Exploring the work of Frances Burney, one of Jane Austen's main influences

Jane Austen revolutionized a form of narration in the novel

Austen's books are narrated by a third-person omniscient narrator, which was not new for her time. Austen, however, helped popularize a little-used technique called "free indirect discourse," in which the narrator took on the style and voice of the character being described without drifting into the first-person perspective. It's a technique still often used by novelists today.

A linguist argues Jane Austen's language is what defines her fiction

While many readers love Austen's novels for their characters and their romantic plots, Chi Luu argues that many people (including literary luminaries like Mark Twain, Virginia Woolf, and Ralph Waldo Emerson) underestimate how her adept wordplay, sense of irony, and memorable turns of phrase are what have made readers fall in love with her fiction for centuries.

Jane Austen used satire to critique women's place in society

Although the novelist is sometimes dismissed as a romance writer, her stories feature pointed societal critiques, especially of women's limited options and challenged popular notions that women were subservient and passive.

Jane Austen inspired stories that some now consider fan fiction

Sybil G. Brinton's 1913 novel "Old Friends and New Fancies" brought together characters from Austen's six major books. Other works of JAFF (Jane Austen Fan Fiction) followed in the same style. The books appealed to the budding group of Janeites, a term referring to Jane Austen superfans.

A computational analysis of Jane Austen's writing

Researchers at the University of Nebraska-Lincoln translated Austen's novels into code to analyze her diction, then published their findings in a searchable database. Users can explore all six of her novels, analyzing the unique words used by her characters and the narrative techniques she employs.

Jane Austen by the numbers

This feature from the Guardian takes a unique approach to Austen's literature, breaking her life, work, and fandom down into data. The slide deck includes comparative analyses of character employment, net worth, and age. Below is a breakdown of Austen's unexpected posthumous rise to fame.

Jane Austen's books were published anonymously during her life

In 19th-century England, novel-writing was considered unseemly, especially for women. Considering that, Austen's father and brother dealt directly with Jane's publishers. The author's name, meanwhile, was not attached to her books: "Sense and Sensibility," her first published novel, was simply labeled as being "By a Lady."

'Her own thoughts and reflections were habitually her best companions.'

- Legendary author Jane Austen (1775 -1817)

An artist used forensic techniques to recreate Jane Austen's face

For over two centuries, there was only one accepted portrait of the writer—an 1810 sketch done by Cassandra Austen, Jane's sister. Artist Melissa Dring used that as a basis for her waxwork of the author, along with eyewitness accounts from people who'd met the writer.

Jane Austen superfans are called Janeites

Austen has a modern fan community unrivaled by that of other novelists of her time, devoted in ways similar to more recent pop culture phenomena like "Star Trek" and "Harry Potter," with Janeites regularly donning period-specific costumes, writing fan fiction, and engaging in spirited debates about the work.

The novel broke new ground by offering realistic stories

In this brief interview, Terry Castle, an English professor at Stanford, explains the origins of the early British novel. Castle details how the novel was produced for a newly literate middle class interested in recognizable characters and stories “about life as they knew it” rather than Greek and Roman myths or medieval romances. She also explains why a newly enfranchised female demographic was attracted to the fiction of writers like Jane Austen and Virginia Woolf.

A guide to the novels of Jane Austen

Austen wrote six novels, four that were published anonymously while she was alive ("Sense and Sensibility," "Pride and Prejudice," "Mansfield Park," "Emma") and two that were published posthumously, under her own name ("Northanger Abbey" and "Persuasion"). This guide, with annotations from Arizona State University professor Devoney Looser, breaks down each book's story and significance, making it an excellent primer for Jane-curious readers.

Hear three critics discuss why they love Jane Austen

In this podcast, the New Yorker's Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss their favorite Austen novels in celebration of the legendary writer's 250th birthday. Fans of Austen will appreciate the spirited discussion of what distinguishes her masterworks from her lesser works, but even newcomers will get a solid overview of what the writer offers readers.

View a timeline of Jane Austen's life

Austen was born in 1775 and died in 1817. In that time, she wrote six novels that have gone on to become some of the most celebrated in the English language. This timeline allows you to see the events that shaped her writing, from her informal education at a young age to the illness that eventually took her life.

Jane Austen was unhappy in the city of Bath, but it inspired some of her books

In 1801, Austen's father retired and abruptly moved the family from Steventon to Bath. Austen loathed her new home, but she used it as the setting for pieces of her novels "Persuasion" and "Northanger Abbey." "The scandals and shallowness of the city fueled her cynicism and wit; nothing escaped her scathing pen," an exhibition on Austen from the Bath Preservation Trust explained.

