Charles Dickens' novels inspired a young Norman Rockwell

Rockwell helped define the American Christmas

Rockwell painted 30 Christmas covers for the Saturday Evening Post. Drawing on his love of Charles Dickens’ “A Christmas Carol,” Rockwell placed the holiday’s unofficial traditions in an American context, with images of eager children, snow-covered small towns, and warm family meals.

See a massive collection of Norman Rockwell's paintings

Rockwell's works sought to capture authentic scenes from American life and, in the process, came to define the American ideal. This collection includes 244 of his paintings, from his early days at the Saturday Evening Post through his more socially minded work for Look, to the end of his career. Below is 1951's "Saying Grace."

Many critics dismissed Norman Rockwell as overly sentimental

The painter’s portraits of American life were often dismissed as commercially minded, banal, or kitschy, especially when compared with the more abstract art of the time. Rockwell, however, was undeterred, commenting that he wanted to produce work that would make viewers “want to sigh and smile at the same time.”

Norman Rockwell considered himself an 'illustrator' rather than a 'painter.'

Norman Rockwell had a 21st-century resurgence

For decades, he was written off by the art world as a simplistic commercial artist, but critics began to reconsider Rockwell's work many years after his death. Arguably, the height of that resurgence came in 2011, when President Barack Obama hung "The Problem We All Live With" (on loan from the Norman Rockwell Museum) in the White House to mark the 50th anniversary of Ruby Bridges' desegregation walk.

Rockwell's Saturday Evening Post created an idealized American life

The Saturday Evening Post’s circulation exploded in the early 20th century, due in no small part to Rockwell’s iconic cover illustrations, which often portrayed idyllic portraits of American life from the not-so-distant past. This documentary explores how Rockwell’s covers played on national nostalgia, creating a vision of the country that grew to be associated with the American Dream.

Norman Rockwell was sometimes confused with another Rockwell, who was a notorious Nazi

George Lincoln Rockwell was the founder of the American Nazi Party and had no relation to Norman Rockwell, the beloved American painter. But that didn't stop people from confusing the two or suggesting that they were family members. It was something that Norman Rockwell's granddaughter said had greatly disturbed the painter.

Steven Spielberg and George Lucas are noted fans of Norman Rockwell

The famous film directors are admirers and collectors of the American painter. Lucas, in particular, relates to Rockwell’s process, which resembles casting for a film. In 2010, the Smithsonian American Art Museum introduced a Rockwell exhibit showcasing works from Lucas’ and Spielberg’s private collections. This video from that exhibit features both directors talking about how and why they became interested in acquiring Rockwell’s work.

Rockwell based many of his paintings on staged photographs

Rockwell’s work was often noted for its realism. His paintings' near-photographic precision was no accident. Early in his career, he painted from live models. Later, he’d conceived a scene, staged it, photographed it, and then used the photos as the foundation for his paintings.

David Bowie tried to hire Norman Rockwell for the cover of 'Young Americans'

The Thin White Duke thought the iconic artist, known for his classic Americana, would be the perfect artist for his campy 1975 album, “Young Americans.” Bowie called the Rockwell residence and made the request, but was told that Rockwell would need around six months to complete the painting, which Bowie felt was too long.

Dickens' childhood job influenced his novels

After his father was imprisoned, Dickens took up work in a shoe-blacking factory. His novels often featured hardscrabble protagonists, many of them children, forced to navigate the grim realities of the Industrial Revolution. Today, stories that follow in that model are described as "Dickensian."

In the 1920s, Rockwell worked as a commercial illustrator

After getting his start at Boys’ Life, Rockwell began illustrating advertisements for products like Jell-O and Orange Crush. Below is one of Rockwell’s advertisements for Jell-O, from 1923.

Rockwell's first full-time magazine job was for Boys' Life

After graduating from the Art Students League of New York, Rockwell found work illustrating for Boys’ Life, the magazine of the Boy Scouts of America. He went on to create images for over 50 magazine covers and to design the organization’s annual calendars.

Charles Dickens transformed Christmas into an important family-centric holiday

When Charles Dickens published "A Christmas Carol" in 1843, its story of an old man's redemption helped reshape the holiday, popularizing themes of generosity, reflection, and family that transformed the Christmas season.

A teenage Dickens found work as a political journalist

Dickens found work as a reporter for the Mirror of Parliament, a weekly newspaper focused on the British legislature. After a few years, he moved to the Morning Chronicle, where he began producing his creative work. Professor John Drew, author of "Dickens, the Journalist," said that the writer "realized he could wield a much more direct, if not more glamorous kind of power, by using his position as a leading writer of fiction and a magazine editor."

Rockwell worked with psychoanalyst Erik Erikson

In 1953, the painter and his family moved to Stockbridge, Massachusetts, to be closer to the Austen Riggs Center, where his wife was undergoing treatment for alcoholism and depression. Rockwell began treatment, too, working with Erikson—famous for coining the term “identity crisis”—on his anxieties about his art.

