German expressionism produced some of horror’s earliest classics

Watch 'The Cabinet of Dr. Caligari'

Robert Wiene’s 1920 film remains a significant film for the horror genre, illustrating the power that relatively simple visual choices, like shadows and jagged angles, can have on an audience.

The ‘Universal Monsters’ series solidified horror as a film genre

Before 1931, most scary movies were billed as “mystery” or “suspense” with grounded explanations for anything "supernatural." That changed with “Dracula,” which presented the character as a real vampire who drank victims' blood. Universal continued adapting similar titles, including HG Wells’ “The Invisible Man” and Edgar Allan Poe’s short stories.

The first horror movie is believed to be George Méliès' 1896 short 'The Haunted Castle,' which pioneered special effects.

Arnold Schoenberg's experimentations with dissonance and sound influenced the way films are scored.

Japanese horror is often more psychological than its Western counterpart

One of the country’s most famous directors is Masaki Kobayashi, who won a Special Jury Prize at the 1965 Cannes Film Festival. Unlike his Western peers, Kobayashi’s films avoid jump scares or gratuitous gore, opting instead for slow-burning psychological explorations that are just as terrifying.

Horror evolved from Gothic literature

Although creepy tales can be found in nearly every folk tradition, the roots of modern horror can be traced back to Gothic literature, which focused on the battle between humans and unnatural, evil forces.

The widespread violence of World War I birthed surrealism

Following World War I, artists used unconventional forms of expression to make sense of the death and destruction they'd witnessed for years. Life as they knew it had ended, and movements like Surrealism, founded by André Breton, rebelled against tradition.

Horror is an artistic genre aimed at scaring its audiences

Whether it's a movie, novel, comic book or any of the genre's other terrifying incarnations, horror's primary purpose is to scare its audiences. Throughout its history, the style has evolved and splintered, and now includes many subgenres, like the slasher flick, the found footage film, and even the horror comedy.

Ten of the most horrifying moments in film

Many films in the genre lean into gratuitous horror, putting off the average viewer. This list of ten moments highlights particularly terrifying scenes from films that otherwise met with mainstream acclaim, from "Mulholland Drive" to "The Lord of the Rings."

‘Horror hosts’ helped build the genre’s cult following

Horror is now considered high art, but much of its cult popularity is due to the B-movies that defined the genre. Starting in the 1950s, many of these low-grade films were licensed on the cheap by television networks to fill airtime, introduced by “horror hosts”—MCs with campy, over-the-top personas.

The best horror movies of all time

The genre has been scaring audiences for over a century, in many different forms and through many other methods. While any list is subjective, this Rotten Tomatoes list is based on the films' aggregate critical scores. We're sure it'll inspire some additions to your watch list—along with some spirited conversations.

Dada artists satirized the horrors of World War I

The movement’s early performances were absurd cabarets featuring experimental poetry, avant-garde music, and maskwork. Much of it was reckoning with the growing deathcounts of World War I, with work that often lampooned Western imperialism and supposed rationality.

‘Frankenstein’ is a classic horror novel

Few novels have been as influential as Mary Shelley’s “Frankenstein.” The 1818 novel is considered the first science fiction novel and a cornerstone of the horror genre. The text has also been widely adapted for the screen and is responsible for at least two major archetypes: the creature and the mad scientist.

How one silent movie came to define science fiction

Fritz Lang's 1927 epic "Metropolis" set the template for much of the science fiction that followed, establishing themes that would come to define the genre through films like "Star Wars" and novels like "Brave New World." This short documentary from DW digs into the history of the film and its long-lasting impact.

'Casablanca,' the iconic World War II-era film, was recut for its German release, with all references to the Nazis removed.

The best jump scares in horror history

Ever since the first jump scare in 1942’s “Cat People,” directors have been using the technique to terrify (and delight) audiences. This list of 25 classic instances of the move includes scenes from “Get Out,” “Psycho,” “Candyman,” and more.

The jump scare, a horror genre trope, was invented to keep costs low

RKO Pictures hired Val Lewton to produce horror films in the Universal model: small budgets, big spectacles. His first movie was 1942's "Cat People" and he used tension and offscreen terror to save money. A perfect example is the movie's jump scare, a misdirection technique that catches viewers off guard.

