Basquiat produced an early hip-hop classic

Jean-Michel Basquiat made a last-minute cameo in Blondie's 'Rapture' music video.

Music was a profound inspiration for Basquiat

The prolific artist loved music, obsessing over David Bowie, Aretha Franklin, and numerous jazz figures. Many of his favorites appeared in his paintings, creating a body of work that also acts as a glossary of influences. Below is a 1984 portrait of Max Roach, the jazz drummer. (Some readers may experience a paywall.)

Basquiat's art was text heavy

Like his graffiti, Basquiat’s drawings and paintings often featured words and phrases among images. Art historian Robert Farris Thompson said, “[i]t’s as if he were dripping letters.” Below is 1983’s Horn Players, which includes portraits of jazz greats Charlie Parker and Dizzy Gillespie, along with words Basquiat associated with them.

By the mid-1980s, rappers began developing complex techniques

Early hip-hop featured straightforward meter and rhyme, with rappers generally following the beat and using rhyming couplets in the style of nursery rhymes. MCs like Rakim, though, began pushing the limits of the form through varied stresses and dynamic, multisyllabic slant rhymes.

View Jean-Michel Basquiat's artwork

The iconic artist had a short career, but he produced a massive body of work and changed the style of American art by bringing together pop art, graffiti, hip-hop, and punk. His work still hangs in galleries across the world. View scans of the most famous ones here.

A 1981 review helped propel Basquiat into superstardom

“The Radiant Child,” featured in Artform in December 1981, presented Jean-Michel Basquiat (and, to a lesser degree, Keith Haring) as the genius of the post-graffiti art movement. The critic, Rene Ricard, wrote that, “[o]ne or two words on a Jean-Michel contain the entire history of graffiti.”

Basquiat helped move graffiti from the streets to the galleries

He took graffiti's aesthetics—cryptic slogans, bold colors, and repurposed iconography—and placed them on his canvases, helping to create what some called "post graffiti." These short documentaries, produced in 1982 and 1983, capture the nascent movement as it emerged in the mainstream art world.

DJ Kool Herc pioneered the use of breakbeats for hip-hop

Inspired by Jamaican dancehall culture and Manhattan's disco scene, Herc used a new style that used two turntables, seamlessly mixing and looping "breakbeats"—isolated drum breaks from funk, soul, and rock records—that kept dancers at the "back to school jam" moving. Herc's technique would be the basis for modern sampling and hip-hop's first few decades.

The sound of hip-hop's 'Golden Era' is thanks to a shared lexicon

The music’s “Golden Era,” between 1987 and 1994, saw producers and DJs developing more sophisticated approaches to sampling, or repurposing existing sound, by crafting elaborate collages. Many of them used the same references, thanks to a popular bootleg compilation called “Ultimate Break Beats.”

Jazz built the template for hip-hop

Hip-hop was born out of obscure samples, including many that were taken from the annals of jazz. That style was especially popular in rap's early eras, with the subgenre "jazz rap" becoming an accurate descriptor for New York groups like A Tribe Called Quest and Gangstarr.

Grandmaster Flash’s ‘The Message’ set the template for hip-hop composition

This 1982 single is one of the most recognizable beats in hip-hop history, thanks to some inspiration from popular disco and new wave records. The song’s bigger contribution, though, is that it pushed lyrics front and center, turning the rapper from a party-rocking master of ceremonies into a truth-telling MC.

Hear 50 years of iconic hip-hop samples, the genre's foundational looped tracks.

Basquiat's paintings are among the most sought after works in the art world

Although he was popular during his lifetime, Basquiat’s legend has only grown in the decades since his death. In 2017, an untitled work from 1982, sold for $110.4M. More recently, an early work, 1981’s "Crowns (Peso Neto)," earned $48.3M. That work is pictured below.

The Beastie Boys started as a punk band

Before they became a legendary rap group, the New Yorkers played fast, scrappy hardcore in the style of Bad Brains. Still, they were fans of the explosion of hip-hop culture in their city and recorded a jokey track in 1983, which led to a record deal and conversion to hip-hop.

The word ‘hip-hop’ is often credited to DJ Lovebug Starski

The name was coined by Bronx DJ Lovebug Starski, who ad-libbed the term to match the rhythm of a beat while he was rapping. While it began as nonsense, the term went on to describe the music and multifaceted culture that surrounded it.

Trove of posthumous paintings reveals Basquiat's technical skill and process

The Louisiana Museum of Modern Art exhibited 50 paintings by the artist in 2026 that had not been shown before. Focused primarily on heads and anatomy, the artworks are touched with signs of his process: smudges, footprints, splashes. The exhibit is annotated with comments from contemporary artists on Basquiat's visionary skill, with some describing him as one of the world's greatest. View a sampling and read more about them here.