Jane Austen remains a literary force 250 years later

Both her books and adaptations of them for film continue to sell, with 2025 seeing the highest book sales since 2009. Critics claim her deep, witty exploration of relationships and social norms are the basis of her enduring relevance.

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

Jane Austen's novels are set in late Georgian, Regency-era England

Historians call the period from 1811 to 1820 England's Regency era, named after George Augustus Frederick, who was prince regent from 1811 (and would later become King George IV). While Austen is often considered a romance novelist, some scholars argue her novels also raise questions about societal norms around class and gender.

Austen left formal school at 9

Jane Austen was the seventh of eight children. At 9, her father, a clergyman in the Church of England, removed her and her sister from the Abbey School in Reading because he could not afford the tuition. Jane continued her education at home, where the family read aloud and performed plays.

A virtual tour of Jane Austen's England

This immersive slide show, assembled by the Morgan Library and Museum, takes you through scenes that inspired "Emma," "Northanger Abbey," and "Persuasion," as well as the estates where the 1995 BBC adaptation of "Pride and Prejudice" was shot, along with a few other important locations from Austen's world.

Mark Twain abhorred Jane Austen's writing

Twain was no fan of the novelist, calling her work "impossible." In an 1898 letter to a friend, Twain wrote, "Everytime I read 'Pride and Prejudice' I want to dig her up and beat her over the skull with her own shin-bone."

Virginia Woolf admired 'The Tale of Genji'

Widely considered one of the defining voices of modernist literature, Virginia Woolf was known for her experiments with stream-of-consciousness narration, nonlinear storytelling, and psychologically complex characters. In a 1925 essay about Murasaki Shikibu’s “The Tale of Genji,” largely considered the world’s first novel, Woolf explains how Shikibu’s style captures the intricacies of living in ways only the novel can.

Tens of thousands of Austen superfans celebrated the writer's 250th anniversary

The Jane Austen 250th celebration sold 15,000 tickets to the writer's most dedicated fans, who dressed in period-specific dress. Austen scholar Devoney Looser says that many readers are attracted to Austen's novels because they're entertaining and funny yet sophisticated works of social criticism.

Austen grew up as a member of the 'pseudo-gentry'

Her family grew up near the upper crust of society, but was never fully of it; at times, the family struggled to make ends meet. Austen scholar Dr. Lizzie Rogers said this made her part of the "pseudo-gentry," a contemporary term naming a respected group that still fell short of the aristocratic "landed-gentry." Rogers believes that perspective informed the writer's novels, which often dealt with social conventions.

A guide to Jane Austen screen adaptations

This database from the Jane Austen Society of North America lists all of the film and television adaptations of Austen's novels, from classics like the 1995 BBC rendition of "Pride and Prejudice" and "Clueless" (a modernization of "Emma") to works loosely inspired by an Austen title, like "The Lake House," which uses "Persuasion" as a motif.

'Pride and Prejudice' initially received a form rejection from a publisher

Jane Austen's most popular novel—it has sold over 20 million copies and been adapted numerous times for the screen—was rejected by publisher Thomas Cadell in 1797, who responded to Austen's father's offer to send the manuscript with a curt form letter: "Declined by return of post."

Explore a feminist reading of Mary Cassatt's work

Artsy's Olivia Horn considers the American Impressionist's work from a 21st-century perspective, unpacking how her focus on women's lives was a revolutionary act for the 19th century that still resonates today.

Novels often use perspective as a narrative device

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.

The history of Samuel Richardson's 'Pamela,' which some consider the first romance novel

The 1740 novel will likely strike modern readers as odd, to say the least. Its titular character, a 15-year-old maidservant, is harassed by her boss, who finally changes his ways and asks for her hand in marriage, which is presented as a happy ending. As this analysis of the text makes clear, though, "Pamela" established a template for the romance genre, even if contemporary writers have been happy to break it.

Listen to 3 scholars discuss the work of Emily Dickinson

Fiona Green, Linda Freedman, and Paraic Finnerty—three British academics who study Dickinson—discuss the poet's life, distinctive writing style, and impact on the generations who followed, illustrating that part of Dickinson's appeal lies in her open-ended verse, which invites readers' many interpretations.

Many literary scholars consider 'The Tale of Genji,' a Japanese text from the 11th century, to be the first novel.

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

The Beats autobiographical impulse is still influential

The Beats autobiographical approach to literature is seen in contemporary autofiction. While autofiction emerged as a literary term in the 1970s, its philosophy has several antecedents, including Colette’s Claudine novels, Marcel Proust’s "In Search of Lost Time" and Beat writer Jack Kerouac’s "On the Road."

