Shakespeare’s use of verse and prose signifies important characteristics

Critics often use the word ‘Shakespearean’ to describe a dramatic story

Calling something “Shakespearean” often denotes a high-quality work of art or a story that recalls one of the Bard’s plays.

‘Blank verse’ is an unrhymed poetic form with a consistent meter common in epics

Shakespeare’s plays are primarily written in blank verse, a consistent meter without any rhyme scheme. The mode is common in epic poems like Homer’s Iliad or John Milton’s “Paradise Lost,” though the specific meters vary.

How Shakespeare changed the sonnet

A sonnet is a rigid poetic form from the Renaissance, featuring 14 lines, a consistent meter (or beat) and rhyme scheme, and a noticeable thematic shift known as a "volta." Shakespeare popularized a form featuring three four-line stanzas and a rhyming couplet, departing from the Petrarchan two-part structure of eight- and six-line stanzas.

Shakespeare's storytelling uses intricate, intertwining narratives

According to one professor, readers return to Shakespeare's plays, not for his storylines, but to learn how things unfold. In the process, they often use his plays to understand why humans act the way they do.

Shakespeare wrote in an early form of Modern English—not Old English

Old, Middle, and Modern English are three distinct language eras. A speaker of Modern English wouldn’t be able to understand Old or Middle English.

Shakespeare's American productions have often reflected the state of the country

Shakespeare's works have been used to interpret moments in US history, from the Astor Place Riot in 1849 and Lincoln's frequent quotations of "Macbeth," to the use of Shakespeare in nationwide classrooms today.

Dozens of common phrases are attributed to Shakespeare

His clever wordsmithery infiltrated English, from “Neither rhyme nor reason” to “In my heart of hearts.” This article lists nearly two dozen of his best-known phrases.

Shakespeare played a major role in the history of the sonnet

The Renaissance writer Petrarch first developed the 14-line poem with a two-part structure. Through English translations of his sonnets by Sir Thomas Wyatt in the 1500s, the form took on new life, particularly through Shakespeare. Variations on the form have continued to evolve since.

Shakespeare was criticized in his own time

Robert Greene was a respected writer during Shakespeare’s time as an actor-playwright who famously dismissed the young upstart, accusing him of plagiarism and criticizing his ability to write blank verse.

In addition to his plays, Shakespeare wrote nearly 200 poems

Beyond his famous plays, Shakespeare penned 154 sonnets, including the well-known romantic ode “Shall I compare thee to a summer’s day?” He also wrote two long poems as well as several minor pieces.

Shakespeare's father was a professional ale taster

The Bard's dad was Stratford-upon-Avon's official "conner," the title reserved for those who tested the strength and quality of locally brewed ale. The job was not as easy as it might sound: He was expected to see if the ale had spoiled, meaning he sometimes had to drink bad beer.

Shakespeare’s plays were first published together in 1623 after his death

Most of his plays were written for the stage, so it took his admirers to compile the play texts posthumously in 1623. This became the famous “First Folio,” the basis of Shakespeare’s literary posterity.

The best Shakespeare plays, ranked

The Guardian worked through the Bard's plays, from "A Midsummer Night's Dream" to "The Winter's Tale," evaluating what distinguishes the mediocre from the truly excellent.

Some doubt Shakespeare is who scholars say he is

Major contemporaries of Shakespeare have been proposed as the real writer of his plays and poems, including Anne Hathaway, Ben Jonson, and Sir Walter Raleigh.

Shakespeare included a reference to toasting in ‘The Merry Wives of Windsor’

At one point in the 1602 play, the character Falstaff calls for a quart of wine, asking for toast to be placed in it, as was customary at the time.

Linguists proved Shakespeare wrote his plays

In the 1800s, linguist Wincenty Lutoslawski invented a method of linguistics analysis called stylometry to help certify literary authorship. Stylometrists concluded that Shakespeare wrote his plays, and likely collaborated with Christopher Marlowe for some.

What is free verse?

Free verse is a style of poetry that does not conform to any set meter or rhyme scheme. In essence, it’s poetry whose form has been created by the poet.

Bear-baiting was another form of entertainment during Shakespeare’s time

We tend to think of Shakespeare’s audiences as prim and proper, but the Bard’s shows were just another form of amusement, viewed by commoners as entertainment not unlike the animal blood sports that were similarly popular during the time period.

Critic Harold Bloom believed Shakespeare invented the modern human

Yale critic Harold Bloom believed the Bard transformed the way humanity understood itself, a thesis laid out in his book "Shakespeare: The Invention of the Human."

