Bridges' "Dude" and drink White Russians. It's even spawned its own religion: dudeism.

‘Halloween’ is one of the most profitable indie films of all time

The 1978 John Carpenter movie grossed $70M in its initial run despite a modest budget. It helped pioneer the “slasher flick” subgenre, though it wasn’t filled with cheap thrills. As Roger Ebert pointed out in his review of the movie, Carpenter’s filmmaking techniques—alongside his original score—were a work of art.

Cult classics are often defined by their initial commercial failure

Whether they're films, albums, television shows, or some other work of art, cult classics usually develop ardent followings because of their early struggles, either as box office flops or modest, self-released affairs. Richard Kelly, director of cult film "Donnie Darko," explains why he believes that endears audiences.

Fans of 'The Room' love it for its (many) faults

The movie has bad acting, nonsensical dialogue, and a plot that doesn't add up. Still, its fans attend midnight screenings, recite its most famous lines, and even act out scenes in the aisles. Studies have found that fans are drawn to "trash cinema" like "The Room" for the same reason they're drawn to avant-garde works: because they flout mainstream standards.

The best cult movies

Cult film followings develop for a number of reasons. Some admire a movie's unappreciated genius. Others believe the work was simply ahead of its time. And, yes, some cult classics gain their cult status because they're unbelievably, laughably bad. This list includes all of the above, ranking the films that have developed passionate, even obsessive, followings—for whatever reason.

The jump scare, a horror genre trope, was invented to keep costs low

RKO Pictures hired Val Lewton to produce horror films in the Universal model: small budgets, big spectacles. His first movie was 1942's "Cat People" and he used tension and offscreen terror to save money. A perfect example is the movie's jump scare, a misdirection technique that catches viewers off guard.

Many critically panned cult classics did well at the box office

Franchise flops like 1997's "Batman & Robin," 1983's "Jaws 3-D," and 2015's "Fantastic Four" were panned, though that didn't stop them from selling hundreds of millions of dollars in tickets.

Horror exploded as a commercial literary genre in the late 1960s

Ira Levin’s 1967 novel “Rosemary’s Baby” showed publishers horror was a viable commercial genre. That was proven again in 1971, with William Peter Blatty’s “The Exorcist” and again in 1974 with Stephen King’s “Carrie.” The books dealt with societal fears (the occult, drugs, sex) during a time of political upheaval.

The first 'Evil Dead' film significantly removed violent scenes in order to earn an 'X' rating in the United Kingdom, prohibiting it from viewers under 18, though police still seized it from video stores as if it were illegal contraband.

How Alfred Hitchcock changed cinema

In 1960, Alfred Hitchcock changed moviegoing with "Psycho." At a time when audiences came and went during screenings, he enforced strict start times, banned late arrivals, and kept plot details secret. The result? A $32M hit that helped shape modern theater etiquette.

Jim Henson's 1986 film 'Labyrinth' was initially a commercial failure in the US, though it slowly gained an audience that now considers it a cult classic.

Brooks' Broadway adaptation of 'The Producers' was a massive hit when it debuted in 2001, and broke a record for most Tony wins.

Stephen King is drawn to horror's childish power

This 1986 appearance promoting King's directorial debut finds him reflecting on what makes horror, which he says is its ability to strip away pretense, reducing supposedly sophisticated people to terrified children. He also seems to have already soured on the movie business, calling filmmaking "a primitive way to create," a not-so-subtle dig at Stanley Kubrick's adaptation of "The Shining," which notoriously disappointed King.

Watch the 1956 jukebox musical movie, 'Rock, Rock, Rock!,' an early rock 'n' roll artifact featuring Chuck Berry, Frankie Lymon, and others.

'Friday the 13th' kicked off a summer camp-themed trend

When it was released in 1980, “Friday the 13th” was panned by critics, but it established a lasting horror trope: the unsafe summer camp. The setting made for a natural fit: vulnerable children exiled from normal society, isolated in the dark woods.

'The Shawshank Redemption' flopped in theaters

The Tim Robbins movie, based on Stephen King's short story "The Body," did poorly at the box office when released in 1994. It took off on the video rental market, though, after it was nominated for seven Oscars.

Francis Ford Coppola's 'One from the Heart' was a financial disaster, leading him to bankruptcy and taking more commercial work—like the children's movie 'Jack'—to pay off his debts.

Evaluating film studio A24's cult status since achieving mainstream success

In its quick ascent to the upper echelons of cinema, A24 has achieved a rare place in pop culture of both cult status and financial success. One critic asks whether it can sustain such a position in this fascinating, quick piece.

Cult classics are often defined by their polarization

Films that reach cult status are far from universally beloved. In fact, fans of cult movies often become such passionate supporters because a title has been lambasted by mainstream audiences. Stat Significant breaks down some of the most polarizing films of all time based on the data behind audience scores. It should come as no surprise that many in the top 10 are considered cult franchises.

An original review of the 1987 parody 'Spaceballs'

On June 24, 1987, Mel Brooks launched "Spaceballs" in theaters—a comedy starring Bill Pullman, John Candy, and Rick Moranis that spoofed the "Star Wars" trilogy and sci-fi tropes in general. The movie has remained a cult classic ever since. Read the Hollywood Reporter's original review of the film here.

The best Broadway oral histories

What do you get when you combine elite performers, spectacular sets, and tons of rehearsal time? Maybe an award-winning show, but definitely drama. This list of Broadway-based oral histories spans from RENT’s groundbreaking depiction of the AIDS crisis to the lasting impact of the COVID-19 pandemic on live theater. There’s even a retelling of how TikTok helped bring a musical version of Ratatouille to the stage for a one-night-only streaming exclusive.