Basquiat produced more than 1,000 paintings in 10 years

He worked incredibly quickly, producing an estimated 1,000 paintings and 2,000 drawings during his 10-year career. Despite having little formal training, Basquiat was an autodidact who read and consumed widely, then rapidly infused those influences into his work.

Basquiat impressed Warhol by quickly painting a picture of the two men

After Jean-Michel Basquiat was introduced to Andy Warhol in 1982, Warhol took a Polaroid photo of the two of them, and Basquiat ran home (about a mile and a half) to paint it. Two hours later, he returned with Doz Cabezas. The act impressed Warhol, who mentored the young artist.

The 1973 ‘back to school jam’ was the night hip-hop was born

Hip-hop began in New York’s Bronx borough with the “back to school jam,” an August 1973 dance party hosted by Cindy Campbell and her brother, DJ Kool Herc, in their apartment building’s recreation room.

An indie film helped launch Basquiat's art career

Basquiat starred in “Downtown 81” as a struggling artist, which was not far from reality. In fact, the paintings that he carries throughout the film are some of his earliest works. The production gave him canvas and paint, which he used to create other paintings.

Basquiat and Warhol were friends and collaborators before a bitter falling out

The two men were tight, but they also offered what the other lacked in the art world: Basquiat inspired Warhol, and Warhol gave Basquiat art-world credibility. They began working together, producing 160 collaborative works between 1983 and 1985. A 1985 exhibition of their joint works was a massive flop, though, and the friendship never recovered.

Basquiat's crown motif acts as an artistic signature

While tagging graffiti across New York, Basquiat began to appreciate the power of repetition and branding, especially while establishing mystique through his “SAMO” tag. Some art critics argue that his crown motif serves a similar purpose, enabling viewers to recognize his work immediately.

Basquiat's work is often called neoexpressionist

The neoexpressionist movement was a reaction to the minimalism of the 1960s, employing bold colors and brash symbolism to convey emotion and, at times, make political statements. As the style’s name implies, it was a new form of expressionism, a movement popular in the early 20th century.

Prior to his stint as an artworld superstar, Jean-Michel Basquiat played in a punk band with Vincent Gallo.

Blondie's Debbie Harry was Basquiat's first buyer

The frontwoman appeared alongside the artist in the film “Downtown 81” and, afterward, purchased the 1981 painting “Cadillac Moon.” It was the first painting on canvas that Basquiat sold and a sign of the style and success that would follow.

New York named a street after Basquiat in 2025

The influential pop artist made his name (and developed his unique graffiti-inflected style) in the city's East Village. In 2025, the city added his name to one of the neighborhood's streets in his honor. (Some readers may experience a paywall.)

Basquiat's crown appears throughout several works

The artist first used the crown in 1981’s "Red Kings," which placed crowns over two heads. He’d continue using the motif throughout his career, often to highlight important figures, many of them Black, whom he believed had been overlooked.

In 1988, Basquiat died from a heroin overdose

Basquiat’s fame took a toll on the young artist. He felt pigeonholed and caricatured as a Black artist. He used heroin to cope with the pressure, but his addiction grew worse after the death of his mentor, Andy Warhol. He overdosed in 1988, after attempts to get clean.

Picasso was a major influence on Jean-Michel Basquiat

Both Picasso and Basquiat are major figures of 20th-century art, with distinctive styles that flew in the face of the formalized standards of their respective times. Below is one of Basquiat's portraits of Picasso, who influenced the younger artist’s approach to form, from 1984.

The Sugarhill Gang’s ‘Rapper’s Delight’ introduced hip-hop to the masses

While it’s not technically the first hip-hop song set to record—that’s Fatback Band’s “King Tim III (Personality Jock)”—1979’s ”Rapper’s Delight” is the song that proved rap was worth putting on wax and introducing the music to a broader audience by reaching the US top 40.

Rapping has roots in numerous aspects of the Black oral tradition

Although “rapping” began in New York with hip-hop in the early 1970s, it can be traced back to griots, who were storytellers in West Africa, and “toasting,” which was a similar talk-sing style practiced by dancehall DJs in Jamaica.

Hip-hop is both a music and a culture

While the word is often used to describe the popular genre, it’s historically been used to describe the culture that sprang up around the music in 1970s New York, including breakdancing and graffiti.

Grandmaster Flash’s DJing masterclass

For some people, DJing is nothing more than pressing play on a few songs, but for hip-hop DJs, it’s a precise art form that requires real skill. Need proof? Watch this 1983 tutorial from Grandmaster Flash, one of the genre’s pioneering DJs, as he walks you through beatmatching and mixing on his spartan set-up of two turntables and a basic mixer.

