Horror is an artistic genre aimed at scaring its audiences

Horror evolved from Gothic literature

Although creepy tales can be found in nearly every folk tradition, the roots of modern horror can be traced back to Gothic literature, which focused on the battle between humans and unnatural, evil forces.

‘Horror hosts’ helped build the genre’s cult following

Horror is now considered high art, but much of its cult popularity is due to the B-movies that defined the genre. Starting in the 1950s, many of these low-grade films were licensed on the cheap by television networks to fill airtime, introduced by “horror hosts”—MCs with campy, over-the-top personas.

Horror stories often rely on tropes

All literary genres use tropes, a word used to describe established plot devices, character types, and themes. Horror has many of them, like the "Creepy Child" and the "Evil Mask." Some are based on folklore, like the "Deal with the Devil."

The best horror movies of all time

The genre has been scaring audiences for over a century, in many different forms and through many other methods. While any list is subjective, this Rotten Tomatoes list is based on the films' aggregate critical scores. We're sure it'll inspire some additions to your watch list—along with some spirited conversations.

Literary theorists distinguish between ‘terror’ and ‘horror’

In her essay “On the Supernatural in Poetry,” gothic novelist Ann Radcliffe defined “terror” as the lurking, unseen specter in a story—something that defined gothic literature. “Horror,” on the other hand, was the explicit portrayal of it. For her, the former was artistic, while the latter was cheap.

Researchers say that the horror genre offers opportunities to safely experiment with fear.

Horror video games rely on terrifying sound design

Horror has become a popular gaming genre, which designers say is due, in large part, to the games' soundtracks. Don Veca, the audio director for the game Dead Space, said, “Sound and music prepare the player to be scared – it’s all about the buildup, the tension, and then the release when something jumps out at you.”

A comparative analysis of the romance and horror genres' overlap

Both genres aim to make their readers' hearts pound, albeit in different ways. Romance novelist Trilina Pucci argues that the gap between the two aims is much slimmer than it may seem, with some horror tropes (like a man enraged by the abuse of his wife) and romance tropes (like the subgenre of dark romance) blurring the line.

Body horror is a subgenre that uses anxieties about appearance

Made popular in the 1980s through films like “The Fly,” the body horror subgenre focuses on physical transformation and violence. It gained significant attention in 2024, thanks to the critical attention “The Substance” received, including an Academy Award nomination for best picture.

Horror grossed more than $1B at the box office for the first time in 2017

It was the first time the genre broke the barrier for domestic box offices, powered by hits like "Get Out," "IT" and "Split." Since then, horror movies have remained commercial juggernauts: In 2025, the genre surpassed the $1B mark by September.

Some theorize that horror's artifice turns fear into enjoyment

The “excitation transfer theory” suggests that the unpleasant feelings a jump scare might elicit (like shortness of breath) are quickly relieved when the audience member remembers what they’re witnessing is fake.

The jump scare, a horror genre trope, was invented to keep costs low

RKO Pictures hired Val Lewton to produce horror films in the Universal model: small budgets, big spectacles. His first movie was 1942's "Cat People" and he used tension and offscreen terror to save money. A perfect example is the movie's jump scare, a misdirection technique that catches viewers off guard.

The ‘Universal Monsters’ series solidified horror as a film genre

Before 1931, most scary movies were billed as “mystery” or “suspense” with grounded explanations for anything "supernatural." That changed with “Dracula,” which presented the character as a real vampire who drank victims' blood. Universal continued adapting similar titles, including HG Wells’ “The Invisible Man” and Edgar Allan Poe’s short stories.

Horror exploded as a commercial literary genre in the late 1960s

Ira Levin’s 1967 novel “Rosemary’s Baby” showed publishers horror was a viable commercial genre. That was proven again in 1971, with William Peter Blatty’s “The Exorcist” and again in 1974 with Stephen King’s “Carrie.” The books dealt with societal fears (the occult, drugs, sex) during a time of political upheaval.

Why are humans hooked on horror?

A haunted horror attraction in Denmark is regularly stalked by researchers of the world's only laboratory dedicated to understanding fear's good side. Fear is one of many human emotions that correspond to a physiological response. As fear rises, so do adrenaline, cortisol, and heart and breath rates. As it ebbs, the body is flooded with dopamine, a hormone and neurotransmitter associated with desire, learning, and motivation.

The Hays Code limited the ways horror films could scare audiences

Beginning in 1930, the Hays Code laid out a strict set of guidelines for Hollywood filmmakers to prevent films that might corrupt those with a "susceptible mind." That meant no graphic violence, no sexual relations outside of marriage (or of a homosexual nature), and no interracial relationships, among other dictums.

