Basquiat's work is often called neoexpressionist

Basquiat helped move graffiti from the streets to the galleries

He took graffiti's aesthetics—cryptic slogans, bold colors, and repurposed iconography—and placed them on his canvases, helping to create what some called "post graffiti." These short documentaries, produced in 1982 and 1983, capture the nascent movement as it emerged in the mainstream art world.

View Jean-Michel Basquiat's artwork

The iconic artist had a short career, but he produced a massive body of work and changed the style of American art by bringing together pop art, graffiti, hip-hop, and punk. His work still hangs in galleries across the world. View scans of the most famous ones here.

Picasso was a major influence on Jean-Michel Basquiat

Both Picasso and Basquiat are major figures of 20th-century art, with distinctive styles that flew in the face of the formalized standards of their respective times. Below is one of Basquiat's portraits of Picasso, who influenced the younger artist’s approach to form, from 1984.

Basquiat's art was text heavy

Like his graffiti, Basquiat’s drawings and paintings often featured words and phrases among images. Art historian Robert Farris Thompson said, “[i]t’s as if he were dripping letters.” Below is 1983’s Horn Players, which includes portraits of jazz greats Charlie Parker and Dizzy Gillespie, along with words Basquiat associated with them.

Basquiat's paintings are among the most sought after works in the art world

Although he was popular during his lifetime, Basquiat’s legend has only grown in the decades since his death. In 2017, an untitled work from 1982, sold for $110.4M. More recently, an early work, 1981’s "Crowns (Peso Neto)," earned $48.3M. That work is pictured below.

Basquiat produced more than 1,000 paintings in 10 years

He worked incredibly quickly, producing an estimated 1,000 paintings and 2,000 drawings during his 10-year career. Despite having little formal training, Basquiat was an autodidact who read and consumed widely, then rapidly infused those influences into his work.

Basquiat's crown motif acts as an artistic signature

While tagging graffiti across New York, Basquiat began to appreciate the power of repetition and branding, especially while establishing mystique through his “SAMO” tag. Some art critics argue that his crown motif serves a similar purpose, enabling viewers to recognize his work immediately.

Trove of posthumous paintings reveals Basquiat's technical skill and process

The Louisiana Museum of Modern Art exhibited 50 paintings by the artist in 2026 that had not been shown before. Focused primarily on heads and anatomy, the artworks are touched with signs of his process: smudges, footprints, splashes. The exhibit is annotated with comments from contemporary artists on Basquiat's visionary skill, with some describing him as one of the world's greatest. View a sampling and read more about them here.

The de stijl movement embraced bright colors and abstract images

The 20th-century movement sought to develop a universal language for the modern era by fusing form and function. Modern day viewers will recognize its bright colors and clean aesthetic, popular with retro-styled book and album covers.

New York named a street after Basquiat in 2025

The influential pop artist made his name (and developed his unique graffiti-inflected style) in the city's East Village. In 2025, the city added his name to one of the neighborhood's streets in his honor. (Some readers may experience a paywall.)

Music was a profound inspiration for Basquiat

The prolific artist loved music, obsessing over David Bowie, Aretha Franklin, and numerous jazz figures. Many of his favorites appeared in his paintings, creating a body of work that also acts as a glossary of influences. Below is a 1984 portrait of Max Roach, the jazz drummer. (Some readers may experience a paywall.)

Basquiat's crown appears throughout several works

The artist first used the crown in 1981’s "Red Kings," which placed crowns over two heads. He’d continue using the motif throughout his career, often to highlight important figures, many of them Black, whom he believed had been overlooked.

An indie film helped launch Basquiat's art career

Basquiat starred in “Downtown 81” as a struggling artist, which was not far from reality. In fact, the paintings that he carries throughout the film are some of his earliest works. The production gave him canvas and paint, which he used to create other paintings.

Read the New York Times Magazine’s 1985 cover story on Basquiat

The profile, entitled “New Art, New Money,” captures the artist in the middle of his rise to fame. It also hints at some of his frustrations with that position. In talking about the demands a gallery placed on him, he said, ''I wanted to be a star … not a gallery mascot.'' (Some readers may experience a paywall.)

Basquiat and Warhol were friends and collaborators before a bitter falling out

The two men were tight, but they also offered what the other lacked in the art world: Basquiat inspired Warhol, and Warhol gave Basquiat art-world credibility. They began working together, producing 160 collaborative works between 1983 and 1985. A 1985 exhibition of their joint works was a massive flop, though, and the friendship never recovered.

Prior to his stint as an artworld superstar, Jean-Michel Basquiat played in a punk band with Vincent Gallo.

