Stand-up arrived in the late 19th century

Edgier burlesque shows helped define the form

Stand-up came into its own at burlesque shows, thanks to audiences who sought humor that reflected the hectic, urban settings where they lived. According to historian Joseph Boskin, “The tempo of the comedy, like the movement of city streets, was swift and jolting and possessed highly recognizable parameters.”

Stand-up became more popular during the Great Depression

The stock market crash of 1929 caused vaudeville theaters to shutter. Audiences were looking for lighthearted distractions from the country’s financial problems, though, and stand-up became more popular, albeit in very different venues.

At its core, stand-up is about a comic making a crowd laugh

The performance style typically features a single performer who aims to make an audience laugh. It evolved from 19th and 20th-century American comedy traditions and has since grown into an influential—and commercially successful—international artistic form.

Vaudeville performer Charley Case is widely considered the first stand-up comedian.

How HBO pioneered the hourlong stand-up comedy special

Stand-up comedy was already on television in the 1970s thanks to Johnny Carson, but comics were limited to clean sets that typically lasted five minutes. HBO, on the other hand, offered stand-ups the opportunity to air their unadulterated material like they would at a club.

Mark Twain was an early influence on stand-up

The writer’s live lectures looked a lot like modern stand-up comedy specials. Twain’s world tour in the 1890s featured 90-minute performances in which he stood alone on the stage, delivering long, comedic monologues with his hand perched on his chin.

HBO premiered the modern stand-up special in 1975

When they appeared on TV, stand-ups were typically limited to five-minute spots on late-night talk shows, like "The Tonight Show." That changed with the fledgling HBO, which offered comics hourlong slots. The first was "An Evening with Robert Klein," a special that would define "the hour" for decades.

Will Rogers' political humor was an early predecessor to stand-up

Rogers got his start spinning ropes for circus shows and broke through his association with Florence Zeigfeld's Follies and Frolic. It was his humorous political commentary, though, that would solidify his celebrity status. His goodhearted ribbing of society's "big men" predated the common notion of stand-up comedians as truth-telling jesters.

Bob Hope's radio shows brought stand-up to the masses

Bob Hope’s 1930s variety shows featured comedic monologues. Unlike the tightly scripted and evergreen sets of vaudeville, Hope’s monologues leaned into topical and political humor, sometimes to the disapproval of his network.

Jean Carroll was one of the first women to make a name in stand-up comedy

Carroll cut her teeth in vaudeville alongside Buddy Howe, her husband, who later became her manager. Despite operating in a male-dominated field, she became a popular headliner and was a mainstay as a stand-up on "The Ed Sullivan Show," which led to her own sitcom.

Comedic roasts, an ironic inversion of toasting, took off in the 20th century

Ribbing amongst friends likely goes back to the dawn of man, but formalizing the act caught on with fundraisers held by the Friar’s Club, a New York organization for theater agents. Rather than raising their glasses to good fortune and health, comics eviscerate an “honoree”—along with everyone else on stage—though they usually conclude with an earnest toast.

Lenny Bruce's stand-up challenged US law

Bruce came up in burlesque theaters, but began to find success as stand-up comedy developed a more political and subversive bent. His sets often satirized what he believed to be an oppressively conformist society, which led to his arrest on several occasions.

Mort Sahl released the first stand-up album

There were comedy records that came before “The Future Lies Ahead,” but Sahl’s 1958 album, released by jazz imprint Verve, was the first official recording that captured a complete stand-up set.

Modern improv comedy, which eschews scripts and emphasizes listening, was developed by University of Chicago students in the early 1950s.

Chris Rock believes TV ruined stand-up

Chris Rock is one of comedy’s stand-up superstars, breaking through with several specials in the ‘90s. In this interview with stand-up legend David Steinberg, Rock explains how comics began working towards landing a spot on TV rather than focusing on creating a long, inspired stand-up set.

Punch Magazine pioneered the political cartoon

The 19th-century magazine, which published writers like Charles Dickens, William Makepeace Thackeray, was known for its biting satire and support for working-class issues.

Stand-up Marc Maron invented the modern comedy podcast

In 2009, Marc Maron created his podcast “WTF,” featuring the stand-up holding long, candid conversations with an eclectic selection of guests. That template now defines modern podcasting, including some of the medium’s most popular shows.

