Mel Brooks got his first big break in 1950 as a writer on Sid Caesar's 'Your Show of Shows,' a pioneering TV variety show.

Mel Brooks got his start in comedy by accidentally flubbing a scene in a play and turning it into a fourth-wall-breaking joke, something that would later become a hallmark of his humor.

Mel Brooks became an EGOT winner in 2001, meaning he's been awarded an Emmy, a Grammy, an Oscar, and a Tony.

Mel Brooks served in World War II, including a stint clearing landmines at the Battle of the Bulge.

The Borscht Belt was a haven for Jewish vacationers—and comedy fans

New York's Catskills region resorts were informally named after a dish popular with Ashkenazi Jews. The area offered affordable vacationing, as well as cutting-edge stand-up from future stars like Milton Berle, Mel Brooks, and Joan Rivers.

Mel Brooks wanted Richard Pryor, then a relatively fresh stand-up comic, to star in 1974's 'Blazing Saddles,' but Warner Bros worried that he was not reliable enough for a leading role.

Mel Brooks served as an uncredited producer on David Lynch's film 'The Elephant Man' because he didn't want people to assume it was a lighthearted comedy.

Brooks' Broadway adaptation of 'The Producers' was a massive hit when it debuted in 2001, and broke a record for most Tony wins.

Bob Hope's radio shows brought stand-up to the masses

Bob Hope’s 1930s variety shows featured comedic monologues. Unlike the tightly scripted and evergreen sets of vaudeville, Hope’s monologues leaned into topical and political humor, sometimes to the disapproval of his network.

Mel Brooks said that learning how to drum as a kid taught him important rules about comedy, including how to structure a joke.

Jean Carroll was one of the first women to make a name in stand-up comedy

Carroll cut her teeth in vaudeville alongside Buddy Howe, her husband, who later became her manager. Despite operating in a male-dominated field, she became a popular headliner and was a mainstay as a stand-up on "The Ed Sullivan Show," which led to her own sitcom.

Check out a list of some of the best Mel Brooks films, from 'The Producers' and 'History of the World' to 'Spaceballs' and 'Robin Hood: Men in Tights.'

Watch some of the best scenes from Mel Brooks' films, including 'Young Frankenstein,' 'Spaceballs,' 'Robin Hood: Men in Tights,' and more.

Modern improv comedy, which eschews scripts and emphasizes listening, was developed by University of Chicago students in the early 1950s.

Johnny Carson was a stand-up kingmaker

While it was on the air, “The Tonight Show with Johnny Carson” was a prime outlet for stand-up comedy. Getting invited over to Carson’s couch meant he’d enjoyed the set—and that the comic was destined for great success.

Will Rogers' political humor was an early predecessor to stand-up

Rogers got his start spinning ropes for circus shows and broke through his association with Florence Zeigfeld's Follies and Frolic. It was his humorous political commentary, though, that would solidify his celebrity status. His goodhearted ribbing of society's "big men" predated the common notion of stand-up comedians as truth-telling jesters.

Before 'SNL,' producer Lorne Michaels was a performer

Michaels was a costar on "The Hart and Lorne Terrific Hour," a popular show on the Canadian network CBC. As these clips show, it was a standard variety show, something Michaels would intentionally react against with "SNL."

HBO premiered the modern stand-up special in 1975

When they appeared on TV, stand-ups were typically limited to five-minute spots on late-night talk shows, like "The Tonight Show." That changed with the fledgling HBO, which offered comics hourlong slots. The first was "An Evening with Robert Klein," a special that would define "the hour" for decades.

Winning a Steve Martin look-alike contest led Bill Nye to pursue comedy

Doing impressions helped Nye realize he enjoyed making people laugh, and he pursued stand-up and comedy writing gigs while working at Boeing after college. On October 3, 1986, he left his engineering job to pursue a full-time career in the entertainment industry.

'The Larry Sanders Show' redefined the American sitcom by removing audience laughter, a move that seemed counterintuitive for a television comedy.

Steve Martin was vying for love on 'The Dating Game' before he was selling out arenas

In 1968, the 21-year-old Martin was a writer for the Smothers Brothers, who had a popular variety show. He appeared on “The Dating Game” as one of the bachelors, attempting to impress the twin sister of his childhood crush. (Spoiler: It worked.)

The Brill Building was a breeding ground for girl group classics

New York City's Brill Building housed the working offices for over 160 music industry professionals, including some of the country's finest songwriters, such as Neil Diamond, Burt Bacharach, and George Clinton. Below is a 1959 picture of three more Brill Building pros: Carole King, Paul Simon, and Gerry Goffin.

Mark Twain was an early influence on stand-up

The writer’s live lectures looked a lot like modern stand-up comedy specials. Twain’s world tour in the 1890s featured 90-minute performances in which he stood alone on the stage, delivering long, comedic monologues with his hand perched on his chin.

How HBO pioneered the hourlong stand-up comedy special

Stand-up comedy was already on television in the 1970s thanks to Johnny Carson, but comics were limited to clean sets that typically lasted five minutes. HBO, on the other hand, offered stand-ups the opportunity to air their unadulterated material like they would at a club.

Matt Groening wrote the comic 'Life in Hell' before creating 'The Simpsons'

The strip began in 1977 as a self-published book featuring disturbing-looking rabbits navigating the indignities of life in Los Angeles, where Groening had recently moved. It was picked up by the Los Angeles Reader in 1980 and then syndicated by over 250 newspapers by 1986. Eventually, it caught the eye of James L Brooks, who was looking for a cartoonist to create sketches for "The Tracey Ullman Show" for Fox.

Jim Henson and his Muppets were part of the first season of 'Saturday Night Live' because NBC was hoping to tamp down Lorne Michaels' countercultural plans for the show.

