The 1973 ‘back to school jam’ was the night hip-hop was born

DJ Kool Herc pioneered the use of breakbeats for hip-hop

Inspired by Jamaican dancehall culture and Manhattan's disco scene, Herc used a new style that used two turntables, seamlessly mixing and looping "breakbeats"—isolated drum breaks from funk, soul, and rock records—that kept dancers at the "back to school jam" moving. Herc's technique would be the basis for modern sampling and hip-hop's first few decades.

Def Jam’s first office was Rick Rubin’s NYU dorm room

The essential hip-hop label was founded by Rick Rubin in 1984. At the time, Rubin was a New York University student and converted his dorm room into the label’s original office. Along with Russell Simmons, Rubin would release landmark albums from LL Cool J, the Beastie Boys, Public Enemy, and many others.

The Sugarhill Gang’s ‘Rapper’s Delight’ introduced hip-hop to the masses

While it’s not technically the first hip-hop song set to record—that’s Fatback Band’s “King Tim III (Personality Jock)”—1979’s ”Rapper’s Delight” is the song that proved rap was worth putting on wax and introducing the music to a broader audience by reaching the US top 40.

Hip-hop legends the Notorious BIG, Jay-Z, Busta Rhymes, and DMX all attended the same New York high school.

Hip-hop is both a music and a culture

While the word is often used to describe the popular genre, it’s historically been used to describe the culture that sprang up around the music in 1970s New York, including breakdancing and graffiti.

Jazz built the template for hip-hop

Hip-hop was born out of obscure samples, including many that were taken from the annals of jazz. That style was especially popular in rap's early eras, with the subgenre "jazz rap" becoming an accurate descriptor for New York groups like A Tribe Called Quest and Gangstarr.

Grandmaster Flash’s ‘The Message’ set the template for hip-hop composition

This 1982 single is one of the most recognizable beats in hip-hop history, thanks to some inspiration from popular disco and new wave records. The song’s bigger contribution, though, is that it pushed lyrics front and center, turning the rapper from a party-rocking master of ceremonies into a truth-telling MC.

Rapping has roots in numerous aspects of the Black oral tradition

Although “rapping” began in New York with hip-hop in the early 1970s, it can be traced back to griots, who were storytellers in West Africa, and “toasting,” which was a similar talk-sing style practiced by dancehall DJs in Jamaica.

The word ‘hip-hop’ is often credited to DJ Lovebug Starski

The name was coined by Bronx DJ Lovebug Starski, who ad-libbed the term to match the rhythm of a beat while he was rapping. While it began as nonsense, the term went on to describe the music and multifaceted culture that surrounded it.

The Beastie Boys started as a punk band

Before they became a legendary rap group, the New Yorkers played fast, scrappy hardcore in the style of Bad Brains. Still, they were fans of the explosion of hip-hop culture in their city and recorded a jokey track in 1983, which led to a record deal and conversion to hip-hop.

The sound of hip-hop's 'Golden Era' is thanks to a shared lexicon

The music’s “Golden Era,” between 1987 and 1994, saw producers and DJs developing more sophisticated approaches to sampling, or repurposing existing sound, by crafting elaborate collages. Many of them used the same references, thanks to a popular bootleg compilation called “Ultimate Break Beats.”

Basquiat produced an early hip-hop classic

The 1983 track “Beat Bop” features emcees Rammellzee and K-Rob rapping over a beat produced and arranged by Basquiat. Though it leans into several tropes from the early days of hip-hop, it’s also singular, with elements of dub, funk, and disco blending over its 10 minutes.

Dig through an archive of nearly 500 early hip-hop flyers for events featuring acts like the Sugar Hill Gang, Treacherous 3, and more.

Graffiti became an integral part of hip-hop culture

The visual art form began taking off in New York alongside the music of hip-hop. Both were postmodern forms of art that repurposed preexisting materials. For graffiti, that was by using the city as canvas. For rap, that was through sampling. This retrospective not only shows how the two forms intersected, but also how the public perception of both changed over time.

Grandmaster Flash’s DJing masterclass

For some people, DJing is nothing more than pressing play on a few songs, but for hip-hop DJs, it’s a precise art form that requires real skill. Need proof? Watch this 1983 tutorial from Grandmaster Flash, one of the genre’s pioneering DJs, as he walks you through beatmatching and mixing on his spartan set-up of two turntables and a basic mixer.

Sylvia Robinson is considered ‘the Godmother of Hip-Hop’

While hip-hop was soundtracking countless parties in the early ‘70s, Robinson saw the music’s potential. She began writing, producing, and releasing some of the music’s earliest singles through her Sugar Hill Records label and helped build a place in the music industry for the young music. Robinson’s groundbreaking work led to a 2022 induction into the Rock and Roll Hall of Fame.

