'Getz/Gilberto' is considered bossa nova's peak

'Jazz Samba' is considered the start of the American bossa nova craze

The 1962 album by Stan Getz and Charlie Byrd was an unexpected hit, reaching the top of the Billboard album chart and receiving a Grammy nomination for album of the year. Its lead single, "Desafinado," won the Grammy for best jazz performance and is now considered one of the genre's classic tracks.

Hear 2 jazz pianists analyze 'Getz/Gilberto'

The 1964 bossa nova classic won the Grammy for album of the year, a rare feat for a jazz record. According to jazz pianists Peter Martin and Adam Maness, that also makes it one of the last truly popular jazz albums. In this episode of their podcast "You'll Hear It," they break down the musicality of the songs in real time, offering technical insights into every quirk and nuance.

João Gilberto was bossa nova's first major star

Antônio Carlos Jobim wrote songs and worked with the singer, whose quiet, melancholy crooning made him a star. The records he recorded between 1959 and 1961, combined with the success of Marcel Camus' film "Black Orpheus," helped bossa nova move from a Brazilian sound to an international fascination.

Bossa nova standard 'The Girl from Ipanema,' made famous by Astrud Gilberto, is one of jazz's most famous songs.

Stan Getz initially didn't want to release 'The Girl from Ipanema,' which would go on to become one of the most popular jazz recordings ever.

The essential bossa nova albums

This primer from Far Out magazine offers a quick tour of the Brazilian genre through five of its most important albums, including "Getz/Gilberto," "Sergio Mendes Presents Lobo," and Roshina de Valenca's "Apresentando." Helpfully, there's plenty of critical commentary alongside the records, too, explaining how these landmark albums defined the genre.

A 1962 concert at Carnegie Hall introduced the American press to bossa nova

Bossa nova was still largely under the radar when João Gilberto, Luiz Bonfa, Sergio Mendes, and others performed at the storied Carnegie Hall in New York. Brazilian musician Gilberto Gil noted that the showcase's success was surprising to both the musicians and Brazilians, who began taking the music more seriously as a cultural export.

In the mid-1960s, 'bossa nova' symbolized sophistication in the US

The success of several records, especially "Getz/Gilberto," led to a bossa nova craze in the United States, where it was perceived as an urbane, worldly status symbol. In response, marketers attached "bossa nova" to various products (including ice cream and sweaters) in an attempt to capitalize.

Watch 'Black Orpheus,' the film that helped popularize bossa nova

The 1959 film, directed by Marcel Camus, was soundtracked by bossa nova musicians Antônio Carlos Jobim and Luiz Bonfá. It was a big hit, winning the Palme d'Or at the 1959 Cannes Film Festival and the 1960 Academy Award for best foreign language film, helping spread the genre in Brazil and beyond.

Quincy Jones' 'Big Band Bossa Nova' helped introduce bossa nova, the Brazilian fusion of samba and jazz, to the US.

Bossa nova blends Brazilian samba and American jazz

Conceived by artists like Antônio Carlos Jobim in 1950s Rio de Janeiro, the music was seen as a more restrained, slower samba, which was Brazil's popular national music at the time. In addition, bossa nova was popular in the more middle-class, cosmopolitan neighborhoods of Rio de Janeiro and was influenced by American jazz artists like Miles Davis, giving it a more urbane, intellectual air.

'Chega de Saudade' is often considered the first bossa nova song

The song, which translates to "No More Blues," was written by Antônio Carlos Jobim and initially recorded by Elizete Cardoso in 1958. Although it bore some similarities with samba, Brazil's most popular dance music at the time, it was slower and considerably more melancholy and would eventually be called "bossa nova," which roughly translates to "new sound" or "new wave."

Guitarist Charlie Byrd brought bossa nova to the US after a government-sponsored tour

The Mutual and Cultural Exchange Act of 1961, also known as the Fulbright–Hays Act, sought to spread understanding through education and cultural exchanges. Its passage led to a government-sponsored music tour of South America featuring jazz guitarist Charlie Byrd. In Brazil, Byrd was introduced to the music of João Gilberto and returned to the United States eager to incorporate bossa nova into his own music.

Later bossa nova music sometimes featured subtle anti-government protests

In 1968, Brazil's military dictatorship imposed tight restrictions on airplay and banned songs (and, subsequently, their artists) that failed to depict an idyllic life. That meant that, on the surface, popular bossa nova painted a rosy picture of life in Brazil. Musicologists note that artists like Antônio Carlos Jobim often juxtaposed those sunny lyrics with sad-sounding musical accompaniment, making for subtle protests that slipped by censors.