Lenny Bruce's stand-up challenged US law

Bruce came up in burlesque theaters, but began to find success as stand-up comedy developed a more political and subversive bent. His sets often satirized what he believed to be an oppressively conformist society, which led to his arrest on several occasions.

'SNL' was originally called 'NBC's Saturday Night'

Another show already owned the title: the short-lived "Saturday Night Live with Howard Cosell." The variety show only lasted one season and was widely panned, despite featuring several talented comedians—like Bill Murray, Christopher Guest, and Billy Crystal—who'd later be stars on "SNL" ... after officially changing its name.

2 'Simpsons' producers break down the show's turning points

Longtime director David Silverman and showrunner Matt Selman walk you through some of the show's biggest turning points, from the early days on "The Tracey Ullman Show" through its biggest guest stars and eerily accurate predictions.

A low-budget, Seattle-based comedy show launched Bill Nye's on-camera career

"Almost Live!" began in 1984 as a Sunday evening talk show before evolving into a sketch comedy show that served as the lead-in for "Saturday Night Live" on NBC's Seattle affiliate station. Besides Nye, TV stars Joel McHale and Lauren Weedman were regular cast members.

Mort Sahl released the first stand-up album

There were comedy records that came before “The Future Lies Ahead,” but Sahl’s 1958 album, released by jazz imprint Verve, was the first official recording that captured a complete stand-up set.

Steve Martin and Robin Williams once starred in Samuel Beckett's 'Waiting for Godot,' one of the most well-regarded examples of the existential movement called 'Theater of the Absurd.'

'SNL' spinoffs have had mixed success

As “SNL” became more popular, Lorne Michaels sensed an opportunity to turn some of the show’s most popular sketches and characters into feature films. It’s a strategy that had mixed results: “Wayne’s World” and “The Blues Brothers” are modern classics, while others, like “It’s Pat” and “The Ladies Man,” performed poorly with audiences and critics alike.

Watch an episode of 'Ray Bradbury Theater,' the sci-fi writer's '80s HBO show, starring a young Jeff Goldblum.

Watch episodes of 'Sam and Friends,' the earliest show featuring the Muppets.

Every ‘SNL’ host who's doubled as musical guest

This chronological list details every entertainer who’s both hosted and performed as musical guest through the show’s five decades. You’ll find some interesting tidbits, like Paul Simon breaking ground as the first to do it in 1975, and some serious headscratchers, like Garth Brooks performing as his alter ego Chris Gaines.

Before he was known as a folk singer, Woody Guthrie was a popular radio host in Los Angeles.

A comprehensive history of 'The Simpsons'

This documentary explores the wild trajectory of the show, from Matt Groening's early underground cartoons to its status as a groundbreaking pop culture phenomenon.

'SNL' began as a low-budget replacement for reruns of 'The Tonight Show'

Johnny Carson, host of "The Tonight Show," asked NBC to move his reruns to weeknights instead of weekends. That freed up a weekend slot and the network decided to try a new live show.

Broadway's songwriters began experimenting in the 1920s

Broadway’s early decades were heavily influenced by opera and vaudeville, but songwriters in the 1920s began exploring more narrative-based songwriting and psychologically complex characters. That trend would continue in the following decades, though it would evolve in even more nuanced ways.

Chris Rock believes TV ruined stand-up

Chris Rock is one of comedy’s stand-up superstars, breaking through with several specials in the ‘90s. In this interview with stand-up legend David Steinberg, Rock explains how comics began working towards landing a spot on TV rather than focusing on creating a long, inspired stand-up set.

Stand-up arrived in the late 19th century

Vaudeville theaters featured family-friendly comics, often working in teams, to execute tightly written comedic back-and-forths. Burlesque, vaudeville’s bawdier offshoot, often featured single comics delivering rapid-fire, joke-filled sets.

Bob Newhart was the first comedian to have a chart-topping album with his 1960 record 'The Button-Down Mind of Bob Newhart.'

Stand-up became more popular during the Great Depression

The stock market crash of 1929 caused vaudeville theaters to shutter. Audiences were looking for lighthearted distractions from the country’s financial problems, though, and stand-up became more popular, albeit in very different venues.

George Lucas gave Mel Brooks his blessing to release his 'Star Wars' parody 'Spaceballs,' though he had one condition: 'Spaceballs' could not sell merchandise.

Tom Robbins wrote comedy for the counterculture

Robbins passed away at the age of 92, leaving behind a catalog filled with surreal and comic explorations of the American counterculture. But his early success led some to disregard the prophetic and nuanced storytelling in his books.

The 'Seinfeld' characters would likely be financially successful today

Even though Kramer probably doesn't have a 401(k) plan, he also probably struck gold as an investor with many side hustles.

Jim Downey is one of SNL's most legendary writers

Jim Downey arrived at “Saturday Night Live” in 1976, the same week as Bill Murray. He also wrote a legendary monologue from “Billy Madison,” and created David Letterman’s “Top Ten."

The first cast members were relatively unknown 'enlightened amateurs'

“SNL” producers aimed to cast relative newcomers for the show’s first season, convinced that amateurs would infuse the show with the countercultural spirit Lorne Michaels envisioned.

Comedic roasts, an ironic inversion of toasting, took off in the 20th century

Ribbing amongst friends likely goes back to the dawn of man, but formalizing the act caught on with fundraisers held by the Friar’s Club, a New York organization for theater agents. Rather than raising their glasses to good fortune and health, comics eviscerate an “honoree”—along with everyone else on stage—though they usually conclude with an earnest toast.

B-movie king Roger Corman mentored many of the star directors of 1970s Hollywood, including Francis Ford Coppola, Martin Scorsese, and Ron Howard.