Stand-up comedy podcasts have realigned political campaigns

Some of the world’s most popular podcasts, like “The Joe Rogan Experience” and “This Past Weekend w/ Theo Von,” are hosted by stand-up comedians. They also now play a role in American politics, with representatives, senators, and even presidents taking part in their freewheeling conversations

Johnny Carson was a stand-up kingmaker

While it was on the air, “The Tonight Show with Johnny Carson” was a prime outlet for stand-up comedy. Getting invited over to Carson’s couch meant he’d enjoyed the set—and that the comic was destined for great success.

Broadway's songwriters began experimenting in the 1920s

Broadway’s early decades were heavily influenced by opera and vaudeville, but songwriters in the 1920s began exploring more narrative-based songwriting and psychologically complex characters. That trend would continue in the following decades, though it would evolve in even more nuanced ways.

The showgirl archetype arose in 19th-century France

The word first appeared in the mid-1700s to describe women behaving in a "showy" manner, but it wasn't until the late 1800s that the current definition for a performer became standardized, thanks to Parisian variety shows that often featured the high-kicking women.

Jackie "Moms" Mabley was the first woman to headline solo at the Apollo Theater

The comic's act was based on a classic archetype: the fed-up mother who was going to tell it to you straight. She perfected her craft on the Chitlin Circuit, where she became a cultural icon in the Black community, and then had significant mainstream success starting in the 1960s.

Mel Brooks got his start in comedy by accidentally flubbing a scene in a play and turning it into a fourth-wall-breaking joke, something that would later become a hallmark of his humor.

The Gold Dust Trio brought spectacle to wrestling

In the early 1900s, as wrestling gained in popularity on the carnival circuit, keeping the audience’s attention became an issue. The Gold Dust Trio—Billy Sandlow, Ed “The Strangler” Lewis, and Joseph “Toots” Mondt—revolutionized things by integrating boxing, theater, and Greco-Roman wrestling in a hybrid called “Slam Bang Western Style Wrestling.”

Mel Brooks got his first big break in 1950 as a writer on Sid Caesar's 'Your Show of Shows,' a pioneering TV variety show.

Winning a Steve Martin look-alike contest led Bill Nye to pursue comedy

Doing impressions helped Nye realize he enjoyed making people laugh, and he pursued stand-up and comedy writing gigs while working at Boeing after college. On October 3, 1986, he left his engineering job to pursue a full-time career in the entertainment industry.

'The Larry Sanders Show' redefined the American sitcom by removing audience laughter, a move that seemed counterintuitive for a television comedy.

Steve Martin was a wildly successful stand-up—and abruptly quit doing it

In the ‘70s, few stand-up comics were bigger than Steve Martin, who released multiplatinum albums and regularly sold out arenas. As he detailed in his 2007 memoir, Martin had grown disillusioned with his success as a stand-up and pivoted into film.

Existential dread still informs popular comedies

Although the Theater of the Absurd was primarily a 20th-century trend, a similar kind of existentialist-minded comedy still exists in popular culture. Films like “Everything Everywhere All At Once” and television shows like “BoJack Horseman” tackle the same issues that existentialist thinkers like Sartre, Beauvoir, and Camus explored, transforming those profound questions into thought-provoking and crowd-pleasing works of comedy.

How Monty Python shaped modern comedy

This video essay analyzes the way Monthy Python embodies postmodernism and Comedy of the Absurd through its off-the-wall humor, skewering social conventions and powerful institutions through its satirical sketches and movies. The video also traces the impact the comedy troupe Monthy Python had (and continues to have) on modern comedy, illustrating how popular shows like "South Park" and "Family Guy" and movies like "Deadpool" are indebted to the famous troupe.

‘Saturday Night Live’ cast rank the show's best comics

"Saturday Night Live" has held a unique role in the cultural zeitgeist since its founding in 1975, providing a national stage of silly mockery and filling our Sunday feeds with the latest impressions of public figures. In its 50th year, 50 cast members weigh in on who their favorite casts and individual comedians were. Read their various opinions here.

Zurich's Cabaret Voltaire was the epicenter of early performance art

In early 20th-century Zurich, one nightclub was the epicenter of avant-garde art and performance: Cabaret Voltaire. Night after night, crowds of artists, writers, philosophers, and others would gather to watch—or participate in—wild, unrehearsed performances that could include anything from sound poems to traditional folk dance. The atmosphere at Club Voltaire was the ideal breeding ground for outside art movements, and it is thought to be the birthplace of Dada, a precursor to performance art.

