Brian Wilson and the Beach Boys were an influence on early punk rock

Brian Wilson and the Beach Boys were an influence on early punk rock

The Beach Boys' sunny sound profoundly influenced early punk acts, such as the Ramones, who took Brian Wilson's sugary hooks and ramped up the tempo. In the 1980s, 1990s, and 2000s, California pop-punk acts such as the Descendents, Green Day and Blink-182 continued the tradition.

Brian Wilson originally wrote the Beach Boys' classic 'Don't Worry Baby' for the Ronettes, but the legendary girl group rejected it.

The Beach Boys' Brian Wilson said 'Be My Baby' is 'the greatest record ever produced.'

The Beastie Boys started as a punk band

Before they became a legendary rap group, the New Yorkers played fast, scrappy hardcore in the style of Bad Brains. Still, they were fans of the explosion of hip-hop culture in their city and recorded a jokey track in 1983, which led to a record deal and conversion to hip-hop.

Bad Brains sped up punk, creating hardcore

Punk was already fast, but Washington’s Bad Brains pushed the tempo even further, creating music that would come to be known as hardcore, influencing acts like Minor Threat, Nirvana, and countless others. The band was hardly one-dimensional. Their self-titled debut bounced between blistering hardcore and slow-burning reggae about Rastafarianism.

The Velvet Underground is often considered a starting point for punk rock

The band blended Warhol’s Pop Art with Beat poetry, early rock ‘n’ roll and the European avant-garde, creating a sound that was often chaotic, noisy and abrasive. The band’s debut album, “The Velvet Underground and Nico,” sold poorly, but (supposedly) everyone who purchased a copy started a band.

The Buzzcocks' 1975 self-released EP inspired a DIY ethos for punk

Punk sought to dismantle the self-importance of mainstream rock, favoring simple arrangements, short songs, and raw passion over sophistication or expertise. When the Buzzcocks struggled to find a label to release their debut record, “Spiral Scratch,” they took that do-it-yourself approach and applied it to business by releasing it themselves.

Death, early innovators of punk, were unknown for decades

The band of three brothers from Detroit recorded a 1974 demo that predicted the punk explosion that would arrive just a few years later with the Ramones and the Sex Pistols. But the band, Death, were complete unknowns until collectors rediscovered their music in the 2000s.

The Stooges were a stark contrast to the hippie movement

The Detroit band is often considered “proto-punk” because their loud, dark, and distorted music helped establish a template for the punk explosion that came later. In 1970, rock writer Lester Bangs even used the word “punk” to describe the band’s frontman, Iggy Pop.

The American girl groups of the 1950s and '60s had a profound influence on The Beatles, who frequently paid homage to acts like the Marvelettes and the Ronettes

The first known use of 'punk rock' was in 1971

When Creem Magazine's Dave Marsh wrote about seeing '60s garage rockers ? and the Mysterians perform, he remarked it would be unthinkable "to miss such a landmark exposition of punk-rock." The band isn't considered a punk band, but Marsh's description would go on to define other scrappy, back-to-basics acts.

An early Sex Pistols show is credited with inspiring other influential acts

When the Sex Pistols first ventured out to a small music hall in Manchester, only 40 people were in attendance. But, like the longtail influence of the first Velvet Underground album, the show's impact was massive: In the crowd that night were members of Buzzcocks, the Smiths, and Joy Division.

Experimental duo Suicide used the word 'punk' to describe their music in 1970

The New York act was inspired by free jazz, electronic music, and performance art, playing loud, frenetic, and often abrasive music that reckoned with the horrors of the Vietnam War. On the hand-drawn poster for their first gig, they described the sound with four words: “Punk Music by Suicide.”

CBGB, the breeding ground for punk, was intended to be a country bar

Ramones, Talking Heads, Television, Blondie, and many other bands got their start at CBGB. But its owner, Hillel “Hilly” Kristal, didn’t intend for it to be a punk rock venue. CBGB stood for “Country Bluegrass Blues,” though he included “OMFUG” (for “Other Music For Uplifting Gourmandizers”) on the venue’s marquee.

The song 'Hungry Heart' was written for punk icons the Ramones, but Bruce Springsteen's manager convinced the singer to record it himself.

Listen to Bruce Springsteen's first band, the Castiles, which he joined when he was still a teenager.