Graffiti became an integral part of hip-hop culture

The visual art form began taking off in New York alongside the music of hip-hop. Both were postmodern forms of art that repurposed preexisting materials. For graffiti, that was by using the city as canvas. For rap, that was through sampling. This retrospective not only shows how the two forms intersected, but also how the public perception of both changed over time.

Read the New York Times Magazine’s 1985 cover story on Basquiat

The profile, entitled “New Art, New Money,” captures the artist in the middle of his rise to fame. It also hints at some of his frustrations with that position. In talking about the demands a gallery placed on him, he said, ''I wanted to be a star … not a gallery mascot.'' (Some readers may experience a paywall.)

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

Basquiat dropped out of high school at 15

Basquiat struggled with his father’s expectations of a white collar life for his son and floundered in school. He dropped out at 15 and left home at 17, living in various places. After finding success, he returned to his father’s home in a limousine and said, “Papa, I made it.”

Hip-hop producer J Dilla reimagined musical time

There are few names in hip-hop more revered than J Dilla, a producer who’s credited with redefining the feel of the music by playing with its timing.

Deconstructing the most popular hip-hop samples over the last 50 years

Hip-hop celebrated its 50th birthday in 2023, a genre with humble origins that now dominates playlists and charts worldwide. A major, lesser-known feature of hip-hop is its artful use of samples from older records, a technically complex method that forms the unique soundscape of each hip-hop song. To honor the anniversary, sampling company TrackLib created a half-hour video showcasing both visually and auditorily the process used in hits over the last 50 years.

Before using his own name, Jean-Michel Basquiat tagged his graffiti as SAMO

In the late '70s, Basquiat, alongside Al Diaz, began tagging downtown New York with the name "SAMO©," usually followed by a phrase criticizing the art establishment. The tag became notorious in the New York art scene, and Basquiat eventually revealed he was behind it.

Sylvia Robinson is considered ‘the Godmother of Hip-Hop’

While hip-hop was soundtracking countless parties in the early ‘70s, Robinson saw the music’s potential. She began writing, producing, and releasing some of the music’s earliest singles through her Sugar Hill Records label and helped build a place in the music industry for the young music. Robinson’s groundbreaking work led to a 2022 induction into the Rock and Roll Hall of Fame.

The Beat movement started in San Francisco, but quickly moved beyond it

This documentary features interviews with Beat writers Diane di Prima and Lawrence Ferlinghetti, reflecting on their arrival in San Francisco and the explosion of Beat culture in the city and beyond. “It’s not a generation,” di Prima says, reading one of her verses, “it’s a state of mind.”

How Kurt Cobain was influenced by the Beats

Fresh off the success of Nirvana's "Nevermind," band frontman Kurt Cobain reached out to his literary idol, the Beat writer William S. Burroughs, suggesting a collaboration. The correspondence led to "The 'Priest' They Called Him," a hard-to-find recording featuring Burroughs reading a story and Cobain on dissonant guitar.

Hip-hop legends the Notorious BIG, Jay-Z, Busta Rhymes, and DMX all attended the same New York high school.

Record scratching, a technique that came to define the sound of hip-hop, was invented by a 12-year-old.

Champagne has a rich history in hip-hop

The drink is both aspirational and a bragging right. Famous artists name-check brands like Cristal, and up-and-comers long for the day when sparkling wine will flow like water. The trend traces back to the early 1990s and Branson B., “hip-hop’s unofficial sommelier.” The Harlem-based artist would bring bottles of his favorite bubbly to parties, celebrations, and, crucially, recording studios, where friends like the Notorious B.I.G. were laying down some of rap’s foundational tracks.

Hip-hop gained significant popularity in the 21st century, dominating Billboard's pop chart.

Read the Beats' poetry

The Beats were alike in their willingness to experiment and transgress, though the movement’s writers were distinct artists with varying styles. This collection showcases the breadth of the Beat Generation’s work, with authorized texts from Allen Ginsberg, Jack Kerouac, Lawrence Ferlinghetti, Diane di Prima, Richard Brautigan and others.

The Beats also influenced the imagery of the 1960s

First editions of Burroughs’s "The Naked Lunch," Kerouac’s "The Dharma Bums," and Ferlinghetti’s "A Coney Island of the Mind" were just as notable for their text as they were for their design, which anticipated the psychedelic imagery of 1960s countercultural touchstones like Ken Kesey, Andy Warhol, and R. Crumb.

Def Jam’s first office was Rick Rubin’s NYU dorm room

The essential hip-hop label was founded by Rick Rubin in 1984. At the time, Rubin was a New York University student and converted his dorm room into the label’s original office. Along with Russell Simmons, Rubin would release landmark albums from LL Cool J, the Beastie Boys, Public Enemy, and many others.