JRR Tolkien believed fantasy literature was an entirely different world

JRR Tolkien redefined fantasy for a new generation

Tolkien's debut novel, 1937's "The Hobbit," was aimed at young adults, yet it felt far more serious than the whimsical tales of Lewis Carroll or L. Frank Baum. "What Tolkien does is take the 'otherworld' fantasy developed in the 19th century and makes it child-sized, melding it with folklore and Norse myth," notes Farah Mendlesohn, the author of "Rhetorics of Fantasy."

One writer believes fantasy is a form of realism

The literary genre has become massively popular in the 2020s, turning a previously marginal form into a mainstream concern. Spufford, a literary novelist who grew up loving books that explored fantastic worlds, argues that fantasy is so popular because it so accurately reflects the real world.

A lot of high fantasy relies on constructed languages

In "Lord of the Rings," there's Elvish. In "Avatar," it's Na'vi. In "Game of Thrones," it's Dothraki. The languages draw readers into these fictional stories, imbuing the worlds with a sense of realism. Linguist John McWhorter argues these are real languages because they have grammatical rules and evolve over time.

Fantasy has dozens of subgenres

“Fantasy” itself is a rather broad way of characterizing fiction. The genre encompasses many subgenres, including epic (like JRR Tolkein’s “Lord of the Rings”), dark (like Neil Gaiman’s “Coraline”), or even superhero (like your favorite Marvel or DC comics).

Fantasy is a genre that relies on the supernatural

Fantasy is a literary genre that embraces supernatural and magical elements. While the stories often follow common narrative archetypes, like a quest, they frequently take place in elaborately constructed worlds, which sometimes have their own complex physics, lifeforms, and societies.

Fantasy is heavily influenced by myths, legends, and folk tales

In fantasy, anything is possible, mirroring the supernatural worlds of history’s earliest stories. The narrative voice of fantasy is often similar to early tales, too, with an affinity for the magisterial rather than the contemporary.

JRR Tolkien, author of 'Lord of the Rings,' and CS Lewis, author of 'The Chronicles of Narnia,' became close friends after meeting at Oxford and bonding over Norse mythology.

JRR Tolkien believed fairy tales needed dramatic reversals of fortune

Tolkien coined the term "eucatastrophe" to define what he believed as an essential key to good storytelling: “The consolation of fairy-stories [is] the joy of the happy ending: or more correctly of the good catastrophe, the sudden joyous ‘turn.'"

Fantasy and science fiction are distinct genres, though they sometimes overlap

Fantasy stories take place in universes where magic exists; science fiction stories take place in universes that are still grounded in the physics of our world. In science fiction, supernatural powers have scientific explanations. Think of “Spiderman”: Peter Parker gains his powers after being bitten by a radioactive spider.

The word ‘fantasy’ wasn't used to describe the genre until the 20th century

The word—at least as a word used to describe fiction—didn’t appear in the Oxford English Dictionary until 1949. Scholars believe that’s due to the arrival of the Magazine of Fantasy and Science Fiction, an influential publication, and the rise in fantasy’s popularity following World War II.

The US paperbacks of JRR Tolkien's 'Lord of the Rings' series transformed fantasy from a fringe literary genre to a mainstream form.

Tolkien's grandson says 'Lord of the Rings' was influenced by WWI

JRR Tolkien fought in World War I, an experience his grandson, Simon Tolkien, says informed the fantasy legend’s famous trilogy. The companionship between Frodo and Sam and Sauron’s pervasive evil, according to the younger Tolkien, were directly influenced by time on the battlefield.

‘Beowulf’ is a foundational text for modern fantasy

The story is the earliest surviving poem in the English language and enshrined many Anglo-Saxon ideals about heroism, loyalty, and adventure. JRR Tolkein was an enthusiastic fan of the poem, even lecturing about it in 1936, and mirrored many of its themes in “Lord of the Rings.” Critics have also highlighted the influence on later fantasy stories, including “Harry Potter.”

The calendars of the 'Lord of the Rings'

JRR Tolkien's epic fantasy trilogy "The Lord of the Rings" is a seminal work in the history of literature partly due to its creator's obsessive focus on systematic detail—including the calendars used in the world. Take a fantastic dive into the minutiae of Tolkien's creation by learning the different approaches to time organization in the Shire or Rivendell with this dense, comprehensive resource based on Tolkien's appendices.

Lewis Carroll's 'Alice's Adventures in Wonderland' turned the fantasy genre upside down

A lot of 19th-century British fantasy was often stiff; its children’s literature was often overly didactic. Carroll’s novel—about a young girl who falls into an unusual world full—was neither, offering vivid, psychedelic imagery and seemingly nonsensical word games.

Ursula K. Le Guin worked to dismantle fantasy's clichés

The author is one of the genre’s most legendary names, constructing high fantasies like “The Earthsea Cycle” that detail intricate new worlds. In 2004, she delivered a lecture criticizing books and movies that rely on a simple formula: white characters, Medieval settings, and a battle between good and evil. “Whenever I find a fantasy that is set in a genuinely imagined society and culture instead of this lazy-minded, recycled hokum,” she said, “I feel like setting off fireworks.”

