The Beats autobiographical impulse is still influential

Allen Ginsberg, Jack Kerouac, William S. Burroughs, and Neal Cassady were early Beats

Works like Ginsberg’s "Howl" and Kerouac’s "On the Road" redefined literature, inspiring countercultural movements for several decades.

Beats emphasized the importance of 'spontaneous prose'

Beat writer Jack Kerouac believed literature should aim to be more like jazz, using improvisation to burrow down to the root of the subconscious. In this video from the University of Pennsylvania’s Modern and Contemporary Poetry course, Professor Al Filreis directs a conversation of Kerouac’s manifesto, “Essential of Spontaneous Prose.”

Read the Beats' poetry

The Beats were alike in their willingness to experiment and transgress, though the movement’s writers were distinct artists with varying styles. This collection showcases the breadth of the Beat Generation’s work, with authorized texts from Allen Ginsberg, Jack Kerouac, Lawrence Ferlinghetti, Diane di Prima, Richard Brautigan and others.

Read the first essay to define the Beats

Although Kerouac is said to have coined the name "Beat Generation," his friend John Clellon Holmes expanded on it in this 1952 essay for the New York Times Magazine. It was an anthropological attempt to define the moment that produced writers like Kerouac, Allen Ginsberg, William S. Burroughs, and others.

The 21st-century novel is increasingly autofictional

Although autofiction, a literary genre blending autobiography and fiction, has been around for millennia, it has become a popular mode in the 21st century. This extensive study of the genre—which analyzes works by Megan Boyle, Tao Lin, and others—argues that the form has become more prevalent because it mirrors the defining technology of the times: social media.

Jack Kerouac coined the name 'Beat Generation,' intending it as a contrast with 'the Lost Generation.'

The Beats also influenced the imagery of the 1960s

First editions of Burroughs’s "The Naked Lunch," Kerouac’s "The Dharma Bums," and Ferlinghetti’s "A Coney Island of the Mind" were just as notable for their text as they were for their design, which anticipated the psychedelic imagery of 1960s countercultural touchstones like Ken Kesey, Andy Warhol, and R. Crumb.

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

The Beat Generation, explained

The Beat Generation challenged societal norms in the 1950s by embracing experimental writing and tackling taboo topics like drug use, spirituality, and nonconformity. Figures like Allen Ginsberg, Jack Kerouac, and Diane di Prima sparked a cultural movement that rejected traditional literary forms and explored the hidden struggles of American life.

The Beat Generation was a 'beaten down', jazz-influenced American literary movement

The movement, which rose to prominence in the 1950s, was primarily composed of poets challenging orthodoxies of post-war American literature and society. Figurehead Allen Ginsberg and his long poem "Howl" represented a rallying cry for a burgeoning counterculture.

The Beat Generation inspired significant parts of 1960s counterculture

The Beat Generation championed the transformative power of psychedelics, rebelled against the post-war social order, and called for more radical politics. With a strong foothold in San Francisco, it's no surprise these themes were carried over to the city's 1960s counterculture, informing the larger national hippie movement.

The Beat movement started in San Francisco, but quickly moved beyond it

This documentary features interviews with Beat writers Diane di Prima and Lawrence Ferlinghetti, reflecting on their arrival in San Francisco and the explosion of Beat culture in the city and beyond. “It’s not a generation,” di Prima says, reading one of her verses, “it’s a state of mind.”

How Kurt Cobain was influenced by the Beats

Fresh off the success of Nirvana's "Nevermind," band frontman Kurt Cobain reached out to his literary idol, the Beat writer William S. Burroughs, suggesting a collaboration. The correspondence led to "The 'Priest' They Called Him," a hard-to-find recording featuring Burroughs reading a story and Cobain on dissonant guitar.

Francis Ford Coppola spent years trying to adapt Jack Kerouac's Beat Generation novel 'On the Road' but ultimately handed it off to another filmmaker.

Existentialist literature explores the philosophy's ideas

Existentialism isn't confined to philosophical texts. Some of the movement's figureheads, like Albert Camus and Jean-Paul Sartre, were also novelists. Christina Howells, Professor of French at the University of Oxford, suggests this is because existentialism, as a philosophy, requires human stories to be fully understood, and literature makes the experience of the human condition more present and immediate.

A lost Jack Kerouac story was discovered in the belongings of a gunned-down mob boss

The unpublished "The Holy, Beat, and Crazy Next Thing" was found in the belongings of Paul Castellano, who was murdered in 1985. It's unclear why Castellano had it, though an heir says it was originally in the collection of a "noted San Francisco-based poet...who received it directly from the author."

