Some critics argue bebop and free jazz led to jazz's decline in popularity

Jazz's popularity inspired a moral panic

When jazz exploded in the 1920s, some believed the music's sudden popularity was the sign of a rotten nation, with one 1920 address at the University of Wisconsin proclaiming, "We are in deadly fear of the Jazz Devil, the demon which is consuming the country." Often, the connections were racialized, with columnists and preachers suggesting that jazz's Black artists were attempting to degrade white America.

How smooth jazz took over the '90s

As jazz entered the '70s, it was at a crossroads. While the genre's figureheads explored fusion and free jazz, which intentionally flouted mainstream convention, other artists began veering towards pop. Eventually, that sound would be called "smooth jazz."

Free jazz embraced the avant-garde

Ornette Coleman's 1959 album "The Shape of Jazz to Come" abandoned traditional notions of melody and structure, inadvertently creating "free jazz," a subgenre that embraced absolute musical freedom and gained popularity in the countercultural 1960s.

The criticism of 'selling out' has waned in the 21st century

Although patronage was a regular part of artists’ income throughout the 19th century, the insult “sell out” gained prominence in the 1950s. The jazz and folk communities, in particular, levied the term at artists they believed had sacrificed their integrity for financial gain.

Jazz brought together ragtime and blues

Ragtime was a popular music genre that blended African-American spirituals, European folk songs, and military marches. Blues, brought to New Orleans by free Black people seeking opportunities, allowed musicians to play within basic standards. Jazz combined both forms by merging the syncopated, dance-friendly sounds of ragtime with the soulful, brass-instrumental style of the blues.

At the height of its popularity, ragtime, a precursor to jazz, was criticized as dangerous, 'unmusical rot.'

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

Jazz was an integral part of the Harlem Renaissance

The Great Migration transformed New York City's Harlem neighborhood into the epicenter of Black American art, with artists such as Duke Ellington, Louis Armstrong, and Bessie Smith regularly performing. The music not only provided the backbeat to the cultural scene—it often influenced it, with Harlem Renaissance poets, in particular, inspired by jazz's approach to rhythm and improvisation.

Traditional bands largely disappeared from the Billboard charts in the 21st century, mostly replaced by solo artists.

A brief history of dance music

Throughout history, crowded, dimly lit, sweat-filled, and loud spaces that have hosted dance music have mirrored and shaped social change. Tracing the evolution of dance and club culture from the 1950s to today reveals changes in youth culture and desires over time. Read this article to learn more about how dance floors have reflected societal movements.

Miles Davis' 'Kind of Blue' changed the genre by pioneering modal jazz

Davis was an adept bebop trumpet player, but he grew tired of the style. With 1959's "Kind of Blue," he pioneered a new style of jazz, called modal jazz, that focused less on improvising on chord progressions and more on open, tone-based expression.

The legendary jazz beef of Miles Davis and Wynton Marsalis

Miles Davis might be the most recognizable name in jazz history, renowned for his landmark albums "Kind of Blue" and "Bitches Brew," and his unceasing artistic experimentation. By the 1980s, however, Davis was a pariah in jazz circles, causing him to set his sights on the poster child for the genre's purists: the much younger Wynton Marsalis. This overview of the rivalry by journalist James Kaplan details the origins—and the apex—of this now legendary beef.

A lot of jazz relies on syncopation

The style is when a musician plays a rhythm on the opposite side of the beat. That means notes are played on the "upbeats," or the spaces between the main beats of a musical bar. The effect is music that can sound unpredictable, even if it's been carefully constructed.

Jazz built the template for hip-hop

Hip-hop was born out of obscure samples, including many that were taken from the annals of jazz. That style was especially popular in rap's early eras, with the subgenre "jazz rap" becoming an accurate descriptor for New York groups like A Tribe Called Quest and Gangstarr.

Hip-hop gained significant popularity in the 21st century, dominating Billboard's pop chart.

Jazz improvisations are often based on well-known standards

Similar to blues, folk, and country music, jazz relies on a shared tradition of common songs that its artists learn, cover, and rework in their own unique ways. Jazz musicians are often able to easily improvise with other musicians because they share a knowledge of the songs and their languages.

