Ginsberg's 'Howl' portrayed people outside the American mainstream

The 'Howl' obscenity trial changed American publishing

The "Howl" obscenity trial is one of the most significant in American publishing, affirming that material with the "slightest redeeming social importance" cannot be considered "obscene." In the process, it permits artists, like Allen Ginsberg, to use the language they see fit to express themselves.

Allen Ginsberg debuted his poem 'Howl' at San Francisco's Six Gallery in 1955, kicking off the nationwide interest in the Beat Generation.

The Beat Generation was a 'beaten down', jazz-influenced American literary movement

The movement, which rose to prominence in the 1950s, was primarily composed of poets challenging orthodoxies of post-war American literature and society. Figurehead Allen Ginsberg and his long poem "Howl" represented a rallying cry for a burgeoning counterculture.

Allen Ginsberg, Jack Kerouac, William S. Burroughs, and Neal Cassady were early Beats

Works like Ginsberg’s "Howl" and Kerouac’s "On the Road" redefined literature, inspiring countercultural movements for several decades.

Read the Beats' poetry

The Beats were alike in their willingness to experiment and transgress, though the movement’s writers were distinct artists with varying styles. This collection showcases the breadth of the Beat Generation’s work, with authorized texts from Allen Ginsberg, Jack Kerouac, Lawrence Ferlinghetti, Diane di Prima, Richard Brautigan and others.

The Beats also influenced the imagery of the 1960s

First editions of Burroughs’s "The Naked Lunch," Kerouac’s "The Dharma Bums," and Ferlinghetti’s "A Coney Island of the Mind" were just as notable for their text as they were for their design, which anticipated the psychedelic imagery of 1960s countercultural touchstones like Ken Kesey, Andy Warhol, and R. Crumb.

Allen Ginsberg on how Walt Whitman changed poetry

In this 1992 appearance on "Charlie Rose," Beat Generation icon Ginsberg articulates why Whitman mattered not only to the Beats but to all of poetry, arguing that he forever changed the possibilities of the form.

Watch a conservative icon interview Allen Ginsberg, a figurehead of the Beat Generation.

Joan Didion's 1967 'Slouching Towards Bethlehem' laid the hippie counterculture bare

Didion wrote a detailed account of living alongside hippies in San Francisco's Haight Ashbury area in the 1960s. Beyond their style and politics, Didion uncovered chaos, with one particularly shocking interview of a 5-year-old on LSD. Her stories challenged the movement's message of freedom and utopia in California.

The Beat Generation, explained

The Beat Generation challenged societal norms in the 1950s by embracing experimental writing and tackling taboo topics like drug use, spirituality, and nonconformity. Figures like Allen Ginsberg, Jack Kerouac, and Diane di Prima sparked a cultural movement that rejected traditional literary forms and explored the hidden struggles of American life.

'Leaves of Grass' was banned several times for obscenity.

Ginsberg, Kerouac, and Burroughs were influenced by their classmate Lucien Carr

Much has been written about Allen Ginsberg, Jack Kerouac, and William S. Burroughs’ time at Columbia University in the 1940s, but less attention has been paid to Lucien Carr, another student and one of the trio’s close friends, who murdered his childhood stalker.

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

The Six Gallery, and San Francisco at large, helped the Beats grow

The Six Gallery was located in the “Harlem of the West,” where jazz musicians, filmmakers, painters and poets experimented with no regard for commercial success. “If Ginsberg had broken new ground,” historian Rebecca Solnit writes, “the Six had made it possible to go public with it.”

Hughes testified before Sen. Joseph McCarthy’s Subcommittee on Investigations

In 1953, the writer was interrogated by the Subcommittee’s chief counsel, Roy Cohn, about communism and its impact on his work. Cohn quoted lines from poems like “Goodbye, Christ” and “Ballads of Lenin,” but Hughes denied that he was a communist, explaining that poetry should not be taken literally. “That is a poem,” he told Cohn. “One can not state one believes every word of a poem.”

