The Great Migration spread jazz to various parts of the country

Jazz was an integral part of the Harlem Renaissance

The Great Migration transformed New York City's Harlem neighborhood into the epicenter of Black American art, with artists such as Duke Ellington, Louis Armstrong, and Bessie Smith regularly performing. The music not only provided the backbeat to the cultural scene—it often influenced it, with Harlem Renaissance poets, in particular, inspired by jazz's approach to rhythm and improvisation.

The Great Migration helped transform Harlem into the epicenter of Black culture

Starting in 1910, millions of Black Americans moved from the South to escape segregation, violence, and dismal work opportunities. They moved to urban areas in the North, Midwest, and West. Chief among them was Manhattan's Harlem neighborhood, which became an especially desirable location for Black people around 1910.

Jazz brought together ragtime and blues

Ragtime was a popular music genre that blended African-American spirituals, European folk songs, and military marches. Blues, brought to New Orleans by free Black people seeking opportunities, allowed musicians to play within basic standards. Jazz combined both forms by merging the syncopated, dance-friendly sounds of ragtime with the soulful, brass-instrumental style of the blues.

See a timeline of jazz's history

Jazz began in 19th-century New Orleans, though its roots go back even further. This timeline situates the music's evolution alongside American and world history, offering an illuminating exploration of the genre.

New Orleans' Congo Square birthed what would become jazz

The city's enslaved people congregated in the city square on Sundays, bringing together the musical traditions of their disparate cultures through drum circles, communal dancing, and call-and-response singing. The rhythmic style that evolved in the area would eventually give rise to ragtime and, subsequently, jazz.

American blues music provided the framework for rock 'n' roll, jazz, and other American forms.

Jazz provided a soundtrack for the Civil Rights Movement

Songs like Billie Holiday's "Strange Fruit," which portrayed the grim brutality of lynching, and John Coltrane's "Alabama," which was modeled on the rhythm of a speech by Martin Luther King Jr., were the backbeat of the movement.

'Shuffle Along,' a 1921 Broadway musical, brought jazz to American musical theater and helped pave the way for Black culture in the 20th century.

Jazz's popularity inspired a moral panic

When jazz exploded in the 1920s, some believed the music's sudden popularity was the sign of a rotten nation, with one 1920 address at the University of Wisconsin proclaiming, "We are in deadly fear of the Jazz Devil, the demon which is consuming the country." Often, the connections were racialized, with columnists and preachers suggesting that jazz's Black artists were attempting to degrade white America.

The Black cultural renaissance happened in places other than Harlem

Although the Harlem Renaissance is often cited as the singular Black arts movement of the early 20th century, similar cultural movements were occurring concurrently in other American cities. Places like Kansas City, Washington, DC, and Roanoke, Virginia, also had innovative Black cultural scenes.

'Livery Stable Blues' was the first jazz recording and helped popularize the genre

The 1917 song by the Original Dixieland Jass Band was the first jazz recording to be issued and put the New Orleans sound on the national stage, along with inspiring several soundalikes.

Irish music became popular in the US during the 19th century

The influx of Irish immigrants in the mid-1800s, driven by starvation and abysmal employment opportunities, led to a significant Irish-American culture, especially in urban hubs such as New York, Boston, Philadelphia, Chicago, and San Francisco.

Jelly Roll Morton claimed he invented jazz, though experts disagree

The pianist and arranger was one of the genre's biggest names in the early 20th century, though very few believed him when he claimed he had invented the music in 1902. One of his biggest contributions to the genre was a 1938 session with ethnomusicologist Alan Lomax, who recorded nearly 8 hours of music and stories that have become an essential part of the music's history.

Mardi Gras has inspired several songs

New Orleans is a historic music town—with deep-rooted jazz, R&B, and blues traditions, to name a few—so it's no surprise that its annual Carnival has led to more than a few Mardi Gras-themed songs through the decades. One of the most famous is Professor Longhair's 1959 track "Go to the Mardi Gras," an upbeat shuffle that's still played at parades today.

How smooth jazz took over the '90s

As jazz entered the '70s, it was at a crossroads. While the genre's figureheads explored fusion and free jazz, which intentionally flouted mainstream convention, other artists began veering towards pop. Eventually, that sound would be called "smooth jazz."

The GI Bill—the 1944 legislation that gave World War II veterans benefits including funding for college—helped build the first college jazz programs.

