'Blowin' in the Wind' became a rallying cry for the Civil Rights Movement

The time Bob Dylan was accused of plagiarizing ‘Blowin’ in the Wind’

“Blowin’ in the Wind” is a defining song of the Civil Rights Movement, one that Dylan openly acknowledged was based on a traditional African spiritual. But when Newsweek accused Dylan of stealing the song in 1963, they weren’t talking about influence. They suggested he’d jacked the tune from a helpless high school student. This article breaks down the falsehood and why it was given so much attention while Dylan was becoming a household name.

Dylan opened for Martin Luther King Jr. at the March on Washington

The apex of Dylan’s era as a “protest singer” was his appearance, alongside collaborator and sometimes-lover Joan Baez, at the March on Washington for Jobs and Freedom. It was the same demonstration where Martin Luther King Jr. delivered his “I Have a Dream” speech. Dylan performed four songs, including a scathing version of “Only a Pawn in Their Game,” a ballad about Medgar Evers, an activist who was murdered at his home in Mississippi by a white supremacist.

Dylan's early records were socially conscious folk songs

Dylan's early records were modeled after his heroes Woody Guthrie and Pete Seeger, meaning they were often acoustic numbers filled with lyrical wordplay and political themes. "Masters of War," from 1963's "The Freewheelin' Bob Dylan," is a perfect example of the form, railing against politicians and war profiteers.

Bob Dylan wrote and recorded songs that later became hits when they were covered by artists like Jimi Hendrix, Adele, and Guns N' Roses.

Dylan influenced many of his contemporaries

Dylan's groundbreaking approach to songwriting didn't just change his career; it changed the trajectory of American popular music. This podcast from the National Association of Music Merchants' oral history project features interviews with several Dylan compatriots and fans–including Pete Seeger, Emmylou Harris, and Robbie Robertson–who detail how Dylan changed their careers and how they viewed songwriting.

Bob Dylan considered Woody Guthrie a foundational influence, a sentiment he immortalized in his 1962 recording 'Song to Woody.'

Dylan's political songs were often abstract

Dylan's protest songs weren't always explicit; sometimes, his dense lyrics only suggested political themes. "Hard Rain," for example, features Biblical allusions, charged images, and what would become generational axioms. It's a perfect encapsulation of what his early records could offer and a thrilling preview for what would come later.

Dylan's raucous 1976 tour was one piece of an ongoing reinvention

In the mid-70s, Dylan assembled a ragtag group of musicians and poets—including Joni Mitchell, Joan Baez, and Allen Ginsberg—he called the Rolling Thunder Revue. Rather than playing stadiums in major markets, they played smaller venues in smaller cities for a more intimate experience. The tour yielded some of the most exuberant versions of Dylan songs, captured in this 1976 performance in Fort Collins, which originally aired on NBC as “Hard Rain.”

Dylan's 1965 electric set at the Newport Folk Festival was viewed by some as a betrayal

It's considered a watershed moment in his career and rock ‘n’ roll history, mostly because the audience allegedly booed Dylan’s new electrified songs, believing he had abandoned politically minded folk music for pop stardom.

Bob Dylan, explained

Bob Dylan has never had a Billboard No. 1 hit—but his influence on music is unmatched. This overview looks at his early protest songs, his shift to electric rock, and the cultural impact of his lyrics, performances, and legacy across generations.

Listen to Woody Guthrie's 1940 concept album about agricultural and economic destruction, 'Dust Bowl Ballads.'

Bob Dylan often reworks his vocal melodies, even for his classic songs

Bob Dylan is an unpredictable live artist willing to reinvent his classics as they age. This analysis by Steven Rings, a music professor, breaks down the evolution of the singing style in "A Hard Rain’s A‐Gonna Fall," which transformed in one 1994 performance and then continued growing.

Jazz provided a soundtrack for the Civil Rights Movement

Songs like Billie Holiday's "Strange Fruit," which portrayed the grim brutality of lynching, and John Coltrane's "Alabama," which was modeled on the rhythm of a speech by Martin Luther King Jr., were the backbeat of the movement.

The Dylan/Whitman connection

Even before his 2016 Nobel Prize, critics often wrote about Bob Dylan with a seriousness typically reserved for literary figures. In this critical analysis, Jones Hogsed continues the tradition, analyzing Dylan's vision of America alongside Walt Whitman's.

