Claude McKay's poem 'If We Must Die' criticized racial violence

Langston Hughes' 'I, Too' replies to Walt Whitman

Hughes was a fan of Whitman and used one of the Good Gray Poet's most famous poems, "I Hear America Singing," as the basis for his 1926 poem "I, Too." Hughes' work is both a response and a pointed commentary about the unequal treatment of Black Americans.

Malcolm X's 'Ballot or the Bullet' speech emphasized the political power of Black voters.

Read Langston Hughes’ most famous poems

The writer is considered one of the most important voices in American verse, noted for his use of authentic vernacular, vivid imagery, and jazz-inspired rhythm in poems such as “Harlem,” “I, Too,” and “The Weary Blues.

Hughes' poems brought blues and jazz to poetry

Poets like Walt Whitman and Claude McKay inspired Hughes, but he was also enamored with blues and jazz music. The styles informed the way he structured his verses, with Hughes employing repetition and rhythm in ways similar to the standard 12-bar blues form and playing with meter in a way that recalled the improvisation of jazz.

Rockwell's 'Murder in Mississippi (Southern Justice)' was a response to real events

The 1965 painting was inspired by the 1964 murders of three men—James Chaney, Andrew Goodman, and Michael Schwerner. The men were affiliated with the Council on Racial Equity and killed by the Ku Klux Klan in Philadelphia, Mississippi. The painting accompanied an article about the inequities of the justice system, which is why its title often includes the parenthetical "(Southern Justice)."

How Emily Dickinson and Walt Whitman grappled with the American Civil War

Whitman, whose brother was injured while fighting for the Union, was often overt in his pro-Union poems. Dickinson, whose brother paid to have someone enlist under his name, was more subtle, though equally as affected, as this comparative analysis makes clear.

Shakespeare's American productions have often reflected the state of the country

Shakespeare's works have been used to interpret moments in US history, from the Astor Place Riot in 1849 and Lincoln's frequent quotations of "Macbeth," to the use of Shakespeare in nationwide classrooms today.

Langston Hughes wrote a foundational text for the Harlem Renaissance

Although the 1920s artistic movement lacked formal leaders, Hughes' 1926 essay "The Negro Artist and the Racial Mountain" established him as one of its figureheads. Hughes' piece argues that Black artists should not be ashamed of their race; instead, they should embrace it, while simultaneously pursuing their own individual artistic visions.

Whitman's antislavery writing often focused on white Americans

The poet was openly opposed to slavery, though some of his writing focuses on abolition’s benefits for white people rather than for the lives of the enslaved.

Novelist Jean Toomer was uncomfortable with the term 'Negro writer'

Toomer's modernist novel "Cane" is, among critics, one of the great works of the Harlem Renaissance. Toomer, however, was uncomfortable with his work being labeled as "Negro," including in Alain Locke's movement-defining collection "The New Negro." He found the title both reductive and inaccurate: He was mixed-race, telling writer Claude McKay that he was "French, Dutch, Welsh, Negro, German, Jewish and Indian," and preferred to be considered "American."

'The Negro Speaks of Rivers’ introduced a teenage Hughes to the literary world

While traveling to Mexico to visit his father, Hughes began scrawling “The Negro Speaks of Rivers” as he crossed the Mississippi River, using the river as a metaphor for the Black experience. The poem was published in 1921 in the Crisis, an NAACP magazine edited by WEB DuBois, kickstarting Hughes’ literary career.

Read 'The New Negro,' the influential collection that helped define the Harlem Renaissance.

Dr. Martin Luther King Jr.'s 'Mountaintop' speech became his final public address

Delivered in Memphis the night before his assassination, Dr. King’s 'Mountaintop' speech reflected on mortality, reaffirmed nonviolence, and framed the Civil Rights struggle as part of a longer moral struggle beyond his own life.

Twain's ‘To the Person Sitting in the Darkness’ satirized American imperialism

The 1901 essay was a response to the Philippine-American War as well as Rudyard Kipling’s poem, “The White Man’s Burden,” which argued that Western nations had a moral duty to rescue non-Western nations from ignorance. Twain’s essay ironically encouraged lecturing citizens of the countries being invaded: “for the sake of the Business we must persuade him to look at the Philippine matter in another and healthier way. We must arrange his opinions for him.”

Read an annotated 1866 essay by abolitionist Frederick Douglass, where he laid out his vision for reshaping America after the Civil War.

Langston Hughes poems inspired Martin Luther King Jr.'s 'I Have a Dream'

In 1959, King wrote to Hughes, saying, "I can no longer count the number of times and places … in which I have read your poems." Scholars believe that Hughes' words—particularly his poems "Harlem" and "I Dream a World"—inspired King's most famous speech, "I Have a Dream."

