Why many critics and fans hated 'The Phantom Menace'

Legendary director Brian De Palma hated his first viewing of 'Star Wars'

The "Carrie" and "Mission: Impossible" director was invited by his friend George Lucas to watch an early cut of the first "Star Wars," a draft that lacked many of the special effects that would be added later. De Palma was highly critical, telling Lucas that "The Force" was an awful name for the spiritual power Luke Skywalker eventually comes to embrace.

A deep dive into the long road to making 'Star Wars'

In this podcast, Chris Taylor, author of "How 'Star Wars' Conquered the Universe," details the long road—lined with studio rejections, a dismissive crew, glacially slow special effects, and last-minute edits—George Lucas traveled to see "Star Wars" through to its release.

How American politics influenced 'Star Wars'

George Lucas believed that myths were how societies communicated notions of good and evil, and that modern myths were found on movie screens. This deep dive from the Los Angeles Review of Books explores how Lucas' disillusionment with the Vietnam War and his disgust with President Richard Nixon informed some of the themes in "Star Wars."

The 'Star Wars' series begins where George Lucas believed the story was most accessible

The director originally conceived 'Star Wars' as a single long story, but recognized it was far too big for a single movie, so he split each act into its own film. He began with the fourth act, which would later be renamed "A New Hope."

The original 'Star Wars' was quietly showcased at Comic‑Con in 1976 to little fanfare

In a bold pre‑release move on July 22, 1976, Lucasfilm set up an eight-foot booth and slideshow at San Diego Comic‑Con, introducing the then‑titled "The Star Wars"—with no premiere buzz, just intrigue among a few hundred early fans.

How 'Star Wars' changed science fiction

The popularity of "Star Wars" shifted the market away from the more literary, and sometimes cynical, science fiction of the 1960s and '70s. In the wake of George Lucas' space opera, publishers and studios wanted similarly optimistic adventure stories. In time, though, writers like William Gibson would react against that and, in turn, create the "cyber punk" subgenre.

'Attack of the Clones' was the first major feature film to be shot digitally

George Lucas was frustrated by the degradation of film and began testing digitally shot scenes with 1999's "The Phantom Menace." For the 2002 "Star Wars" film, he decided to go all in with HD digital cameras, leading to brighter pictures, a quicker review process, and a more seamless editing process.

Many critically panned cult classics did well at the box office

Franchise flops like 1997's "Batman & Robin," 1983's "Jaws 3-D," and 2015's "Fantastic Four" were panned, though that didn't stop them from selling hundreds of millions of dollars in tickets.

Watch the 'Star Wars Holiday Special,' a 1978 spin-off that became a cult classic

The CBS television special is a hokey variety show that was widely panned after it aired and, as a result, was never officially released on home video. George Lucas had little involvement, though it did feature the original cast alongside guest stars like Bea Arthur. Interestingly, it also features Boba Fett's first appearance.

The numbers behind the 'Star Wars' franchise

The "Star Wars" movies include some of the biggest blockbusters in Hollywood history, with the original film, 1977's "A New Hope," earning a 2,400% profit. Only one of the franchise's movies (2018's "Solo") has lost money at the box office.

Lucasfilm discouraged fan fiction that sexualized its characters

The self-published fan fiction zines of the '60s, '70s, and '80s were obscure enough that they rarely attracted the attention of the copyright holders of their source material. But Lucasfilm, the production company behind the "Star Wars" films, threatened legal action against fans who published X-rated stories and "homosexual expressions of love" featuring its characters.

'Plan 9 from Outer Space' gained an audience after it was trashed by critics

The science-fiction film went mostly unnoticed in its original theatrical run, often playing in double-features aimed at teenagers. It wasn't until 1980, when film critics Harry and Michael Medved dubbed it the "worst film ever made," that it began to attract a cult following. In 1994, Johnny Depp starred in a biopic about its director, Ed Wood.

Breaking down the many box office records 'Star Wars' has broken

The first "Star Wars" film made history in 1977 when it surpassed "Jaws," considered the first Hollywood blockbuster, for the highest-grossing movie of all time. But that's just the first in a long line of records that the franchise has broken in the decades since then, with impressive records set by films like "The Force Awakens," "Revenge of the Sith," and "The Last Jedi."

'American Graffiti' gave George Lucas the credibility to have 'Star Wars' produced

The idea for "Star Wars" was initially rejected by studios. It wasn't until "American Graffiti," Lucas' 1973 nostalgic comedy, became an unexpected hit that anyone was willing to produce what Lucas called his "space film."

See the early concept art for 'Star Wars'

George Lucas asked artist Ralph McQuarrie to create reference images to help prospective producers understand his vision for the "Star Wars" universe, and drafted early versions of Darth Vader, Chewbacca, and other characters. You can check out a gallery featuring dozens of the images below.

