Ray Charles' 'Modern Sounds in Country & Western Music' albums blurred genre lines

In the 1920s, country was often called 'hillbilly music'

The term was meant to describe the rural people who typically performed the Appalachian folk music. Though Black people were also making country music at the time, their records were categorized as “race music.”

Western swing merged country with jazz

For as long as country music has been set to record, its artists have experimented with the genre’s boundaries. Look no further than this track from 1946, Bob Wills’ “Roly Poly.” The song is a classic example of Western swing, a country subgenre that blended country and jazz.

American blues music provided the framework for rock 'n' roll, jazz, and other American forms.

Jazz provided a soundtrack for the Civil Rights Movement

Songs like Billie Holiday's "Strange Fruit," which portrayed the grim brutality of lynching, and John Coltrane's "Alabama," which was modeled on the rhythm of a speech by Martin Luther King Jr., were the backbeat of the movement.

The sound of country music has evolved over its lifespan

Like any genre, country music is constantly evolving. This in-depth analysis from NPR illustrates how the notoriously traditionally minded industry has been redefined, time and time again, by its greatest artists. More recently, it highlights stars like Kacey Musgraves, Sam Hunt, and Maren Morris for taking it in new directions.

Bluegrass, a subgenre of country music, allows every participant to take a solo

The music grew popular after World War II and, like country, was based on a combination of blues, spirituals and Celtic folk songs. Bluegrass has a "high, lonesome sound," as pioneered by Bill Monroe, and features breaks for every melody instrumentalist to take a solo.

The 1927 'Bristol Sessions' birthed the modern country industry

Country music has been around since the early American colonies, but the modern country industry began in 1927 in a small town on the Tennessee-Virginia border. Here, Ralph Peer recorded songs from the Carter Family, Jimmie Rodgers, and a dozen more artists through a 12-day stint called "The Bristol Sessions."

Country music can be traced back to Colonial America

The genre begins with the folk music of the Colonial settlers, blending the area’s regional sounds, including gospel, African spirituals, and Anglo-Saxon, Scottish, and Celtic ballads.

Arthur Russell's avant-garde music spanned many genres

The classically trained cellist moved to San Francisco in the early 1970s, mingling with the hippie movement and the Beat Generation. After arriving in New York in 1973, he began exploring the nascent punk and disco scenes, infusing them with his classical training; however, his eclectic style might've been part of the reason he never broke through during his lifetime. That variety, though, is what draws so many devoted listeners to his work today.

In the '90s, country aimed for stadiums

While the early 1900s built the template for country music as a genre, the 1990s pushed the music into the mainstream, setting the course for country’s modern ubiquity. Artists like Garth Brooks and Shania Twain pushed against the genre’s orthodoxy, turning the music into blockbuster entertainment with a pop sheen.

Country's sound continues to evolve

Country music is having a moment. In 2023, it saw the biggest growth in market share of any genre—up nearly 22%. This overview traces country’s rise from Appalachian folk roots to its current pop, rock, and hip-hop-infused wave, with artists like Beyoncé and Post Malone joining the mix.

Three rock stars who made great country music

Steven Tyler, Tina Turner, and Darius Rucker all crossed into country. The author claims the trio shared a common trait: they weren't chasing a new audience. Instead, they were delving deeper into a sound already present in their work.

Ken Burns believes country music is an essential American art form

Ken Burns’ massive 2019 miniseries “Country Music” explores the genre and its rich history. In this interview with writer Walter Isaacson, Burns explains what drew him to country, his definition of this “mongrel” music, and why he considers it to be an integral part of American culture.

Read an early piece of journalism on country music

This 1904 Harper’s Weekly article from Emma Bell Miles offers an early example of country music criticism. Miles traces the music’s roots to the mountaineers who pioneered it. It’s a famous piece for music writers: Miles saw a phenomenon building in the hills long before any major record label.

Chuck Berry was one of rock 'n' roll's early innovators.

Country music's popularity skyrocketed in the 21st century, establishing itself as a dominant force on the Billboard charts in the 2010s.

20th-century country music was influenced by Hawaiian instruments

When people talk about influences on country music, they mention the European and African folk traditions that blended together to form the earliest country standards. Hawaiian music has had an incredible influence on country music, too, though, especially in terms of the genre's sound: the steel guitar and lap steel.

Outlaw Country was a subgenre that emerged in the 1970s

Outlaw country was a reaction against popular country music produced in Nashville. The name's origin is disputed, but it was firmly established with the 1976 album “Wanted! The Outlaws,” a record featuring songs by Waylon Jennings, Willie Nelson, Jessi Colter, and Tompall Glaser—artists who bucked industry norms.