Literary theorists distinguish between ‘terror’ and ‘horror’

In her essay “On the Supernatural in Poetry,” gothic novelist Ann Radcliffe defined “terror” as the lurking, unseen specter in a story—something that defined gothic literature. “Horror,” on the other hand, was the explicit portrayal of it. For her, the former was artistic, while the latter was cheap.

Early English fantasy writers built on horror and Gothic texts

After the success of 19th-century books like Mary Shelley’s “Frankenstein” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” readers were eager for more stories that deviated from realism. Early 20th-century texts like George MacDonald’s “Phantastes” and Lord Dunsany’s “The King of Elfland’s Daughter” met the moment, laying the groundwork for the fantasy genre.

Rather than relying on blood and gore, folk horror involves remote settings and ancient traditions.

Body horror is a subgenre that uses anxieties about appearance

Made popular in the 1980s through films like “The Fly,” the body horror subgenre focuses on physical transformation and violence. It gained significant attention in 2024, thanks to the critical attention “The Substance” received, including an Academy Award nomination for best picture.

Horror exploded as a commercial literary genre in the late 1960s

Ira Levin’s 1967 novel “Rosemary’s Baby” showed publishers horror was a viable commercial genre. That was proven again in 1971, with William Peter Blatty’s “The Exorcist” and again in 1974 with Stephen King’s “Carrie.” The books dealt with societal fears (the occult, drugs, sex) during a time of political upheaval.

Hitchcock films thrive on the terror of the ordinary

Hitchcock's films rely on seemingly ordinary elements—like birds or hotels—but slowly turn them into menaces, thanks to the director's pioneering camera techniques. (Some readers may experience a paywall.)

Georges Méliès directed what many consider the first science fiction film

The French director was behind 1897's "Gugusse and the Automaton," a silent film that scholars believe features the first appearance of a robot in cinema and one of the earliest films to feature scientific experimentation.

The Hays Code limited the ways horror films could scare audiences

Beginning in 1930, the Hays Code laid out a strict set of guidelines for Hollywood filmmakers to prevent films that might corrupt those with a "susceptible mind." That meant no graphic violence, no sexual relations outside of marriage (or of a homosexual nature), and no interracial relationships, among other dictums.

Dreaming under the Nazi Regime

Days after Hitler seized power, a man told psychoanalyst Charlotte Beradt that he had dreamed of being forced to raise his arm in a Nazi salute ("It took me half an hour to get my arm up, inch by inch"). Beradt recorded this dream and many others so they "might one day serve as evidence." This is an English translation of her work, "The Third Reich of Dreams."

Ghost stories across cultures often trace back to traumatic events

From a bat-like demon in Tanzania to a malevolent woman figure hovering above your sleeping body, the four disturbing tales outlined in this NPR article offer a glimpse into how happenings from WWII or the Aztec Empire haunt people’s memories.

Alfred Hitchcock's 1945 film 'Spellbound,' starring Ingrid Bergman, features a surreal scene designed by Salvador Dalí.

Watch Salvador Dalí and Luis Buñuel's landmark surrealist short film

Made in 1929, the silent short film "Un Chien Andalou" ("An Andalusian Dog") marked Dalí's entrance into the surrealist movement. Dreamy and disturbing, the film projects images like a hand covered in ants and a razor slicing an eye, and follows no obvious structure. Watch it here.

Hitchcock's career began shortly after World War I

Nearly 60 years after beginning in the silent film era in 1919, Hitchcock produced his last film, "Family Plot," in 1976. Over his decades-long career, Hitchcock brought a literary sensibility to previously maligned genres like thrillers and innovated numerous camera techniques.

Contemporary horror novelists on their favorite scary stories

Ten of horror's best writers name the books that still give them nightmares. From established classics, like Stephen King's "IT" and Shirley Jackson's "The Haunting of Hill House," to unexpected picks like Katherine Dunn's "Geek Love," this collection of scary stories is a perfect reading list for Halloween.

The Bauhaus school developed a sleek typography that intentionally contrasted Nazi propaganda.

The theory behind Dalí's 'Un Chien Andalou'

The 16-minute "Un Chien Andalou," or "an Andalusian dog," was shocking for 1929, when it was released and remains unsettling today. This brief video essay explores how the film sought to disrupt standard conceptions of art and meaning, making it an essential example of surrealism.

