Archaeologists discovered over 11,000 examples of graffiti in ancient Pompeii

A collection of ancient graffiti from Pompeii, Herculaneum

From cavemen to marker-wielding children, humans have always wanted to leave their mark. Read some of the graffiti left by ancient Romans here. The cities of Pompeii and Herculaneum feature exquisite levels of preservation due to the nature of their demise. Viewers can see the surviving graffiti by clicking through the site's featured collections, which include topics such as poetry and love.

Explore a database of ancient graffiti

Take a look at thousands of pieces of graffiti from the walls of Herculaneum and Pompeii, including name tags, crude jokes, and crude drawings. The database, maintained by classical scholars, allows you to explore maps of the cities and images of the original inscriptions.

A reading of ancient Rome's best graffiti

Graffiti has been surprisingly common throughout history, and even the grandeur of ancient Rome's walls wasn't spared. This clever and funny video reads through some of the more notable messages relayed via graffiti in ancient Rome, from tidbits of wisdom like "A small problem gets larger if you ignore it" to more unsavory observations of lovers, friends, and enemies.

Ancient Romans sometimes lobbed insults through graffiti

Graffiti was used to communicate ideas, offer advice, and, not unlike the internet, talk some trash. That was especially true with tourists, who sometimes scrawled messages on the pyramids, including one person who complained, "I can not read the hierogylphics." In response, someone replied, "Why do you care that you can not read the hieroglyphics? I do not understand your concern."

'Graffiti' comes from the Italian for 'a scribbling'

The word was first used in 1851 to describe the ancient inscriptions on Pompeii's walls. "Graffiti" is the plural form of "graffito," which means "a scribbling."

Explore the collection of vivid frescoes Pompeii left behind

This gallery showcases remarkably preserved frescoes depicting food, daily life, landscapes, and myth. Tools abandoned during the eruption reveal how ancient artists worked, offering insight into Pompeii’s visual culture before Vesuvius buried the city in ash.

Explore the archaeological treasures of Pompeii

Excavations revealed stunning finds—a wooden bed, a horse's saddle, and vivid frescoes—while also suggesting the eruption may have occurred in October, not April. See the discoveries from the EU's $140M Great Pompeii Project.

The art and architecture of the devastated Pompeii

Long buried under feet of ash, the city of Pompeii's discovery millennia later sparked a world of imagination and tragedy. See a collection of paintings, buildings, and photographs from the city all in one easy-to-browse gallery.

A fresco from ancient Pompeii featured an 'ancestor of modern pizza'

A team of archaeologists discovered a fresco from 79 CE featuring what appears to be a proto-pizza: a pita topped with fruit, spices, and other toppings. One archaeologist in the PBS documentary below calls it an "ancestor of modern pizza in the sense that it's a very simple, poor kind of food."

Pompeii's buried secrets are still being revealed

Despite digging for decades, archaeologists are still uncovering new insights into life before the blast that buried Pompeii. Follow a journalist's footsteps as they explore the ruins of Pompeii in this article. The ruins were discovered in the 1700s, and formal excavations throughout the 19th and 20th centuries revealed temples, mansions, and entire streets, while a third of the city remains to be excavated.

A recently discovered fresco in Pompeii depicts gladiators fighting

Archaeologists uncovered a gladiator combat fresco beneath a shop staircase in Pompeii. Its location suggests it decorated a low-end tavern near the gladiator barracks—possibly a hangout for fighters themselves.

When Mount Vesuvius erupted in 79 CE, it buried the Roman city of Pompeii under 20 feet of ash, which preserved it for nearly 1,700 years.

A 101 on Pompeii

Vesuvius’ eruption in 79 CE preserved an entire Roman city in ash, leaving future archaeologists an unprecedented gift: the most complete glimpse to date into the daily life of ancient Romans. The encyclopedia entry, originally written by one of the site’s leading archaeological scholars, is a one-stop shop for all things Pompeii, including what several generations of archaeologists have discovered over centuries of excavation.

Ancient Greek and Roman sculptures were likely colorful, not white

Archaeologists stumbling upon statues from ancient Greece often found weathered creatures, their faces and figures marred by age and conflict. But evidence of polychromy—painting sculptures with color—has continued to mount.

The fast food shops of ancient Pompeii

Researchers have unearthed a frescoed thermopolium (a sort of hot food and drink shop) in Pompeii, the ancient Roman city frozen in time after the catastrophic eruption of Mount Vesuvius in 79 CE. This fascinating discovery provides a glimpse into Roman culinary practices and the daily life of Pompeii's citizens.

Pompeii’s ruins expose the brutal realities of Rome’s sex trade

Drawing on graffiti, slave collars, brothel art, and the story of “Eutychis, a Greek lass with sweet ways,” this piece reconstructs the violent, coercive world of Pompeii’s enslaved prostitutes—and how their owners controlled, renamed, and exploited them.

