The Clash's breakthrough hit wasn't listed on ‘London Calling’

The Clash's 'London Calling' cover parodied Elvis

The English band used Presley’s 1959 debut album as the template for the cover of its third record, an ambitious double album that explored rockabilly, reggae, ska, R&B, jazz and pop.

The Beatles were not an immediate success in the US—their label rejected their first two singles, and the band was mocked on the TV show 'American Bandstand.'

The Beatles' labels released almost twice as many of the band's records in the US to capitalize on the band's popularity.

Witness the birth of punk rock through the archives of an influential music magazine

Trouser Press magazine (originally Trans-Oceanic Trouser Press) was an influential publication that operated from 1974 to 1984. During that time, they ran cover stories on emerging acts like the Sex Pistols, the Clash, and others, offering contemporary readers a window into how punk was understood as it evolved.

The Velvet Underground is often considered a starting point for punk rock

The band blended Warhol’s Pop Art with Beat poetry, early rock ‘n’ roll and the European avant-garde, creating a sound that was often chaotic, noisy and abrasive. The band’s debut album, “The Velvet Underground and Nico,” sold poorly, but (supposedly) everyone who purchased a copy started a band.

An early Sex Pistols show is credited with inspiring other influential acts

When the Sex Pistols first ventured out to a small music hall in Manchester, only 40 people were in attendance. But, like the longtail influence of the first Velvet Underground album, the show's impact was massive: In the crowd that night were members of Buzzcocks, the Smiths, and Joy Division.

The cover of 'Abbey Road' was shot in a quiet London neighborhood in 1969

The unassuming setting became one of the most famous attractions in the city and was the cover of the Beatles' last-recorded album. It was shot in the late 1960s, when the Fab Four was the most famous band in the world.

A legendary 1975 show in London introduced Bruce Springsteen to Europe

The November 18, 1975, show at London's Hammersmith Odeon was part of a much-hyped promotional campaign around "Born to Run." Springsteen and the E Street Band delivered, producing a show that superfans consider among the best in the Boss' legendary career.

An American Beatles album featured a bizarre, gruesome image of the band as butchers, which was swiftly recalled.

Nirvana's 'Nevermind' brought punk to the mainstream

The Seattle band’s second record, its first on a major label, went to number one four months after it was released in 1991. At one point, it was selling 300,000 copies a week. The band’s lead singer, Kurt Cobain, believed in punk’s countercultural aims and felt deeply conflicted about success.

The Ramones' debut album went gold 38 years after its release.

The Beatles' appearance on 'The Ed Sullivan Show' in 1964 launched Beatlemania in the US after the band struggled to break through to American audiences.

The BBC banned the Beatles' song 'A Day in the Life' for 5 years, fearing it encouraged drug use.

The Beatles' song 'Taxman' was inspired by Britain's tax structure.

Check out the records stocked in the jukebox at the Stonewall Inn, the bar responsible for modern Pride celebrations.

Listen to "Yesterday and Today," the 1966 Beatles album only released in the US.

The song 'Hungry Heart' was written for punk icons the Ramones, but Bruce Springsteen's manager convinced the singer to record it himself.

Listen to Bruce Springsteen's first band, the Castiles, which he joined when he was still a teenager.

The most popular drum sound of the 1980s was discovered by accident

You know it when you hear it: the distinct snare drum of songs like Phil Collins' "In the Air Tonight" or Bruce Springsteen's "Born in the USA." It's called "gated reverb," and it's something most people associate, for better or worse, with the sound of the '80s. This Vox explainer breaks down how it was discovered by accident, thanks to a microphone typically used for communication that picked up additional sounds.

The Beatles loved Motown Records, covering some of the label's songs while honing their skills as a club act in Germany.

Bob Dylan wrote and recorded songs that later became hits when they were covered by artists like Jimi Hendrix, Adele, and Guns N' Roses.

Nirvana's 'Nevermind' brought punk (and grunge) to the mainstream

The Seattle band's second record, its first on a major label, went to number one four months after it was released in 1991. At one point, it was selling 300,000 copies a week. The band's lead singer, Kurt Cobain, believed in punk's countercultural aims and felt deeply conflicted about the band's success and its ties to the success of "grunge," a subgenre he felt ambivalent about.

Before becoming a country superstar, Dolly Parton recorded girl group-style singles as a teenager, including one that became a hit outside the US.

Bruce Springsteen's song 'Born to Run' took six months to record, with the singer-songwriter desperately trying to perfect it to save his career.

How British youth resurrected overlooked American soul music

Motown released some of the 1960s' biggest soul records and changed the sound of pop music. The label also inspired countless smaller, regional labels that released songs by lesser-known artists that received limited attention. That changed with the rise of British Northern Soul, an underground scene that repurposed these obscure records (including several overlooked Motown releases) for all-night dance parties and, in the process, minted some unexpected American superstars.

The American girl groups of the 1950s and '60s had a profound influence on The Beatles, who frequently paid homage to acts like the Marvelettes and the Ronettes

The Beatles' 'Tomorrow Never Knows,' the final track from 1966's 'Revolver,' used innovative recording methods—including a rudimentary form of sampling—to redefine the sound of popular music.

The Buzzcocks' 1975 self-released EP inspired a DIY ethos for punk

Punk sought to dismantle the self-importance of mainstream rock, favoring simple arrangements, short songs, and raw passion over sophistication or expertise. When the Buzzcocks struggled to find a label to release their debut record, “Spiral Scratch,” they took that do-it-yourself approach and applied it to business by releasing it themselves.