Buddy Bolden assembled the first jazz ensemble

The New Orleans cornetist was a legend in the city, sometimes referred to as "king," for his electrifying performances, which captivated local dance halls by blending ragtime, blues, and gospel music. Unfortunately, recording technology was limited at the time, so there are no recordings of Bolden, though the song "Buddy Bolden's Blues" remains a standard to this day.

Jazz built the template for hip-hop

Hip-hop was born out of obscure samples, including many that were taken from the annals of jazz. That style was especially popular in rap's early eras, with the subgenre "jazz rap" becoming an accurate descriptor for New York groups like A Tribe Called Quest and Gangstarr.

The word 'jazz' evolved from slang for 'energy' and was used to describe a baseball pitch before it came to mean a genre of music.

Jazz legend Louis Armstrong was once the honorary king of the Zulu krewe

The historically Black krewe invited Armstrong to lead their parade in 1949. The invitation fulfilled a lifelong dream for the musician, who grew up in New Orleans. "After that," he told Time magazine in advance of the parade, "I'll be ready to die."

Billboard's early music charts were racially segregated

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

The first recorded American Mardi Gras was in Alabama

French explorers observed celebrations in what would become the United States in the late 1600s, but the first recognized modern American Mardi Gras took place in Mobile, Alabama, on New Year's Eve, running from 1830 into 1831. By 1840, the town had incorporated costumes, masks, and themes into its parade. After the Civil War, Mobile's Mardi Gras was moved to the more traditional date of Fat Tuesday. By 1850, a group from Mobile migrated to New Orleans, bringing the city's traditions with it.

Some critics argue bebop and free jazz led to jazz's decline in popularity

Although jazz was once a popular art form, it has largely been confined to the margins of pop culture, with many of the genre's current bestselling albums from previous decades. Some critics argue that this is because the music betrayed its position as dance music and focused instead on musical proficiency.

'Lift Every Voice and Sing' was written to celebrate Abraham Lincoln's birthday, but would go on to become the 'Black national anthem' and a Juneteenth tradition.

How baseball shaped Black America during Reconstruction

A cornerstone of the budding Black culture following the Civil War was baseball, with several clubs springing up in Black neighborhoods and leaders like Frederick Douglass cheering on the players, including his son, who played for a team in Washington. This detailed history of the early Black leagues unpacks how the game enhanced the upwardly mobile community—and why that fact led to the segregation of what would become Major League Baseball.

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

Western swing merged country with jazz

For as long as country music has been set to record, its artists have experimented with the genre’s boundaries. Look no further than this track from 1946, Bob Wills’ “Roly Poly.” The song is a classic example of Western swing, a country subgenre that blended country and jazz.

The NAACP encouraged and accommodated the early Harlem Renaissance

The National Association for the Advancement of Colored People, a civil rights organization better known as the NAACP, recognized the disenchantment Black soldiers who served in World War I experienced when returning home to a segregated country and began advancing, and, in many ways, funding a "New Negro Movement," which would lead to the Harlem Renaissance.

'Jazz Samba' is considered the start of the American bossa nova craze

The 1962 album by Stan Getz and Charlie Byrd was an unexpected hit, reaching the top of the Billboard album chart and receiving a Grammy nomination for album of the year. Its lead single, "Desafinado," won the Grammy for best jazz performance and is now considered one of the genre's classic tracks.

Listen to a jazz composition triggered by the New York City Subway

A creative coder created a (synthetic) jazz ensemble that uses the locations of the city's trains to determine its performance. It's both a fascinating bit of internet culture and a fitting homage to New York, one of jazz's major hubs.

Free jazz embraced the avant-garde

Ornette Coleman's 1959 album "The Shape of Jazz to Come" abandoned traditional notions of melody and structure, inadvertently creating "free jazz," a subgenre that embraced absolute musical freedom and gained popularity in the countercultural 1960s.

Duke Ellington's 'Harlem' takes listeners on a stroll through the neighborhood

"Sir Duke" was one of the Harlem Renaissance's major musicians, recording several songs that would become jazz standards. 1950's "Harlem" is an ode to the neighborhood, alternating styles (including a Latin groove and a New Orleans funeral dirge) to pay homage to the diverse cultures that populate it.