Explore a critics' list of the 100 best songs of the 1960s, featuring records by the Beach Boys, the Ronettes, Miles Davis, and more.

Why one country legend embraced punk rock

Dwight Yoakam was among the most popular country music acts of the 1980s, praised for his upbeat rockabilly and neo-Bakersfield sound. In this interview, Yoakam explains why he left the Midwest for California and began playing in punk clubs, including with an iteration of the legendary LA punk outfit X.

Stephen King's basement inspired a Ramones classic

The horror writer was a fan of the band and invited them to his home in Maine. While hanging out in the basement, Dee Dee Ramone, the band's bassist, stole away with a copy of King's "Pet Sematary" and wrote a song about it. The song appeared in the film adaptation of the book, which began shooting a month later.

The Beat Generation inspired significant parts of 1960s counterculture

The Beat Generation championed the transformative power of psychedelics, rebelled against the post-war social order, and called for more radical politics. With a strong foothold in San Francisco, it's no surprise these themes were carried over to the city's 1960s counterculture, informing the larger national hippie movement.

The Ronettes' 'Be My Baby' is a quintessential 'wall of sound' record

The 1963 single features one of the most recognizable drumbeats in the world; many critics consider the song the greatest pop recording of all time. If nothing else, it's a definitive example of both the classic girl group sound and Phil Spector's ingenious 'wall of sound.'

The Ramones' debut album went gold 38 years after its release.

Chuck Berry was one of rock 'n' roll's early innovators.

In 1977, Iggy Pop said 'punk rock' was a term used by 'heartless manipulators'

Although he's often called 'the Godfather of Punk,' Iggy Pop was over punk by 1977, just as the term was entering the mainstream. "It's a term that's based in fashion, style, elitism, Satanism, and everything that's rotten about rock 'n' roll," Pop told Canadian TV host Peter Gzowski.

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

The origins of the Rolling Stones

Founded by Brian Jones, the Rolling Stones emerged during the massive shifts taking place in the 1960s. From the start, they were the edgier version of the Beatles, and their complex reputation gave them a unique profile in the public eye.

Nirvana's 'Nevermind' brought punk to the mainstream

The Seattle band’s second record, its first on a major label, went to number one four months after it was released in 1991. At one point, it was selling 300,000 copies a week. The band’s lead singer, Kurt Cobain, believed in punk’s countercultural aims and felt deeply conflicted about success.

How 'Nevermind' realigned the music industry

Nirvana's breakout album inspired other major labels to hunt for similarly loud, countercultural bands. That led to a fascinating period in popular music that found defiantly anticommercial indie acts like the Melvins, the Butthole Surfers, and Ween (among many, many others) suddenly offered lucrative contracts.

The Bakersfield Sound challenged the music's creeping respectability

As country music leaned towards the slick Nashville Sound in the 1950s, several artists operating outside that city reacted with rougher sounds more reminiscent of honky tonk and early rock ‘n’ roll. It came to be known as the Bakersfield Sound, reflecting the California agricultural region.

The Beatles loved Motown Records, covering some of the label's songs while honing their skills as a club act in Germany.

Patti Smith's 'Horses' was the first album from the CBGB scene

The poet’s debut album, released in 1975, blended literature and the early New York punk sound. Smith called the combination “three chords merged with the power of the word.” Throughout the album, she references and repurposes earlier rock hits (including Them’s “Gloria” and Chris Kenner’s “Land of 1,000 Dances”).

Gary Panter's punk art defined the '70s and '80s counterculture

The artist got his start providing fliers and logos for early Los Angeles punk bands, but later took his psychedelic, Pop Art-vision to designing on "Pee-Wee's Playhouse," for which he won three Emmy Awards.

The early Los Angeles punk scene found a home in Chinatown

Acts like Black Flag, X, and Circle Jerks performed in unconventional venues like Madame Wong’s and the Hong Kong Cafe—restaurants in the city’s Chinatown neighborhood that became an integral part of the nascent scene.

Minor Threat inadvertently created the straight edge movement

The DC hardcore band released the song "Straight Edge" in 1981, which detailed singer Ian MacKaye's decision to abstain from alcohol, drugs and promiscuous sex. The track inadvertently inspired legions of young hardcore kids to similarly declare themselves "straight edge," which eventually grew into its own subgenre.

