Famed director Brian De Palma idolizes 'Vertigo'

Filmmaker Martin Scorsese is a Hitchcock superfan

Famed director Martin Scorsese breaks down what makes four Hitchcock films (“Dial M for Murder,” “Rear Window,” “Vertigo,” and “Psycho”) so remarkable and discusses how Hitchcock’s style influenced his own work, including his 1980 film, “Raging Bull.”

Alfred Hitchcock's work continues to influence movie directors today

Hitchcock’s importance and influence are exemplified in the specific tropes (such as the MacGuffin and the killing of innocents) and techniques (like the dolly zoom) that the director pioneered and popularized, demonstrating just how far-reaching his influence remains.

10 films that influenced Alfred Hitchcock

Hitchcock influenced generations of filmmakers who came after him, but this article focuses on the films that influenced the master himself. Among the titles on the list are Lyman Howe’s “A Ride on a Runaway Train,” which allegedly inspired the sexually charged ending of “North by Northwest,” and Henri-Georges Clouzot’s “Les Diaboliques,” which many people believe is responsible for the pivotal shower scene from “Psycho.”

Spielberg was inspired by Hitchcock, Kubrick, and other visionary directors

The influence of Alfred Hitchcock’s “The Birds” and Stanley Kubrick’s “2001: A Space Odyssey” can be seen in the cinematography and tone of Spielberg classics like “Jaws” and “Close Encounters of the Third Kind.”

How Alfred Hitchcock changed cinema

In 1960, Alfred Hitchcock changed moviegoing with "Psycho." At a time when audiences came and went during screenings, he enforced strict start times, banned late arrivals, and kept plot details secret. The result? A $32M hit that helped shape modern theater etiquette.

Alfred Hitchcock influenced thriller filmmaker M. Night Shyamalan

There may be no more obvious heir to Alfred Hitchcock’s throne than M. Night Shyamalan, the director known for suspenseful films like “The Sixth Sense,” “Signs,” and “The Village.” It should come as no surprise that Shyamalan says he’s a big fan of “the Master of Suspense,” going so far as to cite Hitchcock’s “Rebecca” as a major influence, one he called “epic and haunting.”

Hitchcock films thrive on the terror of the ordinary

Hitchcock's films rely on seemingly ordinary elements—like birds or hotels—but slowly turn them into menaces, thanks to the director's pioneering camera techniques. (Some readers may experience a paywall.)

Hitchcock's 'Psycho' broke many established rules in film

Hitchcock flouted convention for “Psycho,” which many consider his masterwork. Hitchcock broke new ground with the 1960 film, with risqué imagery and shocking twists. The film was the most commercially successful in his long and illustrious career.

Legendary director Brian De Palma hated his first viewing of 'Star Wars'

The "Carrie" and "Mission: Impossible" director was invited by his friend George Lucas to watch an early cut of the first "Star Wars," a draft that lacked many of the special effects that would be added later. De Palma was highly critical, telling Lucas that "The Force" was an awful name for the spiritual power Luke Skywalker eventually comes to embrace.

Hitchcock uses recurring images, themes, and tropes in his films

Movie nerds Adam Frost and Zhenia Vasiliev break down eight of the director’s “trademark obsessions,” including his penchant for killing blonde leading ladies, the way mothers are portrayed, and the various ways characters are killed.

Hitchcock regularly made cameos in his own films

Long before Tarantino was born, Hitchcock was casting himself in his movies’ bit parts, allowing careful audience members to find the director walking through the fictional world he’d created. The history behind that decision was an accident.

Alfred Hitchcock influenced modern horror director Jordan Peele

Like Alfred Hitchcock, Jordan Peele has built a filmography that’s equal parts thrilling, suspenseful, genre-bending, and literary. It’s no surprise, then, that so many critics have been quick to name Peele as the second coming of “the Master of Suspense.”

Breaking down the music theory of Hitchcock's 'Psycho'

One of the defining features of Hitchcock’s film “Psycho” (1960) is the music, especially the sounds you hear during some particularly grisly scenes. This analysis from The Music Professor analyzes how that music complements the film, highlighting the way strings match the intensity of the film’s screenplay and black-and-white cinematography.

Alfred Hitchcock influenced the way Spielberg shot 'Jaws'

Steven Spielberg realized the key to unlocking the terror of the shark in "Jaws" would be by obscuring it, remembering an important lesson from Alfred Hitchcock’s “Psycho.” Spielberg recalled, “It’s what we don’t see that is truly frightening."

