Langston Hughes solicited ghost stories from his readers

Hughes wrote for and about everyday Black Americans

Early in his career, Hughes was often disregarded by prominent white literary critics and criticized by Black intellectuals for his sometimes negative portrayal of Black life. Hughes, though, was unconcerned, saying that he wrote for the “workers, roustabouts, and singers, and job hunters” of New York, Washington, Chicago, and other Black hubs.

Hughes once taught creative writing to junior high and high school students

In 1949, Hughes accepted an eight-week contract at the University of Chicago Laboratory Schools to teach creative work, along with seminars on jazz and the “negro theme” in American poetry. He enjoyed his time at the school, but never returned to the classroom, noting that the early mornings and teaching load left little time for his writing.

Hughes wrote numerous short stories about a character named 'Simple'

Jesse B. Semple, known as “Simple,” was a recurring character in Hughes’ long-running column in the Chicago Defender newspaper. Hughes had conversations with the fictional Simple, who’d offer humorous and subtly profound observations about contemporary life, especially as it related to race, allowing Hughes to present pointed commentaries without coming across as preachy.

Langston Hughes scholars have debated the writer’s sexuality

After his death, Hughes scholars discovered unpublished poems that some believe are addressed to a male lover. Hughes’ primary biographer has argued that he was likely asexual. Hughes never married or publicly commented on his sexual orientation.

Langston Hughes wrote several children's books

Later in his career, the “Poet Laureate of Harlem” branched out into children’s literature, releasing a series of “First Book” titles (“The First Book of Rhythms,” “The First Book of Jazz”) as well as some that helped young Black children cope with racism, like 1969’s “Black Misery.”

Langston Hughes wrote a foundational text for the Harlem Renaissance

Although the 1920s artistic movement lacked formal leaders, Hughes' 1926 essay "The Negro Artist and the Racial Mountain" established him as one of its figureheads. Hughes' piece argues that Black artists should not be ashamed of their race; instead, they should embrace it, while simultaneously pursuing their own individual artistic visions.

Read Langston Hughes’ most famous poems

The writer is considered one of the most important voices in American verse, noted for his use of authentic vernacular, vivid imagery, and jazz-inspired rhythm in poems such as “Harlem,” “I, Too,” and “The Weary Blues.

Langston Hughes poems inspired Martin Luther King Jr.'s 'I Have a Dream'

In 1959, King wrote to Hughes, saying, "I can no longer count the number of times and places … in which I have read your poems." Scholars believe that Hughes' words—particularly his poems "Harlem" and "I Dream a World"—inspired King's most famous speech, "I Have a Dream."

Writer James Baldwin once criticized Langston Hughes for squandering his talent

In 1959, Baldwin, the author of renowned works like “Go Tell It on the Mountain” and “Giovanni’s Room,” reviewed Hughes’ “Selected Poems” for the New York Times. Baldwin panned the book, writing, “Every time I read Langston Hughes I am amazed all over again by his genuine gifts—and depressed that he has done so little with them.” (Some readers may experience a paywall.)

Hughes' poems brought blues and jazz to poetry

Poets like Walt Whitman and Claude McKay inspired Hughes, but he was also enamored with blues and jazz music. The styles informed the way he structured his verses, with Hughes employing repetition and rhythm in ways similar to the standard 12-bar blues form and playing with meter in a way that recalled the improvisation of jazz.

'The Negro Speaks of Rivers’ introduced a teenage Hughes to the literary world

While traveling to Mexico to visit his father, Hughes began scrawling “The Negro Speaks of Rivers” as he crossed the Mississippi River, using the river as a metaphor for the Black experience. The poem was published in 1921 in the Crisis, an NAACP magazine edited by WEB DuBois, kickstarting Hughes’ literary career.

Watch Langston Hughes perform with a jazz quintet

In 1958, Hughes performed with a jazz group on a Vancouver television show before appearing at the University of British Columbia. Hughes reads "Hey!" from his 1927 collection "Fine Clothes to the Jew" before performing 1925's "The Weary Blues."

Langston Hughes' 'I, Too' replies to Walt Whitman

Hughes was a fan of Whitman and used one of the Good Gray Poet's most famous poems, "I Hear America Singing," as the basis for his 1926 poem "I, Too." Hughes' work is both a response and a pointed commentary about the unequal treatment of Black Americans.

Hughes testified before Sen. Joseph McCarthy’s Subcommittee on Investigations

In 1953, the writer was interrogated by the Subcommittee’s chief counsel, Roy Cohn, about communism and its impact on his work. Cohn quoted lines from poems like “Goodbye, Christ” and “Ballads of Lenin,” but Hughes denied that he was a communist, explaining that poetry should not be taken literally. “That is a poem,” he told Cohn. “One can not state one believes every word of a poem.”

Hughes lived in the Soviet Union in the 1930s

Hughes grew interested in the Soviet Union and radical politics in the early 1930s after the Communist Party of the United States defended the Scottsboro Boys, nine Black teenagers wrongly accused and convicted of raping two white women. In 1932, he lived there while working on a film that ultimately fizzled out, and returned home. In 1937, he planned to lead a tour of the country, as advertised below, but canceled it when a newspaper offered him a position reporting from the Spanish Civil War.