Shakespeare wrote 38 plays between 1580 and 1614

Between 1600 and 1610, he produced some of his best-known works, including “Hamlet,“ “Othello,“ “King Lear,“ and “Macbeth.“

Beats emphasized the importance of 'spontaneous prose'

Beat writer Jack Kerouac believed literature should aim to be more like jazz, using improvisation to burrow down to the root of the subconscious. In this video from the University of Pennsylvania’s Modern and Contemporary Poetry course, Professor Al Filreis directs a conversation of Kerouac’s manifesto, “Essential of Spontaneous Prose.”

A linguist argues Jane Austen's language is what defines her fiction

While many readers love Austen's novels for their characters and their romantic plots, Chi Luu argues that many people (including literary luminaries like Mark Twain, Virginia Woolf, and Ralph Waldo Emerson) underestimate how her adept wordplay, sense of irony, and memorable turns of phrase are what have made readers fall in love with her fiction for centuries.

'Romeo and Juliet' was based on a preexisting narrative poem

Arthur Brooke's "The Tragical History of Romeus and Juliet" was first published in 1562 and shares many details with Shakespeare's "Romeo and Juliet." Shakespeare wasn't alone in his borrowing; Brooke's poem was based on other earlier Italian stories. None of this writing was considered fan fiction—copyright law didn't exist, and stories were regularly cribbed from preexisting sources.

Documented proof of Shakespeare’s life

Birth in 1564 in the small town of Stratford-upon-Avon; marriage to Anne Hathaway in 1582; and the appearance of his first born (1583) and first printed play (1594): If you’ve ever doubted the Bard’s existence, here are his life’s milestones backed by historical documents.

A list of nine quirky literary adaptations of Shakespeare's life and works

Although surprisingly little is known about the actual man, William Shakespeare holds an unrivalled place in English letters. His characters, from Hamlet to Hermione, have inspired countless imitators, responses, and caricatures, and this list gathers a few of the best for the modern reader, including Richard Adams' adaptation of King Lear through a story about dogs.

Mathematical breakthroughs influenced Shakespeare’s stories

New ideas in math were transforming Europe at the time Shakespeare penned his plays, including newly popular conceptions of zero via philosophers Descartes and Leibniz.

10 Shakespeare authorship theories

Although William Shakespeare is widely considered to be the authentic author of the plays attributed to him, there are still dozens of theories suggesting that others are responsible for the classic works. Was it actually his contemporary, Christopher Marlowe? Or maybe his wife, Anne Hathaway? This list explains the 10 most popular theories that have been proposed, much to more than a few Shakespeare scholars' chagrin.

No, Shakespeare didn't write the Bible

Some believe Shakespeare helped write the King James Bible—and left his name hidden in Psalm 46. The evidence seems uncanny… but the truth is much less dramatic.

Playwright George Bernard Shaw believed Shakespeare was overrated

Shaw was one of the titans of 20th-century British drama—responsible for "Pygmalion," "Arms and the Man," and more—and a persistent critic of the Bard, whom he believed had been unnecessarily praised to the point of "Bardolatry." Over time, his opinion softened; at one point, Shaw even reworked Shakespeare's "Cymbeline."

Aristotle's 'Poetics': a breakdown for the overwhelmed student

"Poetics" by ancient Greek philosopher Aristotle is an analysis and commentary on theater. This 13-minute video by a theater student summarizes and explains the ancient publication, of which only a portion has survived since antiquity. Aristotle studied under Plato, another ancient Greek philosopher, for about 20 years. Aristotle's "Poetics" can be seen as a response to Plato's "Republic," which argued poets and poetry were corruptive forces.

The word 'punk' originally meant 'female prostitute'

The Oxford English Dictionary records the first usage before 1575. Shakespeare used the word in his play “Measure for Measure,” with one character suggesting another “may be a Puncke.” Over time, the word acquired additional meanings. By the 20th century, it was used as an insult for a young man.

Nine Shakespeare paintings by pre-Raphaelite John Everett Millais

In the 19th century, pre-Raphaelites like Millais sought to showcase life and nature honestly, using common references like the Bible, ordinary people and Shakespeare. Explore some of Millais' better known paintings inspired by the Bard here, including his world-renowned "Ophelia."

Read the Beats' poetry

The Beats were alike in their willingness to experiment and transgress, though the movement’s writers were distinct artists with varying styles. This collection showcases the breadth of the Beat Generation’s work, with authorized texts from Allen Ginsberg, Jack Kerouac, Lawrence Ferlinghetti, Diane di Prima, Richard Brautigan and others.