Sartre admired American novelist William Faulkner

In addition to writing philosophy and fiction, Jean-Paul Sartre was also a literary critic. His 1939 essay on Faulkner's "The Sound and the Fury" focused on the way the American novelist commented on time, favorably comparing him to Marcel Proust. Ultimately, Sartre argues Faulkner's "despair" about a "closed future" is a result of the "social conditions of our present life." Ever the existentialist, though, Sartre suggests this reality is something that should inspire rather than depress.

The Vintage Contemporaries imprint defined the voice of 1980s and 1990s American fiction

The carefully curated line of fiction featured some of the brightest stars in late-20th-century American literature, including Jay McInerney, Cormac McCarthy, and Don DeLillo, and featured eye-catching covers that looked like nothing else on bookshelves.

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

Many writers considered 'existentialist' didn't identify with the term

“Existentialism” was first introduced in 1943 by philosopher Gabriel Marcel. Jean-Paul Sartre and Simone de Beauvoir readily adopted the term, but others, such as Albert Camus and Martin Heidegger, rejected it. Earlier philosophers, like Søren Kierkegaard and Friedrich Nietzsche, were long dead by the time the word was in vogue.

Beat Generation iconoclast William S. Burroughs once appeared in a Nike ad, singing the praises of 'new technology.'

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

One journalist argued New Journalism writers prioritized ego over public service

Michael J. Arlen wrote a critique of the then-fashionable and popular form for The Atlantic in 1972, warning about the risk of emphasizing a writer’s perspective over facts. While Arlen applauded the innovation of the style, he believed focusing on voice and perspective could be irresponsible.

Camus was influenced by American culture, especially literature and jazz

He loved the work of writers like William Faulker and Ernest Hemingway, and loved drinking whiskey and listening to jazz. He also admired the actor Humphrey Bogart and his striking performance in the noir classic "The Big Sleep." He was delighted when his wife gave him a Burberry raincoat, thinking it made him look more like Bogart.

Ginsberg, Kerouac, and Burroughs were influenced by their classmate Lucien Carr

Much has been written about Allen Ginsberg, Jack Kerouac, and William S. Burroughs’ time at Columbia University in the 1940s, but less attention has been paid to Lucien Carr, another student and one of the trio’s close friends, who murdered his childhood stalker.

Toni Morrison's novels were popular postmodern texts

Toni Morrison’s novels broke new ground in American fiction by using bold structures and colloquial voices to reckon with the country’s past, developing her approach through classic early novels like “The Bluest Eye” and “Beloved,” all the way to later works like “Home.” Morrison once said, “The meaning of a novel is in its structure.”

Novels often use perspective as a narrative device

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.

Allen Ginsberg on how Walt Whitman changed poetry

In this 1992 appearance on "Charlie Rose," Beat Generation icon Ginsberg articulates why Whitman mattered not only to the Beats but to all of poetry, arguing that he forever changed the possibilities of the form.

Exploring the work of Frances Burney, one of Jane Austen's main influences

Jane Austen is often credited with pioneering the narrative technique of "free indirect discourse," in which a narrator embodies a character's style without using the first-person perspective. But this essay argues Burney is the real innovator and that Austen, a fan of Burney's, continued using the technique to more acclaim.

Postmodern novels challenged narrative itself

Postmodernism describes the cultural movement following World War II, which found artists and thinkers responding to the horrors of the war by challenging the conventional narratives they believed allowed for it. In literature, postmodernist writers played with genre, gallows humor, and intertextuality, interrogating the form itself.

Bruce Springsteen's 'Nebraska' was influenced by writer Flannery O'Connor

Springsteen became obsessed with the "Southern gothic" writer when he began working on the songs for "Nebraska," inspired by O'Connor's tragic characters and grotesque imagery.

Allen Ginsberg debuted his poem 'Howl' at San Francisco's Six Gallery in 1955, kicking off the nationwide interest in the Beat Generation.

Existentialism is a loosely defined philosophy that encouraged authentic living

The writers and thinkers often characterized as “existentialist” sometimes contradict one another. Considering that, boiling the philosophy down to a set of tenets can be difficult. Generally, those associated with existentialism were inspired by the 19th-century works of Søren Kierkegaard and Friedrich Nietzsche, and they believed that individuals needed to defy conformity and define the meaning of life for themselves.

The Six Gallery, and San Francisco at large, helped the Beats grow

The Six Gallery was located in the “Harlem of the West,” where jazz musicians, filmmakers, painters and poets experimented with no regard for commercial success. “If Ginsberg had broken new ground,” historian Rebecca Solnit writes, “the Six had made it possible to go public with it.”

Although primarily known for his painting, Pablo Picasso was also a poet.