Hughes’ ‘Harlem’ inspired Lorraine Hansberry’s ‘A Raisin in the Sun’

Hughes' 11-line poem from “Montage of a Dream Deferred” is one of the most recognizable verses in American literature. Part of that is due to its legacy as the inspiration for the title of Lorraine Hansberry’s landmark 1959 play “A Raisin in the Sun,” the first show written by a Black woman to appear on Broadway.

What impact did WWI have on the US civil rights movement?

One of the great hypocrisies in American history involve the expectation of African-Americans to defend liberty in several wars while being deprived of it when they returned home to, as this article puts it "disfranchisement, segregation, debt peonage and racial violence." The writer reflects on World War I and how it affected the fight for civil rights in the USA.

Augusta Savage's masterpiece was destroyed after a limited exhibition

"Life Every Voice and Sing," sometimes called "The Harp," debuted at the 1939 New York World's Fair. Based on the James Weldon Johnson poem (and eventual unofficial Black national anthem) of the same name, the massive, 16-foot-tall sculpture depicted a kneeling Black man holding a bar of music in front of 12 chorus singers. After the fair ended in 1940, Savage was unable to pay to preserve it, so it was destroyed.

Whitman revolutionized American poetry

Whitman was a groundbreaking force in American literature, legitimizing the national idiom, capturing the spirit of the evolving country, and inspiring younger generations of writers for centuries to follow.

Analyzing Billie Holiday's impact on American poetry

Although Holiday is sometimes associated with the Harlem Renaissance, the Black cultural movement of the 1920s and '30s, scholar Whit Frazier Peterson argues that her real impact in poetry was on the Black Arts Movement, the more radical Black literary movement of the '60s and '70s that featured writers like Amiri Baraka, Sonia Sanchez, and Nikki Giovanni.

Browse a collection of Harlem Renaissance poetry

This guide from the Poetry Foundation walks you through the movement's major poems, including works by writers like Langston Hughes, Claude McKay, Anne Spencer, James Weldon Johnson, and more. Helpfully, it's organized them into four major eras, allowing you to analyze the movement's steady evolution.

Read the first (and only) issue of the magazine started by Langston Hughes, Zora Neale Hurston, and others

"Fire!!" was founded in New York in 1926 by Wallace Thurman, Zora Neale Hurston, Countee Cullen, Langston Hughes, and several other artists involved in the Harlem Renaissance. The publication was intended to flout the respectability of the middle-class Black tradition and instead engage with sometimes controversial ideas in a contemporary vernacular. The magazine's offices were, ironically, burned to the ground shortly after the first issue.

Listen to Dr. Martin Luther King Jr. read his famous Letter from Birmingham Jail

Written in 1963 while jailed for nonviolent protest, Dr. King’s letter defends civil disobedience, rejects calls for patience, and argues that unjust laws must be confronted to expose injustice and force meaningful change.

Hughes wrote for and about everyday Black Americans

Early in his career, Hughes was often disregarded by prominent white literary critics and criticized by Black intellectuals for his sometimes negative portrayal of Black life. Hughes, though, was unconcerned, saying that he wrote for the “workers, roustabouts, and singers, and job hunters” of New York, Washington, Chicago, and other Black hubs.

Walt Whitman wrote a poem for the official celebration of America's 100th anniversary, but was not invited to read at the event.

Jazz provided a soundtrack for the Civil Rights Movement

Songs like Billie Holiday's "Strange Fruit," which portrayed the grim brutality of lynching, and John Coltrane's "Alabama," which was modeled on the rhythm of a speech by Martin Luther King Jr., were the backbeat of the movement.

Writer James Baldwin once criticized Langston Hughes for squandering his talent

In 1959, Baldwin, the author of renowned works like “Go Tell It on the Mountain” and “Giovanni’s Room,” reviewed Hughes’ “Selected Poems” for the New York Times. Baldwin panned the book, writing, “Every time I read Langston Hughes I am amazed all over again by his genuine gifts—and depressed that he has done so little with them.” (Some readers may experience a paywall.)

Read Thoreau's 'Civil Disobedience'

The essay—originally delivered as a lecture and inspired by a night in jail for failing to pay a poll tax—argued that citizens should nonviolently resist unjust government policies, including slavery. Read the entirety of the essay for free.

Southern race riots in 1866 galvanized support for more radical Reconstruction

In 1866, white mobs in Memphis and New Orleans killed dozens of Black residents and burned Black neighborhoods. The massacres horrified Northerners, convincing Congress that stronger federal action was needed to protect freedpeople's rights and enforce Reconstruction.

In addition to his plays, Shakespeare wrote nearly 200 poems

Beyond his famous plays, Shakespeare penned 154 sonnets, including the well-known romantic ode “Shall I compare thee to a summer’s day?” He also wrote two long poems as well as several minor pieces.

