Hughes wrote numerous short stories about a character named 'Simple'

Hughes wrote for and about everyday Black Americans

Early in his career, Hughes was often disregarded by prominent white literary critics and criticized by Black intellectuals for his sometimes negative portrayal of Black life. Hughes, though, was unconcerned, saying that he wrote for the “workers, roustabouts, and singers, and job hunters” of New York, Washington, Chicago, and other Black hubs.

Langston Hughes solicited ghost stories from his readers

Hughes had a column in the Chicago Defender newspaper for two decades. In 1951, he asked readers to send him their ghost stories, promising that he'd reward them with autographed copies of his books. He spent the next several months dedicating the column to the stories he received.

Hughes once taught creative writing to junior high and high school students

In 1949, Hughes accepted an eight-week contract at the University of Chicago Laboratory Schools to teach creative work, along with seminars on jazz and the “negro theme” in American poetry. He enjoyed his time at the school, but never returned to the classroom, noting that the early mornings and teaching load left little time for his writing.

Hughes' poems brought blues and jazz to poetry

Poets like Walt Whitman and Claude McKay inspired Hughes, but he was also enamored with blues and jazz music. The styles informed the way he structured his verses, with Hughes employing repetition and rhythm in ways similar to the standard 12-bar blues form and playing with meter in a way that recalled the improvisation of jazz.

Langston Hughes scholars have debated the writer’s sexuality

After his death, Hughes scholars discovered unpublished poems that some believe are addressed to a male lover. Hughes’ primary biographer has argued that he was likely asexual. Hughes never married or publicly commented on his sexual orientation.

Hughes lived in the Soviet Union in the 1930s

Hughes grew interested in the Soviet Union and radical politics in the early 1930s after the Communist Party of the United States defended the Scottsboro Boys, nine Black teenagers wrongly accused and convicted of raping two white women. In 1932, he lived there while working on a film that ultimately fizzled out, and returned home. In 1937, he planned to lead a tour of the country, as advertised below, but canceled it when a newspaper offered him a position reporting from the Spanish Civil War.

'The Negro Speaks of Rivers’ introduced a teenage Hughes to the literary world

While traveling to Mexico to visit his father, Hughes began scrawling “The Negro Speaks of Rivers” as he crossed the Mississippi River, using the river as a metaphor for the Black experience. The poem was published in 1921 in the Crisis, an NAACP magazine edited by WEB DuBois, kickstarting Hughes’ literary career.

Langston Hughes wrote several children's books

Later in his career, the “Poet Laureate of Harlem” branched out into children’s literature, releasing a series of “First Book” titles (“The First Book of Rhythms,” “The First Book of Jazz”) as well as some that helped young Black children cope with racism, like 1969’s “Black Misery.”

Hughes testified before Sen. Joseph McCarthy’s Subcommittee on Investigations

In 1953, the writer was interrogated by the Subcommittee’s chief counsel, Roy Cohn, about communism and its impact on his work. Cohn quoted lines from poems like “Goodbye, Christ” and “Ballads of Lenin,” but Hughes denied that he was a communist, explaining that poetry should not be taken literally. “That is a poem,” he told Cohn. “One can not state one believes every word of a poem.”

Read Langston Hughes’ most famous poems

The writer is considered one of the most important voices in American verse, noted for his use of authentic vernacular, vivid imagery, and jazz-inspired rhythm in poems such as “Harlem,” “I, Too,” and “The Weary Blues.

Langston Hughes wrote a foundational text for the Harlem Renaissance

Although the 1920s artistic movement lacked formal leaders, Hughes' 1926 essay "The Negro Artist and the Racial Mountain" established him as one of its figureheads. Hughes' piece argues that Black artists should not be ashamed of their race; instead, they should embrace it, while simultaneously pursuing their own individual artistic visions.

