John Williams has scored 29 of Spielberg’s films

Steven Spielberg’s movies have a unique style

Despite their distinct genres, Spielberg films often have much in common with one another. For example, supernatural phenomena, middle-class values, and camera techniques—including long, uninterrupted shots and a dolly-zoom method called the "Spielberg Face.”

The best Steven Spielberg movies

Spielberg's impact on Hollywood is massive—so is his filmography. This list from the Guardian ranks every one of his film's from the forgettable, like "Indiana Jones and the Kingdom of the Crystal Skull" and "Always," to his essential flicks, including the science-fiction classic "Close Encounters of the Third Kind" and the first modern blockbuster, "Jaws."

Spielberg worked on ‘Schindler’s List’ and ‘Jurassic Park’ at the same time

Seemingly polar opposites, two of Steven Spielberg’s most popular movies were created in the same time period. Spielberg would shoot “Schindler’s List” during the day, then work on special-effects editing for “Jurassic Park” at night. The movies won a combined 10 Oscars at the 1994 Academy Awards.

Spielberg was inspired by Hitchcock, Kubrick, and other visionary directors

The influence of Alfred Hitchcock’s “The Birds” and Stanley Kubrick’s “2001: A Space Odyssey” can be seen in the cinematography and tone of Spielberg classics like “Jaws” and “Close Encounters of the Third Kind.”

How Spielberg changed film

Before "Jaws," summer was Hollywood’s off-season. Steven Spielberg’s 1975 thriller changed all that, launching the era of the summer blockbuster. From "E.T." to "Jurassic Park," Spielberg’s films redefined how stories were told, how audiences reacted, and how studios marketed.

Ray Bradbury said Steven Spielberg was 'one of the most incredible young talents that's ever come into the world.'

Many of Spielberg's films were inspired by childhood experiences

Steven Spielberg was inspired to make “Saving Private Ryan” after seeing the toll war took on his father’s generation. Similarly, he felt called to direct “Schindler’s List” by the Holocaust survivors he met when he was only three years old.

Listen to an in-depth, career-spanning interview with Steven Spielberg.

In this conversation with the Ringer's Sean Fennessy, the esteemed director reflects on his early life and how it inspired a career in moviemaking. In particular, Spielberg notes the impact of seeing Disney's "Fantasia" at a young age and how it terrified him in a way he found fascinating.

Even at the height of his popularity, Spielberg felt like an outsider

By 1992, Spielberg was already one of the most successful names in Hollywood, but he had trouble kicking the alienation he’d felt as a kid. In this interview from 1992, on the cusp of the biggest year of his career, he talks about that feeling and how it motivated him.

Steven Spielberg and George Lucas are noted fans of Norman Rockwell

The famous film directors are admirers and collectors of the American painter. Lucas, in particular, relates to Rockwell’s process, which resembles casting for a film. In 2010, the Smithsonian American Art Museum introduced a Rockwell exhibit showcasing works from Lucas’ and Spielberg’s private collections. This video from that exhibit features both directors talking about how and why they became interested in acquiring Rockwell’s work.

Alfred Hitchcock influenced the way Spielberg shot 'Jaws'

Steven Spielberg realized the key to unlocking the terror of the shark in "Jaws" would be by obscuring it, remembering an important lesson from Alfred Hitchcock’s “Psycho.” Spielberg recalled, “It’s what we don’t see that is truly frightening."

Arnold Schoenberg's experimentations with dissonance and sound influenced the way films are scored.

'Steamboat Willie' was inspired by 'The Jazz Singer'

Walt Disney was mesmerized by Al Jolson's "The Jazz Singer" and the way it used synchronized sound, which synced film with audio. He replicated that effect in “Steamboat Willie," producing the first animated film to do so.

Steven Spielberg submitted his films 'Schindler's List' and 'Jurassic Park' for college credit when he reenrolled in school as an adult.

How Hans Zimmer wrote the music for 'Dune'

Legendary composer Hans Zimmer—who scored "Lion King," "Gladiator," "Inception," and more—was tasked with writing the music for the science-fiction hit "Dune." In this entertaining and brilliant video, the German musician explains how he developed the otherworldly strangeness of the film's music, including the use of ultrarare instruments, guttural singing, and more.

Listen to the 'Star Wars' disco album

The 1977 film inspired disco producer Meco to record danceable covers of sections of John Williams' score. The lead single from "Star Wars and Other Galactic Funk" eventually topped the Billboard Hot 100 chart for two consecutive weeks.