A comprehensive list of the best Bob Dylan covers

Bob Dylan’s songwriting quickly became part of the great American songbook, thanks in large part to many major artists of the '60s popularizing their own versions of his songs. As this list proves, though, that tradition continued all the way to today. Learn about essential covers of Dylan songs by Adele, Guns N’ Roses, The White Stripes, and others.

80 artists on their favorite Bob Dylan songs

Listen to any rock music from the past century and you’ll likely hear some trace of Dylan’s influence. This massive list, released back on Dylan’s 80th birthday, offers objective data to back that up. Its 80 participants include David Byrne, Michael McDonald, and dozens more. The best part? The article also includes a playlist, so you can listen to the songs while you read about their impact.

Watch a 1965 press conference with Bob Dylan where he mocks the media's focus on celebrity.

Jimi Hendrix's performance of 'The Star-Spangled Banner' at the original Woodstock was considered an artistic protest of the Vietnam War.

Dylan was called 'the voice of his generation,' but rejected the title

By the mid-60s, Dylan made it clear he had no desire to be a spokesman for anyone but himself. He found the title stifling and believed it would prevent him from creating authentic art.

'Lift Every Voice and Sing' was written to celebrate Abraham Lincoln's birthday, but would go on to become the 'Black national anthem' and a Juneteenth tradition.

Whitman revolutionized American poetry

Whitman was a groundbreaking force in American literature, legitimizing the national idiom, capturing the spirit of the evolving country, and inspiring younger generations of writers for centuries to follow.

Langston Hughes' 'I, Too' replies to Walt Whitman

Hughes was a fan of Whitman and used one of the Good Gray Poet's most famous poems, "I Hear America Singing," as the basis for his 1926 poem "I, Too." Hughes' work is both a response and a pointed commentary about the unequal treatment of Black Americans.

Bob Dylan asked Patti Smith to perform in his place at the Nobel Prize ceremony

Dylan didn't attend the ceremony, citing "other commitments," and asked Patti Smith, the legendary poet and punk pioneer, to perform in his place. Smith sang "A Hard Rain's A-Gonna Fall," accompanied by an orchestra, though she had to request to restart one verse after stumbling over Dylan's dense lyrics.

Watch Bruce Springsteen's 1985 performance of Woody Guthrie's 'This Land Is Your Land,' which he calls 'the greatest song ever written about America.'

'We are on the move now ... Like an idea whose time has come, not even the marching of mighty armies can halt us. We are moving to the land of freedom ...'

- Martin Luther King Jr. at the conclusion of the five-day, 54-mile march

Woody Guthrie wrote 'This Land Is Your Land' as a sarcastic response to 'God Bless America.'

In the late '70s, Dylan started a trilogy of Christian rock albums

Across his six decades making music, Bob Dylan’s gone through numerous artistic eras and reinventions, but among the most polarizing (and, for some, the most perplexing) is Dylan’s Christian period in the late '70s and early '80s.

Dylan was born Robert Zimmerman

The name change was just one facet of his self-created myth. From the moment he arrived in Greenwich Village’s folk scene, he was crafting tall tales about his life, including a claim that he'd spent the previous six years working for a carnival.

How the Vietnam War changed rock 'n' roll

This short video essay analyzes how rock music responded to US involvement in Vietnam, from the protest folk of Phil Ochs and Bob Dylan to the popularity of rock and soul records with soldiers stationed abroad.

In 1966, Dylan was in a motorcycle accident

At the height of his popularity, Bob Dylan disappeared. The press reported it was due to a near-fatal motorcycle accident, though specifics were never provided. When he returned some time later, with a new album and sound, Dylan fans treated the accident as a pivotal moment in the legendary artist's career. But there's ample proof the accident never happened and, at its core, was little more than a cover story for a burnt-out rock star.

Some dispute why the Newport crowd booed Dylan

Bruce Jackson, one of the directors for the infamous 1965 Newport Folk Festival, claimed that the story of Dylan being booed for going "electric" is a myth. Pointing to transcripts from the set's audio recordings, he argued that the audience wasn’t upset with Dylan; they were bothered that he couldn’t play for longer.

The story behind King's 'I have a dream' speech

The Rev. Dr. Martin Luther King Jr. was still drafting his August 28, 1963, speech the night before he was set to speak to more than 250,000 people at a demonstration in Washington, DC. As he delivered his speech, a cry from his favorite gospel singer to “Tell ‘em about the dream, Martin" prompted King to push aside his prepared remarks and rely on his established refrain.

Woody Guthrie emblazoned 'This machine kills fascists' on his guitar, a phrase he borrowed from war machinery.