Hear 2 jazz pianists analyze 'Getz/Gilberto'

The 1964 bossa nova classic won the Grammy for album of the year, a rare feat for a jazz record. According to jazz pianists Peter Martin and Adam Maness, that also makes it one of the last truly popular jazz albums. In this episode of their podcast "You'll Hear It," they break down the musicality of the songs in real time, offering technical insights into every quirk and nuance.

Jelly Roll Morton claimed he invented jazz, though experts disagree

The pianist and arranger was one of the genre's biggest names in the early 20th century, though very few believed him when he claimed he had invented the music in 1902. One of his biggest contributions to the genre was a 1938 session with ethnomusicologist Alan Lomax, who recorded nearly 8 hours of music and stories that have become an essential part of the music's history.

The 1980s neo-pop movement put pop art back in the zeitgeist

Pop art’s legacy is perhaps best exemplified in its longevity. Long after the end of pop art’s classical phase, a neo-pop revival ushered in a new cohort of artists like Murakami, Hirst, and Koons who brought pop once again to the top. To this day, contemporary pop artists—young and seasoned—command high prices on the open market.

'Jazz Samba' is considered the start of the American bossa nova craze

The 1962 album by Stan Getz and Charlie Byrd was an unexpected hit, reaching the top of the Billboard album chart and receiving a Grammy nomination for album of the year. Its lead single, "Desafinado," won the Grammy for best jazz performance and is now considered one of the genre's classic tracks.

Some critics argue that Grammys favor commercially successful artists

For this two-part series of Slate’s pop music podcast "Hit Parade," pop critic Chris Malanfi looks into the relationship between commercial and critical success and how the Grammys are affected by outside influences like the Billboard Hot 100 chart.

An ethnomusicologist breaks down bossa nova's American popularity

Kaleb Goldschmitt is a professor at Wellesley College who wrote the book "Bossa Mundo: Brazilian Music in Transnational Media Industries," which analyzed how and why bossa nova became so popular in the US in the early 1960s. According to Goldschmitt, much of it was due to the music's seemingly apolitical aesthetic, a notion that was reinforced by the Brazilian government.

See a timeline of jazz's history

Jazz began in 19th-century New Orleans, though its roots go back even further. This timeline situates the music's evolution alongside American and world history, offering an illuminating exploration of the genre.

Pop art brought 'low culture' to the fine art world

Pop art’s embrace of kitsch American pop culture furthered a centuries-long tradition of the visual arts during the second half of the 20th century. Its most famous exemplars, including Andy Warhol, were heirs to a vast tradition they sought to transcend and upend.

Some critics say comparing chart rankings across decades is meaningless

Although Billboard’s charts are presented as objective measures of a given song’s popularity, the company’s changing methodology (alongside changes in technology and listener habits) has made weighing chart success from different eras an imperfect science.

The Great Migration spread jazz to various parts of the country

The large-scale migration of Black Americans looking to escape Jim Crow laws in the South began in 1915 and helped bring New Orleans music to other parts of the country, including Chicago, New York, Kansas City, Detroit, and Los Angeles.

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

New Orleans' Congo Square birthed what would become jazz

The city's enslaved people congregated in the city square on Sundays, bringing together the musical traditions of their disparate cultures through drum circles, communal dancing, and call-and-response singing. The rhythmic style that evolved in the area would eventually give rise to ragtime and, subsequently, jazz.

Hip-hop is both a music and a culture

While the word is often used to describe the popular genre, it’s historically been used to describe the culture that sprang up around the music in 1970s New York, including breakdancing and graffiti.

Wynton Marsalis believes syncopation is part of jazz's American character

The trumpeter argues that jazz's approach to syncopation is part of an American tradition that offers the unexpected, citing Jonas Salk, Mark Twain, and fusion cuisine as parallels.

'Shuffle Along,' a 1921 Broadway musical, brought jazz to American musical theater and helped pave the way for Black culture in the 20th century.

American blues music provided the framework for rock 'n' roll, jazz, and other American forms.