Hear 50 years of iconic hip-hop samples, the genre's foundational looped tracks.

Hip-hop gained significant popularity in the 21st century, dominating Billboard's pop chart.

Southern rap redefined the sound of hip-hop in the '90s

In the 1980s, most attention focused on New York, the birthplace of hip-hop, and Los Angeles, the epicenter of its burgeoning gangsta variant. By the mid-90s, though, artists like Outkast, Master P, and Missy Elliott shifted the focus to the south.

Deconstructing the most popular hip-hop samples over the last 50 years

Hip-hop celebrated its 50th birthday in 2023, a genre with humble origins that now dominates playlists and charts worldwide. A major, lesser-known feature of hip-hop is its artful use of samples from older records, a technically complex method that forms the unique soundscape of each hip-hop song. To honor the anniversary, sampling company TrackLib created a half-hour video showcasing both visually and auditorily the process used in hits over the last 50 years.

A brief history of dance music

Throughout history, crowded, dimly lit, sweat-filled, and loud spaces that have hosted dance music have mirrored and shaped social change. Tracing the evolution of dance and club culture from the 1950s to today reveals changes in youth culture and desires over time. Read this article to learn more about how dance floors have reflected societal movements.

By the mid-1980s, rappers began developing complex techniques

Early hip-hop featured straightforward meter and rhyme, with rappers generally following the beat and using rhyming couplets in the style of nursery rhymes. MCs like Rakim, though, began pushing the limits of the form through varied stresses and dynamic, multisyllabic slant rhymes.

Champagne has a rich history in hip-hop

The drink is both aspirational and a bragging right. Famous artists name-check brands like Cristal, and up-and-comers long for the day when sparkling wine will flow like water. The trend traces back to the early 1990s and Branson B., “hip-hop’s unofficial sommelier.” The Harlem-based artist would bring bottles of his favorite bubbly to parties, celebrations, and, crucially, recording studios, where friends like the Notorious B.I.G. were laying down some of rap’s foundational tracks.

As a kid, Jay-Z was inspired by the Broadway musical 'Annie,' which he eventually sampled for one of his biggest '90s hits, 'Hard Knock Life (Ghetto Anthem).'

Jean-Michel Basquiat made a last-minute cameo in Blondie's 'Rapture' music video.

Record scratching, a technique that came to define the sound of hip-hop, was invented by a 12-year-old.

Bad Brains sped up punk, creating hardcore

Punk was already fast, but Washington’s Bad Brains pushed the tempo even further, creating music that would come to be known as hardcore, influencing acts like Minor Threat, Nirvana, and countless others. The band was hardly one-dimensional. Their self-titled debut bounced between blistering hardcore and slow-burning reggae about Rastafarianism.

View photos of classic New York graffiti

Henry Chalfant was one of the foremost documentarians of early graffiti and hip-hop culture, photographing some of the era's most iconic pieces and playing a part in the genre-defining "Style Wars" film. This interview with him is accompanied by some of his photos from an exhibit at the Bronx Museum of the Arts, showcasing the art form as it came into its own.

CBGB, the breeding ground for punk, was intended to be a country bar

Ramones, Talking Heads, Television, Blondie, and many other bands got their start at CBGB. But its owner, Hillel “Hilly” Kristal, didn’t intend for it to be a punk rock venue. CBGB stood for “Country Bluegrass Blues,” though he included “OMFUG” (for “Other Music For Uplifting Gourmandizers”) on the venue’s marquee.

Jazz was an integral part of the Harlem Renaissance

The Great Migration transformed New York City's Harlem neighborhood into the epicenter of Black American art, with artists such as Duke Ellington, Louis Armstrong, and Bessie Smith regularly performing. The music not only provided the backbeat to the cultural scene—it often influenced it, with Harlem Renaissance poets, in particular, inspired by jazz's approach to rhythm and improvisation.

Basquiat helped move graffiti from the streets to the galleries

He took graffiti's aesthetics—cryptic slogans, bold colors, and repurposed iconography—and placed them on his canvases, helping to create what some called "post graffiti." These short documentaries, produced in 1982 and 1983, capture the nascent movement as it emerged in the mainstream art world.

The early Los Angeles punk scene found a home in Chinatown

Acts like Black Flag, X, and Circle Jerks performed in unconventional venues like Madame Wong’s and the Hong Kong Cafe—restaurants in the city’s Chinatown neighborhood that became an integral part of the nascent scene.