Jim Henson's 1986 film 'Labyrinth' was initially a commercial failure in the US, though it slowly gained an audience that now considers it a cult classic.

An original review of the 1987 parody 'Spaceballs'

On June 24, 1987, Mel Brooks launched "Spaceballs" in theaters—a comedy starring Bill Pullman, John Candy, and Rick Moranis that spoofed the "Star Wars" trilogy and sci-fi tropes in general. The movie has remained a cult classic ever since. Read the Hollywood Reporter's original review of the film here.

Although it's now considered a pivotal film in the history of American cinema, 'The Wizard of Oz' was initially panned by some of its contemporary critics.

Read a 1971 magazine feature on Lucas' debut film, the sci-fi 'THX 1138'

Almost a decade before the arrival of "Star Wars," George Lucas directed "THX 1138," a grim science fiction film about a dystopian future in the vein of George Orwell's "1984." This article from the October 1971 issue of American Cinematographer features a young George Lucas, who developed the film from a short he worked on while a student at the University of Southern California just a few years earlier.

Why mythologist Joseph Campbell loved 'Star Wars'

Joseph Campbell, the literature professor who wrote about the power of mythology, suggested that "Star Wars" was a powerful modern myth that used classic archetypes to communicate a universal message.

George Lucas gave Mel Brooks his blessing to release his 'Star Wars' parody 'Spaceballs,' though he had one condition: 'Spaceballs' could not sell merchandise.

How 'Star Wars' turned toys into collectibles

George Lucas licensed the "Star Wars" franchise to Kenner Products, which created small figurines that became wildly popular. By the 1977 Christmas season, they were facing a shortage and sold mail-in rainchecks, effectively allowing customers to purchase figures that weren't yet produced. The strategy worked, portraying the toys as valuable collectibles whose price would appreciate.

'The Empire Strikes Back' was influenced by Francis Ford Coppola's 'Apocalypse Now,' a movie George Lucas was originally supposed to direct.

Fans of 'The Room' love it for its (many) faults

The movie has bad acting, nonsensical dialogue, and a plot that doesn't add up. Still, its fans attend midnight screenings, recite its most famous lines, and even act out scenes in the aisles. Studies have found that fans are drawn to "trash cinema" like "The Room" for the same reason they're drawn to avant-garde works: because they flout mainstream standards.

Disney initially pushed Pixar to make 'Toy Story' an edgy comedy that could appeal to adults.

A novelization of 'Star Wars' preceded the movie–and was a massive success

The book "Star Wars: From the Adventures of Luke Skywalker" was released in November 1976, six months before the film it was based on hit theaters. By February, the novel had sold out of its initial print run of 125,000 copies and would quickly sell over 3.5 million copies.

Before he appeared in a 'Star Wars' movie, character Boba Fett made his first public appearance at a sweltering small-town parade.

'Fantastic Beasts' expanded the film franchise with mixed results

Warner Bros. launched the "Fantastic Beasts" prequel series in 2016 to explore the wizarding world’s earlier history. Despite strong openings, later films saw declining box office returns and lukewarm critical reception.

George Lucas used Joseph Campbell's 'hero's journey,' a narrative structure that encompasses the common characteristics of multiple cultures' mythologies, to revise 'Star Wars.'

In 1980, Steven Spielberg added a scene depicting the interior of an alien spaceship to a rerelease of 'Close Encounters of the Third Kind' at the studio's request, but later regretted the decision, believing it depleted the movie's enchanting mystery.

James Earl Jones didn't become the voice of Darth Vader until after shooting had concluded

The archvillain was originally voiced by David Prowse, who played him on screen. But Prowse's Scottish accent, higher-pitched voice, and muffled delivery (due to the character's mask) made for an underwhelming performance. Jones was brought in during postproduction to do voiceover, recording all the dialogue in under three hours.

Listen to the 'Star Wars' disco album

The 1977 film inspired disco producer Meco to record danceable covers of sections of John Williams' score. The lead single from "Star Wars and Other Galactic Funk" eventually topped the Billboard Hot 100 chart for two consecutive weeks.

Critics rank the best movie franchises of all time

Franchises and sequels make up a growing percentage of annual films at the box office and aren't typically associated with critical acclaim. However, many franchises over the decades have achieved high praise from critics. This list compiled from...

1993's 'Super Mario Bros.,' the first live-action feature film based on a video game, was a massive commercial flop.

'Jaws' creators regret making sharks the monsters

Both Peter Benchley, the author of the original 1974 novel, and Steven Spielberg, the director of the blockbuster film based on it, acknowledge that the film's popularity has led to the stigmatization of the mostly harmless creatures.

