Fed up with difficult audiences, Arnold Schoenberg started a private concert club that prohibited audible reactions.

Arnold Schoenberg expanded the confines of music by abandoning traditional chords and embracing dissonance.

Listen to Arnold Schoenberg's Holocaust tribute, 'A Survivor from Warsaw.'

Arnold Schoenberg's atonal music influenced generations of musicians who followed.

Arnold Schoenberg, a pioneer of modern music, and painter Wassily Kandinsky, a pioneer of abstract art, were close friends who inspired one another's work.

Arnold Schoenberg's experimentations with dissonance and sound influenced the way films are scored.

In the 1930s, New York banned buskers as part of an antinoise campaign

Mayor Fiorello LaGuardia was hoping to modernize the city and believed that street performers only crowded the streets and added to an annoying cacophony. Residents wrote to the mayor to protest the decision, arguing that buskers were appreciated by the public.

Browse the paintings of Arnold Schoenberg, the classical composer who also explored expressionist painting.

Arnold Schoenberg designed a musical typewriter that transcribed complex compositions with a simple keyboard.

Arnold Schoenberg was superstitious about the number 13 and died on Friday, July 13, 1951.

The landmark opera 'Einstein on the Beach' was around 5 hours long with no intermissions, and the audience was encouraged to come and go as they pleased.

Watch an interview with Philip Glass about his career and theory of creativity, which he believes needs to be consistently deconstructed and reinvented.

Zurich's Cabaret Voltaire was the epicenter of early performance art

In early 20th-century Zurich, one nightclub was the epicenter of avant-garde art and performance: Cabaret Voltaire. Night after night, crowds of artists, writers, philosophers, and others would gather to watch—or participate in—wild, unrehearsed performances that could include anything from sound poems to traditional folk dance. The atmosphere at Club Voltaire was the ideal breeding ground for outside art movements, and it is thought to be the birthplace of Dada, a precursor to performance art.

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

Terrible performance art: an insider's perspective

David Sedaris may be known for his writing now, but when he was in college, he thought his future was in the art world. Specifically, the performance art world. In this episode of NPR’s This American Life, Sedaris shares a selection of moments from his career as an artist, each more embarrassing than the last. The kicker? Being heckled from the audience—by his own father.

Boston police told renowned conductor Igor Stravinsky that he had 'tampered' with 'The Star-Spangled Banner' at a performance in 1944.

Years before the 1969 Stonewall Uprising, patrons at another New York bar staged a protest against an antigay liquor law.

Philip Glass drove a taxi in his 30s and 40s, something he continued even after his critical breakthrough, 'Einstein on the Beach.'

Music writer Paul Morley believes opera is an antidote to social media consumption

Music writer Paul Morley weighs in on the debate about the relevance of opera. While acknowledging criticisms that opera is snobbish and outdated, Morley argues the lengthy, emotive, and literary art form presents an important intellectual opposition to today’s world of fast-paced online consumption. Opera endures because it provides hope.

The Beatles stopped touring in 1966, citing frustration with the era's limited sound systems.

Fearing the corruption of its youth, Santa Cruz, California, banned rock 'n' roll in 1956.

A Harvard radio station once dedicated 24 hours to Jandek

The enigmatic singer-songwriter plays atonal dirges that are haunting or horrible, depending on your taste. He has self-released over 120 albums but rarely performs live, preferring to conceal his true identity. In 2003, a Harvard radio station aired the "Jandek Orgy," which included his fans debating his identity, lyrics, and philosophy.

Dada artists satirized the horrors of World War I

The movement’s early performances were absurd cabarets featuring experimental poetry, avant-garde music, and maskwork. Much of it was reckoning with the growing deathcounts of World War I, with work that often lampooned Western imperialism and supposed rationality.

Jean-Paul Sartre rejected his Nobel Prize in literature in 1964, believing it was antithetical to his role as an artist.

'Be silent, if you choose; but when it is necessary, speak—and speak in such a way that people will remember it.'

- Wolfgang Amadeus Mozart (1756–1791)

The criticism of 'selling out' has waned in the 21st century

Although patronage was a regular part of artists’ income throughout the 19th century, the insult “sell out” gained prominence in the 1950s. The jazz and folk communities, in particular, levied the term at artists they believed had sacrificed their integrity for financial gain.

After actress Ingrid Bergman had a child out of wedlock, a Colorado senator proposed granting the government the ability to ban performers deemed morally objectionable.

Arthur Russell's avant-garde music spanned many genres

The classically trained cellist moved to San Francisco in the early 1970s, mingling with the hippie movement and the Beat Generation. After arriving in New York in 1973, he began exploring the nascent punk and disco scenes, infusing them with his classical training; however, his eclectic style might've been part of the reason he never broke through during his lifetime. That variety, though, is what draws so many devoted listeners to his work today.

'Einstein on the Beach,' often considered a groundbreaking experimental work, is structured like a classical opera.

Arnold Schoenberg invented a variation of chess that mimicked geopolitics.

A professor explores the 21st-century impact of Gilbert and Sullivan

Willard Spiegelmanis, a former English professor at Southern Methodist University, details his childhood love for musical theater legends Gilbert and Sullivan, known for operettas like "The Pirates of Penzance" and "The Mikado," and profiles the theater companies keeping their shows alive.