Writer James Baldwin once criticized Langston Hughes for squandering his talent

In 1959, Baldwin, the author of renowned works like “Go Tell It on the Mountain” and “Giovanni’s Room,” reviewed Hughes’ “Selected Poems” for the New York Times. Baldwin panned the book, writing, “Every time I read Langston Hughes I am amazed all over again by his genuine gifts—and depressed that he has done so little with them.” (Some readers may experience a paywall.)

Hughes recorded an album with jazz legend Charles Mingus

1958’s “The Weary Blues” features Hughes reciting poems over jazz. The back half of the album is accompanied by bassist Charles Mingus and his ensemble, just a year before Mingus would release his landmark record “Mingus Ah Um.”

Hughes reported on Black Americans volunteering in the Spanish Civil War

In 1937, the Baltimore Afro-American newspaper sent him to cover the Black soldiers who’d left the US to fight in the International Brigades cooperating with the Republicans in the Spanish Civil War. Hughes’ dispatches mainly focused on the racially integrated military companies, something that was prohibited in the US.

Langston Hughes performed with Muddy Waters at the Newport Jazz Fest

Hughes became involved with the Rhode Island music festival in 1956, sensing an opportunity to introduce the predominantly white audience to Black culture. In 1960, he helped book Muddy Waters for a blues session that featured the music alongside Hughes' poetic explanation of its history. The final song of the set, "Goodbye Newport Blues," found Waters' pianist singing lyrics Hughes had written earlier that day.

Watch Langston Hughes perform with a jazz quintet

In 1958, Hughes performed with a jazz group on a Vancouver television show before appearing at the University of British Columbia. Hughes reads "Hey!" from his 1927 collection "Fine Clothes to the Jew" before performing 1925's "The Weary Blues."

Hughes' 'Black Nativity' reworked the Christmas story through jazz improvisation

Although he’s primarily known as a poet, Langston Hughes was also a popular playwright. One of his most inventive works is the 1961 stage show “Black Nativity,” which told the story of Christ’s birth with an all-Black cast. Hughes’ original script encourages improvisation, calling on his love of jazz, and includes 27 songs.

Hughes’ ‘Harlem’ inspired Lorraine Hansberry’s ‘A Raisin in the Sun’

Hughes' 11-line poem from “Montage of a Dream Deferred” is one of the most recognizable verses in American literature. Part of that is due to its legacy as the inspiration for the title of Lorraine Hansberry’s landmark 1959 play “A Raisin in the Sun,” the first show written by a Black woman to appear on Broadway.

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

Langston Hughes poems inspired Martin Luther King Jr.'s 'I Have a Dream'

In 1959, King wrote to Hughes, saying, "I can no longer count the number of times and places … in which I have read your poems." Scholars believe that Hughes' words—particularly his poems "Harlem" and "I Dream a World"—inspired King's most famous speech, "I Have a Dream."

Langston Hughes' 'I, Too' replies to Walt Whitman

Hughes was a fan of Whitman and used one of the Good Gray Poet's most famous poems, "I Hear America Singing," as the basis for his 1926 poem "I, Too." Hughes' work is both a response and a pointed commentary about the unequal treatment of Black Americans.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

He made a name with a short story about jumping frogs

Twain’s first big break came with “Jim Smiley and His Jumping Frog,” a fictitious story that appeared in a 1865 edition of the New York Saturday Press. (When it was republished elsewhere, the title was changed to “The Celebrated Jumping Frog of Calaveras County.”) That year, American poet James Russell Lowe called it “the finest piece of humorous literature yet produced in America.”

Rudolph Fisher was an incisive writer—and a practicing physician

Fisher was one of the luminaries Langston Hughes cited in "The Negro Artist and the Racial Mountain" and was known as an impressive polymath, writing stories, acting in plays, and practicing medicine. In this deep dive, science writer Harriet A. Washington explores why he's often neglected in modern narratives about the Harlem Renaissance.