Hitchcock struggled to make movies at his peak in the 1960s

Despite being at his peak, iconic director Alfred Hitchcock had many unrealized movie projects in the 1960s. The reasons are manifold, including difficulties with casting, budget limits, and controversies around project themes. This podcast breaks down the mysterious hurdles the director faced.

Hitchcock created his own archetype with the 'Hitchcock Blonde'

The most iconic Hitchcock Blondes from the director’s catalog include Kim Novak, Ingrid Bergman, and Grace Kelly. The roles they played contributed to the gothic and foreboding aesthetics that have come to be associated with Hitchcock’s work.

Alfred Hitchcock's 1945 film 'Spellbound,' starring Ingrid Bergman, features a surreal scene designed by Salvador Dalí.

Hitchcock believed film editing was a form of mosaic

In this interview, Hitchcock explains why he doesn't like the term "cutting" because it implies "severing something." Instead, he believes cuts in film allow for a fuller picture and uses the famous shower scene from 1960's "Psycho," which he says uses over 78 different cuts, as an example.

Hitchcock's career began shortly after World War I

Nearly 60 years after beginning in the silent film era in 1919, Hitchcock produced his last film, "Family Plot," in 1976. Over his decades-long career, Hitchcock brought a literary sensibility to previously maligned genres like thrillers and innovated numerous camera techniques.

Listen to an in-depth, career-spanning interview with Steven Spielberg.

In this conversation with the Ringer's Sean Fennessy, the esteemed director reflects on his early life and how it inspired a career in moviemaking. In particular, Spielberg notes the impact of seeing Disney's "Fantasia" at a young age and how it terrified him in a way he found fascinating.

A number of Hitchcock's most celebrated films are based on novels

Hitchcock’s films are often cited as being literary, and with good reason—many of them are based on works of literature. This list from the Los Angeles Public Library not only names the many novels that were adapted for the screen by Hitchcock, like "Rebecca (1940)," but also provides excellent context for how and why Hitchcock came to make his adaptations.

Watch Alfred Hitchcock's 1940 film noir, 'Rebecca'

"Rebecca" was Hitchcock's first American film and is the only Hitchcock film to win the Academy Award for best picture. The story, based on a 1938 novel by Daphne du Maurier, is about a widower (played by acting legend Laurence Olivier) and the haunting direction his life takes in her wake.

Watch 'The Cabinet of Dr. Caligari'

Robert Wiene’s 1920 film remains a significant film for the horror genre, illustrating the power that relatively simple visual choices, like shadows and jagged angles, can have on an audience.

Steven Spielberg’s movies have a unique style

Despite their distinct genres, Spielberg films often have much in common with one another. For example, supernatural phenomena, middle-class values, and camera techniques—including long, uninterrupted shots and a dolly-zoom method called the "Spielberg Face.”

Alma Reville was Alfred Hitchcock's wife, but she was also a screenwriter, consultant, and secret weapon for the Master of Suspense.

Stephen King is drawn to horror's childish power

This 1986 appearance promoting King's directorial debut finds him reflecting on what makes horror, which he says is its ability to strip away pretense, reducing supposedly sophisticated people to terrified children. He also seems to have already soured on the movie business, calling filmmaking "a primitive way to create," a not-so-subtle dig at Stanley Kubrick's adaptation of "The Shining," which notoriously disappointed King.

B-movie king Roger Corman mentored many of the star directors of 1970s Hollywood, including Francis Ford Coppola, Martin Scorsese, and Ron Howard.

Stephen King threw the draft of 'Carrie,' his first hit, into the trash, but his wife rescued it and convinced him to stick with it.

A Hitchcock film has been adapted for a new demographic: smartphone users

Hitchcock's "The Lodger," a silent film from 1927, has been adapted for Tattle TV, a video app featuring "vertical microdramas" aimed at smartphone users looking for bite-sized stories.

'Rear Window' was based on a short story by Cornell Woolrich

Hitchcock's 1954 film, which many consider among the director's greatest, was based on Woolrich's 1942 short story "It Had to Be Murder." The story is characteristic of his dark, claustrophobic work.

Spielberg wrote ‘Poltergeist,’ and some say he directed it, too

Although the horror classic doesn’t credit Spielberg as a director, several people from the cast and crew suggested he was in charge of the film. The film’s credited director, Tobe Hooper, says Spielberg was merely brought on as a second director—which Spielberg has repeatedly confirmed.

Hitchcock's TV show emphasized the director's playful yet suspenseful tone

"Alfred Hitchcock Presents" was a television series that aired from 1955 to 1965, offering viewers weekly bites of the director's unnerving storytelling. Hitchcock acted as host, framing the short films with his haunting voice and gothic language.