Friedrich's perspective draws in viewers

Friedrich produced several works, including "Wanderer," portraying figures with their back to the viewer. The effect—called Rückenfigur, or ”figure from the back”—can create complex emotions of longing, immersion, or awe.

Horror video games rely on terrifying sound design

Horror has become a popular gaming genre, which designers say is due, in large part, to the games' soundtracks. Don Veca, the audio director for the game Dead Space, said, “Sound and music prepare the player to be scared – it’s all about the buildup, the tension, and then the release when something jumps out at you.”

Some theorize that horror's artifice turns fear into enjoyment

The “excitation transfer theory” suggests that the unpleasant feelings a jump scare might elicit (like shortness of breath) are quickly relieved when the audience member remembers what they’re witnessing is fake.

Surrealism toyed with ideas from psychoanalysis

The movement's artists were interested in the ideas being explored in the burgeoning fields of psychology and psychoanalysis. Dalí, in particular, often created works that toyed with Freudian theories.

The inaugural Cannes Film Festival featured legendary directors

The festival’s first year was 1946. It featured 11 films from some of the world’s best filmmakers, including Jean Cocteau, Alfred Hitchcock, George Sydney, and Billy Wilder.

The Bauhaus artists who became Nazi collaborators

The Nazis deplored the Bauhaus style, until they found a way to use it for themselves. This deep dive explores the connection between the Nazis and three Bauhaus-affiliated designers—Franz Ehrlich, who was sent to Buchenwald and forced to design the camp's gates (seen below), Fritz Ertl, who designed the shower rooms at Auschwitz, and Herbert Bayer, who helped design Third Reich propaganda.

Researchers say that the horror genre offers opportunities to safely experiment with fear.

Horror grossed more than $1B at the box office for the first time in 2017

It was the first time the genre broke the barrier for domestic box offices, powered by hits like "Get Out," "IT" and "Split." Since then, horror movies have remained commercial juggernauts: In 2025, the genre surpassed the $1B mark by September.

Stephen King is drawn to horror's childish power

This 1986 appearance promoting King's directorial debut finds him reflecting on what makes horror, which he says is its ability to strip away pretense, reducing supposedly sophisticated people to terrified children. He also seems to have already soured on the movie business, calling filmmaking "a primitive way to create," a not-so-subtle dig at Stanley Kubrick's adaptation of "The Shining," which notoriously disappointed King.

Why the Nazis hated the Bauhaus style

The Nazis viewed the Bauhaus internationalist and collectivist philosophy to be communist and considered its modernist aesthetic as an affront to the more classical German identity they wished to project. This article from the Conversation explores the history behind that conflict, which forced the Bauhaus to move several times before ultimately closing.

Romanticism changed the norms of the artworld

Romanticism’s expressiveness led to a change in the norms of portrait painting, favoring emotion, nuance, and less conventional subjects. One such example is Géricault’s portraits of mental illness, depicting patients, including a kleptomaniac and a “child snatcher,” in states of expressive emotion.

Browse the paintings of Arnold Schoenberg, the classical composer who also explored expressionist painting.

Spielberg was inspired by Hitchcock, Kubrick, and other visionary directors

The influence of Alfred Hitchcock’s “The Birds” and Stanley Kubrick’s “2001: A Space Odyssey” can be seen in the cinematography and tone of Spielberg classics like “Jaws” and “Close Encounters of the Third Kind.”

Watch Walt Disney's early innovative film, 'Alice's Wonderland,' which innovated the use of animated characters in the real world.

Classic movies are prone to decomposition because they're captured on nitrate film

Nitrate film was the standard in early Hollywood and is prone to decomposition over time. It's led to an estimated 75% of early American films being lost to history.

Why Bauhaus—the 20th-century design school and aesthetic movement—matters today

The school, founded by Walter Gropius in Weimar, Germany, in 1919, was an experimental educational environment that valued the function of an object before its form, a philosophy that would animate the rise of minimalist and modernist design in the 20th century.

Steven Spielberg’s movies have a unique style

Despite their distinct genres, Spielberg films often have much in common with one another. For example, supernatural phenomena, middle-class values, and camera techniques—including long, uninterrupted shots and a dolly-zoom method called the "Spielberg Face.”