Springsteen played in several groups in Asbury Park, including one massive jam band

Dr. Zoom and the Sonic Boom featured between 15 and 20 people on stage at any given time, including future E Street Band members like Steven Van Zandt and Jersey Shore mainstay Southside Johnny. The band was not entirely serious, sometimes featuring someone who "played Monopoly" rather than an instrument.

Nirvana's 'Nevermind' brought punk (and grunge) to the mainstream

The Seattle band's second record, its first on a major label, went to number one four months after it was released in 1991. At one point, it was selling 300,000 copies a week. The band's lead singer, Kurt Cobain, believed in punk's countercultural aims and felt deeply conflicted about the band's success and its ties to the success of "grunge," a subgenre he felt ambivalent about.

Phil Spector's 'wall of sound' revolutionized girl groups—and pop music

The method captured a room of live musicians and transmitted the sound into a basement outfitted with more speakers and microphones. That sound was then sent into the central control room, producing a massive recording that sounded unlike anything else in pop music.

Allen Ginsberg, Jack Kerouac, William S. Burroughs, and Neal Cassady were early Beats

Works like Ginsberg’s "Howl" and Kerouac’s "On the Road" redefined literature, inspiring countercultural movements for several decades.

Rock 'n' roll's history in 60 seconds

In the late 1940s, rock 'n' roll emerged from a mix of blues, country, gospel, and jazz. It gained traction through radio, rebellious icons, and evolving sound. This overview traces the genre’s roots, rise, and lasting influence—from early pioneers to the British Invasion and beyond.

The Beats also influenced the imagery of the 1960s

First editions of Burroughs’s "The Naked Lunch," Kerouac’s "The Dharma Bums," and Ferlinghetti’s "A Coney Island of the Mind" were just as notable for their text as they were for their design, which anticipated the psychedelic imagery of 1960s countercultural touchstones like Ken Kesey, Andy Warhol, and R. Crumb.

How Rock and Roll Hall of Fame inductees New Order forged a new sound

Formed in the ashes of post-punk outfit Joy Division, the British group incorporated synthesizers and pulsating, disco beats for "Blue Monday," their early single that would come to define the 1980s sonic landscape.

Richard Hell is one of punk's most accomplished writers

Richard Hell is punk royalty, known for his work with Television, the Heartbreakers, and the Voidoids. He's also a well-traveled poet, novelist, critic, and memoirist, as this detailed profile from Poetry Foundation's Andrew Marzoni shows.

Hear how the Beatles became the most influential band on Earth, with guest Conan O'Brien.

Peru’s Los Saicos were early punk pioneers

The group often goes unmentioned in the history of punk rock, but its early 1960s records—featuring growling vocals, rudimentary guitars and a straight-ahead backbeat—foresaw the genre. Look no further than the 1964 track “Demolición.”

Gary Panter designed punk flyers before building the surreal world of Pee-wee Herman

The illustrator’s anxiety-ridden comics adorned flyers for LA punk bands, defining a distinctive aesthetic for the burgeoning genre. That work caught the eye of Paul Reubens, who was staging a late-night show with his persona Pee-wee Herman.

Fearing the corruption of its youth, Santa Cruz, California, banned rock 'n' roll in 1956.

'New wave' was coined for listeners put off by punk's ethos

The term was a reference to New Wave cinema, an iconoclastic, largely French form. Sire Records' Seymour Stein is believed to have pushed to use it to describe the label's bands, many of which came from the CBGB's scene, to avoid the negative associations with "punk rock." Sire ran a promotional campaign named "Don't Call It Punk" that made that message clear.

The classic girl group sound arrived with doo-wop

Doo-wop was a type of vocal-based pop music popular in the '50s that coincided with the rise of early rock 'n' roll. The mid-tempo, harmony-heavy songs about teenage life provided the template for the girl group sound, which arrived at the end of the decade.

According to Kurt Cobain, Wipers invented grunge

Wipers began in Portland, Oregon in 1977, playing a form of punk rock that sounded darker and heavier than their contemporaries in New York, California, and England. The band remained an underground secret for years, influencing countless artists, including Nirvana's Kurt Cobain. "What more can I say about them?" he said in an interview. "They started Seattle grunge rock in Portland, 1977."

How underground radio revitalized rock 'n' roll

Early FM was a wasteland and quickly became the domain of amateurs and risk-takers, including many stations and DJs who played music that flew in the face of mainstream trends. This history of the band's scrappy beginnings unpacks how it realigned the rock charts.