An ethnomusicologist breaks down bossa nova's American popularity

Kaleb Goldschmitt is a professor at Wellesley College who wrote the book "Bossa Mundo: Brazilian Music in Transnational Media Industries," which analyzed how and why bossa nova became so popular in the US in the early 1960s. According to Goldschmitt, much of it was due to the music's seemingly apolitical aesthetic, a notion that was reinforced by the Brazilian government.

Brazil's military dictatorship led to bossa nova's decline

In 1964, Brazil's president João Goulart was overthrown by a military coup supported by the US State Department. Scholars argue that the events led to the decline of bossa nova, with many Brazilians believing its pleasant sounds and picturesque lyrics were tone-deaf to the politically fraught moment.

Unlike bossa nova, tropicália was intentionally confrontational

The genre drew on elements of older Brazilian music, like samba and bossa nova, but it was also influenced by psychedelic rock, especially the Beatles' "Sgt. Pepper's Lonely Hearts Club Band," and was highly critical of the country's military dictatorship. That led to repercussions: Two of the movement's primary figures, Caetano Veloso and Gilberto Gil, were detained and exiled in 1968.

Billie Eilish and TikTok helped inspire a bossa nova resurgence

Eilish's 2021 song "Billie Bossa Nova" along with a handful of other younger artists, like Laufey and Beabadoobee, have inspired Gen Z's interest in the genre, with the music soundtracking tens of thousands of videos on TikTok.

Brazil's tropicália movement fused rock 'n' roll, Latin music, and poetry

Tropicália was a short-lived Brazilian style of rock 'n' roll that blended samba, bossa nova, modernist poetry, and American rhythm and blues that offered provocative, anti-authoritarian, and avant-garde ideas through popular music, much to the delight of the country's evolving youth culture.

Miles Davis' landmark 'Kind of Blue' was recorded in just 9 hours

The album is one of jazz's best-known recordings and is often listed among the greatest albums of all time, of any genre. Despite its monumental impact, it was recorded in two sessions for just a few thousand dollars.

Free jazz embraced the avant-garde

Ornette Coleman's 1959 album "The Shape of Jazz to Come" abandoned traditional notions of melody and structure, inadvertently creating "free jazz," a subgenre that embraced absolute musical freedom and gained popularity in the countercultural 1960s.

Bossa nova had its own dance, though it was short-lived

American record executives hoped to create a social dance for the song, believing it would lead to more record sales, as had been the case with Chubby Checker's "The Twist." That led several well-regarded dance studios to attempt to create a dance, though none caught on like "The Twist" had.

The Ronettes' 'Be My Baby' is a quintessential 'wall of sound' record

The 1963 single features one of the most recognizable drumbeats in the world; many critics consider the song the greatest pop recording of all time. If nothing else, it's a definitive example of both the classic girl group sound and Phil Spector's ingenious 'wall of sound.'

Coltrane's 'Giant Steps' pushed the limits of jazz

The saxophonist's 1960 recording features chord progressions that have become known as the "Coltrane Changes." Improvising over them is remarkably difficult and has become a rite of passage for jazz musicians.

1984's 'Born in the USA' was a sensation, due in part to its music videos

The album was Springsteen's most pop-focused, with blaring synths and a pumping backbeat. It was a pop culture sensation, with five singles that reached the top 10, a massive arena tour, and several iconic music videos coinciding with MTV's rise. The record would eventually become one of the best-selling albums of all time.

The best jazz albums of all time

Diving into the history of jazz can be intimidating, but this list is a helpful guide, highlighting the best of the best, with titanic recordings from Louis Armstrong, Billie Holiday, Miles Davis, Dave Brubeck, Alice Coltrane, Oscar Peterson, and more.

The Beach Boys' Brian Wilson said 'Be My Baby' is 'the greatest record ever produced.'

Explore a critics' list of the 100 best songs of the 1960s, featuring records by the Beach Boys, the Ronettes, Miles Davis, and more.

Revisiting the milieu of the Greenwich Village music scene

Few neighborhoods of the world stand out as more productive of a robust music scene than New York City's Greenwich Village, the bohemian launchpad of Joan Baez, Bob Dylan, and other folk artists of the 1960s and '70s. Expert David Browne discusses why it became so significant in this episode of "Sound Opinions."

Phil Spector's 'wall of sound' revolutionized girl groups—and pop music

The method captured a room of live musicians and transmitted the sound into a basement outfitted with more speakers and microphones. That sound was then sent into the central control room, producing a massive recording that sounded unlike anything else in pop music.

Brazil is one of the World Cup's most legendary teams

After a 12-year pause for World War II, the World Cup returned in 1950 in Brazil. Brazil dominated the era, claiming titles in 1958, '62, and '70 behind teen sensation Pelé, who went from poverty to a soccer legend before turning 17.