Aaron Douglas' art defined the visual aesthetic of the Harlem Renaissance

Douglas learned about Harlem's cultural scene while teaching high school in Kansas City and was eventually recruited to New York by Charles S. Johnson, the editor of the National Urban League's periodical. Soon, Douglas was illustrating periodicals and books affiliated with the movement. In 1934, the Works Progress Administration commissioned him to paint the "Aspects of Negro Life" murals. One of those murals, "Song of the Towers," pictured below, portrays Black life during the Harlem Renaissance.

Dickens' earliest pieces were under the pseudonym 'Boz'

Dickens began working as a journalist in 1829, publishing his portraits of modern life under a pseudonym. In 1834, he used the pen name "Boz," a reference to his brother's childhood nickname, and eventually published a collection of his stories called "Sketches by Boz." By the 1840s, he'd ditched the pseudonym, enjoying his rarefied literary celebrity.

Read the first (and only) issue of the magazine started by Langston Hughes, Zora Neale Hurston, and others

"Fire!!" was founded in New York in 1926 by Wallace Thurman, Zora Neale Hurston, Countee Cullen, Langston Hughes, and several other artists involved in the Harlem Renaissance. The publication was intended to flout the respectability of the middle-class Black tradition and instead engage with sometimes controversial ideas in a contemporary vernacular. The magazine's offices were, ironically, burned to the ground shortly after the first issue.

What do you know about WWI's only Black fighter pilot?

This in-depth article follows the life of Eugene Bullard, a Black American nicknamed the "Black Swallow of Death" for his work in WWI. Though much of Bullard's life is known, some pieces, like what happened to Bullard's brother who vanished in the Jim Crow South, continue to escape historical record.

Robert Smalls escaped slavery by piloting a stolen Confederate ship to freedom, then became an influential Black political leader during Reconstruction.

How a Harlem Renaissance poet teamed up with a Wright brother

Paul Laurence Dunbar is one of the most influential poets from the Harlem Renaissance, a loose collection of Black artists who redefined American literature in the early 20th century. He was also an entrepreneur. He founded a short-lived newspaper, the Dayton Tattler, alongside Orville Wright, one of the famous Wright Brothers who pioneered aviation. This article explores how their friendship defied the societal norms of the time and led to a pioneering publication.

Interred Japanese Americans wrote satirical poetry

Senryu is a Japanese poetic form that is similar to the haiku, though its aim is often satirical and its composition is often collaborative. At California’s Tule Lake Segregation Center, interred citizens met to write senryu together, often composing verse that criticized their surroundings.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

Coined in 1971, the man credited with naming Silicon Valley was originally writing about semiconductors

Silicon Valley gained its name from an article published in January 1971, in Electronic News. Author Don Hoefler used the term in his headline for an article he was writing about the semiconductor industry. Hoefler is credited with naming the multi-trillion dollar area that is still called Silicon Valley today.

A teenage Dickens found work as a political journalist

Dickens found work as a reporter for the Mirror of Parliament, a weekly newspaper focused on the British legislature. After a few years, he moved to the Morning Chronicle, where he began producing his creative work. Professor John Drew, author of "Dickens, the Journalist," said that the writer "realized he could wield a much more direct, if not more glamorous kind of power, by using his position as a leading writer of fiction and a magazine editor."

O’Connor’s stories feature Southern outcasts thrust into bizarre situations

The Deep South is presented as a shadowy place, filled with scheming figures posing as upstanding citizens, like the conniving door-to-door Bible salesman of “Good Country People,” and smug intellectuals receiving their comeuppances, like the condescending college graduate of “Everything That Rises Must Converge.”

Fans loved a minor character, so Dickens made him a major part of 'Pickwick'

Dickens' first serialized novel, "The Pickwick Papers," was selling modestly until he introduced the wisecracking Sam Weller, a cockney character that working-class readers instantly loved. In response to the attention, Dickens made Weller a central figure in the book, turning the series into a bestseller.

Camus edited an underground newspaper during World War II

The paper, called "Combat," was aligned with the French Resistance fighting against the Nazi occupation. Like his fiction, his journalism was clear-eyed: When Hiroshima and Nagaski were bombed, he criticized the many writers impressed with the destruction, writing, "our technical civilization has just reached its greatest level of savagery."