DH Lawrence's novel 'Lady Chatterley's Lover' was banned for obscenity in numerous countries, but small private printings turned it into an underground sensation in the late 1920s.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

The Beat Generation inspired significant parts of 1960s counterculture

The Beat Generation championed the transformative power of psychedelics, rebelled against the post-war social order, and called for more radical politics. With a strong foothold in San Francisco, it's no surprise these themes were carried over to the city's 1960s counterculture, informing the larger national hippie movement.

A lost Jack Kerouac story was discovered in the belongings of a gunned-down mob boss

The unpublished "The Holy, Beat, and Crazy Next Thing" was found in the belongings of Paul Castellano, who was murdered in 1985. It's unclear why Castellano had it, though an heir says it was originally in the collection of a "noted San Francisco-based poet...who received it directly from the author."

The Beat movement started in San Francisco, but quickly moved beyond it

This documentary features interviews with Beat writers Diane di Prima and Lawrence Ferlinghetti, reflecting on their arrival in San Francisco and the explosion of Beat culture in the city and beyond. “It’s not a generation,” di Prima says, reading one of her verses, “it’s a state of mind.”

'Huckleberry Finn' has a long history of book bans

Twain’s most famous novel was first banned in March 1885. Librarians in Concord, Massachusetts, called it “suitable only for the slums.” Since then, it’s been banned many more times, mostly because of how it deals with race. In recent decades, its use of the N-word, has led to its removal.

​Why heroin became associated with the grunge world

The drug was popular with several Seattle acts in the early 1990s, with artists like Hole's Courtney Love even publicizing her use in a magazine profile. A 1992 New York Times story on Seattle said the city's principal drugs were "espresso, beer, and heroin."

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

Walt Whitman helped define the voice and spirit of American literature

The 19th-century poet is considered one of the most important voices in the American canon. His collection “Leaves of Grass,” in particular, is regarded as a foundational text and is widely taught in American high schools and colleges.

Patti Smith's 'Horses' was the first album from the CBGB scene

The poet’s debut album, released in 1975, blended literature and the early New York punk sound. Smith called the combination “three chords merged with the power of the word.” Throughout the album, she references and repurposes earlier rock hits (including Them’s “Gloria” and Chris Kenner’s “Land of 1,000 Dances”).

How Kurt Cobain was influenced by the Beats

Fresh off the success of Nirvana's "Nevermind," band frontman Kurt Cobain reached out to his literary idol, the Beat writer William S. Burroughs, suggesting a collaboration. The correspondence led to "The 'Priest' They Called Him," a hard-to-find recording featuring Burroughs reading a story and Cobain on dissonant guitar.

Lenny Bruce's stand-up challenged US law

Bruce came up in burlesque theaters, but began to find success as stand-up comedy developed a more political and subversive bent. His sets often satirized what he believed to be an oppressively conformist society, which led to his arrest on several occasions.

Poet Robert Lowell encouraged O'Connor to turn away from commercial appeal

When O'Connor secured a publisher for "Wise Blood," her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O'Connor biographer Brad Gooch elaborates on that advice.

Haight-Ashbury's hippie character was shaped by a store selling psychedelic texts and wares.

A biker from Hell's Angels said Hunter S. Thompson's book about the group was mostly 'cheap trash'

Thompson's popular coverage of the motorcycle gang was not necessarily popular with the gang members themselves. In a bizarre and amusing TV interview from 1967, a biker is given the opportunity to confront Thompson about using the gang for profit, misrepresenting them, and failing to buy beer he promised them.

Read the first essay to define the Beats

Although Kerouac is said to have coined the name "Beat Generation," his friend John Clellon Holmes expanded on it in this 1952 essay for the New York Times Magazine. It was an anthropological attempt to define the moment that produced writers like Kerouac, Allen Ginsberg, William S. Burroughs, and others.

The FBI tracked Woody Guthrie's politics for years, amassing an enormous file that was only discovered many years after his death.

Read Langston Hughes’ most famous poems

The writer is considered one of the most important voices in American verse, noted for his use of authentic vernacular, vivid imagery, and jazz-inspired rhythm in poems such as “Harlem,” “I, Too,” and “The Weary Blues.

Walt Whitman wrote a poem for the official celebration of America's 100th anniversary, but was not invited to read at the event.