Critics believe Grammy expert panels primarily benefit legacy artists

When the expert review panels for the Big Four awards were disbanded, it was with the hope that the decision would lead to a broader range of nominees and winners. But, in practice, it's not clear that it's playing out that way.

Jazz improvisation isn't entirely spontaneous

While jazz musicians are known for their improvisational skills, they rely on years of training and a complex understanding of compositions to inform their improvised solos, using a song's structure and chords to make their in-the-moment choices.

Bossa nova blends Brazilian samba and American jazz

Conceived by artists like Antônio Carlos Jobim in 1950s Rio de Janeiro, the music was seen as a more restrained, slower samba, which was Brazil's popular national music at the time. In addition, bossa nova was popular in the more middle-class, cosmopolitan neighborhoods of Rio de Janeiro and was influenced by American jazz artists like Miles Davis, giving it a more urbane, intellectual air.

Although no longer the dominant format, CDs are increasingly popular with younger people.

'Livery Stable Blues' was the first jazz recording and helped popularize the genre

The 1917 song by the Original Dixieland Jass Band was the first jazz recording to be issued and put the New Orleans sound on the national stage, along with inspiring several soundalikes.

The best jazz albums of all time

Diving into the history of jazz can be intimidating, but this list is a helpful guide, highlighting the best of the best, with titanic recordings from Louis Armstrong, Billie Holiday, Miles Davis, Dave Brubeck, Alice Coltrane, Oscar Peterson, and more.

Jazz provided a soundtrack for the Civil Rights Movement

Songs like Billie Holiday's "Strange Fruit," which portrayed the grim brutality of lynching, and John Coltrane's "Alabama," which was modeled on the rhythm of a speech by Martin Luther King Jr., were the backbeat of the movement.

Bossa nova had its own dance, though it was short-lived

American record executives hoped to create a social dance for the song, believing it would lead to more record sales, as had been the case with Chubby Checker's "The Twist." That led several well-regarded dance studios to attempt to create a dance, though none caught on like "The Twist" had.

What's behind the cassette renaissance

Cassettes fell out of fashion in the late 1990s as the popularity of compact discs ascended. But in the streaming era, tapes are having a moment thanks to changing audio preferences, the desire for tangible objects, and a healthy dose of nostalgia. This article explores the recent resurgence, asking whether it's the future of music consumption or just another passing trend.

The GI Bill—the 1944 legislation that gave World War II veterans benefits including funding for college—helped build the first college jazz programs.

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

Brazil's military dictatorship led to bossa nova's decline

In 1964, Brazil's president João Goulart was overthrown by a military coup supported by the US State Department. Scholars argue that the events led to the decline of bossa nova, with many Brazilians believing its pleasant sounds and picturesque lyrics were tone-deaf to the politically fraught moment.

Is the love song dying?

This visual essay, compiled using 65 years of industry data, is an entertaining trip through the history of pop music, exploring whether or not music has grown less romantic. But, at its heart, this isn't about the Billboard charts—it's about the many different ways we define romance.

How musical guests disappeared from late night TV

The late-night landscape has changed dramatically in the past five years, with the most visible difference being a severe lack of music. This writer set out to learn why that is—and what it means for audiences and artists alike.

The word 'jazz' evolved from slang for 'energy' and was used to describe a baseball pitch before it came to mean a genre of music.

The history of music explained in 8 minutes

Traditional music history focuses on composers and sees music as an object. Historian Michael Spitzer focuses on music's role in everyday activity and sees it not as an object, but an activity. This brief history illuminates the fundamental role music plays in human culture, and sounds a hopeful not for music in the internet age.

Coltrane's 'Giant Steps' pushed the limits of jazz

The saxophonist's 1960 recording features chord progressions that have become known as the "Coltrane Changes." Improvising over them is remarkably difficult and has become a rite of passage for jazz musicians.

Experts don't believe upbeat tunes, called 'recession pop,' are legitimate recession indicators

Social media users have begun deeming pop music by the likes of Kesha and Katy Perry a "recession indicator" as they try to predict the next economic downturn.