The top 10 movie franchises that tried and failed with a new lead actor

Movie franchises are seen as a safe bet for film studios, but sometimes those studios switch up the lead actor in hopes of refreshing the franchise. While it can work, there are many examples of such films bombing, like with the "Terminator" and "Home Alone" franchises. This video breaks down the 10 worst cases of a failed switch in franchise lead.

‘Jaws’ was the first modern blockbuster

“Jaws” earned $70M in its first month and eventually grossed $476M worldwide, breaking box office records. It would be surpassed two years later by another legendary blockbuster: “Star Wars.”

Pixar's earliest days began with a handful of academics developing the technologies they thought might make fully animated movies possible.

‘Fantasia’ initially failed at the box office

After finding success with “Snow White and the Seven Dwarfs,” Disney set out to prove he could make more sophisticated art. He collaborated with conductor Leopold Stokowski on “Fantasia,” an elaborate animated feature set to classical music that flopped to the tune of $15M and nearly bankrupted Disney’s company.

How ‘Napoleon Dynamite’ rewrote the indie movie marketing playbook

"Napoleon Dynamite" was a phenomenon when it was released in 2004, but the excitement around the film was the result of a carefully executed, outside-the-box PR strategy that featured free screenings, endless merch, and an early form of stan-centric social media. This deep dive into the film’s inventive marketing tactics explain how a film with a modest budget was able to become a cultural sensation.

Sartre panned 'Citizen Kane'

Jean-Paul Sartre was primarily known for his philosophy, fiction, and drama, but he was also a critic. In 1945, he wrote a rather negative review of Orson Welles' "Citizen Kane," deriding Welles' decision to tell the story in the past tense, writing, "film in the past tense is the antithesis of cinema. Therefore 'Citizen Kane' is not cinema."

Even at the height of his popularity, Spielberg felt like an outsider

By 1992, Spielberg was already one of the most successful names in Hollywood, but he had trouble kicking the alienation he’d felt as a kid. In this interview from 1992, on the cusp of the biggest year of his career, he talks about that feeling and how it motivated him.

Why one highly anticipated Broadway musical flopped

“Spider-Man: Turn Off the Dark” had all the makings of a Broadway blockbuster, with acclaimed director Julie Taymour and music from U2’s Bono and the Edge, but technical mishaps and bad reviews plagued the musical, which closed with $60M in losses.

Cult classics are often defined by their polarization

Films that reach cult status are far from universally beloved. In fact, fans of cult movies often become such passionate supporters because a title has been lambasted by mainstream audiences. Stat Significant breaks down some of the most polarizing films of all time based on the data behind audience scores. It should come as no surprise that many in the top 10 are considered cult franchises.

The 'Movie Brats'—the nickname given to 1970s film directors like Steven Spielberg, Francis Ford Coppola, George Lucas, and others—ushered in a new era of Hollywood.

Joaquin Phoenix's bizarre 2009 interview on Letterman was part of an elaborate performance

The actor appeared humorless and pouty in the late-night appearance. Host Dave Letterman seemed put off by his guest's behavior, but poked fun at him throughout the interview. Phoenix later returned and revealed he was playing a part in a mockumentary called "I’m Still Here," which satirized celebrity culture.

'SNL' spinoffs have had mixed success

As “SNL” became more popular, Lorne Michaels sensed an opportunity to turn some of the show’s most popular sketches and characters into feature films. It’s a strategy that had mixed results: “Wayne’s World” and “The Blues Brothers” are modern classics, while others, like “It’s Pat” and “The Ladies Man,” performed poorly with audiences and critics alike.

What killed the Disney Renaissance

Disney aficionados consider the late 1980s and 1990s to be the Disney Renaissance, a period that found the House of Mouse returning to its roots: animated musicals aimed at children and their families. This in-depth video essay argues that the end of the company’s most popular period was caused by shortsighted business decisions and changing technologies.

'Barbenheimer' resulted in a historic box-office event

The cultural sensation that erupted when Christopher Nolan's "Oppenheimer" and Greta Gerwig's "Barbie" shared an opening night was something that no one could have predicted. "Barbenheimer," as the pairing was called, became a semiserious litmus test for relationships: Who wanted to see which film, and in what order? The viral moment led to box-office gold for both movies, as well as a few Oscars.

How Hans Zimmer wrote the music for 'Dune'

Legendary composer Hans Zimmer—who scored "Lion King," "Gladiator," "Inception," and more—was tasked with writing the music for the science-fiction hit "Dune." In this entertaining and brilliant video, the German musician explains how he developed the otherworldly strangeness of the film's music, including the use of ultrarare instruments, guttural singing, and more.