Exploring how directors decide where to place the camera

The seamless experience of watching a film is the result of countless aesthetic decisions, one of the most important of which is the placement of the camera taking the shot. In this 8-minute video, directors and actors weigh in on the factors that shape the angles of cinematography, using famous scenes to demonstrate their observations. Watch it here.

The 'Movie Brats'—the nickname given to 1970s film directors like Steven Spielberg, Francis Ford Coppola, George Lucas, and others—ushered in a new era of Hollywood.

Watch Christopher Nolan—director of 'The Odyssey' and 'Oppenheimer'—pick some of his favorite films from the Criterion Collection's closet, including works by Orson Welles, Spike Lee, and others.

What is 'Spielberg Face'?

Spielberg's career is filled with a consistent technique: zooming in on a significant character's face as they process some essential element of the story. One of the most famous is from "Jaws," when Brody first witnesses the shark.

Ray Bradbury said Steven Spielberg was 'one of the most incredible young talents that's ever come into the world.'

Watch Francis Ford Coppola's debut feature film, the low-budget horror movie 'Dementia 13.'

Memorabilia from Hitchcock's career is archived and known as the 'Alfred Hitchcock Papers'

The Alfred Hitchcock Papers are part of the Academy of Motion Picture Arts and Sciences Academy Collection, the world’s largest film-related archive. The collection consists of more than 52 million items, including photographs, posters, screenplays, costumes, props, and the films themselves.

Japanese horror is often more psychological than its Western counterpart

One of the country’s most famous directors is Masaki Kobayashi, who won a Special Jury Prize at the 1965 Cannes Film Festival. Unlike his Western peers, Kobayashi’s films avoid jump scares or gratuitous gore, opting instead for slow-burning psychological explorations that are just as terrifying.

A young Spielberg was changed by DeMille’s ‘The Greatest Show on Earth’

The first movie Steven Spielberg saw was Cecil B. DeMille’s “The Greatest Show on Earth.” The movie’s on-screen train wreck frightened yet fascinated the young Spielberg—illustrating the visceral impact movies have on their audiences.

‘Halloween’ is one of the most profitable indie films of all time

The 1978 John Carpenter movie grossed $70M in its initial run despite a modest budget. It helped pioneer the “slasher flick” subgenre, though it wasn’t filled with cheap thrills. As Roger Ebert pointed out in his review of the movie, Carpenter’s filmmaking techniques—alongside his original score—were a work of art.

Even at the height of his popularity, Spielberg felt like an outsider

By 1992, Spielberg was already one of the most successful names in Hollywood, but he had trouble kicking the alienation he’d felt as a kid. In this interview from 1992, on the cusp of the biggest year of his career, he talks about that feeling and how it motivated him.

Christopher Nolan's 'Odyssey' is the first full-length feature film shot entirely on IMAX, which required him to use 2 million feet of the film.

Francis Ford Coppola began working on 'The Godfather' to bail his production company out of dire financial straits.

The FBI was thrilled with 'The Silence of the Lambs' and its portrayal of the agency

The film's ultimate purpose was to terrify, but the FBI made it clear that they appreciated the accurate, professional portrayals of its agents. "It never hurts to see the organization we all care about and know to be good well-depicted on the big screen," special agent Walter B. Stowe, Jr., wrote in a letter to director Jonathan Demme.

Watch 'Hearts of Darkness: A Filmmaker's Apocalypse,' the documentary about Francis Ford Coppola's notorious production behind 'Apocalypse Now,' shot by Coppola's wife, Eleanor.

'Carrie' kick-started a wildly successful career

King has published more than 60 novels—along with dozens of novellas, hundreds of short stories, and several collections of nonfiction—and has sold over 400 million books. This 2024 interview finds him reflecting on his debut novel, and breakthrough hit, "Carrie," and the wild success that followed.

How Spielberg changed film

Before "Jaws," summer was Hollywood’s off-season. Steven Spielberg’s 1975 thriller changed all that, launching the era of the summer blockbuster. From "E.T." to "Jurassic Park," Spielberg’s films redefined how stories were told, how audiences reacted, and how studios marketed.

'Plan 9 from Outer Space' gained an audience after it was trashed by critics

The science-fiction film went mostly unnoticed in its original theatrical run, often playing in double-features aimed at teenagers. It wasn't until 1980, when film critics Harry and Michael Medved dubbed it the "worst film ever made," that it began to attract a cult following. In 1994, Johnny Depp starred in a biopic about its director, Ed Wood.