Brian Wilson originally wrote the Beach Boys' classic 'Don't Worry Baby' for the Ronettes, but the legendary girl group rejected it.

The Beach Boys' Brian Wilson said 'Be My Baby' is 'the greatest record ever produced.'

The Ronettes' 'Be My Baby' is a quintessential 'wall of sound' record

The 1963 single features one of the most recognizable drumbeats in the world; many critics consider the song the greatest pop recording of all time. If nothing else, it's a definitive example of both the classic girl group sound and Phil Spector's ingenious 'wall of sound.'

Brian Wilson and the Beach Boys were an influence on early punk rock

The Beach Boys' sunny sound profoundly influenced early punk acts like the Ramones, who took Brian Wilson's sugary hooks and ramped up the tempo.

Brian Wilson and the Beach Boys were an influence on early punk rock

The Beach Boys' sunny sound profoundly influenced early punk acts, such as the Ramones, who took Brian Wilson's sugary hooks and ramped up the tempo. In the 1980s, 1990s, and 2000s, California pop-punk acts such as the Descendents, Green Day and Blink-182 continued the tradition.

Phil Spector's Philles Records was home to several definitive girl group singles

The label, formed by Spector and Lester Sill, released most of Spector's early "wall of sound" recordings, including the Crystals' "Then He Kissed Me" and the Ronettes' "Be My Baby." This 1963 compilation, "Philles Records Presents Today's Hits," collects some of the label's early hits.

Carole King wrote—and later regretted—the song 'He Hit Me (And It Felt Like a Kiss),' which she now believes excuses domestic violence.

The American girl groups of the 1950s and '60s had a profound influence on The Beatles, who frequently paid homage to acts like the Marvelettes and the Ronettes

Before becoming a country superstar, Dolly Parton recorded girl group-style singles as a teenager, including one that became a hit outside the US.

Explore a critics' list of the 100 best songs of the 1960s, featuring records by the Beach Boys, the Ronettes, Miles Davis, and more.

Phil Spector's 'wall of sound' revolutionized girl groups—and pop music

The method captured a room of live musicians and transmitted the sound into a basement outfitted with more speakers and microphones. That sound was then sent into the central control room, producing a massive recording that sounded unlike anything else in pop music.

The classic girl group sound arrived with doo-wop

Doo-wop was a type of vocal-based pop music popular in the '50s that coincided with the rise of early rock 'n' roll. The mid-tempo, harmony-heavy songs about teenage life provided the template for the girl group sound, which arrived at the end of the decade.

The Shirelles' 'Will You Love Me Tomorrow' was the first girl group record to reach No. 1

The 1960 song, composed by husband-and-wife Brill Building occupants Gerry Goffin and Carole King, was more than a little suggestive. The main character wondered if her partner would abandon her after a night of passion, leading to some stations banning the record. But it also propelled the song to the top of the Billboard Hot 100.

After the bitter breakup of the Beatles, John Lennon and Paul McCartney only played music together one more time—at an impromptu studio session in 1974, joined by Stevie Wonder.

Stan Getz initially didn't want to release 'The Girl from Ipanema,' which would go on to become one of the most popular jazz recordings ever.

The Beatles were not an immediate success in the US—their label rejected their first two singles, and the band was mocked on the TV show 'American Bandstand.'

The Beatles loved Motown Records, covering some of the label's songs while honing their skills as a club act in Germany.

Bruce Springsteen was initially so unhappy with his album 'Born to Run' that he threw it in a swimming pool.

Barrett Strong's 'Money (That's What I Want)' was Motown's first hit record, reaching both Billboard's R&B and pop charts in 1960.

Stephen King's basement inspired a Ramones classic

The horror writer was a fan of the band and invited them to his home in Maine. While hanging out in the basement, Dee Dee Ramone, the band's bassist, stole away with a copy of King's "Pet Sematary" and wrote a song about it. The song appeared in the film adaptation of the book, which began shooting a month later.

Motown Records used an assembly-line approach to songwriting, inspired by founder Berry Gordy's time at Ford Motor Company.

The Brill Building was a breeding ground for girl group classics

New York City's Brill Building housed the working offices for over 160 music industry professionals, including some of the country's finest songwriters, such as Neil Diamond, Burt Bacharach, and George Clinton. Below is a 1959 picture of three more Brill Building pros: Carole King, Paul Simon, and Gerry Goffin.

The Ramones' debut album went gold 38 years after its release.

The Shaggs weren't good musicians, but they still made a classic

In 1969, the three sisters recorded "Philosophy of the World"; only 100 copies were publicly distributed. The record became a cult classic thanks to its strange backstory (their father forced them into playing music) and the band's amateurism. Critic Lester Bangs wrote, "They can't play a lick! But mainly they got the right attitude, which is all rock'n'roll's ever been about from day one."

The Boswell Sisters were the precursors to the American girl group

The jazz trio, popular in the '20s and '30s, doesn't share much in common with the sounds of the well-known pop-oriented girl groups, but the sisters' prominence in a male-dominated industry provided an early example for later groups. Check out their appearance in the 1932 film "The Big Broadcast," performing the song "Crazy People."

The song 'Hungry Heart' was written for punk icons the Ramones, but Bruce Springsteen's manager convinced the singer to record it himself.

Dolly Parton and Kenny Rogers' 'Islands in the Stream' was written by the Bee Gees.