Read 'The New Negro,' the influential collection that helped define the Harlem Renaissance.

Rockwell left the Saturday Evening Post and began creating more politically charged work

Rockwell left the magazine in 1963 and joined Look magazine, where he began depicting a more complex America than he had at the Post. His work at Look dealt with racial segregation and violence, and often made unambiguous statements about real events.

Dylan was born Robert Zimmerman

The name change was just one facet of his self-created myth. From the moment he arrived in Greenwich Village’s folk scene, he was crafting tall tales about his life, including a claim that he'd spent the previous six years working for a carnival.

Roosevelt wrote a nationally syndicated newspaper column 6 days a week for 27 years

Roosevelt's My Day column was launched in late 1935 and ran nearly every day until shortly before her death in 1962. It began as an account of her daily life but grew into one of the most widely read opinion columns in the country, with 4 million readers at its peak.

Pulitzer's newspapers were intended for the masses

His newspapers, the St. Louis Post-Dispatch and the New York World, transformed journalism by marketing to a mass audience rather than just the elite.

Dylan's political songs were often abstract

Dylan's protest songs weren't always explicit; sometimes, his dense lyrics only suggested political themes. "Hard Rain," for example, features Biblical allusions, charged images, and what would become generational axioms. It's a perfect encapsulation of what his early records could offer and a thrilling preview for what would come later.

The FBI kept tabs on Camus and Sartre

Jean-Paul Sartre worked as an American correspondent for Combat, the newspaper edited by Albert Camus. While he was in the States, J. Edgar Hoover's FBI kept tabs on him, concerned that Combat was publishing unfavorable portrayals of the US.

Camus was influenced by American culture, especially literature and jazz

He loved the work of writers like William Faulker and Ernest Hemingway, and loved drinking whiskey and listening to jazz. He also admired the actor Humphrey Bogart and his striking performance in the noir classic "The Big Sleep." He was delighted when his wife gave him a Burberry raincoat, thinking it made him look more like Bogart.

Mark Twain once challenged a rival newspaper editor to a duel

While writing for a newspaper in Virginia City, Nevada, Twain published a story about a local fundraiser, accusing the paper’s rival of rescinding their donation. The problem was that the story was untrue: It was a hoax that he had concocted while drunk. The affair led to a protracted, public back-and-forth, with Twain challenging the editor of the rival paper to a duel; likewise, two other men challenged Twain to a duel. Twain ultimately left town, but wrote about the episode later on in an essay titled “How I Escaped Being Killed in a Duel.”

The Dylan/Whitman connection

Even before his 2016 Nobel Prize, critics often wrote about Bob Dylan with a seriousness typically reserved for literary figures. In this critical analysis, Jones Hogsed continues the tradition, analyzing Dylan's vision of America alongside Walt Whitman's.

A simple explanation of semiconductors

Semiconductor chips are electronic devices that store and process information. Today they can contain billions of microscopic switches on a chip smaller than a fingernail. The article provides a quick overview of how the devices work and how they've provided the backbone of the computer age.

Ernest Hemingway’s worst boss

Before international fame and the Nobel Prize in Literature, Ernest Hemingway toiled under the harsh rule of the assistant managing editor at the Toronto Daily Star. Learn about the American writer’s difficult early career as a features writer with a job so demanding he had to miss the birth of his first son. However, thanks to that harsh boss, Hemingway asserted boundaries, left journalism, and began his legendary career writing fiction.

Why Percival Everett decided to reimagine 'Adventures of Huckleberry Finn'

Percival Everett's novel "James"—a retelling of Mark Twain's "Adventures of Huckleberry Finn" by Jim, an escaped slave—was one of the most acclaimed books of 2024. In this interview, Everett explains why he decided to rework the classic American novel and why he felt it was necessary to infuse his own with a different voice.