Winston Churchill said he was comforted by Jane Austen's 'Pride and Prejudice' and its characters' calmness during World War II.

'For it would seem—her case proved it—that we write, not with the fingers, but with the whole person. The nerve which controls the pen winds itself about every fibre of our being, threads the heart, pierces the liver.'

- Virginia Woolf (1882-1941) in "Orlando: A Biography"

'There is no charm equal to tenderness of heart.'

- Jane Austen, from "Emma"

Toni Morrison's novels were popular postmodern texts

Toni Morrison’s novels broke new ground in American fiction by using bold structures and colloquial voices to reckon with the country’s past, developing her approach through classic early novels like “The Bluest Eye” and “Beloved,” all the way to later works like “Home.” Morrison once said, “The meaning of a novel is in its structure.”

A teenage Dickens found work as a political journalist

Dickens found work as a reporter for the Mirror of Parliament, a weekly newspaper focused on the British legislature. After a few years, he moved to the Morning Chronicle, where he began producing his creative work. Professor John Drew, author of "Dickens, the Journalist," said that the writer "realized he could wield a much more direct, if not more glamorous kind of power, by using his position as a leading writer of fiction and a magazine editor."

In 'Frankenstein,' Mary Shelley questioned both Romantic and Enlightenment ideals

The classic monster story is a richly philosophical tale about the role of technology, written by Shelley at the age of 18. This podcast episode explores Shelley's deeper intentions with the story and debunks some of the popular misconceptions about its plot and meaning.

Explore a list of the best novels of all time, including works by Jane Austen, Cormac McCarthy, and many others.

Diving into 'The Flame and the Flower,' the book that popularized 'bodice ripper' romance

The 1972 Kathleen E. Woodiwiss novel helped create the romance subgenre featuring historical settings and intense, steamy sex scenes. It was an under-the-radar sensation, quietly selling millions of copies while simultaneously courting controversy for its portrayals of rape. In this essay, Jeannette Cooperman revisits the book to see how it reads 50 years after its publication.

14 famous authors trash-talking classic books

Just because something's considered a "classic" doesn't mean it's universally loved. Even the world's most respected writers don't agree on what defines great literature. Look no further than this list of writers criticizing canonical texts, like Charlotte Brontë deriding Jane Austen's "Pride and Prejudice" or Virginia Woolf on James Joyce's "Ulysses." The most succinct might be Aldous Huxley on Jack Kerouac's "On the Road": "I got a little bored after a time. I mean, the road seemed to be awfully long."

What made Mary Cassatt's art radical

Although the American Impressionist's work is sometimes dismissed as overly sentimental, these Cassatt specialists argue that her portrayals of women are often subtly subversive, emphasizing how they defy the gender norms of the time.

While on vacation, writer Mary Shelley was inspired by a challenge from British poet Lord Byron to write the novel 'Frankenstein.'

Circulating libraries helped the novel's popularity surge

As literacy rates began to rise in the 19th century, so did the demand for reading materials. The only problem? Newspapers and books weren’t cheap, and newly literate middle-class families struggled to afford literature. That changed when booksellers began offering small fees for patrons who decided to borrow rather than purchase books. This was eventually called a circulating library, an innovation that would satisfy the burgeoning readership of novels and increase literacy rates further.

How does someone become the ‘voice of a generation’?

From modern authors like Sally Rooney and JD Salinger, to the 19th century Pre-Raphaelite Brotherhood, the concept of artists voicing a generation's sentiments goes way back. Read this analysis to understand the concept's history and uncover the potential issues with generalizing a generation's feelings.

Writer DH Lawrence, a 20th-century writer known for challenging social conventions, argued that the novel is the height of literary expression.

'Romeo and Juliet' was based on a preexisting narrative poem

Arthur Brooke's "The Tragical History of Romeus and Juliet" was first published in 1562 and shares many details with Shakespeare's "Romeo and Juliet." Shakespeare wasn't alone in his borrowing; Brooke's poem was based on other earlier Italian stories. None of this writing was considered fan fiction—copyright law didn't exist, and stories were regularly cribbed from preexisting sources.

Abigail Adams received no formal schooling, but educated herself through reading

Despite receiving no formal education—standard for women of her era—Adams became well-read, largely through self-directed reading and extensive correspondence with leading political thinkers of her time, such as Thomas Jefferson and Mercy Otis Warren.

Alice Walker admired Flannery O’Connor for her honest portrayal of the South

Walker wrote “The Color Purple,” which won the Pulitzer Prize for Fiction, making her the first Black woman to win the award. In her essay “A South Without Myths,” she calls O’Connor “the first great modern writer from the South,” particularly because her work abandoned nostalgia for the antebellum world.