The time Bob Dylan was accused of plagiarizing ‘Blowin’ in the Wind’

'Blowin' in the Wind' became a rallying cry for the Civil Rights Movement

The song is based on a spiritual titled "Many Thousand Gone," whose melody Dylan reworked. The result was popularized by the folk trio Peter, Paul, and Mary and from there became an anthem for the growing Civil Rights Movement, culminating in Dylan's appearance at the March on Washington.

A high schooler accused Dylan of stealing the song

Newsweek once claimed he bought it from a high school student for $1,000. The story was false—Dylan wrote it in 10 minutes. Years later, the student admitted he had taken credit to impress his classmates.

Some allege that Dylan plagiarized his Nobel Prize lecture

The speech bore striking similarities to entries on SparkNotes, a summary site that's often used by students looking to skip assigned reading. Neither Dylan nor his management commented on the matter, though some critics suggested it was just another part of Dylan's career-long performance.

Bob Dylan, explained

Bob Dylan has never had a Billboard No. 1 hit—but his influence on music is unmatched. This overview looks at his early protest songs, his shift to electric rock, and the cultural impact of his lyrics, performances, and legacy across generations.

In the '60s, Bob Dylan often trolled the media, mocking its focus on celebrity

This 1965 press conference, just before the release of the landmark "Bringing It All Back Home," illustrates how fed up he'd become, laughing at inane questions and offering snide responses. When asked if he thinks of himself more as a singer or as a poet, he responds, "I think of myself more as a song and dance man."

The Dylan/Whitman connection

Even before his 2016 Nobel Prize, critics often wrote about Bob Dylan with a seriousness typically reserved for literary figures. In this critical analysis, Jones Hogsed continues the tradition, analyzing Dylan's vision of America alongside Walt Whitman's.

Dylan's early records were socially conscious folk songs

Dylan's early records were modeled after his heroes Woody Guthrie and Pete Seeger, meaning they were often acoustic numbers filled with lyrical wordplay and political themes. "Masters of War," from 1963's "The Freewheelin' Bob Dylan," is a perfect example of the form, railing against politicians and war profiteers.

Dylan opened for Martin Luther King Jr. at the March on Washington

The apex of Dylan’s era as a “protest singer” was his appearance, alongside collaborator and sometimes-lover Joan Baez, at the March on Washington for Jobs and Freedom. It was the same demonstration where Martin Luther King Jr. delivered his “I Have a Dream” speech. Dylan performed four songs, including a scathing version of “Only a Pawn in Their Game,” a ballad about Medgar Evers, an activist who was murdered at his home in Mississippi by a white supremacist.

Dylan influenced many of his contemporaries

Dylan’s groundbreaking approach to songwriting didn’t just change his career; it changed the trajectory of American popular music. This podcast from the National Association of Music Merchants’ oral history project features interviews with several Dylan compatriots and fans–including Pete Seeger, Emmylou Harris, and Robbie Robertson–who detail how Dylan changed their careers and how they viewed songwriting.

In 1966, Dylan was in a motorcycle accident

At the height of his popularity, Bob Dylan disappeared. The press reported it was due to a near-fatal motorcycle accident, though specifics were never provided. When he returned some time later, with a new album and sound, Dylan fans treated the accident as a pivotal moment in the legendary artist's career. But there's ample proof the accident never happened and, at its core, was little more than a cover story for a burnt-out rock star.

Dylan's 1965 electric set at the Newport Folk Festival was viewed by some as a betrayal

It's considered a watershed moment in his career and rock ‘n’ roll history, mostly because the audience allegedly booed Dylan’s new electrified songs, believing he had abandoned politically minded folk music for pop stardom.

Bob Dylan often reworks his vocal melodies, even for his classic songs

Bob Dylan is an unpredictable live artist willing to reinvent his classics as they age. This analysis by Steven Rings, a music professor, breaks down the evolution of the singing style in "A Hard Rain’s A‐Gonna Fall," which transformed in one 1994 performance and then continued growing.