Watch a 1934 short film starring Cab Calloway

Singer and bandleader Cab Calloway was a major figure in the Harlem Renaissance's music scene. He was also one of the biggest names in jazz's swing era and would go on to be the first Black American to have a nationally syndicated radio show and the first to sell a million copies of a record. In this 1934 short film, "Cab Calloway's Hi-De-Ho," he reenacts his upbeat performances at Harlem's Cotton Club.

The Chitlin Circuit provided Black entertainers a safe network during Jim Crow

Black musicians and comedians regularly toured the Chitlin Circuit, an informal entertainment network that developed performers like Tina Turner and Redd Foxx during the Jim Crow era.

Wynton Marsalis believes syncopation is part of jazz's American character

The trumpeter argues that jazz's approach to syncopation is part of an American tradition that offers the unexpected, citing Jonas Salk, Mark Twain, and fusion cuisine as parallels.

Southern race riots in 1866 galvanized support for more radical Reconstruction

In 1866, white mobs in Memphis and New Orleans killed dozens of Black residents and burned Black neighborhoods. The massacres horrified Northerners, convincing Congress that stronger federal action was needed to protect freedpeople's rights and enforce Reconstruction.

Jazz improvisations are often based on well-known standards

Similar to blues, folk, and country music, jazz relies on a shared tradition of common songs that its artists learn, cover, and rework in their own unique ways. Jazz musicians are often able to easily improvise with other musicians because they share a knowledge of the songs and their languages.

Bossa nova blends Brazilian samba and American jazz

Conceived by artists like Antônio Carlos Jobim in 1950s Rio de Janeiro, the music was seen as a more restrained, slower samba, which was Brazil's popular national music at the time. In addition, bossa nova was popular in the more middle-class, cosmopolitan neighborhoods of Rio de Janeiro and was influenced by American jazz artists like Miles Davis, giving it a more urbane, intellectual air.

How British youth resurrected overlooked American soul music

Motown released some of the 1960s' biggest soul records and changed the sound of pop music. The label also inspired countless smaller, regional labels that released songs by lesser-known artists that received limited attention. That changed with the rise of British Northern Soul, an underground scene that repurposed these obscure records (including several overlooked Motown releases) for all-night dance parties and, in the process, minted some unexpected American superstars.

US immigrants shifted from primarily originating in Ireland and Germany to Mexico and India.

Cities bore the brunt of the migrant surge in the 2020s

During the 2022-24 migration surge, cities such as New York, Chicago, and Denver faced shelter overcrowding, strained public services, and housing shortages—while the upfront costs fell almost entirely to states and cities.

Watch Billie Holiday's only feature film appearance in 'New Orleans'

The 1947 film wasn't known for its sophisticated plot, which mainly centers on a white opera singer who learns about the beauty of blues and jazz. It's more notable for featuring some of those genre's biggest stars, including Holiday, who played a singing maid and the love interest of Louis Armstrong. You can see her first scene around the 11-minute mark.

Southern rap redefined the sound of hip-hop in the '90s

In the 1980s, most attention focused on New York, the birthplace of hip-hop, and Los Angeles, the epicenter of its burgeoning gangsta variant. By the mid-90s, though, artists like Outkast, Master P, and Missy Elliott shifted the focus to the south.

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

The food took root with Black Americans in the Civil War era

Because the technique requires little equipment and can tenderize tough or undesirable cuts of meat like ribs, barbecue took root among impoverished Black Americans in the late 1800s. When these communities moved north during the Great Migration, barbecue followed.

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.

How Nashville became Music City

Nashville didn’t just earn the nickname “Music City”—it grew into it. From early settlers and the Fisk Jubilee Singers to the Grand Ole Opry and Jefferson Street’s R&B scene, this breakdown looks at how a city on the Cumberland River became a global center for music across every genre.

The best jazz albums of all time

Diving into the history of jazz can be intimidating, but this list is a helpful guide, highlighting the best of the best, with titanic recordings from Louis Armstrong, Billie Holiday, Miles Davis, Dave Brubeck, Alice Coltrane, Oscar Peterson, and more.

Rapping has roots in numerous aspects of the Black oral tradition

Although “rapping” began in New York with hip-hop in the early 1970s, it can be traced back to griots, who were storytellers in West Africa, and “toasting,” which was a similar talk-sing style practiced by dancehall DJs in Jamaica.

Explore an interactive timeline of rock 'n' roll's origins in blues, swing, country, and other genres.