How smooth jazz took over the '90s

As jazz entered the '70s, it was at a crossroads. While the genre's figureheads explored fusion and free jazz, which intentionally flouted mainstream convention, other artists began veering towards pop. Eventually, that sound would be called "smooth jazz."

A legendary rock writer ranks the greatest girl group records

Greil Marcus is considered one of the greatest American rock writers of all time, providing a literary legitimacy to rock ‘n’ roll when it was still considered mere pop culture. This 1975 essay on the great girl group records is the perfect example, offering a thought-provoking analysis of the era’s definitive singles.

The Ramones' debut album went gold 38 years after its release.

The Boswell Sisters were the precursors to the American girl group

The jazz trio, popular in the '20s and '30s, doesn't share much in common with the sounds of the well-known pop-oriented girl groups, but the sisters' prominence in a male-dominated industry provided an early example for later groups. Check out their appearance in the 1932 film "The Big Broadcast," performing the song "Crazy People."

Bob Newhart was the first comedian to have a chart-topping album with his 1960 record 'The Button-Down Mind of Bob Newhart.'

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

Buddy Bolden assembled the first jazz ensemble

The New Orleans cornetist was a legend in the city, sometimes referred to as "king," for his electrifying performances, which captivated local dance halls by blending ragtime, blues, and gospel music. Unfortunately, recording technology was limited at the time, so there are no recordings of Bolden, though the song "Buddy Bolden's Blues" remains a standard to this day.

Billboard's first No. 1 single was Tommy Dorsey Orchestra's 'I'll Never Smile Again'

The song was No. 1 on Billboard’s Best Selling Retail Records chart, the predecessor to the Hot 100. The chart only measured record copies sold, excluding other indicators of popularity, like sheet music sales or jukebox plays, that were used on other charts.

The Shaggs weren't good musicians, but they still made a classic

In 1969, the three sisters recorded "Philosophy of the World"; only 100 copies were publicly distributed. The record became a cult classic thanks to its strange backstory (their father forced them into playing music) and the band's amateurism. Critic Lester Bangs wrote, "They can't play a lick! But mainly they got the right attitude, which is all rock'n'roll's ever been about from day one."

Miles Davis' 'Kind of Blue' changed the genre by pioneering modal jazz

Davis was an adept bebop trumpet player, but he grew tired of the style. With 1959's "Kind of Blue," he pioneered a new style of jazz, called modal jazz, that focused less on improvising on chord progressions and more on open, tone-based expression.

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

The Brill Building was a breeding ground for girl group classics

New York City's Brill Building housed the working offices for over 160 music industry professionals, including some of the country's finest songwriters, such as Neil Diamond, Burt Bacharach, and George Clinton. Below is a 1959 picture of three more Brill Building pros: Carole King, Paul Simon, and Gerry Goffin.

Clive Davis was responsible for signing influential artists and superstars, including Patti Smith, Bruce Springsteen, and Alicia Keys.

Listen to Woody Guthrie's 1940 concept album about agricultural and economic destruction, 'Dust Bowl Ballads.'

Some critics argue bebop and free jazz led to jazz's decline in popularity

Although jazz was once a popular art form, it has largely been confined to the margins of pop culture, with many of the genre's current bestselling albums from previous decades. Some critics argue that this is because the music betrayed its position as dance music and focused instead on musical proficiency.

Jelly Roll Morton claimed he invented jazz, though experts disagree

The pianist and arranger was one of the genre's biggest names in the early 20th century, though very few believed him when he claimed he had invented the music in 1902. One of his biggest contributions to the genre was a 1938 session with ethnomusicologist Alan Lomax, who recorded nearly 8 hours of music and stories that have become an essential part of the music's history.

The man who defined the look of jazz

Reid Miles designed almost 500 album covers for the Blue Note label, including John Coltrane's "Blue Note" and Freddie Hubbard's "Hub Tones." Check out this history and gallery of his work to see how it created the genre's dominant visual aesthetic.

'Livery Stable Blues' was the first jazz recording and helped popularize the genre

The 1917 song by the Original Dixieland Jass Band was the first jazz recording to be issued and put the New Orleans sound on the national stage, along with inspiring several soundalikes.

1982's ‘Nebraska’ was recorded alone at home, a rarity at the time for a major artist

“Born to Run” became a hit in part due to its massive sound, something that was only possible thanks to the magic of the studio. That continued with 1980’s “The River,” which gave Springsteen his first top 10 single. With “Nebraska,” though, Springsteen abandoned the studio, opting to release the spare recordings he made at home, by himself. At the time, such a decision was a rarity for a platinum artist.