How a crew of hippies and nerdy teens in 1970 launched the global phenomenon of Comic-Con

Brinke Stevens and nearly 50 early organizers recount assembling Comic‑Con in 1970s San Diego—starting with just 300 attendees in a hotel basement—and how that grassroots, inclusive mix of fans sparked an enduring and worldwide pop‑culture movement.

The first known use of 'punk rock' was in 1971

When Creem Magazine's Dave Marsh wrote about seeing '60s garage rockers ? and the Mysterians perform, he remarked it would be unthinkable "to miss such a landmark exposition of punk-rock." The band isn't considered a punk band, but Marsh's description would go on to define other scrappy, back-to-basics acts.

In July 1979, tens of thousands of people rioted on the Chicago White Sox field during 'Disco Demolition Night,' a promotional event that advertised the public burning of the genre's hit records.

A 'boombox' is the cool term for a Portable Radio Cassette Recorder

The technology debuted in the mid-1960s, revolutionizing portability of recording radio and playing music. As urban culture, especially hip hop, took advantage of the innovation, the "boombox" was born. See a gallery of old boomboxes and learn their history.

‘Moshing,’ an aggressive style of dancing, was initially called 'mashing'

The style, which involves audience members thrashing their bodies into one another, evolved from “pogoing,” a style popular in England where listeners jumped up and down in place. The term “moshing,” sometimes called “slam dancing” in California, is believed to come from HR, the lead singer of Bad Brains.

The Great Migration helped transform Harlem into the epicenter of Black culture

Starting in 1910, millions of Black Americans moved from the South to escape segregation, violence, and dismal work opportunities. They moved to urban areas in the North, Midwest, and West. Chief among them was Manhattan's Harlem neighborhood, which became an especially desirable location for Black people around 1910.

The Winstons' 'Amen, Brother' has the most famous break in music

"Amen, Brother," a once-forgotten track from gospel group the Winstons, became one of music's most sampled songs after a six-second snippet was featured on "Ultimate Break Beats."

Patti Smith's 'Horses' was the first album from the CBGB scene

The poet’s debut album, released in 1975, blended literature and the early New York punk sound. Smith called the combination “three chords merged with the power of the word.” Throughout the album, she references and repurposes earlier rock hits (including Them’s “Gloria” and Chris Kenner’s “Land of 1,000 Dances”).

Bossa nova had its own dance, though it was short-lived

American record executives hoped to create a social dance for the song, believing it would lead to more record sales, as had been the case with Chubby Checker's "The Twist." That led several well-regarded dance studios to attempt to create a dance, though none caught on like "The Twist" had.

The 100 best hip-hop albums of all time

Although it still sounds youthful, hip-hop reached middle age in 2023, reaching its 50th anniversary. This Pitchfork list of the genre's 100 best albums spans the entire history of the genre. Despite a few controversial picks, it's still worth a read, if only to dig back into some classics.

Watch 5 decades of Times Square ball drops

Dick Clark started hosting his “New Year’s Rockin’ Eve” show in 1972, which has become an annual television staple. This compilation includes five decades' worth of ball drops, allowing you to watch how the tradition subtly evolved.

Watch an early performance by Bruce Springsteen at a Greenwich Village coffeehouse in 1972.

When police raided New York's Stonewall Inn, a well-known gay bar, in 1969, patrons resisted, leading to 6 nights of protests that would eventually inspire modern Pride celebrations.

A 1981 review helped propel Basquiat into superstardom

“The Radiant Child,” featured in Artform in December 1981, presented Jean-Michel Basquiat (and, to a lesser degree, Keith Haring) as the genius of the post-graffiti art movement. The critic, Rene Ricard, wrote that, “[o]ne or two words on a Jean-Michel contain the entire history of graffiti.”

Check out the records stocked in the jukebox at the Stonewall Inn, the bar responsible for modern Pride celebrations.

Daft Punk's 2006 set helped mainstream electronic dance music

Daft Punk's 2006 Coachella set wasn't just a performance—it was a turning point for electronic music. Their futuristic pyramid, dazzling visuals, and seamless live mixing captivated a packed crowd and pushed EDM into the mainstream.

How the Wu-Tang Clan built a hip-hop empire

“Enter the Wu-Tang (36 Chambers)” is considered one of the greatest rap albums of all time, but it was just the start of a career that would eventually include dozens of solo albums, a clothing brand, and a video game. This retrospective breaks down how the Staten Island group made it happen.

The history of the 808, the drum machine that changed pop music

Roland's TR-808 is one of the most consequential pieces of gear in the history of popular music, providing the framework for innovative hip-hop, dance, and pop records in the early 1980s.