Dylan was called 'the voice of his generation,' but rejected the title

By the mid-60s, Dylan made it clear he had no desire to be a spokesman for anyone but himself. He found the title stifling and believed it would prevent him from creating authentic art.

'A Complete Unknown' misrepresented some aspects of Dylan's life

Dylan scholar and Princeton professor Sean Wilentz said the 2024 Dylan biopic had several inaccuracies. According to Wilentz, “The facts are all true … but none of it happened the way that the film depicts it.”

Dylan was born Robert Zimmerman

The name change was just one facet of his self-created myth. From the moment he arrived in Greenwich Village’s folk scene, he was crafting tall tales about his life, including a claim that he'd spent the previous six years working for a carnival.

Dylan's raucous 1976 tour was one piece of an ongoing reinvention

In the mid-70s, Dylan assembled a ragtag group of musicians and poets—including Joni Mitchell, Joan Baez, and Allen Ginsberg—he called the Rolling Thunder Revue. Rather than playing stadiums in major markets, they played smaller venues in smaller cities for a more intimate experience. The tour yielded some of the most exuberant versions of Dylan songs, captured in this 1976 performance in Fort Collins, which originally aired on NBC as “Hard Rain.”

A bootleg video of a 1966 conversation between Bob Dylan and John Lennon has long been a cryptic text for the artists' superfans.

Revisiting the milieu of the Greenwich Village music scene

Few neighborhoods of the world stand out as more productive of a robust music scene than New York City's Greenwich Village, the bohemian launchpad of Joan Baez, Bob Dylan, and other folk artists of the 1960s and '70s. Expert David Browne discusses why it became so significant in this episode of "Sound Opinions."

In 1988, Bruce Springsteen inducted Dylan into the Rock & Roll Hall of Fame

Bob Dylan was one of the earliest inductees to the Rock & Roll Hall of Fame, joining the third class in 1988. A Dylan devotee (and eventual Rock and Roll Hall of Fame inductee), Bruce Springsteen, did the honors of inducting the legendary musician, offering a tribute that makes the case for Dylan as the catalyst for decades of innovative music.

Bob Dylan asked Patti Smith to perform in his place at the Nobel Prize ceremony

Dylan didn't attend the ceremony, citing "other commitments," and asked Patti Smith, the legendary poet and punk pioneer, to perform in his place. Smith sang "A Hard Rain's A-Gonna Fall," accompanied by an orchestra, though she had to request to restart one verse after stumbling over Dylan's dense lyrics.

Langston Hughes' 'I, Too' replies to Walt Whitman

Hughes was a fan of Whitman and used one of the Good Gray Poet's most famous poems, "I Hear America Singing," as the basis for his 1926 poem "I, Too." Hughes' work is both a response and a pointed commentary about the unequal treatment of Black Americans.

Why is Bob Dylan on Patreon?

The singer's notorious for his inscrutability, but his venture into the content subscription website might be one of his stranger choices, especially given the posted content that resembles AI-generated material. Pitchfork's Nina Corcoran surveys the site and tries to make sense.

Listen to Jimi Hendrix’s mind-bending cover of the national anthem

Towards the end of his Woodstock ‘69 set, the legendary guitar whiz went in an unexpected direction with an instrumental cover of “The Star-Spangled Banner.” Hendrix’s version, though, was dissonantly deconstructionist, which many critics believed was a commentary on the ongoing US involvement in Vietnam.

Hughes testified before Sen. Joseph McCarthy’s Subcommittee on Investigations

In 1953, the writer was interrogated by the Subcommittee’s chief counsel, Roy Cohn, about communism and its impact on his work. Cohn quoted lines from poems like “Goodbye, Christ” and “Ballads of Lenin,” but Hughes denied that he was a communist, explaining that poetry should not be taken literally. “That is a poem,” he told Cohn. “One can not state one believes every word of a poem.”

Jazz's popularity inspired a moral panic

When jazz exploded in the 1920s, some believed the music's sudden popularity was the sign of a rotten nation, with one 1920 address at the University of Wisconsin proclaiming, "We are in deadly fear of the Jazz Devil, the demon which is consuming the country." Often, the connections were racialized, with columnists and preachers suggesting that jazz's Black artists were attempting to degrade white America.