German expressionism produced some of horror’s earliest classics

After World War I, German filmmakers turned from reality to the surreal, fusing experimental art with the nascent world of film. Some of the movement’s most notable films, like FW Murnau’s “Nosferatu: A Symphony of Horror” and Robert Wiene’s “The Cabinet of Dr. Caligari,” were intent on frightening their audiences.

Ten of the most horrifying moments in film

Many films in the genre lean into gratuitous horror, putting off the average viewer. This list of ten moments highlights particularly terrifying scenes from films that otherwise met with mainstream acclaim, from "Mulholland Drive" to "The Lord of the Rings."

Contemporary horror novelists on their favorite scary stories

Ten of horror's best writers name the books that still give them nightmares. From established classics, like Stephen King's "IT" and Shirley Jackson's "The Haunting of Hill House," to unexpected picks like Katherine Dunn's "Geek Love," this collection of scary stories is a perfect reading list for Halloween.

Stephen King is drawn to horror's childish power

This 1986 appearance promoting King's directorial debut finds him reflecting on what makes horror, which he says is its ability to strip away pretense, reducing supposedly sophisticated people to terrified children. He also seems to have already soured on the movie business, calling filmmaking "a primitive way to create," a not-so-subtle dig at Stanley Kubrick's adaptation of "The Shining," which notoriously disappointed King.

The best jump scares in horror history

Ever since the first jump scare in 1942’s “Cat People,” directors have been using the technique to terrify (and delight) audiences. This list of 25 classic instances of the move includes scenes from “Get Out,” “Psycho,” “Candyman,” and more.

‘Frankenstein’ is a classic horror novel

Few novels have been as influential as Mary Shelley’s “Frankenstein.” The 1818 novel is considered the first science fiction novel and a cornerstone of the horror genre. The text has also been widely adapted for the screen and is responsible for at least two major archetypes: the creature and the mad scientist.

Rather than relying on blood and gore, folk horror involves remote settings and ancient traditions.

Alfred Hitchcock influenced modern horror director Jordan Peele

Like Alfred Hitchcock, Jordan Peele has built a filmography that’s equal parts thrilling, suspenseful, genre-bending, and literary. It’s no surprise, then, that so many critics have been quick to name Peele as the second coming of “the Master of Suspense.”

The best Valentine's Day-themed horror movies

It may seem like an odd combination—a holiday centered on love and a film genre dedicated to fright—but the hyperspecific subgenre thrives on the apparent juxtaposition, along with some campy send-ups of an overly commercialized holiday.

Japanese horror is often more psychological than its Western counterpart

One of the country’s most famous directors is Masaki Kobayashi, who won a Special Jury Prize at the 1965 Cannes Film Festival. Unlike his Western peers, Kobayashi’s films avoid jump scares or gratuitous gore, opting instead for slow-burning psychological explorations that are just as terrifying.

Fantasy is a genre that relies on the supernatural

Fantasy is a literary genre that embraces supernatural and magical elements. While the stories often follow common narrative archetypes, like a quest, they frequently take place in elaborately constructed worlds, which sometimes have their own complex physics, lifeforms, and societies.

Arnold Schoenberg's experimentations with dissonance and sound influenced the way films are scored.

Fearology, or the study of fear, explores the difference between stress and fear

Our brains involuntarily respond to our environment and signal alarm when that isn't always needed, triggering responses that include goose bumps. But understanding fear and how to talk our brains into calming down can improve daily life.

The science of fear

The Hidden Brain podcast team explores the science of fear by traveling to a haunted house curated by a scientist to investigate what scares us, and why some people enjoy this sensation more than others.

Fantasy has dozens of subgenres

“Fantasy” itself is a rather broad way of characterizing fiction. The genre encompasses many subgenres, including epic (like JRR Tolkein’s “Lord of the Rings”), dark (like Neil Gaiman’s “Coraline”), or even superhero (like your favorite Marvel or DC comics).

‘Halloween’ is one of the most profitable indie films of all time

The 1978 John Carpenter movie grossed $70M in its initial run despite a modest budget. It helped pioneer the “slasher flick” subgenre, though it wasn’t filled with cheap thrills. As Roger Ebert pointed out in his review of the movie, Carpenter’s filmmaking techniques—alongside his original score—were a work of art.

'The grotesque' describes a feature of Gothic literature

The term harkens back to decorative aspects of Gothic architecture, including mythical creatures like gargoyles. In literature, the grotesque describes similarly monstrous characters and situations.

The scarecrow isn't an effective tool for farms, but it is a potent symbol in horror

Scarecrows are no longer the best way for farmers to prevent birds from messing with their crops, but the humanlike figures are still found in horror movies. Folklorists say that's because they recall an agrarian past that makes modern viewers uneasy.