Early English fantasy writers built on horror and Gothic texts

After the success of 19th-century books like Mary Shelley’s “Frankenstein” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” readers were eager for more stories that deviated from realism. Early 20th-century texts like George MacDonald’s “Phantastes” and Lord Dunsany’s “The King of Elfland’s Daughter” met the moment, laying the groundwork for the fantasy genre.

In 1974, 'Dungeons and Dragons' turned fantasy into a game

Inspired by the fantasy paperback explosion of the late 1960s and early 1970s, Gary Gygax and Dave Arneson published the original incarnation of the game, which immersed players in worlds similar to fantasy fiction. Since then, several newer editions have been released. In recent years, podcasts and livestreams featuring individuals playing the game have gained popularity.

Wales has had a massive influence on fantasy music, movies and books

Many of "The Lord of the Rings" settings and languages are rooted in the country's landscape and dialect. Studio Ghibli icon Hayao Miyazaki was inspired by Wales' countryside. Rock band Fleetwood Mac used Welsh myths as a basis for songs.

'The Wonderful Wizard of Oz' was the first major American fantasy novel

Baum blended elements of Hans Christian Andersen, the Brothers Grimm, and Lewis Carroll, placing them in an American context. The illustrations of William Wallace Denslow brought the fantastical elements to life, as seen below. The book was an instant smash hit, selling out its initial 10,000-book pressing within the first eight months. By the time it entered the public domain in 1956, it had sold 3 million copies.

The creator of Sherlock Holmes published a book claiming fairies were real

In 1917, two young girls took photos of one another appearing to interact with fairies and a gnome. Sir Arthur Conan Doyle, author of the Sherlock Holmes books and a fervent believer in spiritualism, published the photos in a magazine and asked the girls to recreate them, which they did. Conan Doyle went on to write a book about the fairies. In 1983, decades after his death, the girls admitted the photos had been faked.

L. Frank Baum aimed to make 'Oz' a modern fairy tale

Baum began writing stories for children while working as a traveling salesman and found success with 1899’s “Father Goose, His Book,” a book of nursery rhymes. Its popularity made him realize children did not want moral education; they wanted escapism.

In 'Lord of the Rings,' the 'palantír' is a magical stone that allows one to see virtually anything

The company Palantir's name was inspired by this J. R. R. Tolkien reference. In fact, it's one of several Peter Thiel-cofounded companies that have a nod to The Lord of the Rings for a name, including Valar Ventures and Mithril Capital.

One 'Harry Potter' fan fiction deals with cognitive science and philosophy

Eliezer Yudkowsky's "Harry Potter and the Methods of Rationality" is not your typical fan fiction: It uses JK Rowling's fictional universe to wrestle with rationalist philosophy and the physics behind the magic taught at Hogwarts. The book went on to become popular in Silicon Valley, especially in the effective altruism movement.

'All that is gold does not glitter, not all those who wander are lost; the old that is strong does not wither, deep roots are not reached by the frost.'

- "The Lord of the Rings" author JRR Tolkien (1892-1973)

Fan fiction implies art is an ongoing, communal practice

Although some serious literary types disregard fan fiction, other academics consider it a fascinating development in art and communication, one that allows everyday people to participate in worldbuilding and storytelling.

'Harry Potter' became one of the most successful franchises in history

What began as a story written in cafés by an unknown author grew into a global phenomenon—spanning seven books, eight films, theme parks, and video games—reshaping modern popular culture.

Fan fiction is now studied at universities, including Princeton and Harvard

Some professors approach the genre as a unique form of literature that expands the boundaries of art. Comparative literature courses read the source material as well as its fan fiction byproducts, asking students to analyze the conditions that might've produced such dramatic reinterpretations.

Tove Jansson's illustrations for 'The Hobbit' rankled some of its diehard fans

The Nordic illustrator was asked to contribute illustrations for the 1960 Swedish translation of J.R.R. Tolkien's "The Hobbit." Some fans were critical, though, arguing that the images didn't accurately represent Tolkien's Middle-earth. One of their most convincing pieces of evidence was Jansson's portrayal of Gollum, which she turned into a massive beast. After seeing it, Tolkien realized he needed to specify that the character was "a small, slimy creature."

The 100 best fantasy books

This is a comprehensive list of the genre’s most significant works, chosen by a panel of some of the genre’s leading writers, including NK Jemisin, Neil Gaiman, and George RR Martin. It runs the gamut, from “The Arabian Nights” to the present day and is sure to offer more than one new addition to your reading list.

Translating ‘Harry Potter’ required creativity across 60+ languages

This Vox video explores how translators adapted JK Rowling’s wordplay, invented spells, and cultural references—reimagining names and magical terms while attempting to preserve humor, rhythm, and meaning for readers around the world.

'Everything you look at can become a fairy tale and you can get a story from everything you touch.'

- Danish author Hans Christian Andersen (1805-1875)

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

Literary theorists distinguish between ‘terror’ and ‘horror’

In her essay “On the Supernatural in Poetry,” gothic novelist Ann Radcliffe defined “terror” as the lurking, unseen specter in a story—something that defined gothic literature. “Horror,” on the other hand, was the explicit portrayal of it. For her, the former was artistic, while the latter was cheap.