David Bowie tried to hire Norman Rockwell for the cover of 'Young Americans'

The Thin White Duke thought the iconic artist, known for his classic Americana, would be the perfect artist for his campy 1975 album, “Young Americans.” Bowie called the Rockwell residence and made the request, but was told that Rockwell would need around six months to complete the painting, which Bowie felt was too long.

Wind of Change investigates a Cold War rumor linking the CIA to a rock anthem

This hit podcast follows journalist Patrick Radden Keefe as he explores whether the Scorpions’ 1990 power ballad “Wind of Change”—an anthem of the Cold War’s end—was secretly written by the CIA as cultural propaganda.

Reports of a recording of Whitman's voice are said to be a hoax

A recording of Whitman reading a portion of his poem "America" has been mass-produced and broadcast, but the Library of Congress and other scholars say the recording is a hoax.

How the Vietnam War changed rock 'n' roll

This short video essay analyzes how rock music responded to US involvement in Vietnam, from the protest folk of Phil Ochs and Bob Dylan to the popularity of rock and soul records with soldiers stationed abroad.

Springsteen says 'Born in the USA' is his 'most misunderstood' song

In 1984, Ronald Reagan was running for reelection and referenced Springsteen at a New Jersey event, saying, "America's future rests in the message of hope in the songs of a man so many young Americans admire — New Jersey's own, Bruce Springsteen." Days later, Springsteen would make his opposition to Reagan clear at a Pittsburgh show. Years later, he'd call the song "one of my greatest and most misunderstood pieces of music."

Langston Hughes performed with Muddy Waters at the Newport Jazz Fest

Hughes became involved with the Rhode Island music festival in 1956, sensing an opportunity to introduce the predominantly white audience to Black culture. In 1960, he helped book Muddy Waters for a blues session that featured the music alongside Hughes' poetic explanation of its history. The final song of the set, "Goodbye Newport Blues," found Waters' pianist singing lyrics Hughes had written earlier that day.

Blues was a major influence on early rock

Early rock ‘n’ roll had a straightforward sound, relying mostly on guitar, bass, drums, piano, and saxophone playing up-tempo 12-bar blues. In subsequent decades, the form evolved and splintered into countless subgenres that used more diverse sounds, instruments, and lyrics.

Music was a profound inspiration for Basquiat

The prolific artist loved music, obsessing over David Bowie, Aretha Franklin, and numerous jazz figures. Many of his favorites appeared in his paintings, creating a body of work that also acts as a glossary of influences. Below is a 1984 portrait of Max Roach, the jazz drummer. (Some readers may experience a paywall.)

Read an early piece of journalism on country music

This 1904 Harper’s Weekly article from Emma Bell Miles offers an early example of country music criticism. Miles traces the music’s roots to the mountaineers who pioneered it. It’s a famous piece for music writers: Miles saw a phenomenon building in the hills long before any major record label.

What impact did WWI have on the US civil rights movement?

One of the great hypocrisies in American history involve the expectation of African-Americans to defend liberty in several wars while being deprived of it when they returned home to, as this article puts it "disfranchisement, segregation, debt peonage and racial violence." The writer reflects on World War I and how it affected the fight for civil rights in the USA.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

The enduring relevance of ‘The Star-Spangled Banner’

Some critics have argued that Key’s past as a slaveholder and his lyrics demeaning slaves mean the country should select a new national anthem. Mark Clague, a professor of musicology, understands that perspective, but suggests Key’s song, despite its warts, is still a fitting anthem.

How a Harlem Renaissance poet teamed up with a Wright brother

Paul Laurence Dunbar is one of the most influential poets from the Harlem Renaissance, a loose collection of Black artists who redefined American literature in the early 20th century. He was also an entrepreneur. He founded a short-lived newspaper, the Dayton Tattler, alongside Orville Wright, one of the famous Wright Brothers who pioneered aviation. This article explores how their friendship defied the societal norms of the time and led to a pioneering publication.