Southern rap redefined the sound of hip-hop in the '90s

In the 1980s, most attention focused on New York, the birthplace of hip-hop, and Los Angeles, the epicenter of its burgeoning gangsta variant. By the mid-90s, though, artists like Outkast, Master P, and Missy Elliott shifted the focus to the south.

Billboard's early music charts were racially segregated

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

The electric microphone led to a country music boom

The electric microphone provided enhanced audio and greater portability, saving the fledgling record industry and making recording outside of New York and Camden, New Jersey, possible. This proved critical for capturing early country and rock ‘n’ roll.

Watch one of country music's most infamous performances

Jerry Lee Lewis started in the 50s as a supercharged rock ‘n’ roll star. His career imploded when it was revealed he’d married his teenaged cousin. By the time he was invited to the Grand Ole Opry, he’d reinvented himself as a country troubadour and promised to play by the venue’s strict rules. But as this infamous performance shows, Lewis couldn’t help bringing some of his past to the stage, much to the audience’s delight.

After Beyoncé won the Grammy for best country album, the Grammys created a new category

The singer took home the award for best country album in 2025 for "Cowboy Carter." Months after the awards, and some criticism from the country community, the Grammys announced a new category for 2026: best contemporary country album. Ostensibly, that makes room for the genre's traditionalists and its innovators, though the distinction between the two categories is vague.

Miles Davis' 'Kind of Blue' changed the genre by pioneering modal jazz

Davis was an adept bebop trumpet player, but he grew tired of the style. With 1959's "Kind of Blue," he pioneered a new style of jazz, called modal jazz, that focused less on improvising on chord progressions and more on open, tone-based expression.

Jazz brought together ragtime and blues

Ragtime was a popular music genre that blended African-American spirituals, European folk songs, and military marches. Blues, brought to New Orleans by free Black people seeking opportunities, allowed musicians to play within basic standards. Jazz combined both forms by merging the syncopated, dance-friendly sounds of ragtime with the soulful, brass-instrumental style of the blues.

Rock 'n' roll's history in 60 seconds

In the late 1940s, rock 'n' roll emerged from a mix of blues, country, gospel, and jazz. It gained traction through radio, rebellious icons, and evolving sound. This overview traces the genre’s roots, rise, and lasting influence—from early pioneers to the British Invasion and beyond.

The Bakersfield Sound challenged the music's creeping respectability

As country music leaned towards the slick Nashville Sound in the 1950s, several artists operating outside that city reacted with rougher sounds more reminiscent of honky tonk and early rock ‘n’ roll. It came to be known as the Bakersfield Sound, reflecting the California agricultural region.

Check out the records stocked in the jukebox at the Stonewall Inn, the bar responsible for modern Pride celebrations.

Watch Johnny Cash’s 1969 concert at San Quentin

Johnny Cash is one of the most recognizable names in country music, but by the 1960s, he was also a rock icon. Part of that status was due to his outlaw identity and willingness to play for true outsiders. This documentary from one of his most famous performances shows why.

The first known mention of the term 'country' to describe music was in 1736

The November 26, 1736 issue of the Virginia Gazette described a fiddling contest for "country" musicians. While the musical style would go by many names over the next two centuries, "country" was the one that eventually stuck.

How smooth jazz took over the '90s

As jazz entered the '70s, it was at a crossroads. While the genre's figureheads explored fusion and free jazz, which intentionally flouted mainstream convention, other artists began veering towards pop. Eventually, that sound would be called "smooth jazz."

Billie Holiday's label refused to release 'Strange Fruit,' a protest song about lynching, because of fears of negative reactions from southern retailers.

The harmonizing Louvin Brothers continued country's religious tradition

You won't find a better pair of harmonizers than brothers Ira and Charlie Louvin, whose records became cornerstones of country, bluegrass, and gospel. This podcast examines the brothers' remarkable approach to singing, along with the close relationship that made them such ideal musical partners—and what ultimately tore them apart.

Watch a 1934 short film starring Cab Calloway

Singer and bandleader Cab Calloway was a major figure in the Harlem Renaissance's music scene. He was also one of the biggest names in jazz's swing era and would go on to be the first Black American to have a nationally syndicated radio show and the first to sell a million copies of a record. In this 1934 short film, "Cab Calloway's Hi-De-Ho," he reenacts his upbeat performances at Harlem's Cotton Club.