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

Hughes' 'Black Nativity' reworked the Christmas story through jazz improvisation

Although he’s primarily known as a poet, Langston Hughes was also a popular playwright. One of his most inventive works is the 1961 stage show “Black Nativity,” which told the story of Christ’s birth with an all-Black cast. Hughes’ original script encourages improvisation, calling on his love of jazz, and includes 27 songs.

Langston Hughes performed with Muddy Waters at the Newport Jazz Fest

Hughes became involved with the Rhode Island music festival in 1956, sensing an opportunity to introduce the predominantly white audience to Black culture. In 1960, he helped book Muddy Waters for a blues session that featured the music alongside Hughes' poetic explanation of its history. The final song of the set, "Goodbye Newport Blues," found Waters' pianist singing lyrics Hughes had written earlier that day.

Read the first (and only) issue of the magazine started by Langston Hughes, Zora Neale Hurston, and others

"Fire!!" was founded in New York in 1926 by Wallace Thurman, Zora Neale Hurston, Countee Cullen, Langston Hughes, and several other artists involved in the Harlem Renaissance. The publication was intended to flout the respectability of the middle-class Black tradition and instead engage with sometimes controversial ideas in a contemporary vernacular. The magazine's offices were, ironically, burned to the ground shortly after the first issue.

Hughes reported on Black Americans volunteering in the Spanish Civil War

In 1937, the Baltimore Afro-American newspaper sent him to cover the Black soldiers who’d left the US to fight in the International Brigades cooperating with the Republicans in the Spanish Civil War. Hughes’ dispatches mainly focused on the racially integrated military companies, something that was prohibited in the US.

Read 'The New Negro,' the influential collection that helped define the Harlem Renaissance.

Hughes recorded an album with jazz legend Charles Mingus

1958’s “The Weary Blues” features Hughes reciting poems over jazz. The back half of the album is accompanied by bassist Charles Mingus and his ensemble, just a year before Mingus would release his landmark record “Mingus Ah Um.”

Hughes’ ‘Harlem’ inspired Lorraine Hansberry’s ‘A Raisin in the Sun’

Hughes' 11-line poem from “Montage of a Dream Deferred” is one of the most recognizable verses in American literature. Part of that is due to its legacy as the inspiration for the title of Lorraine Hansberry’s landmark 1959 play “A Raisin in the Sun,” the first show written by a Black woman to appear on Broadway.

An early short story by Ray Bradbury was plucked from an open submission call by 'In Cold Blood' author Truman Capote, who believed he'd found a significant voice.

Ghosts can work as powerful literary devices

Noteworthy American novels like Toni Morrison’s "Beloved" tell us how spirits help deliver information and greater truths unknown to the characters. Wondering about our souls is common in literature, and the phantoms in these tales offer a unique way of contemplating the complicated experience of being human.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

Aaron Douglas' art defined the visual aesthetic of the Harlem Renaissance

Douglas learned about Harlem's cultural scene while teaching high school in Kansas City and was eventually recruited to New York by Charles S. Johnson, the editor of the National Urban League's periodical. Soon, Douglas was illustrating periodicals and books affiliated with the movement. In 1934, the Works Progress Administration commissioned him to paint the "Aspects of Negro Life" murals. One of those murals, "Song of the Towers," pictured below, portrays Black life during the Harlem Renaissance.

Contemporary horror novelists on their favorite scary stories

Ten of horror's best writers name the books that still give them nightmares. From established classics, like Stephen King's "IT" and Shirley Jackson's "The Haunting of Hill House," to unexpected picks like Katherine Dunn's "Geek Love," this collection of scary stories is a perfect reading list for Halloween.

Ancient ghost stories appeared in texts like 'The Odyssey'

Sharing ghost tales has been around for centuries. Ancient Mesopotamia, Rome, and Greece each had their own chilling stories about encountering spirits. Find mentions of specters in some of history’s most famous writings like the "Epic of Gilgamesh" and "The Odyssey."

Ghost stories can help us process death

Scholar Coya Paz’s research into ghost stories indicated that people often use them to grieve and remember tragic histories. Paz notes that specters in stories almost always demand to be acknowledged. She also shares the three most common types of ghosts we hear about are either vengeful, unwelcoming, or comforting.

Allen Ginsberg debuted his poem 'Howl' at San Francisco's Six Gallery in 1955, kicking off the nationwide interest in the Beat Generation.

The magazine competition that pitted Houdini against the author of 'Sherlock Holmes'

In 1922, Scientific American magazine launched a contest to prove, or disprove, the existence of ghosts and define the limits of Spiritualism. This article details how this competition furthered the growing ideological split between escapologist...

Browse a collection of Harlem Renaissance poetry

This guide from the Poetry Foundation walks you through the movement's major poems, including works by writers like Langston Hughes, Claude McKay, Anne Spencer, James Weldon Johnson, and more. Helpfully, it's organized them into four major eras, allowing you to analyze the movement's steady evolution.