The first known use of 'punk rock' was in 1971

When Creem Magazine's Dave Marsh wrote about seeing '60s garage rockers ? and the Mysterians perform, he remarked it would be unthinkable "to miss such a landmark exposition of punk-rock." The band isn't considered a punk band, but Marsh's description would go on to define other scrappy, back-to-basics acts.

The band 'The Bangles' was initially named 'The Bangs'

Legal troubles forced the band to change their name. See a slew of other music facts, like how Taylor Swift's "All Too Well (Taylor's Version) is the longest song to reach number one on the US singles chart. The song is over 10 minutes long, and surpassed Don McLean's "American Pie."

Patti Smith's 'Horses' was the first album from the CBGB scene

The poet’s debut album, released in 1975, blended literature and the early New York punk sound. Smith called the combination “three chords merged with the power of the word.” Throughout the album, she references and repurposes earlier rock hits (including Them’s “Gloria” and Chris Kenner’s “Land of 1,000 Dances”).

Death, early innovators of punk, were unknown for decades

The band of three brothers from Detroit recorded a 1974 demo that predicted the punk explosion that would arrive just a few years later with the Ramones and the Sex Pistols. But the band, Death, were complete unknowns until collectors rediscovered their music in the 2000s.

Bruce Springsteen was initially so unhappy with his album 'Born to Run' that he threw it in a swimming pool.

Listen to the Beatles' 'Revolver,' the band's groundbreaking 1966 album.

Hear how the Beatles became the most influential band on Earth, with guest Conan O'Brien.

How 'Nevermind' realigned the music industry

Nirvana's breakout album inspired other major labels to hunt for similarly loud, countercultural bands. That led to a fascinating period in popular music that found defiantly anticommercial indie acts like the Melvins, the Butthole Surfers, and Ween (among many, many others) suddenly offered lucrative contracts.

The archaeological sites uncovered through London's Crossrail Project

The Crossrail Project is an underground train system in London, which saw 26 miles of new tunnels created over more than a decade. The project provided unique access to long-buried layers of London's history, and a massive parallel archaeological excavation took place.

Before the Velvet Underground, Lou Reed was a workaday songwriter

His job at Pickwick Records, a label that churned out budget records for department stores, was to crank out generic pop fare. One of those songs was 1964’s “The Ostrich,” a dance song in the style of Chubby Checker’s “The Twist” and Little Eva’s “The Loco-Motion.”

How Rock and Roll Hall of Fame inductees New Order forged a new sound

Formed in the ashes of post-punk outfit Joy Division, the British group incorporated synthesizers and pulsating, disco beats for "Blue Monday," their early single that would come to define the 1980s sonic landscape.

1984's 'Born in the USA' was a sensation, due in part to its music videos

The album was Springsteen's most pop-focused, with blaring synths and a pumping backbeat. It was a pop culture sensation, with five singles that reached the top 10, a massive arena tour, and several iconic music videos coinciding with MTV's rise. The record would eventually become one of the best-selling albums of all time.

The surprising and strange sources behind 12 famous songs

Britney Spears's "Toxic" borrowed strings from a 1981 Bollywood film, Billie Eilish sampled The Office, and one duo made an entire album using only the sounds of their Whirlpool washing machine. Explore how sampling can pull from pretty much anywhere.

2 Tone ska aimed to counteract a segregated England

The 2 Tone record label, spearheaded by the Specials, popularized second-wave ska in the late ‘70s, which married British punk with Jamaican rhythms. The music—intentionally multicultural and performed by multiracial bands—was a response to England’s growing nativism.

In 1984, Bob Dylan reimagined himself as the front man of a punk band for a performance on David Letterman's late-night talk show.

How underground radio revitalized rock 'n' roll

Early FM was a wasteland and quickly became the domain of amateurs and risk-takers, including many stations and DJs who played music that flew in the face of mainstream trends. This history of the band's scrappy beginnings unpacks how it realigned the rock charts.

CBGB, the breeding ground for punk, was intended to be a country bar

Ramones, Talking Heads, Television, Blondie, and many other bands got their start at CBGB. But its owner, Hillel “Hilly” Kristal, didn’t intend for it to be a punk rock venue. CBGB stood for “Country Bluegrass Blues,” though he included “OMFUG” (for “Other Music For Uplifting Gourmandizers”) on the venue’s marquee.

Superfans of K-pop group BTS gamed the Billboard chart

In 2021, the boy band scored a number one hit with “Butter,” its second English-language track. As Stereogum writer Tom Breihan points out, though, it rose to the top of the charts without actually being the most popular song in the country. Other songs were considerably more popular on streaming platforms, but BTS’ hyperdevoted fanbase realized that purchasing digital downloads weighed more heavily in Billboard’s methodology. Recognizing an opportunity, BTS dropped the price of a download to 69 cents, securing their place on the top of the charts.

Billie Holiday's label refused to release 'Strange Fruit,' a protest song about lynching, because of fears of negative reactions from southern retailers.

1982's ‘Nebraska’ was recorded alone at home, a rarity at the time for a major artist

“Born to Run” became a hit in part due to its massive sound, something that was only possible thanks to the magic of the studio. That continued with 1980’s “The River,” which gave Springsteen his first top 10 single. With “Nebraska,” though, Springsteen abandoned the studio, opting to release the spare recordings he made at home, by himself. At the time, such a decision was a rarity for a platinum artist.

Watch an early performance by Bruce Springsteen at a Greenwich Village coffeehouse in 1972.

Check out a list of the best Beatles songs, from 'Hey Jude' to 'A Day in the Life.'