Modernist novels used unconventional narrative approaches

Postmodern novels challenged narrative itself

Postmodernism describes the cultural movement following World War II, which found artists and thinkers responding to the horrors of the war by challenging the conventional narratives they believed allowed for it. In literature, postmodernist writers played with genre, gallows humor, and intertextuality, interrogating the form itself.

Virginia Woolf admired 'The Tale of Genji'

Widely considered one of the defining voices of modernist literature, Virginia Woolf was known for her experiments with stream-of-consciousness narration, nonlinear storytelling, and psychologically complex characters. In a 1925 essay about Murasaki Shikibu’s “The Tale of Genji,” largely considered the world’s first novel, Woolf explains how Shikibu’s style captures the intricacies of living in ways only the novel can.

The novel broke new ground by offering realistic stories

In this brief interview, Terry Castle, an English professor at Stanford, explains the origins of the early British novel. Castle details how the novel was produced for a newly literate middle class interested in recognizable characters and stories “about life as they knew it” rather than Greek and Roman myths or medieval romances. She also explains why a newly enfranchised female demographic was attracted to the fiction of writers like Jane Austen and Virginia Woolf.

Novels often use perspective as a narrative device

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.

Toni Morrison's novels were popular postmodern texts

Toni Morrison’s novels broke new ground in American fiction by using bold structures and colloquial voices to reckon with the country’s past, developing her approach through classic early novels like “The Bluest Eye” and “Beloved,” all the way to later works like “Home.” Morrison once said, “The meaning of a novel is in its structure.”

Joyce's 'Ulysses' is among modernism's most famous novels

James Joyce’s 1922 epic, “Ulysses,” might be the most intimidating of the modernist movement's many famous novels. It’s a lengthy tome and incredibly dense, written in a stream-of-consciousness style that many readers find impenetrable. Others, however, find it transcendent. This travelogue was written by a reporter traveling to Dublin for Bloomsday, the annual holiday celebrating the novel, who wants to understand why so many people are so drawn to something so esoteric.

Jane Austen revolutionized a form of narration in the novel

Austen's books are narrated by a third-person omniscient narrator, which was not new for her time. Austen, however, helped popularize a little-used technique called "free indirect discourse," in which the narrator took on the style and voice of the character being described without drifting into the first-person perspective. It's a technique still often used by novelists today.

The 21st-century novel is increasingly autofictional

Although autofiction, a literary genre blending autobiography and fiction, has been around for millennia, it has become a popular mode in the 21st century. This extensive study of the genre—which analyzes works by Megan Boyle, Tao Lin, and others—argues that the form has become more prevalent because it mirrors the defining technology of the times: social media.

Writer DH Lawrence, a 20th-century writer known for challenging social conventions, argued that the novel is the height of literary expression.

'Don Quixote' is often called the first 'modern novel' because of its aesthetics

Miguel de Cervantes’ “Don Quixote,” published in the early 17th century, isn’t the first long-form prose narrative. Still, many critics consider it the first “modern novel” because of its structure, approach to narration, and commentary on literature itself.

100 different book covers for Virginia Woolf's ‘Mrs. Dalloway’

Virginia Woolf's 1925 novel "Mrs. Dalloway" is among the most influential books in the English language and a preeminent example of British modernism. It's been published by several imprints and in multiple countries over the last century, creating a fascinatingly diverse collection of covers. This Literary Hub article lists 100 of the best, illustrating Woolf's lasting relevance and, curiously, the many ways her book can be interpreted.

Many literary scholars consider 'The Tale of Genji,' a Japanese text from the 11th century, to be the first novel.

Kurt Vonnegut sought to invert the 'shapes of stories'

Kurt Vonnegut is among the most popular postmodernists, renowned for his humor and willingness to move between genres. This clip from a lecture on narrative is a perfect example of those tendencies, with Vonnegut diagramming typical story structures only to mock their predictability. It's not only an enlightening look at the way stories are told—it's also just good comedy.

Exploring the work of Frances Burney, one of Jane Austen's main influences

Jane Austen is often credited with pioneering the narrative technique of "free indirect discourse," in which a narrator embodies a character's style without using the first-person perspective. But this essay argues Burney is the real innovator and that Austen, a fan of Burney's, continued using the technique to more acclaim.

Dystopian satire became more prominent in the 20th century

Although "anti-utopian" stories have always existed, the international conflicts of World War I and World War II inspired some of dystopian literature’s most influential novels, like Yevgeny Zamyatin’s "We," Aldous Huxley’s "Brave New World," and George Orwell’s "1984." In the decades to follow, more writers would follow the example of those early novels, using the dystopian model to critique artificial intelligence, climate change, and more.

Existentialist literature explores the philosophy's ideas

Existentialism isn't confined to philosophical texts. Some of the movement's figureheads, like Albert Camus and Jean-Paul Sartre, were also novelists. Christina Howells, Professor of French at the University of Oxford, suggests this is because existentialism, as a philosophy, requires human stories to be fully understood, and literature makes the experience of the human condition more present and immediate.