Marvin Gaye's soulful take on 'The Star-Spangled Banner' at the 1983 NBA All-Star Game turned the national anthem into a slow jam.

Augusta Savage's masterpiece was destroyed after a limited exhibition

"Life Every Voice and Sing," sometimes called "The Harp," debuted at the 1939 New York World's Fair. Based on the James Weldon Johnson poem (and eventual unofficial Black national anthem) of the same name, the massive, 16-foot-tall sculpture depicted a kneeling Black man holding a bar of music in front of 12 chorus singers. After the fair ended in 1940, Savage was unable to pay to preserve it, so it was destroyed.

In the 2000s, Dylan began hosting a weekly radio show

Bob Dylan remained unpredictable, even 40 years into his career. Look no further than his satellite radio show from the 2000s, which found the legendary singer-songwriter riffing on a different theme every week. In this episode that theme is “Nothing.” He talks about Dr. Dre’s “Nuthin’ but a G Thang,” quotes several lines from Shakespeare, and speaks at length about his love for the musical “Porgy and Bess.” It’s a wild, unpredictable ride, just like the rest of his career.

Hear firsthand accounts from the 1963 March on Washington

This video features stories from people who attended the 1963 March on Washington—the largest demonstration in US history at the time—capturing what it felt like to witness a pivotal moment in the Civil Rights movement as it unfolded.

Bob Dylan deeply admires Willie Nelson

The Nobel Prize-winning songwriter is a big fan of the country troubadour. When Dylan was asked for his thoughts on Nelson for a New Yorker profile, he offered a poetic monologue not unlike his lyrics, including a comparison to "the invisible air."

Revisiting the milieu of the Greenwich Village music scene

Few neighborhoods of the world stand out as more productive of a robust music scene than New York City's Greenwich Village, the bohemian launchpad of Joan Baez, Bob Dylan, and other folk artists of the 1960s and '70s. Expert David Browne discusses why it became so significant in this episode of "Sound Opinions."

Some allege that Dylan plagiarized his Nobel Prize lecture

The speech bore striking similarities to entries on SparkNotes, a summary site that's often used by students looking to skip assigned reading. Neither Dylan nor his management commented on the matter, though some critics suggested it was just another part of Dylan's career-long performance.

Paul Simon recorded his landmark album 'Graceland' in South Africa, in defiance of a UN-approved cultural boycott.

Walt Whitman helped define the voice and spirit of American literature

The 19th-century poet is considered one of the most important voices in the American canon. His collection “Leaves of Grass,” in particular, is regarded as a foundational text and is widely taught in American high schools and colleges.

Bob Dylan's 'Never Ending Tour' has racked up close to 3,000 dates

Since 1987, Bob Dylan and his band (featuring a range of rotating members) have toured venues of various sizes on what fans have come to call "The Never Ending Tour." This is thanks to the legendary artist's abundance of dates and lack of demarcation between one tour and the next.

The most famous lines of the 'I Have a Dream' speech were improvised

Though largely scripted, Martin Luther King Jr. shifted off text mid-speech after gospel singer Mahalia Jackson called out, “Tell them about the dream, Martin,” prompting the improvised passage that became the most iconic moment of his public legacy.

In 2016, Bob Dylan won the Nobel Prize in Literature for his lyrics, marking the first time a rock songwriter had won the award.

A bootleg video of a 1966 conversation between Bob Dylan and John Lennon has long been a cryptic text for the artists' superfans.

A high schooler accused Dylan of stealing the song

Newsweek once claimed he bought it from a high school student for $1,000. The story was false—Dylan wrote it in 10 minutes. Years later, the student admitted he had taken credit to impress his classmates.

Listen to Woody Guthrie's 'Columbia River Songs,' the government-commissioned album about Washington state's Columbia River.

In 1988, Bruce Springsteen inducted Dylan into the Rock & Roll Hall of Fame

Bob Dylan was one of the earliest inductees to the Rock & Roll Hall of Fame, joining the third class in 1988. A Dylan devotee (and eventual Rock and Roll Hall of Fame inductee), Bruce Springsteen, did the honors of inducting the legendary musician, offering a tribute that makes the case for Dylan as the catalyst for decades of innovative music.

Roosevelt resigned from a prominent women's organization after it barred a Black singer from performing

When the Daughters of the American Revolution refused to allow Marian Anderson to perform at their Washington hall in 1939 because she was Black, Roosevelt publicly cut ties with the group. She worked to arrange an alternative outdoor concert for Anderson at the Lincoln Memorial, which drew a crowd of 75,000.