'The Larry Sanders Show' redefined the American sitcom by removing audience laughter, a move that seemed counterintuitive for a television comedy.

One critic argues opera needs a new business plan

Christos Makridis, a labor economist at Arizona State University, argues that the public has an appetite for the art form, but that the industry's business model is dated, relying too heavily on philanthropy and aging season ticket holders rather than embracing innovation.

An electric pipe organ in Germany is playing a song for 639 years

Created by composer John Cage, the Halberstadt organ first began playing the piece in September 2001, and has since made only nine chord changes. The device within a medieval church utilizes compressed air to play continuous tones. The next chord change is scheduled for August 2026.

‘Rhythm’ 0 was a performance piece that exposed human nature

By inviting the audience to do as they please without repercussions, Abramović showed the public both the beauty and hideousness of human nature. Playful interactions eventually turned into assault, and the performance left her with scars she still wears decades later.

Bear-baiting was another form of entertainment during Shakespeare’s time

We tend to think of Shakespeare’s audiences as prim and proper, but the Bard’s shows were just another form of amusement, viewed by commoners as entertainment not unlike the animal blood sports that were similarly popular during the time period.

Mark Rothko demanded a high-end restaurant remove his paintings

The artist was commissioned to paint murals for a Four Seasons restaurant on the ground floor of New York's Seagram Building. After attending the restaurant, he demanded his paintings be taken down and agreed to return his $35K payment, saying, “anybody who will eat that kind of food for those kind of prices will never look at a painting of mine.”

‘The Artist Is Present’ is one of the most famous performance pieces in history

The exhibit at the Museum of Modern Art invited visitors to sit in silence in the company of a master performer. Many shed tears or gestured affectionately, claiming to have felt a profound connection with Abramović. (This resource contains some artistic nudity.)

Some dispute why the Newport crowd booed Dylan

Bruce Jackson, one of the directors for the infamous 1965 Newport Folk Festival, claimed that the story of Dylan being booed for going "electric" is a myth. Pointing to transcripts from the set's audio recordings, he argued that the audience wasn’t upset with Dylan; they were bothered that he couldn’t play for longer.

Following the scandals, CBS briefly banned canned laughter

The network was looking to correct the public perception that its programming was fraudulent, so it banned laugh tracks and fake applause from its broadcasts. The policy didn’t last long; within a few years, sitcoms were regularly “sweetened” with the sound effects.

Performance art depends on the actions of the artist

Part theater, part anarchy, part absurdism, performance art encompasses a whole range of media and genres. The short version is that it’s conceptual, often spontaneous art that is performed live. Performance art is inherently confrontational, challenging societal ideas of what constitutes “fine art,” making it an ideal vehicle for political and protest pieces. It’s closely related to other avant-garde movements like Dada and Futurism.

Disillusioned mid-century playwrights, such as Samuel Beckett and Eugène Ionesco, brought existentialist ideas to the stage through the Theater of the Absurd.

The Grateful Dead pioneered a massive 3-story, 75-ton, 600-speaker sound system that revolutionized live audio in the early 1970s.

Exploring Oskar Schlemmer's 'Triadic Ballet,' a Bauhaus-inspired performance piece

The "symphonic dance of threeness" brought together Bauhaus' varied artistic interests and offered a fable in which collectivism wins. This history and timeline of the work details its origins as well as its near-destruction at the hands of the Nazis, who considered it profane.

At the height of its popularity, ragtime, a precursor to jazz, was criticized as dangerous, 'unmusical rot.'

Philosopher and playwright Jean-Paul Sartre staged his first play while he was imprisoned in a POW camp.

Beethoven's correspondence in 1801 documented his tinnitus suffering

Ludwig van Beethoven's hearing loss is one of the best-known cases of this condition among historical artists. He also suffered from tinnitus and wrote in 1801, "My ears are buzzing and ringing perpetually, day and night. I can with truth say that my life is very wretched…"

Dylan's 1965 electric set at the Newport Folk Festival was viewed by some as a betrayal

It's considered a watershed moment in his career and rock ‘n’ roll history, mostly because the audience allegedly booed Dylan’s new electrified songs, believing he had abandoned politically minded folk music for pop stardom.

Mozart's 'The Marriage of Figaro' satirizes aristocratic privilege

“The Marriage of Figaro” tells a tale about young lovers, deception, and dynamics between the aristocracy and their servants. Critiquing French society just years before the French Revolution began, this rebellious work of art experienced wild success while also being the subject of censorship and bans in the late 1700s.

Jazz's popularity inspired a moral panic

When jazz exploded in the 1920s, some believed the music's sudden popularity was the sign of a rotten nation, with one 1920 address at the University of Wisconsin proclaiming, "We are in deadly fear of the Jazz Devil, the demon which is consuming the country." Often, the connections were racialized, with columnists and preachers suggesting that jazz's Black artists were attempting to degrade white America.

The temperance movement loathed toasting

The 19th- and 20th-century groups opposed to drinking alcohol viewed toasting as a vile practice that encouraged excess and debauchery. One reverend wrote in 1881 that "toasting is a relic of the vile custom of drinking to the honour, applause and commemoration of depraved men and women, whose persons should have been despised, and whose memories should be perished."