Explore an interactive timeline of rock 'n' roll's origins in blues, swing, country, and other genres.

Listen to Woody Guthrie's 1940 concept album about agricultural and economic destruction, 'Dust Bowl Ballads.'

Prince pioneered what would come to be known as 'the Minneapolis Sound'

Inspired by eclectic artists like Sly and the Family Stone, as well as lesser-known mentors and peers in the Twin Cities, Prince blended R&B, rock, pop, new wave, soul, funk, punk, and more, creating a sound that defied easy categorization.

In the late '70s, Dylan started a trilogy of Christian rock albums

Across his six decades making music, Bob Dylan’s gone through numerous artistic eras and reinventions, but among the most polarizing (and, for some, the most perplexing) is Dylan’s Christian period in the late '70s and early '80s.

Rockwell's 'Murder in Mississippi (Southern Justice)' was a response to real events

The 1965 painting was inspired by the 1964 murders of three men—James Chaney, Andrew Goodman, and Michael Schwerner. The men were affiliated with the Council on Racial Equity and killed by the Ku Klux Klan in Philadelphia, Mississippi. The painting accompanied an article about the inequities of the justice system, which is why its title often includes the parenthetical "(Southern Justice)."

A DJ helped popularize the term 'rock 'n' roll' to resell rhythm and blues to a broad audience.

Free jazz embraced the avant-garde

Ornette Coleman's 1959 album "The Shape of Jazz to Come" abandoned traditional notions of melody and structure, inadvertently creating "free jazz," a subgenre that embraced absolute musical freedom and gained popularity in the countercultural 1960s.

The Great Migration spread jazz to various parts of the country

The large-scale migration of Black Americans looking to escape Jim Crow laws in the South began in 1915 and helped bring New Orleans music to other parts of the country, including Chicago, New York, Kansas City, Detroit, and Los Angeles.

Prince had an eclectic range of influences

Early in his career, Prince would sometimes claim in interviews that he didn't listen to much music outside of his own. In later years, he'd admit that was a lie born out of arrogance. In reality, he listened to a wide array of artists, with great admiration for people like the Cocteau Twins, D'Angelo, Led Zeppelin, Joni Mitchell, Miles Davis, De La Soul, and many others. This survey of his career's interviews collects all those mentions of other artists, creating a fascinating database of the music that inspired Prince.

Dylan's early records were socially conscious folk songs

Dylan's early records were modeled after his heroes Woody Guthrie and Pete Seeger, meaning they were often acoustic numbers filled with lyrical wordplay and political themes. "Masters of War," from 1963's "The Freewheelin' Bob Dylan," is a perfect example of the form, railing against politicians and war profiteers.

The first Grammys acknowledged only 4 genres

At the first Grammys, there were six awards presented in four genres: classical, jazz, country, and R&B. But over time, it became clear that plenty of music didn't fit neatly into those categories. Now there are more than a dozen genres recognized, spanning multiple cultures and continents.

Jazz's popularity inspired a moral panic

When jazz exploded in the 1920s, some believed the music's sudden popularity was the sign of a rotten nation, with one 1920 address at the University of Wisconsin proclaiming, "We are in deadly fear of the Jazz Devil, the demon which is consuming the country." Often, the connections were racialized, with columnists and preachers suggesting that jazz's Black artists were attempting to degrade white America.

Jazz was an integral part of the Harlem Renaissance

The Great Migration transformed New York City's Harlem neighborhood into the epicenter of Black American art, with artists such as Duke Ellington, Louis Armstrong, and Bessie Smith regularly performing. The music not only provided the backbeat to the cultural scene—it often influenced it, with Harlem Renaissance poets, in particular, inspired by jazz's approach to rhythm and improvisation.

At the height of its popularity, ragtime, a precursor to jazz, was criticized as dangerous, 'unmusical rot.'

Country musicians grappled with the outlaw archetype on screen

As country grew more popular, some of its biggest stars leapt to the silver screen, with Johnny Cash in "Five Minutes to Live," Kris Kristofferson in "Pat Garrett and Billy the Kid," and Dolly Parton in "9 to 5." Kristin Hunt notes that all of these films featured country stars toying with the outlaw archetype, a prevalent theme throughout the history of country music.

Duke Ellington's 'Harlem' takes listeners on a stroll through the neighborhood

"Sir Duke" was one of the Harlem Renaissance's major musicians, recording several songs that would become jazz standards. 1950's "Harlem" is an ode to the neighborhood, alternating styles (including a Latin groove and a New Orleans funeral dirge) to pay homage to the diverse cultures that populate it.