A 1981 review helped propel Basquiat into superstardom

“The Radiant Child,” featured in Artform in December 1981, presented Jean-Michel Basquiat (and, to a lesser degree, Keith Haring) as the genius of the post-graffiti art movement. The critic, Rene Ricard, wrote that, “[o]ne or two words on a Jean-Michel contain the entire history of graffiti.”

Before using his own name, Jean-Michel Basquiat tagged his graffiti as SAMO

In the late '70s, Basquiat, alongside Al Diaz, began tagging downtown New York with the name "SAMO©," usually followed by a phrase criticizing the art establishment. The tag became notorious in the New York art scene, and Basquiat eventually revealed he was behind it.

Basquiat impressed Warhol by quickly painting a picture of the two men

After Jean-Michel Basquiat was introduced to Andy Warhol in 1982, Warhol took a Polaroid photo of the two of them, and Basquiat ran home (about a mile and a half) to paint it. Two hours later, he returned with Doz Cabezas. The act impressed Warhol, who mentored the young artist.

In 1988, Basquiat died from a heroin overdose

Basquiat’s fame took a toll on the young artist. He felt pigeonholed and caricatured as a Black artist. He used heroin to cope with the pressure, but his addiction grew worse after the death of his mentor, Andy Warhol. He overdosed in 1988, after attempts to get clean.

Basquiat produced an early hip-hop classic

The 1983 track “Beat Bop” features emcees Rammellzee and K-Rob rapping over a beat produced and arranged by Basquiat. Though it leans into several tropes from the early days of hip-hop, it’s also singular, with elements of dub, funk, and disco blending over its 10 minutes.

Basquiat dropped out of high school at 15

Basquiat struggled with his father’s expectations of a white collar life for his son and floundered in school. He dropped out at 15 and left home at 17, living in various places. After finding success, he returned to his father’s home in a limousine and said, “Papa, I made it.”

Picasso was one of the 20th century's most influential artists

The artist is recognized as one of the inventors of cubism, which simplified figures and scenes into flattened geometric shapes and imagined arrangements. The movement spurred new styles in response and led to increasingly abstract art. Styles like futurism, dada, De Stijl, and art deco were built on the simple forms, abstract ideas, collage, and found objects of early cubism.

Jackson Pollock and others developed 'action painting,' highlighting the creative process

A subcategory of performance art, action painting emerged in 1945 as a way to capture a moment-by-moment view of the creative process through painting. For these pieces, the physical act of painting is as important as the finished product. This short explainer video covers the philosophy behind action painting, as well as exploring the works of several well-known action painters, including Jackson Pollock, Franz Kline, and Mark Rothko.

The 1980s neo-pop movement put pop art back in the zeitgeist

Pop art’s legacy is perhaps best exemplified in its longevity. Long after the end of pop art’s classical phase, a neo-pop revival ushered in a new cohort of artists like Murakami, Hirst, and Koons who brought pop once again to the top. To this day, contemporary pop artists—young and seasoned—command high prices on the open market.

Picasso is known as one of the creators of cubism

Cubism is an artistic style pioneered by Pablo Picasso and Georges Braque in the early 20th century. Cubist works portray objects and people from multiple perspectives rather than from one fixed position. This helpful explainer from The National Galleries of Scotland breaks down the history of the style and movement, offering some examples of cubist works.

Jean-Michel Basquiat made a last-minute cameo in Blondie's 'Rapture' music video.

A young Jean-Michel Basquiat was fascinated by the medical reference book 'Gray's Anatomy,' which many believe was an early influence on his idiosyncratic style.

Picasso is known as one of the creators of cubism

In the early 1900s, cubism redefined modern art by breaking objects into geometric shapes and showing multiple perspectives at once. Developed by Pablo Picasso and Georges Braque, it challenged the idea that art should mirror reality, and laid the foundation for many movements that followed.

Romanticism changed the norms of the artworld

Romanticism’s expressiveness led to a change in the norms of portrait painting, favoring emotion, nuance, and less conventional subjects. One such example is Géricault’s portraits of mental illness, depicting patients, including a kleptomaniac and a “child snatcher,” in states of expressive emotion.

Picasso's 'Les Demoiselles d'Avignon' is seen as the start of cubism

The 1907 work rejects many of the art world norms of the time, like linear perspective and realistic depictions of light. Picasso's painting also nods to African masks, demonstrating a willingness to indulge in styles outside the Western canon.

He also influenced contemporary artist George Condo

The scale and reach of Picasso and cubism inspired artists and art movements throughout the early to mid-20th century. In fact, his influence can still be seen in artists today. One such artist, George Condo (known for painting the album cover of Kanye West’s “My Beautiful Dark Twisted Fantasy,” pictured below), heavily references Picasso’s visual language, transmuting the legendary artist’s geometric shapes and perspectives for a more contemporary audience.