Hitchcock films thrive on the terror of the ordinary

Hitchcock's films rely on seemingly ordinary elements—like birds or hotels—but slowly turn them into menaces, thanks to the director's pioneering camera techniques. (Some readers may experience a paywall.)

Steven Spielberg’s movies have a unique style

Despite their distinct genres, Spielberg films often have much in common with one another. For example, supernatural phenomena, middle-class values, and camera techniques—including long, uninterrupted shots and a dolly-zoom method called the "Spielberg Face.”

See 16 art pieces that were inspired by or evoke elements of top phobias.

Early English fantasy writers built on horror and Gothic texts

After the success of 19th-century books like Mary Shelley’s “Frankenstein” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” readers were eager for more stories that deviated from realism. Early 20th-century texts like George MacDonald’s “Phantastes” and Lord Dunsany’s “The King of Elfland’s Daughter” met the moment, laying the groundwork for the fantasy genre.

Breaking down the music theory of Hitchcock's 'Psycho'

One of the defining features of Hitchcock’s film “Psycho” (1960) is the music, especially the sounds you hear during some particularly grisly scenes. This analysis from The Music Professor analyzes how that music complements the film, highlighting the way strings match the intensity of the film’s screenplay and black-and-white cinematography.

Filmmaker Martin Scorsese is a Hitchcock superfan

Famed director Martin Scorsese breaks down what makes four Hitchcock films (“Dial M for Murder,” “Rear Window,” “Vertigo,” and “Psycho”) so remarkable and discusses how Hitchcock’s style influenced his own work, including his 1980 film, “Raging Bull.”

Dystopian literature is a form of speculative fiction

The classification includes any fiction that "speculates" about how society might operate in the future or in contexts different from the present reality. The genre is an umbrella term for science fiction, fantasy, alternative historical fiction, dystopian and utopian fiction, and apocalyptic and post-apocalyptic fiction.

The perception of haunted places is influenced by psychology, setting and suggestion

Gothic architecture and tragic histories contribute to the perception of hauntings. Infrasound and black mold can cause experiences reminiscent of paranormal phenomena. Although paranormal investigators use technology to seek natural explanations, many paranormal experiences remain non-falsifiable.

The 2017 adaptation of King's 'IT' is the most successful horror movie ever

The 2017 adaptation of Stephen King's horror novel "IT" wasn't the first adaptation for the screen, but it was the most successful. It broke multiple box-office records, becoming the highest-grossing horror movie in history. This resource breaks down every record it broke in its theatrical release.

Operas can be serious, comedic, or both

Opera is a complex art form that includes a range of genres. The most commonly presented types are opera seria, opera buffa, opera semiseria, opéra comique, and grand opéra. Each genre varies in its philosophy and approach, with differences in subject matter, tone, and display.

Watch 'The Cabinet of Dr. Caligari'

Robert Wiene’s 1920 film remains a significant film for the horror genre, illustrating the power that relatively simple visual choices, like shadows and jagged angles, can have on an audience.

At its core, stand-up is about a comic making a crowd laugh

The performance style typically features a single performer who aims to make an audience laugh. It evolved from 19th and 20th-century American comedy traditions and has since grown into an influential—and commercially successful—international artistic form.

How Alfred Hitchcock changed cinema

In 1960, Alfred Hitchcock changed moviegoing with "Psycho." At a time when audiences came and went during screenings, he enforced strict start times, banned late arrivals, and kept plot details secret. The result? A $32M hit that helped shape modern theater etiquette.

Shirley Jackson is one of horror’s most important writers

The author of 20th-century classics like “The Haunting of Hill House” and “Hangsaman” was a master of domestic horror, though she was often minimized during her life for writing horror. Since her death in 1965, Jackson’s work has proven to be influential to horror and literary writers alike.

A number of Hitchcock's most celebrated films are based on novels

Hitchcock’s films are often cited as being literary, and with good reason—many of them are based on works of literature. This list from the Los Angeles Public Library not only names the many novels that were adapted for the screen by Hitchcock, like "Rebecca (1940)," but also provides excellent context for how and why Hitchcock came to make his adaptations.

The bloody history of the true crime genre

The true crime genre appears to have crawled out of an unlocked closet between 1550 and 1700. Rising literacy rates and printing technologies during this period led to leaflets and ballads-turned-broadsides that graphically regurgitated the findings. These products often included woodcuts of the crime's "unsavory acts.". Such content was snapped up by the "artisan class and above" as poorer classes lacked the funds to fuel the hobby.