Dickens' earliest pieces were under the pseudonym 'Boz'

Dickens began working as a journalist in 1829, publishing his portraits of modern life under a pseudonym. In 1834, he used the pen name "Boz," a reference to his brother's childhood nickname, and eventually published a collection of his stories called "Sketches by Boz." By the 1840s, he'd ditched the pseudonym, enjoying his rarefied literary celebrity.

Rockwell left high school to become an artist

He began taking art classes at 14, while still in high school, but by 1910, he left traditional schooling to focus on his training at the National Academy of Design. He transferred to the Art Students League soon after to study under Thomas Fogarty, who taught him the particulars of commercial illustration, and George Bridgman, who was known for anatomically precise portraits.

Rockwell's 'Rosie the Riveter' alludes to Michelangelo's Sistine Chapel

Norman Rockwell's 1943 painting was intended to show the strength of female contributions to the American war effort and used the character of Rosie the Riveter, popularized in a 1942 song, to represent that. Although Rockwell used a model for the portrait, he made the woman larger on the canvas to parallel Michelangelo's painting of the Prophet Isaiah on the ceiling of the Sistine Chapel.

Dickens' first novel was a satire informed by his reporting

"The Posthumous Papers of the Pickwick Club" was a series of illustrations and accompanying stories serialized in newspapers from 1836 to 1837. Dickens drew on his previous experiences as a Parliamentary reporter to flesh out the story of Samuel Slumkey, a politician running for office. He wins the election thanks to a well-timed bribe.

After finding success as a novelist, Dickens started his own newspaper

Dickens made enough from "Sketches by Boz," "The Pickwick Papers," and "Oliver Twist," that he was able to work full time as a novelist. Still, he was still interested in journalism and decided to publish his own newspaper, the Daily News, in 1846. After 17 issues, he felt he no longer had time to focus on his novels and handed the operation off to a friend.

Rockwell's 'Four Freedoms' raised millions for the US war effort

Rockwell initially pitched the "Four Freedoms" project to the US Ordnance Department, but was rejected. Rockwell's editor at the Saturday Evening Post, however, loved the idea and published the images across four consecutive issues. After they became a sensation, the Saturday Evening Post partnered with the US Department of the Treasury to send the paintings on a 16-date national tour, which raised $133M in war bonds and stamps. Meanwhile, the Office of War Information printed four million sets of the posters with "Buy War Bonds" emblazoned on them.

Rockwell's 'Saying Grace' sold for $46M in 2013

The 1951 painting is classic Rockwell: an image designed for the cover of the Saturday Evening Post featuring a humble American family engaging in a traditional value. To date, it's the highest-grossing work in Rockwell's catalog. Its buyer? "Star Wars" director George Lucas.

Norman Rockwell's 'Freedom of Speech' has become an internet meme

The famous painting, which portrays a man in work clothes speaking up in a crowd of men in suits, has become a companion image for internet users posting unpopular or controversial opinions. (Some users may experience a paywall.)

Check out a list of the 100 best artworks about America, including Norman Rockwell, Jasper Johns, and many more.

A stolen Norman Rockwell painting was found in Stephen Spielberg's collection

In 1989, the famed director purchased "Russian Schoolroom" from a legitimate dealer. He remained unaware that it was looted years prior from a gallery in Missouri until his staff spotted the painting on an FBI list of stolen works of art. In 2007, the FBI confirmed its authenticity.

Scholars believe Dickens wrote over a million words of nonfiction

The author began writing professionally in his teens, first as a court reporter, then for many papers, penning op-eds, criticism, and other miscellany. While Dickens is often discussed as a novelist, he has a massive corpus of works situated in reality.

Rockwell left the Saturday Evening Post and began creating more politically charged work

Rockwell left the magazine in 1963 and joined Look magazine, where he began depicting a more complex America than he had at the Post. His work at Look dealt with racial segregation and violence, and often made unambiguous statements about real events.

FDR inspired Rockwell's 'Four Freedoms'

In his 1941 State of the Union speech, President Franklin Delano Roosevelt defined "Four Freedoms" that democratic societies provided: freedom of speech, freedom of worship, freedom from want, and freedom from fear. Rockwell conceived of a series of paintings based on those values, using his small-town examples of the principles in action. Below is "Freedom From Want."

When Dickens was 12, his father was imprisoned for debt

John Dickens was imprisoned at Marshalsea Debtors' Prison in London for failing to pay his debts. The experience forced the young Charles to leave school to help provide for his family. It also eventually informed his fiction, which often called for social reform, including the abolition of debtors' prisons.

Fans loved a minor character, so Dickens made him a major part of 'Pickwick'

Dickens' first serialized novel, "The Pickwick Papers," was selling modestly until he introduced the wisecracking Sam Weller, a cockney character that working-class readers instantly loved. In response to the attention, Dickens made Weller a central figure in the book, turning the series into a bestseller.

Dickens wrote his books as they were serialized in newspapers

Dickens, like many Victorian writers, published his novels as serials that were released piecemeal, over an extended period. Unlike most of his contemporaries, though, Dickens wrote the story as it was released, allowing him to respond to public reactions.