Novels often use perspective as a narrative device

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.

Jane Austen used satire to critique women's place in society

Although the novelist is sometimes dismissed as a romance writer, her stories feature pointed societal critiques, especially of women's limited options and challenged popular notions that women were subservient and passive.

‘SNL’ sketches often follow a uniform structure

Sketch comedy relies on pacing, with scripts that hit certain beats. "SNL" often greenlights sketches that lean into a particular formula that features two "turns," or unexpected events that disrupt the "base reality" of the story.

Many satires use parody, though not all parodies are satires

A parody is an impression of another artist's or work's style that intentionally exaggerates its aesthetics. Many satires employ parody to convey their message, although some parodies are simply humorous embodiments of a style without offering any deeper, satirical point. That's often the case with music parodies.

Satire often employs irony

Satirists often make their point indirectly through ironic statements, indirectly highlighting the foolishness of the thing they’re mocking. An example is Mark Twain's satirical 1882 essay, “Advice to Youth.” “Build your character thoughtfully and painstakingly upon these precepts,” he wrote, “and by and by, when you have got it built, you will be surprised and gratified to see how nicely and sharply it resembles everybody else’s.”

Sondheim was the king of the patter song

Patter songs are up-tempo numbers that match beats and syllables, requiring singers to flex serious verbal dexterity. Stephen Sondheim's patter songs are some of the most famous in Broadway history, featuring rapid-fire speech and clever turns of phrase. This video breaks down some of the finest examples.

Characterizing Emily Dickinson's distinctive poetic style

Dickinson's poems are generally short, untitled works that are lyrical, which means they seek to express feelings rather than narrate stories. They're also infused with common meter, a rhythm used in much popular music, and deploy frequent dashes as both punctuation and an idiosyncratic poetic device.

The novel broke new ground by offering realistic stories

In this brief interview, Terry Castle, an English professor at Stanford, explains the origins of the early British novel. Castle details how the novel was produced for a newly literate middle class interested in recognizable characters and stories “about life as they knew it” rather than Greek and Roman myths or medieval romances. She also explains why a newly enfranchised female demographic was attracted to the fiction of writers like Jane Austen and Virginia Woolf.

Translations of 'The Odyssey' can differ greatly, with translators often focusing on different aspects of its language.

Orwell warned readers about how abuse of language can lead to dystopias

In his 1946 essay "Politics and the English Language," Orwell argues that language is the primary tool of political control and is "designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind." The essay warns readers that how they use and consume language will dictate what they permit—or prohibit—in society.

There are three main types of satire: Horatian, Juvenalian, and Menippean

These classifications are based on the Roman poets who popularized them. Horatian is good-natured and lighthearted, Juvenalian is bitter and more caustic, and Menippean contains many layers.

Hughes' poems brought blues and jazz to poetry

Poets like Walt Whitman and Claude McKay inspired Hughes, but he was also enamored with blues and jazz music. The styles informed the way he structured his verses, with Hughes employing repetition and rhythm in ways similar to the standard 12-bar blues form and playing with meter in a way that recalled the improvisation of jazz.

Adaptations of Hamlet's most famous soliloquy often change its meaning

The directors of the many "Hamlet" film adaptations have used setting, context, and tone to reframe the "To be, or not to be" monologue. Laurence Olivier's 1948 version presents it as a meditation on suicide; Kenneth Branagh's 1996 version interrogates surveillance. Lucy Zhao's 2025 film "Hamnet," although not a true adaptation of the play, utilizes the soliloquy twice to illustrate how characters grapple with grief.

Jane Austen revolutionized a form of narration in the novel

Austen's books are narrated by a third-person omniscient narrator, which was not new for her time. Austen, however, helped popularize a little-used technique called "free indirect discourse," in which the narrator took on the style and voice of the character being described without drifting into the first-person perspective. It's a technique still often used by novelists today.

'For it would seem—her case proved it—that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver.'

- Virginia Woolf (1882-1941) in "Orlando: A Biography"

Prosecco—Italy's sparkling wine—is produced using the tank method

Italy’s best-known sparkling wine, Prosecco, has many similarities to Champagne. However, Prosecco performs its secondary fermentation in a different manner. Rather than taking place in the bottle using the French method, fermentation of Prosecco takes place in large, pressurized steel tanks, making it easier to produce on a large scale. The technique results in light, fresh flavors and plenty of bubbles.

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.