The best horror movies of all time

The genre has been scaring audiences for over a century, in many different forms and through many other methods. While any list is subjective, this Rotten Tomatoes list is based on the films' aggregate critical scores. We're sure it'll inspire some additions to your watch list—along with some spirited conversations.

Watch some of the best scenes from Mel Brooks' films, including 'Young Frankenstein,' 'Spaceballs,' 'Robin Hood: Men in Tights,' and more.

The internet has changed the definition of a cult classic

Cult classics were often established slowly over time, often through alternative outlets, like independent video and record stores, underground magazines, and tape trading. The internet has put those delivery methods on hyperdrive, helping to splinter the notion of a mainstream monoculture. The Ringer's Miles Surrey wonders whether anything can have a "cult following" if everything now exists outside the "mainstream."

The best cult TV shows

Before the streaming era, television shows lived and died by their weekly ratings. That led to early cancellations for several well-regarded shows, like "Freaks and Geeks," "Party Down," and "Veronica Mars." Thanks to DVD boxsets and streaming, the shows often became cult classics long after they were taken off the air.

Watch Francis Ford Coppola's debut feature film, the low-budget horror movie 'Dementia 13.'

Watch 'Hearts of Darkness: A Filmmaker's Apocalypse,' the documentary about Francis Ford Coppola's notorious production behind 'Apocalypse Now,' shot by Coppola's wife, Eleanor.

Jim Henson's 'Fraggle Rock' was the first American TV series to air in the USSR.

The 'Movie Brats'—the nickname given to 1970s film directors like Steven Spielberg, Francis Ford Coppola, George Lucas, and others—ushered in a new era of Hollywood.

The 'Wicked' movies turned an already-successful Broadway show into a behemoth

The production was already one of the most successful in Broadway history, but the release of the first movie kicked it into overdrive: It grossed 15% more in 2024, the year "Wicked: Part I" was released, than the previous year, bringing in more than $112M.

'Dr. Strangelove' is widely considered the best satirical film

Stanley Kubrick’s satire about nuclear war came just two years after the Cuban Missile Crisis and spoke to Americans still coming to terms with the possibility of nuclear annihilation. In 1989, the Library of Congress included it among the first 25 films preserved in the National Film Registry, a repository for the greatest achievements in cinema.

The 'Ratatouille' musical started as a joke on TikTok

It all started as a meme: What if “Ratatouille” were adapted for the stage? Just a few months later, though, it was an actual production, featuring genuine Broadway stars.

Stephen King's basement inspired a Ramones classic

The horror writer was a fan of the band and invited them to his home in Maine. While hanging out in the basement, Dee Dee Ramone, the band's bassist, stole away with a copy of King's "Pet Sematary" and wrote a song about it. The song appeared in the film adaptation of the book, which began shooting a month later.

Why one highly anticipated Broadway musical flopped

“Spider-Man: Turn Off the Dark” had all the makings of a Broadway blockbuster, with acclaimed director Julie Taymour and music from U2’s Bono and the Edge, but technical mishaps and bad reviews plagued the musical, which closed with $60M in losses.

How ‘Napoleon Dynamite’ rewrote the indie movie marketing playbook

"Napoleon Dynamite" was a phenomenon when it was released in 2004, but the excitement around the film was the result of a carefully executed, outside-the-box PR strategy that featured free screenings, endless merch, and an early form of stan-centric social media. This deep dive into the film’s inventive marketing tactics explain how a film with a modest budget was able to become a cultural sensation.

Before 'SNL,' producer Lorne Michaels was a performer

Michaels was a costar on "The Hart and Lorne Terrific Hour," a popular show on the Canadian network CBC. As these clips show, it was a standard variety show, something Michaels would intentionally react against with "SNL."

'Jesus Christ Superstar' was an album before it was a musical

Written in the late '60s by Andrew Lloyd Webber and Tim Rice, who were hot on the heels of the successful "Joseph and the Amazing Technicolor Dreamcoat," "Jesus Christ Superstar" was first recorded as an album in the style of other popular rock operas of the time, like The Who's "Tommy."

Philip Glass wrote the score for the 1992 horror movie 'Candyman,' though he disliked the film and felt he'd been manipulated into providing music for it.

Fascinated by the 1960s counterculture, Jim Henson tried to build a psychedelic nightclub.

In 1980, Steven Spielberg added a scene depicting the interior of an alien spaceship to a rerelease of 'Close Encounters of the Third Kind' at the studio's request, but later regretted the decision, believing it depleted the movie's enchanting mystery.

'Saturday Night Fever,' the 1977 film that introduced disco to the mainstream, was based on a fabricated magazine story.

Ten of the most horrifying moments in film

Many films in the genre lean into gratuitous horror, putting off the average viewer. This list of ten moments highlights particularly terrifying scenes from films that otherwise met with mainstream acclaim, from "Mulholland Drive" to "The Lord of the Rings."

The best Valentine's Day-themed horror movies

It may seem like an odd combination—a holiday centered on love and a film genre dedicated to fright—but the hyperspecific subgenre thrives on the apparent juxtaposition, along with some campy send-ups of an overly commercialized holiday.

Chris Rock believes TV ruined stand-up

Chris Rock is one of comedy’s stand-up superstars, breaking through with several specials in the ‘90s. In this interview with stand-up legend David Steinberg, Rock explains how comics began working towards landing a spot on TV rather than focusing on creating a long, inspired stand-up set.