Blondie's Debbie Harry was Basquiat's first buyer

The frontwoman appeared alongside the artist in the film “Downtown 81” and, afterward, purchased the 1981 painting “Cadillac Moon.” It was the first painting on canvas that Basquiat sold and a sign of the style and success that would follow.

O’Keeffe was part of a movement of American artists changing previous norms

One of the most recognizable names of the American modernism movement from the early 1900s, O’Keeffe’s portrayals of nature strayed from realism and prioritized emotional truth, using elements like bold colors and abstract shapes to capture the feeling of observing her subjects.

Painter Wayne Thiebaud's portraits of 20th-century Americana are often called 'pop art,' the kitschy movement associated with Andy Warhol that focused on commercialism and everyday objects, but Thiebaud disliked the term and the movement.

Graffiti became an integral part of hip-hop culture

The visual art form began taking off in New York alongside the music of hip-hop. Both were postmodern forms of art that repurposed preexisting materials. For graffiti, that was by using the city as canvas. For rap, that was through sampling. This retrospective not only shows how the two forms intersected, but also how the public perception of both changed over time.

Postmodernism is a cultural movement that valued pluralism

Postmodernism is an artistic movement (in architecture, fashion, music, literature, and more) that embraced fragmentation, eclecticism, pastiche, and pluralism. The movement's practitioners reacted against modernism, which valued Enlightenment ideals, high culture, and clean aesthetics.

Graffiti has its own visual language, including simple 'tags,' large block letters, and complex 'pieces.'

The impressionist painters—the 19th-century group that included Monet, Renoir, Cassatt, and more—got their name from a critic who used the term in a negative review, claiming they were unable to paint more realistic scenes.

The documentary 'Style Wars' captured graffiti at its height

The film explored the tension between graffiti's innovation and its illegality, following some of its most popular artists, such as Mare 139 and Futura, as well as its detractors, including Mayor Ed Koch. The documentary first appeared on PBS in 1983, introducing the movement to a national audience. You can watch it in its entirety below.

Picasso was initially ignored by the US art market

Picasso's now-iconic style was radical for its time and, as such, was something the US art market initially ignored. Hugh Eakin, author of "Picasso's War: How Modern Art Came to America," tells the story of the social norms, tax laws, and influential figures like lawyer John Quinn that set the course for modern art in America in the early 1900s.

View photos of classic New York graffiti

Henry Chalfant was one of the foremost documentarians of early graffiti and hip-hop culture, photographing some of the era's most iconic pieces and playing a part in the genre-defining "Style Wars" film. This interview with him is accompanied by some of his photos from an exhibit at the Bronx Museum of the Arts, showcasing the art form as it came into its own.

After the death of jazz legend Charlie Parker, Beat Generation poet and artist Ted Joans adorned New York's walls with some of its earliest graffiti that read 'Bird lives!'

A look at Barcelona's contemporary art scene

Barcelona is no stranger to influential artists: Antoni Gaudi, Joan Miró, and Pablo Picasso, to name a few. It was the cradle of the Catalan Modernism and Art Nouveau movements in the 19th and 20th centuries. Art continues to be an important form of expression in Barcelona, but style is always evolving. This piece introduces readers to the obscure neighborhoods and budding galleries shaping Barcelona's contemporary art scene.

The scientists trying to prove Jackson Pollock's symbolism

Jackson Pollock is one of the most famous American artists in history. He is well-known for his Abstract Expressionist "drip paintings," which seemed to defy interpretation. But following the artist's posthumous bipolar diagnosis, a team of scientists attempted to prove that his symptoms, including mania and psychosis, caused Pollock to embed images under his thrown paint.

Experimental duo Suicide used the word 'punk' to describe their music in 1970

The New York act was inspired by free jazz, electronic music, and performance art, playing loud, frenetic, and often abrasive music that reckoned with the horrors of the Vietnam War. On the hand-drawn poster for their first gig, they described the sound with four words: “Punk Music by Suicide.”

Browse the paintings of Arnold Schoenberg, the classical composer who also explored expressionist painting.

Keith Haring was inspired by graffiti's accessibility

The visual artist—known for his vibrant pop art—loved how graffiti was a democratic form, available to everyday people who wouldn't otherwise visit museums or galleries. He began drawing chalk murals in New York subway stations, remarking that it was an ideal venue because it attracted a diverse audience.

'The Armory Show' brought modernism and the 'avant-garde' to the US.

Pablo Picasso's Blue Period, one of his most recognizable artistic eras, was inspired by the loss of his friend, Carles Casagemas.