The Beatles once sued Nike

Nike used The Beatles' "Revolution" in an ad, sparking a $15M lawsuit over the song's use. While The Beatles and Nike ultimately reached an agreement, Nike ushered in the modern practice of using hit songs in advertisements, as opposed to jingles or covers.

Whitman founded an antislavery newspaper in Brooklyn

In 1948, Whitman founded a “free soil” newspaper called the Brooklyn Freeman, which explicitly argued against slavery. That activism led to problems for the paper, including an attack on its headquarters after the release of its first issue.

The facts of Truth's life and legacy are still debated by historians

Historians have challenged the accepted biography of Truth—questioning whether she actually ever said "Ain't I a Woman?" and arguing that generations of activists have claimed Truth as a symbol at the expense of accurately understanding who she really was.

Rockwell's 'Murder in Mississippi (Southern Justice)' was a response to real events

The 1965 painting was inspired by the 1964 murders of three men—James Chaney, Andrew Goodman, and Michael Schwerner. The men were affiliated with the Council on Racial Equity and killed by the Ku Klux Klan in Philadelphia, Mississippi. The painting accompanied an article about the inequities of the justice system, which is why its title often includes the parenthetical "(Southern Justice)."

Why Billie Holiday's label refused to release 'Strange Fruit'

Columbia Records declined to record the protest song, fearing negative reactions from southern retailers. She instead recorded it in 1939 for the Commodore label. The recording would eventually sell a million copies, be added to the Library of Congress' National Recording Registry, and be called the "Song of the Century" by Time magazine.

Some argue that appropriation in pop art is simply plagiarism

Some of pop art’s most recognizable works rely on the art of appropriation, lifting advertisements, product images, and—in Roy Lichtenstein’s case—comic book panels drawn by other artists. Artnet dives into a 2023 documentary exploring the complicated legacy of appropriation and high versus low art through interviews with comic artists whose work Lichtenstein copied into million-dollar masterpieces.

‘Sentimental Journeys’ first suggested the Central Park Five's innocence

In 1989, after a young white woman jogging in Central Park was brutally assaulted, police rushed to charge five Black and Hispanic teenagers with the crime. As outrage against the group grew publicly, Didion shared details of a flawed investigation and argued race-based hatred served as motivation against the youths.

DJ Alan Freed was eventually charged in a 'payola' scandal

After popularizing rock 'n' roll, both as a genre and as a culture, Freed became an industry power player, producing movies, hosting concerts, and minting superstars. By the end of the 50's, Freed was charged with 26 counts of commercial bribery, for a scheme they called "payola," and investigated by the House subcommittee on Legislative Oversight.

Ginsberg's 'Howl' portrayed people outside the American mainstream

The poem’s portraits of people on society's fringes—including vivid descriptions of drug use, psychiatric wards, and homosexuality—led to its seizure by US Customs agents and the arrest of its publisher Ferlinghetti. The American Civil Liberties Union defended both in a landmark trial that ruled the book was not obscene.

The Pulitzer Prize has had its fair share of controversies

From fabricated articles to fiction that inspired FBI surveillance, these are five of the most controversial moments in Pulitzer Prize history. Among them: the Pulitzer Board’s decision not to give novelist Sinclair Lewis the 1921 award for fiction. This snub led the author of “Main Street” to become the first Pulitzer recipient to reject the prize in 1926.

Analyzing Billie Holiday's impact on American poetry

Although Holiday is sometimes associated with the Harlem Renaissance, the Black cultural movement of the 1920s and '30s, scholar Whit Frazier Peterson argues that her real impact in poetry was on the Black Arts Movement, the more radical Black literary movement of the '60s and '70s that featured writers like Amiri Baraka, Sonia Sanchez, and Nikki Giovanni.

Malcolm X's 'Ballot or the Bullet' speech emphasized the political power of Black voters

The 1964 speech addressed institutionalized racism in the United States and urged Black Americans to exercise their right to vote or be prepared to defend themselves if democracy continued to fail them. It is lauded as one of the most unflinching speeches from the Civil Rights movement.