1982's ‘Nebraska’ was recorded alone at home, a rarity at the time for a major artist

“Born to Run” became a hit in part due to its massive sound, something that was only possible thanks to the magic of the studio. That continued with 1980’s “The River,” which gave Springsteen his first top 10 single. With “Nebraska,” though, Springsteen abandoned the studio, opting to release the spare recordings he made at home, by himself. At the time, such a decision was a rarity for a platinum artist.

Hear the first classic girl group record: the Chantels’ ‘Maybe’

While there were all-female vocal groups before the Chantels, most critics consider the group’s 1957 single “Maybe” to be the first record of the classic girl group sound because it established the model’s foundational elements: a mid-tempo backbeat, soaring harmonies, and yearning lyrics.

After Warner Bros signed him at 18, Prince wrote a song to thank them

The label scooped the young artist in 1977, eager to ink a deal with the promising young savant. In response, Prince wrote a song called "I Hope We Can Work It Out," which suggested together they'd make "Music for the young and old, music bound to be gold." An official recording of the song was never released, but the Minnesota Historical Society acquired the original handwritten lyrics in 2017. You can see them below.

The Beatles' 'Tomorrow Never Knows,' the final track from 1966's 'Revolver,' used innovative recording methods—including a rudimentary form of sampling—to redefine the sound of popular music.

Few realized Connee Boswell used a wheelchair

The original American girl group, the Boswell Sisters, toyed with jazz standards by experimenting with challenging renditions. The group became a popular radio act during the 1920s and 1930s, with few of their fans aware that group leader Connee Boswell used a wheelchair.

Minnelli collaborated with Pet Shop Boys on an album in the 1980s

Her 1989 album "Results" was a rare venture into contemporary pop. Produced by the British pop duo, the tracks are dark and synthy, infused with Minnelli's show-tune background. Music videos that resulted, like for the song "Losing My Mind," are also shot in a style reminiscent of the Pet Shop Boys. (Some readers may experience a paywall.)

The most popular drum sound of the 1980s was discovered by accident

You know it when you hear it: the distinct snare drum of songs like Phil Collins' "In the Air Tonight" or Bruce Springsteen's "Born in the USA." It's called "gated reverb," and it's something most people associate, for better or worse, with the sound of the '80s. This Vox explainer breaks down how it was discovered by accident, thanks to a microphone typically used for communication that picked up additional sounds.

Billboard's first No. 1 single was Tommy Dorsey Orchestra's 'I'll Never Smile Again'

The song was No. 1 on Billboard’s Best Selling Retail Records chart, the predecessor to the Hot 100. The chart only measured record copies sold, excluding other indicators of popularity, like sheet music sales or jukebox plays, that were used on other charts.

Bob Dylan wrote and recorded songs that later became hits when they were covered by artists like Jimi Hendrix, Adele, and Guns N' Roses.

The Velvet Underground is often considered a starting point for punk rock

The band blended Warhol’s Pop Art with Beat poetry, early rock ‘n’ roll and the European avant-garde, creating a sound that was often chaotic, noisy and abrasive. The band’s debut album, “The Velvet Underground and Nico,” sold poorly, but (supposedly) everyone who purchased a copy started a band.

David Bowie tried to hire Norman Rockwell for the cover of 'Young Americans'

The Thin White Duke thought the iconic artist, known for his classic Americana, would be the perfect artist for his campy 1975 album, “Young Americans.” Bowie called the Rockwell residence and made the request, but was told that Rockwell would need around six months to complete the painting, which Bowie felt was too long.

Dolly Parton released her first recording at age 13, a rockabilly number she cowrote called 'Puppy Love.'

'New wave' was coined for listeners put off by punk's ethos

The term was a reference to New Wave cinema, an iconoclastic, largely French form. Sire Records' Seymour Stein is believed to have pushed to use it to describe the label's bands, many of which came from the CBGB's scene, to avoid the negative associations with "punk rock." Sire ran a promotional campaign named "Don't Call It Punk" that made that message clear.

Bossa nova standard 'The Girl from Ipanema,' made famous by Astrud Gilberto, is one of jazz's most famous songs.

Fearing the corruption of its youth, Santa Cruz, California, banned rock 'n' roll in 1956.

'Where Did Our Love Go' was the first of 12 No. 1 singles for the Supremes

Bruce Springsteen's song 'Born to Run' took six months to record, with the singer-songwriter desperately trying to perfect it to save his career.

The BBC banned the Beatles' song 'A Day in the Life' for 5 years, fearing it encouraged drug use.

'Take Me Out to the Ballgame,' the song that's now a 7th inning tradition at every MLB game, was inspired by a billboard advertisement.

Prince removed the bass from 'When Doves Cry,' creating the song's unique sound.

Before the Velvet Underground, Lou Reed was a workaday songwriter

His job at Pickwick Records, a label that churned out budget records for department stores, was to crank out generic pop fare. One of those songs was 1964’s “The Ostrich,” a dance song in the style of Chubby Checker’s “The Twist” and Little Eva’s “The Loco-Motion.”

Elvis Presley wanted to record 'I Will Always Love You,' but Dolly Parton refused.

Woody Guthrie wrote an erotic ode to Ingrid Bergman, which was unearthed years later by Guthrie's daughter.

Watch a definitive girl group documentary

The 1983 documentary "Girl Groups: The Story of a Sound" features archival footage of some of the Shirelles, the Ronettes, the Shangri-Las, and more alongside interviews with the performers and songwriters. It's a fascinating look back at the music, told by the people who pioneered it.