Pompeii had cafés, nightlife, public baths, and even local elections

This BBC History guide highlights how recognizably modern Pompeii was, from its cafés and bustling public bathing complexes to its theaters, bars, and active voting culture. Historian Mary Beard reveals the city’s surprisingly contemporary feel.

Experts reconstruct Pompeii’s daily life—and whether disaster could strike again

This documentary utilizes archaeology, X-rays, and 3D reconstructions to reconstruct what the streets, homes, and rituals of Pompeii looked like before 79 CE. Scientists also use satellite imaging to track landslide risks that could damage the site today.

In 1974, Norman Mailer touted graffiti as an intellectual art form

The Pulitzer Prize winner explored the style in his 1974 Esquire essay, "The Faith of Graffiti," before expanding on it in a book with 81 photos by Jon Naar. In it, he traces the form back to its ancient roots and compares graffiti writers to Renaissance painters.

Recreating ancient faces: where art meets archaeology

Artistic renderings and reconstructions of ancient people are one way to bring the past to life, providing viewers with insights into and empathy for those who came before. This article details how modern artists and archaeologists work together to...

In the '70s, graffiti moved to subway cars

Unlike static walls, the silver cars moved throughout the city, like a canvas in perpetual motion. That made them highly desired by graffiti artists, especially because tagging them was considerably more difficult and, in turn, more impressive than a simple tag in an alley.

See unused gladiator helmets discovered in Pompeii.

A nearby town proved even more archaeologically important than Pompeii

Herculaneum, buried under five times more ash than Pompeii, was sealed so completely that food, furniture, and entire buildings survived. This BBC documentary reveals how its discoveries have transformed scholars' understanding of the diets, work, and social mobility of ordinary Romans.

Graffiti became an integral part of hip-hop culture

The visual art form began taking off in New York alongside the music of hip-hop. Both were postmodern forms of art that repurposed preexisting materials. For graffiti, that was by using the city as canvas. For rap, that was through sampling. This retrospective not only shows how the two forms intersected, but also how the public perception of both changed over time.

See haunting images of the plaster casts of Pompeii’s victims

The plaster casts preserve victims’ final moments in striking detail—from their poses to the expressions frozen on their faces. This piece explains how 19th-century archaeologist Giuseppe Fiorelli devised the method long after the bodies had decomposed.

As graffiti grew more popular, New York worked to stop it

In 1972, the NYPD made over 1,500 graffiti-related arrests. By 1973, the city was annually spending $10M to remove and limit graffiti. That same year, a poll conducted by an anti-graffiti task force found that the "vast majority" of residents did not consider graffiti to be art.

Graffiti has its own visual language, including simple 'tags,' large block letters, and complex 'pieces.'

How did people survive the eruption in Pompeii?

In 79 CE, Mount Vesuvius erupted and buried Pompeii under roughly 20 feet of volcanic ash. This deadly eruption killed much of the city’s population, but archaeologists recently discovered evidence of survivors. In this podcast episode, classicist Steven Tuck challenges the popular belief of total annihilation and explains how people may have survived, and how they continued to live after the disaster.

Unraveling the charred remains of the only known library from antiquity

This article details the quest to decipher the charred remains of a library buried during Mt. Vesuvius' volcanic blast. In 1752, nearly 2,000 papyrus scrolls were found in Herculaneum. According to this article, this collection is the only complete library that has survived from antiquity. In the last decade, scientists have made strides in decoding the crumbling texts.

Cities and parks often work to prevent graffiti

Although some call it art, many see it as an eyesore and try to prevent it through prohibitive designs, lighting, and vandal-proofed coatings that make spray paint easier to remove. This guide from the Project for Public Spaces outlines some of those strategies and more.

Watch a 3D animation of Pompeii's final day.

Explore the British Museum's Pompeii and Herculaneum collection

This video tour utilizes the British Museum’s collection—featuring frescoes, tools, cookware, jewelry, and even carbonized food—to reconstruct daily life in Pompeii and Herculaneum, offering an expert view of how people lived before the eruption transformed both cities.

Explore Pompeii with an interactive map packed with 60+ key sites

This tool provides detailed information on major landmarks—from the Villa of Mysteries to the House of the Tragic Poet—and suggests themed walking routes based on visit length. A companion app adds virtual reconstructions and a full audioguide.

An immersive curation of the world's rock art

A living archive of humanity’s ancient art and symbols, our shared history that is embedded as rock art and cave art in the landscape

Mount Vesuvius' ancient Roman eruption may have literally boiled blood

Mount Vesuvius erupted in 79 CE, sending ash and debris far and wide, burying several cities and the people inside them. This article details the various ways the blast killed those in Herculaneum. This seaside town was hit with the same ash and debris as Pompeii, and it was also hit by a wave of volcanic gases estimated to be more than 500° Fahrenheit, about 260° Celcius.