Tom Wolfe wrote a humorous account of the birth of New Journalism

Wolfe explains the style came from journalists attempting to make fact-based reporting read like a novel, arguing that traditional reporting left readers “bored to tears.” Instead of emphasizing an objective point of view, Wolfe favored detailed descriptions that established complex characters, painted interesting scenes, and shared dialogue.

Classifying the 'first novel' is tricky

The question of what counts as the "first novel" doesn't have a simple answer. This explainer looks at early contenders—from ancient Roman satire to Japan's "Tale of Genji"—and how different cultures shaped the rise of long-form fiction.

Romanticism changed the norms of the artworld

Romanticism’s expressiveness led to a change in the norms of portrait painting, favoring emotion, nuance, and less conventional subjects. One such example is Géricault’s portraits of mental illness, depicting patients, including a kleptomaniac and a “child snatcher,” in states of expressive emotion.

The widespread violence of World War I birthed surrealism

Following World War I, artists used unconventional forms of expression to make sense of the death and destruction they'd witnessed for years. Life as they knew it had ended, and movements like Surrealism, founded by André Breton, rebelled against tradition.

A linguist argues Jane Austen's language is what defines her fiction

While many readers love Austen's novels for their characters and their romantic plots, Chi Luu argues that many people (including literary luminaries like Mark Twain, Virginia Woolf, and Ralph Waldo Emerson) underestimate how her adept wordplay, sense of irony, and memorable turns of phrase are what have made readers fall in love with her fiction for centuries.

Novels sometimes use unreliable narrators

When we read a book, we’re effectively forced to take the narrator’s word for what’s unfolding. But what if that narrator has a biased take on those events? What if, in a general sense, that narrator can’t be trusted? Enter the unreliable narrator, a strategic way of shaping a story that adds an additional layer to the narrative.

Early English fantasy writers built on horror and Gothic texts

After the success of 19th-century books like Mary Shelley’s “Frankenstein” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” readers were eager for more stories that deviated from realism. Early 20th-century texts like George MacDonald’s “Phantastes” and Lord Dunsany’s “The King of Elfland’s Daughter” met the moment, laying the groundwork for the fantasy genre.

The Beats autobiographical impulse is still influential

The Beats autobiographical approach to literature is seen in contemporary autofiction. While autofiction emerged as a literary term in the 1970s, its philosophy has several antecedents, including Colette’s Claudine novels, Marcel Proust’s "In Search of Lost Time" and Beat writer Jack Kerouac’s "On the Road."

American modernism highlighted a rapidly changing America

Featuring work from 1915 to 1950, the movement illustrates the country's evolution between World War I and World War II. Artists captured the loss and uncertainty of a post-war, industrialized world.

Broadway's songwriters began experimenting in the 1920s

Broadway’s early decades were heavily influenced by opera and vaudeville, but songwriters in the 1920s began exploring more narrative-based songwriting and psychologically complex characters. That trend would continue in the following decades, though it would evolve in even more nuanced ways.

'For it would seem—her case proved it—that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver.'

- Virginia Woolf (1882-1941) in "Orlando: A Biography"

Why some writers believe there's a new romanticism

Journalist and novelist Ross Barkan argues that a crushing political system and alienating technology have led people to become more interested in the offline, analog world and the beauty of nature and emotion. In this essay, he defines this as "the new romanticism," and predicts it will come to define the culture of the 2020s.

O’Keeffe was part of a movement of American artists changing previous norms

One of the most recognizable names of the American modernism movement from the early 1900s, O’Keeffe’s portrayals of nature strayed from realism and prioritized emotional truth, using elements like bold colors and abstract shapes to capture the feeling of observing her subjects.

Audit a Yale course on great American novels after 1945

Wish you'd paid more attention back in college? There's good news: You can still pop into some college classes, without having to pay tuition (or write term papers). This course from one-time Yale professor Amy Hungerford walks through the great American novels after World War II, including works from Toni Morrison, Philip Roth, Cormac McCarthy, and more.

The opening chapters of bestselling novels are thousands of words shorter than they were in the 1950s

Novels like "The Catcher in the Rye" and "Lord of the Flies" averaged opening chapters with about 4,500 words. Titles from the 2020s, on the other hand, including "Fourth Wing" and "Lessons in Chemistry," are closer to 2,500 words.

Olivia Nuzzi serves as a modern example of New Journalism

Writer Lily Isaacs argues that Nuzzi, a political journalist known for engaging in personal relationships with her subjects, can be viewed as an inheritor of New Journalism. Isaacs claims Nuzzi’s departure from purely objective reporting has informed her profiles, leading to intimate insights into her subjects' psychology.

How does someone become the ‘voice of a generation’?