Spielberg wrote ‘Poltergeist,’ and some say he directed it, too

Although the horror classic doesn’t credit Spielberg as a director, several people from the cast and crew suggested he was in charge of the film. The film’s credited director, Tobe Hooper, says Spielberg was merely brought on as a second director—which Spielberg has repeatedly confirmed.

A young Spielberg was changed by DeMille’s ‘The Greatest Show on Earth’

The first movie Steven Spielberg saw was Cecil B. DeMille’s “The Greatest Show on Earth.” The movie’s on-screen train wreck frightened yet fascinated the young Spielberg—illustrating the visceral impact movies have on their audiences.

Some of Hollywood's biggest blockbusters were designed by Drew Struzan

The artist is responsible for iconic posters advertising "Indiana Jones," "Hook," "The Goonies," and more. His distinctive style—sometimes painted by hand, sometimes drawn with an airbrush—defined the era of the family-friendly family blockbuster.

Spielberg improvised most of the iconic D-Day scene from 'Saving Private Ryan'

Although action sequences are often tightly choreographed, one of cinema's most famous war scenes was mostly shot on the fly. Spielberg wrote seven pages (or approximately seven minutes of screen time) for the scene, though the final cut of the sequence was 25 minutes long.

Breaking down the music theory of Hitchcock's 'Psycho'

One of the defining features of Hitchcock’s film “Psycho” (1960) is the music, especially the sounds you hear during some particularly grisly scenes. This analysis from The Music Professor analyzes how that music complements the film, highlighting the way strings match the intensity of the film’s screenplay and black-and-white cinematography.

What is 'Spielberg Face'?

Spielberg's career is filled with a consistent technique: zooming in on a significant character's face as they process some essential element of the story. One of the most famous is from "Jaws," when Brody first witnesses the shark.

'You shouldn't dream your film, you should make it!'

- Filmmaker Steven Spielberg (1946-present)

Filmmaker Martin Scorsese is a Hitchcock superfan

Famed director Martin Scorsese breaks down what makes four Hitchcock films (“Dial M for Murder,” “Rear Window,” “Vertigo,” and “Psycho”) so remarkable and discusses how Hitchcock’s style influenced his own work, including his 1980 film, “Raging Bull.”

Shooting 'Jaws,' Spielberg went over budget and schedule

The shark flick was plagued with technical issues—many of them due to shooting on the open ocean—causing the director to go over budget by more than $4M. Shooting the film took much longer than anticipated, stretching more than 100 days past the anticipated end date.

'The Jazz Singer,' the first film with synchronized sound, changed Hollywood

Movies changed forever in 1927, when Warner Bros. released "The Jazz Singer," the first feature film with integrated dialogue. Based on a Broadway musical, the movie starred Al Jolson as the son of a Jewish cantor who wants to be a popular singer.

Arnold Schoenberg's atonal music influenced generations of musicians who followed.

‘Jaws’ was the first modern blockbuster

“Jaws” earned $70M in its first month and eventually grossed $476M worldwide, breaking box office records. It would be surpassed two years later by another legendary blockbuster: “Star Wars.”

Opera melodies from centuries ago still appear in TV and movies today

Even if you haven't witnessed an 18th century opera, you've likely heard melodies from one in modern media like “Apocalypse Now” and “Sesame Street.” Today, sports events, movies, and television feature operatic melodies even over a century after they were written.

Philip Glass was once an assistant to Ravi Shankar, the Indian music legend who introduced the Beatles to Eastern music.

In 1980, Steven Spielberg added a scene depicting the interior of an alien spaceship to a rerelease of 'Close Encounters of the Third Kind' at the studio's request, but later regretted the decision, believing it depleted the movie's enchanting mystery.

‘Shoah’ director criticized ‘Schindler’s List’ for its portrayal of the Holocaust

“I was watching the Spielberg film, and I thought he’ll never go so far,” Claude Lanzmann said. “And he did. But he even created suspense … And these people, all of them are actors. All of them. They’re actors. They do not look like people who have had these experiences. It is an adventure film.”

Breaking down the many box office records 'Star Wars' has broken

The first "Star Wars" film made history in 1977 when it surpassed "Jaws," considered the first Hollywood blockbuster, for the highest-grossing movie of all time. But that's just the first in a long line of records that the franchise has broken in the decades since then, with impressive records set by films like "The Force Awakens," "Revenge of the Sith," and "The Last Jedi."