Watch Walt Disney's early innovative film, 'Alice's Wonderland,' which innovated the use of animated characters in the real world.

Learn about the history of soapbox speeches in the United States

From the 1890s to the 1960s, soapbox oratory was common across the US, with speakers gathering crowds in public spaces to share political, religious, and philosophical views.

True crime broadsides were a popular business venture in 19th-century England

Offered by traveling peddlers, these playbills described crimes and crime scenes in detail and often included speeches and confessions of the soon-to-be executed. Broadsides typically included illustrations of crime and execution scenes to drive home the details.

Walt Disney’s Laugh-O-Gram Studio featured his earliest innovations in animation

Before he founded his iconic film company, Walt Disney was a young animator in Kansas City, Missouri. After scoring a contract to create animated newsreels for local movie theaters, Disney formed Laugh-O-Gram Studio, where he created innovative animated shorts that set the path for his later work.

SNL's history in 60 seconds

Saturday Night Live has been a fixture of American comedy since 1975. Created by Lorne Michaels and Dick Ebersol, the show was designed as an alternative to late-night reruns, blending live sketch comedy, political satire, and celebrity impressions.

The history of curse words

While profane language is frowned upon in many circumstances, it remains an important part of human expression. This article explores the history of taboo words, and how they eventually creeped more into the mainstream. From 19th century Irish folk-saying “bejabbers,” to the dirty language in comedy routines by Lenny Bruce and George Carlin, discover a brief history of the swear words that have now become more prevalent in society.

The earliest known play performed in the US was 'The Recruiting Officer'

A London troupe performed a comedy called "The Recruiting Officer" in New York City in 1732.

Dada artists satirized the horrors of World War I

The movement’s early performances were absurd cabarets featuring experimental poetry, avant-garde music, and maskwork. Much of it was reckoning with the growing deathcounts of World War I, with work that often lampooned Western imperialism and supposed rationality.

Mel Brooks said that learning how to drum as a kid taught him important rules about comedy, including how to structure a joke.

See a timeline of the consolidation of the television and film industry, beginning with Vaudeville theatre traditions from the 1880s.

Comic-Con began in 1970 in the basement of a San Diego hotel, with just a handful of comic book enthusiasts sharing their wares.

Bear-baiting was another form of entertainment during Shakespeare’s time

We tend to think of Shakespeare’s audiences as prim and proper, but the Bard’s shows were just another form of amusement, viewed by commoners as entertainment not unlike the animal blood sports that were similarly popular during the time period.

A low-budget, Seattle-based comedy show launched Bill Nye's on-camera career

"Almost Live!" began in 1984 as a Sunday evening talk show before evolving into a sketch comedy show that served as the lead-in for "Saturday Night Live" on NBC's Seattle affiliate station. Besides Nye, TV stars Joel McHale and Lauren Weedman were regular cast members.

The Boswell Sisters were the precursors to the American girl group

The jazz trio, popular in the '20s and '30s, doesn't share much in common with the sounds of the well-known pop-oriented girl groups, but the sisters' prominence in a male-dominated industry provided an early example for later groups. Check out their appearance in the 1932 film "The Big Broadcast," performing the song "Crazy People."

Dickens' live readings sometimes used visual projectors that predated cinema

Dickens was interested in adapting his work in various forms. With his live readings, he sometimes used a 'magical lantern,' a popular tool that projected moving slides. In addition, some stage plays of Dickens' work that included ghost scenes used the magical lantern to cast apparitions on stage.

Steve Martin was vying for love on 'The Dating Game' before he was selling out arenas

In 1968, the 21-year-old Martin was a writer for the Smothers Brothers, who had a popular variety show. He appeared on “The Dating Game” as one of the bachelors, attempting to impress the twin sister of his childhood crush. (Spoiler: It worked.)

How a crew of hippies and nerdy teens in 1970 launched the global phenomenon of Comic-Con

Brinke Stevens and nearly 50 early organizers recount assembling Comic‑Con in 1970s San Diego—starting with just 300 attendees in a hotel basement—and how that grassroots, inclusive mix of fans sparked an enduring and worldwide pop‑culture movement.

A research lab in Colorado believes comedy is based on ‘benign-violation’

The University of Colorado at Boulder’s Humor Research Lab (which has the decidedly funny abbreviation “HURL”) posits that comedy thrives on relatively harmless violations of dignity or norms.