Alain Locke's 'The New Negro' anthology helped define the Harlem Renaissance

The 1925 collection of poetry, drama, short fiction, lyrics, and essays by Black writers was intended to document what Locke, a Harvard-trained philosopher and the first Black Rhodes Scholar, believed was a burgeoning Black consciousness that was "vibrant with a new psychology." The book is now considered one of the major impetuses for the Harlem Renaissance.

The enduring relevance of ‘The Star-Spangled Banner’

Some critics have argued that Key’s past as a slaveholder and his lyrics demeaning slaves mean the country should select a new national anthem. Mark Clague, a professor of musicology, understands that perspective, but suggests Key’s song, despite its warts, is still a fitting anthem.

Dylan opened for Martin Luther King Jr. at the March on Washington

The apex of Dylan’s era as a “protest singer” was his appearance, alongside collaborator and sometimes-lover Joan Baez, at the March on Washington for Jobs and Freedom. It was the same demonstration where Martin Luther King Jr. delivered his “I Have a Dream” speech. Dylan performed four songs, including a scathing version of “Only a Pawn in Their Game,” a ballad about Medgar Evers, an activist who was murdered at his home in Mississippi by a white supremacist.

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

The words of Truth's Akron speech are disputed—compare the two versions

There are two versions of Truth's Akron speech: one written shortly after by a white abolitionist, and the other published 12 years later. The later version added a southern dialect and the phrase "Ain't I a Woman?"—raising questions about its authenticity.

Martin Luther King Jr. invoked the Declaration to demand equality

This article examines how Martin Luther King Jr. drew on the language and ideals of the Declaration of Independence to frame the Civil Rights Movement as a continuation of the nation’s founding promises.

Poet Oliver Wendell wrote an unofficial fifth verse for the anthem

Francis Scott Key’s version features four verses, though only one is usually performed. American poet Oliver Wendell Holmes wrote an additional fifth verse during the Civil War, lamenting the country’s internal division.

'And I knew that it was better to live out one's absurdity than to die for that of others.'

-Ralph Ellison, from "Invisible Man" (1913-1994)

'Blowin' in the Wind' became a rallying cry for the Civil Rights Movement

The song is based on a spiritual titled "Many Thousand Gone," whose melody Dylan reworked. The result was popularized by the folk trio Peter, Paul, and Mary and from there became an anthem for the growing Civil Rights Movement, culminating in Dylan's appearance at the March on Washington.

The Dylan/Whitman connection

Even before his 2016 Nobel Prize, critics often wrote about Bob Dylan with a seriousness typically reserved for literary figures. In this critical analysis, Jones Hogsed continues the tradition, analyzing Dylan's vision of America alongside Walt Whitman's.

The poem behind 'Strange Fruit'

"Bitter Fruit" was written by Abel Meeropol, a teacher, under the pseudonym Lewis Allen, after seeing a photograph of a lynching. Eventually, he set the words to music, and the song was then performed by his wife and other singers. In 1938, he played it for Holiday, who began performing it at the New York's Cafe Society. (Some users may experience a paywall.)

Jazz's popularity inspired a moral panic

When jazz exploded in the 1920s, some believed the music's sudden popularity was the sign of a rotten nation, with one 1920 address at the University of Wisconsin proclaiming, "We are in deadly fear of the Jazz Devil, the demon which is consuming the country." Often, the connections were racialized, with columnists and preachers suggesting that jazz's Black artists were attempting to degrade white America.

Walt Whitman helped define the voice and spirit of American literature

The 19th-century poet is considered one of the most important voices in the American canon. His collection “Leaves of Grass,” in particular, is regarded as a foundational text and is widely taught in American high schools and colleges.

Hear about the violent week after Dr. Martin Luther King’s assassination

This podcast from The Atlantic revisits the seven days after Dr. King was killed in 1968, when widespread violent unrest swept the country and reshaped the direction and legacy of the Civil Rights movement.

Whitman’s famous elegy for Lincoln, ‘O Captain! My Captain!’

After President Abraham Lincoln’s assassination, Whitman wrote two poems about him, both mourning the country’s loss. The more famous one is “O Captain! My Captain!,” which first appeared in the Saturday Evening Post in 1865.

Shakespeare was criticized in his own time

Robert Greene was a respected writer during Shakespeare’s time as an actor-playwright who famously dismissed the young upstart, accusing him of plagiarism and criticizing his ability to write blank verse.

The US national anthem borrows its melody from 'The Anacreon Song,' a bawdy British tavern song that was popular in the 19th century.

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

Whitman’s lesser-known eulogy for Lincoln, ‘When Lilacs Last in the Dooryard Bloom’d'

In addition to "O Captain! My Captain!," Whitman wrote another poem for the slain Lincoln: the longer, more sullen elegy, “When Lilacs Last in the Dooryard Bloom’d.”