'The Stranger' remains a popular novel for teenagers

Camus' book's themes—alienation, transgression, and existentialism—continue to resonate with adolescent reader. That's also true of other popular teenage touchstones, like Aldous Huxley's "Brave New World," George Orwell's "Nineteen Eighty-Four," and Sylvia Plath's "The Bell Jar," which are still widely read—and assigned by high school teachers. (Some users may experience a paywall.)

How does someone become the ‘voice of a generation’?

From modern authors like Sally Rooney and JD Salinger, to the 19th century Pre-Raphaelite Brotherhood, the concept of artists voicing a generation's sentiments goes way back. Read this analysis to understand the concept's history and uncover the potential issues with generalizing a generation's feelings.

King is a major influence on modern genre writers

Stephen King's influence is felt across literature, film, and television—even outside the many books and adaptations that make up his long and storied career. This podcast features interviews with "Lost" showrunner Damon Lindelof and horror novelist Grady Hendrix, two writers who also happen to be King superfans.

The oft-cited roots of the true crime genre

The 1966 book "In Cold Blood" by American author Truman Capote is often considered the beginning of true crime as it's known today. The story details the real-life murders of a family of four in Holcomb, Kansas, using techniques that, at the time, were relegated to fictional tales. Before it was a book, the narrative was published by The New Yorker in 1965 as a four-part series. 

Why some writers believe there's a new romanticism

Journalist and novelist Ross Barkan argues that a crushing political system and alienating technology have led people to become more interested in the offline, analog world and the beauty of nature and emotion. In this essay, he defines this as "the new romanticism," and predicts it will come to define the culture of the 2020s.

Check out cheap, mass-market, and often trashy editions of classic books from Ralph Ellison, James Joyce, Jane Austen, and many more.

The Velvet Underground is often considered a starting point for punk rock

The band blended Warhol’s Pop Art with Beat poetry, early rock ‘n’ roll and the European avant-garde, creating a sound that was often chaotic, noisy and abrasive. The band’s debut album, “The Velvet Underground and Nico,” sold poorly, but (supposedly) everyone who purchased a copy started a band.

Ghosts can work as powerful literary devices

Noteworthy American novels like Toni Morrison’s "Beloved" tell us how spirits help deliver information and greater truths unknown to the characters. Wondering about our souls is common in literature, and the phantoms in these tales offer a unique way of contemplating the complicated experience of being human.

Disillusioned mid-century playwrights, such as Samuel Beckett and Eugène Ionesco, brought existentialist ideas to the stage through the Theater of the Absurd.

James Frey's 'A Million Little Pieces' was marketed as memoir but revealed as fiction

The addiction book became a huge success after being added to Oprah Winfrey's book club. After it was revealed to be fiction in 2005, Oprah invited Frey on her show and criticized him for deceiving her and his readers.

King's 'On Writing' is a classic text about his craft

Stephen King is known first and foremost as a horror writer. However, one of his best-known books happens to be nonfiction. “On Writing,” published in 2000, is part autobiography and part instruction manual. King explains how he came to his craft and offers advice on ways aspiring writers can improve.

14 famous authors trash-talking classic books

Just because something's considered a "classic" doesn't mean it's universally loved. Even the world's most respected writers don't agree on what defines great literature. Look no further than this list of writers criticizing canonical texts, like Charlotte Brontë deriding Jane Austen's "Pride and Prejudice" or Virginia Woolf on James Joyce's "Ulysses." The most succinct might be Aldous Huxley on Jack Kerouac's "On the Road": "I got a little bored after a time. I mean, the road seemed to be awfully long."

Tom Wolfe wrote a humorous account of the birth of New Journalism

Wolfe explains the style came from journalists attempting to make fact-based reporting read like a novel, arguing that traditional reporting left readers “bored to tears.” Instead of emphasizing an objective point of view, Wolfe favored detailed descriptions that established complex characters, painted interesting scenes, and shared dialogue.

Music was a profound inspiration for Basquiat

The prolific artist loved music, obsessing over David Bowie, Aretha Franklin, and numerous jazz figures. Many of his favorites appeared in his paintings, creating a body of work that also acts as a glossary of influences. Below is a 1984 portrait of Max Roach, the jazz drummer. (Some readers may experience a paywall.)

Novelist Richard Wright joined the existentialists in Paris

The author of “Black Boy” and “Native Son” left the United States in 1946 to escape his home country’s racial inequality. In Paris, he explored existentialist ideas and spent time with Simone de Beauvoir and Jean-Paul Sartre. “The Outsider,” a novel he wrote while living in France, embraced many of the philosophy’s central themes.