Koji Kondo composed the game's iconic soundtrack with a limited palette of sounds

The game's soundtrack and effects were limited by the Nintendo Entertainment System's 8-bit hardware, which had significantly fewer sounds than a typical synthesizer. That didn't stop Kondo from writing some of the most recognizable video game music in history.

Watch an orchestra perform Danny Elfman's theme for 'The Simpsons'

The composer (and former member of new wave band Oingo Boingo) said that the show's main theme, one of the most recognizable in TV history, came to him while driving. It's become a widely performed orchestral piece, including by the all-volunteer Puget Sound Symphony Orchestra, which you can watch below.

The 'Movie Brats'—the nickname given to 1970s film directors like Steven Spielberg, Francis Ford Coppola, George Lucas, and others—ushered in a new era of Hollywood.

A deep dive into the long road to making 'Star Wars'

In this podcast, Chris Taylor, author of "How 'Star Wars' Conquered the Universe," details the long road—lined with studio rejections, a dismissive crew, glacially slow special effects, and last-minute edits—George Lucas traveled to see "Star Wars" through to its release.

'The Empire Strikes Back' was influenced by Francis Ford Coppola's 'Apocalypse Now,' a movie George Lucas was originally supposed to direct.

Many iconic Christmas songs were written by Jewish composers

Jewish songwriters shaped the sound of Christmas, composing hits like “Let it Snow” and “Rudolph the Red-Nosed Reindeer.” Irving Berlin, a Jewish immigrant from Russia, wrote “White Christmas, which remains the bestselling single in music history.

Philip Glass composed music for the 1998 film 'The Truman Show,' and even briefly appeared in it.

The numbers behind the 'Star Wars' franchise

The "Star Wars" movies include some of the biggest blockbusters in Hollywood history, with the original film, 1977's "A New Hope," earning a 2,400% profit. Only one of the franchise's movies (2018's "Solo") has lost money at the box office.

How American politics influenced 'Star Wars'

George Lucas believed that myths were how societies communicated notions of good and evil, and that modern myths were found on movie screens. This deep dive from the Los Angeles Review of Books explores how Lucas' disillusionment with the Vietnam War and his disgust with President Richard Nixon informed some of the themes in "Star Wars."

The 31 best science fiction films ever

This list refreshingly starts off with the best first—1968's "2001: A Space Odyssey," Stanley Kubrick's cerebral, futuristic icon. Coming in at 31st is Disney's "Wall-E."

'American Graffiti' gave George Lucas the credibility to have 'Star Wars' produced

The idea for "Star Wars" was initially rejected by studios. It wasn't until "American Graffiti," Lucas' 1973 nostalgic comedy, became an unexpected hit that anyone was willing to produce what Lucas called his "space film."

The art of miniature sets in Hollywood

Many films utilize meticulously designed miniature sets to produce scenes that would otherwise be too big to film. While artsy filmmaker Wes Anderson is well-known for reviving this technique in an idiosyncratic style, more mainstream films like "Star Wars" and "Inception" rely heavily on small-scale sets filmed in such a way as to make them appear normal-sized. This nine-minute video breaks down how it all works.

Walt Disney holds the record for the most Oscars won by an individual

Disney received 59 nominations and a total of 22 competitive awards and four honorary awards. Walter Brennan, Daniel Day-Lewis, and Jack Nicholson all have the most awards for male actors (three each), while Katharine Hepburn is the actress with the most awards, winning four times.

Hitchcock regularly made cameos in his own films

Long before Tarantino was born, Hitchcock was casting himself in his movies’ bit parts, allowing careful audience members to find the director walking through the fictional world he’d created. The history behind that decision was an accident.

Alfred Hitchcock's work continues to influence movie directors today

Hitchcock’s importance and influence are exemplified in the specific tropes (such as the MacGuffin and the killing of innocents) and techniques (like the dolly zoom) that the director pioneered and popularized, demonstrating just how far-reaching his influence remains.

‘Halloween’ is one of the most profitable indie films of all time

The 1978 John Carpenter movie grossed $70M in its initial run despite a modest budget. It helped pioneer the “slasher flick” subgenre, though it wasn’t filled with cheap thrills. As Roger Ebert pointed out in his review of the movie, Carpenter’s filmmaking techniques—alongside his original score—were a work of art.

B-movie king Roger Corman mentored many of the star directors of 1970s Hollywood, including Francis Ford Coppola, Martin Scorsese, and Ron Howard.