Keith Haring was inspired by graffiti's accessibility

The visual artist—known for his vibrant pop art—loved how graffiti was a democratic form, available to everyday people who wouldn't otherwise visit museums or galleries. He began drawing chalk murals in New York subway stations, remarking that it was an ideal venue because it attracted a diverse audience.

Kurt Vonnegut's satire embraced dark humor

Books like "Cat’s Cradle" and "Slaughterhouse Five" satirized the international appetite for war, which the 20th-century writer found both horrifying and hilarious. It’s a combination that some called “gallows humor,” a classification Vonnegut himself remembered Sigmund Freud describing. “One of the examples Freud gives is a man about to be hanged,” Vonnegut once recalled, “and the hangman says, ‘Do you have anything to say?’ The condemned man replies, ‘Not at this time.’”

Hughes' poems brought blues and jazz to poetry

Poets like Walt Whitman and Claude McKay inspired Hughes, but he was also enamored with blues and jazz music. The styles informed the way he structured his verses, with Hughes employing repetition and rhythm in ways similar to the standard 12-bar blues form and playing with meter in a way that recalled the improvisation of jazz.

Camus was influenced by American culture, especially literature and jazz

He loved the work of writers like William Faulker and Ernest Hemingway, and loved drinking whiskey and listening to jazz. He also admired the actor Humphrey Bogart and his striking performance in the noir classic "The Big Sleep." He was delighted when his wife gave him a Burberry raincoat, thinking it made him look more like Bogart.

How one trial tested the limits of satirical music

The rapper Afroman, who earned jokey hits in the '90s with songs like "Because I Got High," was taken into court by police officers by police officers in Adams County, Ohio, who alleged that he'd defamed them in his songs. The music in question was recorded after those officers raided his house and satirized the situation, often in graphic terms. The rapper beat the case, but not before his satirical songs were analyzed in court.

Jack Kerouac coined the name 'Beat Generation,' intending it as a contrast with 'the Lost Generation.'

Poet Robert Lowell was once convinced communists were invading an artist colony

In 1949, the Pulitzer winner accused Elizabeth Ames, director of the Yaddo artist colony in Saratoga Springs, New York, of colluding with Agnes Smedley, a journalist who'd been staying on the property for years and who was working on a project sympathetic to communist causes.

Walt Whitman wrote a temperance novel

Before “Leaves of Grass” there was “Franklin Evans,” a novel about a young man whose drinking ruins his life. Whitman all but disowned the novel for the rest of his life, though critics note that he preached teetotaling throughout his life.

Beats emphasized the importance of 'spontaneous prose'

Beat writer Jack Kerouac believed literature should aim to be more like jazz, using improvisation to burrow down to the root of the subconscious. In this video from the University of Pennsylvania’s Modern and Contemporary Poetry course, Professor Al Filreis directs a conversation of Kerouac’s manifesto, “Essential of Spontaneous Prose.”

Read 'The New Negro,' the influential collection that helped define the Harlem Renaissance.

Carlin's 'Seven Words' led to a landmark Supreme Court ruling

The original recording of Carlin's bit aired on a New York radio station in 1973, leading to an FCC complaint. The case went up to the Supreme Court, which ruled that the FCC had the right to penalize broadcasters that aired obscene content during the daytime.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

The Dylan/Whitman connection

Even before his 2016 Nobel Prize, critics often wrote about Bob Dylan with a seriousness typically reserved for literary figures. In this critical analysis, Jones Hogsed continues the tradition, analyzing Dylan's vision of America alongside Walt Whitman's.

Hunter S. Thompson’s ‘Hell’s Angels’ gave inside look at a notorious motorcycle gang

What began as an article turned into roughly two years of Thompson’s life spent riding with the infamous Californian gang. By absorbing himself in their lifestyle, he gave the American public a look into their partying, drinking and violence.

Francis Ford Coppola spent years trying to adapt Jack Kerouac's Beat Generation novel 'On the Road' but ultimately handed it off to another filmmaker.

In 1974, Norman Mailer touted graffiti as an intellectual art form

The Pulitzer Prize winner explored the style in his 1974 Esquire essay, "The Faith of Graffiti," before expanding on it in a book with 81 photos by Jon Naar. In it, he traces the form back to its ancient roots and compares graffiti writers to Renaissance painters.