Unpacking the rapid rise of romantasy, the genre that blends fantasy and romance

The subgenre—primarily aimed at female readers and sometimes bordering on erotica—has become a sensation, due in no small part to its popularity on social media platforms like TikTok. Writers like Sarah J. Maas and Rebecca Yarros harken back to early Gothic works, which similarly sought to combine the supernatural and the erotic.

When testing climate models, computer simulations suggest that Middle-earth should be covered by forests—matching a description in 'The Lord of the Rings'—and that Westeros's long winters in 'Game of Thrones' may be linked to a wobbling planet.

Fan fiction has slowly become a part of mainstream publishing

In 2025, the SenLinYu fantasy novel "Alchemised," which began as "Harry Potter" fan fiction, became a bestseller after being traditionally published; its movie rights were sold for over $3M. The mainstreaming of the genre is due to a combination of factors, including publishing's interest in the hard metrics that fan fiction websites provide.

A scientific analysis of famous time travel stories

This 8-minute video explores how time travel influences the narrative arc of several movies, books and video games, from Harry Potter to A Christmas Carol. (Warning: it contains spoilers!) J.K. Rowling and Charles Dickens set myriad parameters as they’re worldbuilding to avoid paradoxes and create quasi-logical timelines. By drawing diagrams as he’s speaking, the video breaks down how time works in some of popular culture’s most beloved fictional universes.

Dystopian literature is a form of speculative fiction

The classification includes any fiction that "speculates" about how society might operate in the future or in contexts different from the present reality. The genre is an umbrella term for science fiction, fantasy, alternative historical fiction, dystopian and utopian fiction, and apocalyptic and post-apocalyptic fiction.

Nobel Prize winner William Butler Yeats was fascinated by magic and the occult

The Irish poet and 1923 winner of the Nobel Prize for Literature laid out his beliefs in a 1901 essay, entitled "Magic," and was a member of several organizations dedicated to occult and mystical practices.

Several bestsellers began as fan fiction

Ali Hazlewood's "The Love Hypothesis" began as "Star Wars" fan fiction. Cassandra Clare's "Mortal Instruments" series was about "Harry Potter" characters Draco Malfoy and Ginny Weasley. Anna Todd's "After" series was an example of "real life fiction," or fan fiction that is about real people rather than fictional ones (the books were originally based on the boy band One Direction).

Science fiction or new technology?

Dystopian literature is no longer relegated to the page, with innovations like the Tesla Cybertruck and Meta virtual reality headsets mirroring the aesthetics of texts like "The Running Man" and "Neuromancer." In this essay, Casey Michael Henry argues that the images from these works remain while their messages have faded.

Christmas elves evolved from Norse mythology to Santa’s workshop

Elves originated as powerful human-sized beings in Norse mythology, closely tied to nature and fertility. In the 1800s, American writers reimagined them as tiny, toy-making assistants for Santa Claus, with later visual depictions by Norman Rockwell and Disney solidifying their role in Christmas folklore.

Why mythologist Joseph Campbell loved 'Star Wars'

Joseph Campbell, the literature professor who wrote about the power of mythology, suggested that "Star Wars" was a powerful modern myth that used classic archetypes to communicate a universal message.

The novel broke new ground by offering realistic stories

In this brief interview, Terry Castle, an English professor at Stanford, explains the origins of the early British novel. Castle details how the novel was produced for a newly literate middle class interested in recognizable characters and stories “about life as they knew it” rather than Greek and Roman myths or medieval romances. She also explains why a newly enfranchised female demographic was attracted to the fiction of writers like Jane Austen and Virginia Woolf.

Fan fiction is an unauthorized reinterpretation of a copyrighted story

Writers have always reinterpreted and retold others' stories. (John Milton, for example, used characters from the Bible in "Paradise Lost.") Fan fiction, though, refers to unauthorized, creative retellings of copyrighted stories intended for other fans.

'Everybody else is working to change, persuade, tempt and control them. The best readers come to fiction to be free of all that noise.'

- Author Philip Roth (1933-2018)

The inventor of fantasy football first experimented with two other sports

In the mid-1950s, Wilfred “Bill” Winkenbach, a part-owner of the Oakland Raiders, concocted two fantasy sports games: one for Major League Baseball and one for the Professional Golfers’ Association. In 1962, he invented fantasy football alongside two writers from the Oakland Tribune.

A linguist argues Jane Austen's language is what defines her fiction

While many readers love Austen's novels for their characters and their romantic plots, Chi Luu argues that many people (including literary luminaries like Mark Twain, Virginia Woolf, and Ralph Waldo Emerson) underestimate how her adept wordplay, sense of irony, and memorable turns of phrase are what have made readers fall in love with her fiction for centuries.

George RR Martin opposes fan fiction

The "Game of Thrones" author is all for fans creating their own stories, but he finds attempts to commercialize fan fiction distasteful. He's also not interested in reading it. "What I see doesn't affect me, so if you want to do it, I don't care," he said in an interview, "but please don't send it to me."