Despite his sometimes caustic satire, Dickens was ultimately an optimist

Michael Slater, a professor of Victorian literature at Birkbeck College, notes that Dickens' anger at Parliament and social injustice never got in the way of his optimism. "There is a constant allegiance to the lives of ordinary people and their pleasures," he said in a 2001 interview with "In Our Time."

'A Christmas Carol' was originally going to be a political pamphlet

Dickens planned to write a treatise on the day's social issues and had a particularly dry working title: "An Appeal to the People of England on behalf of the Poor Man's Child." After a week, though, he decided to rework the ideas into a fictional story, working at a quick pace so it could be released in time for Christmas. It worked: The story was published on December 19, 1843.

Charles Dickens' pet raven likely inspired Edgar Allan Poe's 'The Raven.'

Read the works of Charles Dickens

Dickens' work has long been in the public domain, meaning it's freely available to readers. Project Gutenberg's collection of Dickens' novels allows you to read classic novels like "Oliver Twist" and "A Tale of Two Cities," as well as early works like "Sketches by Boz," at no cost.

Dickens' 'Christmas Carol' emphasized charity as central component of the holiday

During Dickens' time, Christmas was primarily associated with celebration, but "A Christmas Carol" defined the holiday as an opportunity to give to others. Dickens hoped that the story—with the miserly Scrooge experiencing a change of heart when he realizes he should care for the less fortunate—would convince readers to recognize they should do the same.

Dickens' live readings sometimes used visual projectors that predated cinema

Dickens was interested in adapting his work in various forms. With his live readings, he sometimes used a 'magical lantern,' a popular tool that projected moving slides. In addition, some stage plays of Dickens' work that included ghost scenes used the magical lantern to cast apparitions on stage.

Romanticism changed the norms of the artworld

Romanticism’s expressiveness led to a change in the norms of portrait painting, favoring emotion, nuance, and less conventional subjects. One such example is Géricault’s portraits of mental illness, depicting patients, including a kleptomaniac and a “child snatcher,” in states of expressive emotion.

The novel broke new ground by offering realistic stories

In this brief interview, Terry Castle, an English professor at Stanford, explains the origins of the early British novel. Castle details how the novel was produced for a newly literate middle class interested in recognizable characters and stories “about life as they knew it” rather than Greek and Roman myths or medieval romances. She also explains why a newly enfranchised female demographic was attracted to the fiction of writers like Jane Austen and Virginia Woolf.

The 19th-century painters of the Hudson River School were among the first American romantics, with portraits that displayed the natural beauty of the young country.

The 'Problem We All Live With' was based on Ruby Bridges

The 1964 painting was based on Ruby Bridges, the first Black student to integrate an all-white school in Louisiana. Rockwell used Anita Gunn, the granddaughter of one of his friends, as the model, offering to pay for her violin lessons for her assistance.

Mid-century modern graphic designers like Milton Glaser and Eric Carle found success with children's books

Glaser was famous for creating the "I Heart NY" logo, the DC Comics logo, and an iconic Bob Dylan poster for CBS Records, but he naturally transitioned to illustrating children's books like "The Smallest Elephant in the World" and "If Apples had Teeth." Carle, author of "The Very Hungry Caterpillar" and "Brown Bear, Brown Bear, What Do You See?," began his career in advertising. Scholars say mid-century modern's preference for clean lines and bold colors was a natural fit for kids' books.

Christmas elves evolved from Norse mythology to Santa’s workshop

Elves originated as powerful human-sized beings in Norse mythology, closely tied to nature and fertility. In the 1800s, American writers reimagined them as tiny, toy-making assistants for Santa Claus, with later visual depictions by Norman Rockwell and Disney solidifying their role in Christmas folklore.

Take a tour of Charles Dickens' London

Much of Dickens' fiction concerns Victorian London and its people. This tour of the city, led by Dickens biographer Simon Callow, walks you through significant sites, like the place where Dickens' parents were married, the shoe-blacking factory where he worked as a boy, and the place where he created his first magazine.

None of Dickens' books has gone out of print

Dickens was a literary celebrity during his lifetime, but his popularity has endured over a century after his death. Publishers have kept his books in print to satisfy demand. It's paid off: "A Tale of Two Cities" alone has sold over 200 million copies.

Twain read (and lampooned) classic literature

Ever the ironist, Twain claimed to have “ no liking for novels or stories.” Obviously, that was untrue: He read widely, devouring books by Charles Dickens, slave narratives, and texts on astronomy. He also loved John Milton’s “Paradise Lost,” which he called “something everybody wants to have read and nobody wants to read.”

In 2016, Bob Dylan won the Nobel Prize in Literature for his lyrics, marking the first time a rock songwriter had won the award.

Two Americans solidified the modern conception of Santa Claus in the 1800s

Clement Clarke Moore’s 1823 poem, now known as “The Night Before Christmas,” envisioned Santa riding a sleigh pulled by reindeer, making nighttime visits to provide gifts. Thomas Nast’s Harper’s Weekly illustrations in the 1860s–1880s established his distinctive appearance—large, bearded, and clad in an (often) red suit.

'Alice's Adventures in Wonderland' was inspired by a real-life Alice, the daughter of Lewis Carroll's friends.