From modern authors like Sally Rooney and JD Salinger, to the 19th century Pre-Raphaelite Brotherhood, the concept of artists voicing a generation's sentiments goes way back. Read this analysis to understand the concept's history and uncover the potential issues with generalizing a generation's feelings.

The de stijl movement embraced bright colors and abstract images

The 20th-century movement sought to develop a universal language for the modern era by fusing form and function. Modern day viewers will recognize its bright colors and clean aesthetic, popular with retro-styled book and album covers.

Romanticism challenged neoclassicalism

Neoclassical artists believed in the promise of the Enlightenment—that logic was a cure-all for society’s problems—and sought to apply a similar rationality to their artwork. That meant straightforward, realistic work that portrayed historical scenes as close to real life as possible without any visible evidence of the artist’s handiwork.

A computational analysis of Jane Austen's writing

Researchers at the University of Nebraska-Lincoln translated Austen's novels into code to analyze her diction, then published their findings in a searchable database. Users can explore all six of her novels, analyzing the unique words used by her characters and the narrative techniques she employs.

Dystopian literature is focused on oppressive societies

The subgenre can come in many forms, but its shared traits are the way it reflects the anxieties and satirizes the utopian thinking of its writers’ societies. One of the earliest examples is Jonathan Swift's "Gulliver's Travels."

Ghosts can work as powerful literary devices

Noteworthy American novels like Toni Morrison’s "Beloved" tell us how spirits help deliver information and greater truths unknown to the characters. Wondering about our souls is common in literature, and the phantoms in these tales offer a unique way of contemplating the complicated experience of being human.

In 'Frankenstein,' Mary Shelley questioned both Romantic and Enlightenment ideals

The classic monster story is a richly philosophical tale about the role of technology, written by Shelley at the age of 18. This podcast episode explores Shelley's deeper intentions with the story and debunks some of the popular misconceptions about its plot and meaning.

Postmodernism is a cultural movement that valued pluralism

Postmodernism is an artistic movement (in architecture, fashion, music, literature, and more) that embraced fragmentation, eclecticism, pastiche, and pluralism. The movement's practitioners reacted against modernism, which valued Enlightenment ideals, high culture, and clean aesthetics.

One writer believes fantasy is a form of realism

The literary genre has become massively popular in the 2020s, turning a previously marginal form into a mainstream concern. Spufford, a literary novelist who grew up loving books that explored fantastic worlds, argues that fantasy is so popular because it so accurately reflects the real world.

O'Connor believed grotesque fiction was realistic

O'Connor argued that although the style might not be recognizable to all readers, "the grotesque" attempts to reckon with life's inherent mystery. "Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader," she said, "unless it is grotesque, in which case it is going to be called realistic."

Lewis Carroll's 'Alice's Adventures in Wonderland' turned the fantasy genre upside down

A lot of 19th-century British fantasy was often stiff; its children’s literature was often overly didactic. Carroll’s novel—about a young girl who falls into an unusual world full—was neither, offering vivid, psychedelic imagery and seemingly nonsensical word games.

A medievalist explains how romantic love emerged as a cultural concept

Many long-form stories written in English were originally considered "romances," a term derived from the Old French word for "the speech of the people." But changes in medieval culture, triggered by a number of 12th-century church reforms, led to a new interest in what we now consider romantic love, including a new view of marriage as a pursuit of love rather than a transaction. Those new perspectives were then reflected in the period's popular stories, including stories in Chaucer's "Canterbury Tales."

JRR Tolkien believed fantasy literature was an entirely different world

Tolkien effectively invented modern fantasy, which often relies on an intricate universe, complete with its own languages, cultures, lifeforms, physics, and systems. When an author did this effectively, he called it “Faërie”—a sort of enchantment that transports the reader into the fictional world.

Eight ways literature can make us happier

Novels are often characterized as a form of cultural escape, but psychologists argue there are health benefits to the many elements comprising fiction. The Greek philosopher Aristotle explored this in his "Poetics," asking if literature was something meant to make us happier. This article highlights eight different innovations common to literature that provide psychological benefits, including the plot twist and more.

Is streaming the new novel?

Ever since the rise of “prestige television” in the early 2000s, critics and viewers alike have argued that TV has replaced the novel by becoming the most significant storytelling medium, citing the cultural importance of shows like “The Sopranos,” “The Wire,” and “Succession.” This essay notes that streaming has strengthened that argument, turning episodes into chapters, and explains why this has been bad for storytelling in both forms.

Jane Austen used satire to critique women's place in society

Although the novelist is sometimes dismissed as a romance writer, her stories feature pointed societal critiques, especially of women's limited options and challenged popular notions that women were subservient and passive.

Check out cheap, mass-market, and often trashy editions of classic books from Ralph Ellison, James Joyce, Jane Austen, and many more.

Explore a list of the best novels of all time, including works by Jane Austen, Cormac McCarthy, and many others.