Graffiti exists in a legal gray area

"Street art" has become a major seller in the art world, yet many states still consider graffiti to be illegal vandalism. Copyright law complicates the situation further, offering protections for "original works of authorship fixed in a tangible medium of expression," even if they've been created illegally.

Ceren: The Maya Pompeii (sans all the bodies)

The Maya village of Ceren in El Salvador was preserved by volcanic ash from 1,400 years ago, revealing insights into ancient Maya commoners' lives. Ceren villagers had autonomy in their daily activities, and excavations reveal evidence of communal decision-making and event hints at the presence of a community sauna. Dive into more of the archaeological finds on how businesses were run, how they prepared for disaster, and more.

The theory behind public art

Proponents of public art, including graffiti, argue that its free access and visibility breaks down the elitism and financial barriers of galleries and museums, allowing people to interact or ignore the work as they see fit.

How powerful was the volcanic blast that destroyed parts of ancient Rome?

This article details how strong Mt. Vesuvius' powerful 79 CE blast may have been. Pompeii lay a bit further from the volcano's slopes than Herculaneum, a smaller seaside city. While Pompeii was mainly destroyed by ash and lapilli—glassy fragments of lava ejected during volcanic eruptions—Herculaneum was first hit by a scorching pyroclastic cloud of volcanic gas and other matter.

A cave painting might be the oldest illustrated story ever recorded

A nearly 44,000-year-old cave painting may be the oldest story ever recorded, offering viewers a tale of human-like creatures on a hunt. This article details the discovery of the cave and its archaeological implications.

Why is there an archaeologist in my trash can?

Archaeologists have always been interested in rubbish—sites such as waste heaps, middens, and latrines can be some of the richest places to learn about the human past. But the type of rubbish we're leaving behind is changing, and much of it now...

Keith Haring was inspired by graffiti's accessibility

The visual artist—known for his vibrant pop art—loved how graffiti was a democratic form, available to everyday people who wouldn't otherwise visit museums or galleries. He began drawing chalk murals in New York subway stations, remarking that it was an ideal venue because it attracted a diverse audience.

Where did all the refugees from the Mount Vesuvius eruption end up?

Archaeologists have found evidence of about 2,000 of Pompeii and Herculaneum's estimated combined population of 15,000. This article explores what happened to the remaining 13,000 people. Archaeologist Steven Tuck has proposed that the refugees fled the cities as volcanic activity increased, likely resettling elsewhere with family and friends. There's also evidence that the Roman Empire cared for many refugees fleeing Mount Vesuvius.

Why are ancient ruins underground?

When cities fall into disrepair, it's often easier to flatten what you can and build on top. This is why modern archaeologists frequently discover ruins underground, revealing generational layers of cities rebuilt over time. This video explores major examples of this principle, from ancient Troy to even modern Seattle.

Urban planning in ancient Rome

Ancient Rome represents one of the earliest examples of coordinated urban planning from a central government for which researchers have access to contemporary records. This review from MIT showcases ancient Roman cities built on various types of grids, from rectangular outlines to those shaped around two intersecting axes, with several examples and maps provided for each.

Nail art can be traced back to 5,000 BCE

Archaeologists discovered Egyptian mummies with nail art and henna-tinted fingertips. The trend would continue informally for centuries until Revlon introduced modern nail polish in 1932.

The history of infographics: cave art to interactive visuals

When did humans first create infographics? This article and related infographics detail how artistic data representations have evolved alongside humans and other hominins. The roots of infographics can be traced back to cave paintings, such as...

How did ancient cave painters manage to see what they were doing?

As ancient artists made their way deep into caves and created massive works of art that continue to inspire awe today, they would've required light sources to see what they were doing. This gallery details some of the light sources that cave artists...

The ancient origins of focaccia

Focaccia, the Italian flat oven-baked bread that’s often a canvas for delightful culinary artwork, has been around for thousands of years. Archeologists have recently discovered evidence of flatbreads similar to today’s focaccia dating back to the Late Neolithic period in the Fertile Crescent. Researchers believe that communities from present-day Syria and Turkey made these distinctive loaves for large gatherings. Learn more about the bread’s history in this Archeology News article.

Basquiat helped move graffiti from the streets to the galleries

He took graffiti's aesthetics—cryptic slogans, bold colors, and repurposed iconography—and placed them on his canvases, helping to create what some called "post graffiti." These short documentaries, produced in 1982 and 1983, capture the nascent movement as it emerged in the mainstream art world.