Rudolph Fisher was an incisive writer—and a practicing physician

Fisher was one of the luminaries Langston Hughes cited in "The Negro Artist and the Racial Mountain" and was known as an impressive polymath, writing stories, acting in plays, and practicing medicine. In this deep dive, science writer Harriet A. Washington explores why he's often neglected in modern narratives about the Harlem Renaissance.

How a Harlem Renaissance poet teamed up with a Wright brother

Paul Laurence Dunbar is one of the most influential poets from the Harlem Renaissance, a loose collection of Black artists who redefined American literature in the early 20th century. He was also an entrepreneur. He founded a short-lived newspaper, the Dayton Tattler, alongside Orville Wright, one of the famous Wright Brothers who pioneered aviation. This article explores how their friendship defied the societal norms of the time and led to a pioneering publication.

Although not known for horror, a young Tennessee Williams wrote a gothic radio play

The "Streetcar Named Desire" author wrote "The Strangers," a short script, while a student at the University of Iowa in the 1930s. Andrew Gulli, managing editor for the literary magazine that published the unearthed piece, said that it blends classic '30s radio horror with themes Williams would revisit in later, more famous work.

Mark Twain once challenged a rival newspaper editor to a duel

While writing for a newspaper in Virginia City, Nevada, Twain published a story about a local fundraiser, accusing the paper’s rival of rescinding their donation. The problem was that the story was untrue: It was a hoax that he had concocted while drunk. The affair led to a protracted, public back-and-forth, with Twain challenging the editor of the rival paper to a duel; likewise, two other men challenged Twain to a duel. Twain ultimately left town, but wrote about the episode later on in an essay titled “How I Escaped Being Killed in a Duel.”

The history of ghosts, explained

The afterlife has perplexed humans across different periods, cultures, and belief systems. The desire to understand what comes next is often explored through the telling of ghost stories. Learn more about the spooky phenomena here.

Ghost stories across cultures often trace back to traumatic events

From a bat-like demon in Tanzania to a malevolent woman figure hovering above your sleeping body, the four disturbing tales outlined in this NPR article offer a glimpse into how happenings from WWII or the Aztec Empire haunt people’s memories.

Alain Locke's 'The New Negro' anthology helped define the Harlem Renaissance

The 1925 collection of poetry, drama, short fiction, lyrics, and essays by Black writers was intended to document what Locke, a Harvard-trained philosopher and the first Black Rhodes Scholar, believed was a burgeoning Black consciousness that was "vibrant with a new psychology." The book is now considered one of the major impetuses for the Harlem Renaissance.

''Twas the Night Before Christmas' was published anonymously with a different title

A decade after it came out, Clement Clarke Moore accepted credit for the rhyming holiday tale. Some still believe that Henry Livingston, Jr. is the author, but evidence largely points to Moore.

Thomas Edison, eager to communicate with ghosts, tinkered with an apparatus called the 'spirit phone.'

In 1996, Stephen King dominated the publishing industry, occupying 6 of the 15 spots on the New York Times bestseller list with his 'Green Mile' books.

Dickens' earliest pieces were under the pseudonym 'Boz'

Dickens began working as a journalist in 1829, publishing his portraits of modern life under a pseudonym. In 1834, he used the pen name "Boz," a reference to his brother's childhood nickname, and eventually published a collection of his stories called "Sketches by Boz." By the 1840s, he'd ditched the pseudonym, enjoying his rarefied literary celebrity.

19th-century photographer William Mumler claimed he captured ghosts on film, producing images that stunned and bewildered the public.

Find decades of Hanukkah stories to listen to

For over 30 years, National Public Radio has broadcast its Hanukkah Lights series, a collection of original fiction that relates to the holiday. Here, you’ll find a repository of listeners’ favorite past tales, going back decades.

Science-fiction legend Ray Bradbury couldn't afford college, but he spent several days a week in his local library, teaching himself how to become a writer.

Shirley Jackson is one of horror’s most important writers

The author of 20th-century classics like “The Haunting of Hill House” and “Hangsaman” was a master of domestic horror, though she was often minimized during her life for writing horror. Since her death in 1965, Jackson’s work has proven to be influential to horror and literary writers alike.

A teenage Dickens found work as a political journalist

Dickens found work as a reporter for the Mirror of Parliament, a weekly newspaper focused on the British legislature. After a few years, he moved to the Morning Chronicle, where he began producing his creative work. Professor John Drew, author of "Dickens, the Journalist," said that the writer "realized he could wield a much more direct, if not more glamorous kind of power, by using his position as a leading writer of fiction and a magazine editor."

Roosevelt wrote a nationally syndicated newspaper column 6 days a week for 27 years

Roosevelt's My Day column was launched in late 1935 and ran nearly every day until shortly before her death in 1962. It began as an account of her daily life but grew into one of the most widely read opinion columns in the country, with 4 million readers at its peak.