The Surrealists shunned Dalí for his fascination with fascism

Salvador Dalí idolized Freud but was disappointed after they met

Sigmund Freud's writings on dreams and the unconscious profoundly influenced Dalí and his work, and the artist came to idolize the Austrian psychoanalyst. When they met, Freud viewed Dalí as an odd curiosity, and the artist came away disappointed, significantly lowering his opinion of the psychoanalyst.

Who was Salvador Dalí?

Salvador Dalí reshaped modern art with surrealism, symbolism, and eccentricity. This snapshot covers his rise from Spanish prodigy to global icon, his Surrealist break, and his fascination with dreams and celebrity.

An obituary of Salvador Dalí that captures his complicated reputation

Dalí left a complicated legacy, including controversies around his reported sympathy for fascists, abuse, and even necrophilia. Further, Dalí lost respect from people within the art world for being a sellout. His 1989 obituary captures the public ambivalence felt toward the surrealist superstar.

Defining Dalí's surreal aesthetic

Salvador Dalí is known for his modernist paintings, but his surreal aesthetic has lived on long after his passing, with elements of his art making their way into fashion, film, and interior decorating. This incisive Artnet explainer unpacks the elements that make up Dalí's larger artistic vision and highlights the ways they still appear throughout popular culture.

Fascinating facts about Salvador Dalí

Salvador Dalí wasn’t just a famous surrealist painter, he was a master of spectacle. Known for leaving restaurant sketches as payment and believing he was his late brother’s reincarnation, Dalí blurred the line between art and persona. He even collaborated with Walt Disney on an experimental short, shelved for decades before its 2003 release.

Surrealism toyed with ideas from psychoanalysis

The movement's artists were interested in the ideas being explored in the burgeoning fields of psychology and psychoanalysis. Dalí, in particular, often created works that toyed with Freudian theories.

Why Orwell called Dalí a 'disgusting human being'

Writer George Orwell took offense at the disturbing actions described in Dalí's salacious autobiography "The Secret Life of Salvador Dalí." In a 1944 essay, Orwell described the cruelty and moral degradation of Dalí—while also admitting the artist's undeniable talent.

The early art of Dalí represents peak surrealism

When it debuted in New York in 1932, "The Persistence of Memory" captured international audiences with its absurd, dream-like reflection on time. In his later works, Dalí's work evolved and became more of a self-parody. This video breaks down the great Spanish artist's works.

Salvador Dalí’s collaborations with fashion designers

Dalí was known to dabble in the world of fashion and formed a bond with the bold Italian designer Elsa Schiaparelli. Their collaborations birthed iconic designs like a bureau-drawer suit and a lobster dress.

Salvador Dalí and Coco Chanel bonded over art and fashion

In the late 1930s, Chanel hosted the eccentric artist to like and work in her home. Despite their differing styles, the two icons collaborated, and Chanel even inspired Dalí to mimic her perfume in his artwork.

Watch Mike Wallace's fascinating interview with Salvador Dalí

In 1958, Salvador Dalí spoke in a TV interview with legendary journalist Mike Wallace about genius, the subconscious, weakness, old age, luxury, religion, and dreams, among a range of other topics. During this candid conversation, Dalí challenged American audiences to consider death and mortality. Watch the discussion here.

Salvador Dalí believed he was his own dead brother.

Dalí's parents found the miracle of his birth nine months after his brother died to be profound, telling him he was his brother's reincarnation. Dalí carried this belief into his adult life and often cited its deep influence on him, including his preoccupation with death and mortality.

Dalí partnered with Hallmark to design surreal Christmas cards

Dalí pursued commercial work throughout his career. In 1948, Hallmark released a set of Christmas cards designed by the artist. A decade later, he created images for additional holidays, including Valentine's Day, Easter, and Mother's Day.

Watch Salvador Dalí's surreal appearance on 'The Dick Cavett Show'

During this 1971 talk show episode, Dalí enters the stage with his pet anteater, flinging it onto an actress' lap. He proceeds to talk strangely about the significance of anteaters and his mustache. Many argue such public appearances were examples of Dalí's performance art, where he made real interactions surreal.

Was Dalí an artistic genius or a marketing whiz?

Punk poet John Cooper Clarke and art historian Professor Dawn Ades explore Dalí's enthralling life and decipher whether he was an artistic genius, a marketing genius, or both. Listen to the full podcast here.

The widespread violence of World War I birthed surrealism

Following World War I, artists used unconventional forms of expression to make sense of the death and destruction they'd witnessed for years. Life as they knew it had ended, and movements like Surrealism, founded by André Breton, rebelled against tradition.

Salvador Dalí’s remains were exhumed for a paternity test

Years after Dalí’s death in 1989, fortune teller Pilar Abel filed a suit claiming she was the child of an affair Dalí had with her mother. In 2017, Dalí’s body was exhumed for testing. Dalí was not the father, but the artist’s mustache remained intact decades after his passing.

Salvador Dalí once conned Yoko Ono

A quirky story often told about Salvador Dalí claims that in 1969, Yoko Ono offered him $10,000 for one of his famous mustache hairs. Allegedly wary of occult intentions, Dalí instead sent her a blade of grass. While the tale is debated, it fits neatly into Dalí's eccentric public image and his later-life reputation for turning playful stunts into profitable moments.

Watch Dalí's surreal collaboration with Disney

Production for "Destino," a surreal short by Salvador Dalí and Walt Disney, began in 1945 but stalled when the Walt Disney Company ran into financial trouble due to the commercial failure of "Fantasia" and the economic downturn of World War II. It was finally released in 2003, after Disney animators completed it based on Dalí's original storyboards.

Salvador Dalí apparently conned Yoko Ono

Dalí often drew on the back of restaurant checks as a form of payment to avoid spending actual cash. He even ripped off his friend, Yoko Ono. Ono reportedly asked for a strand of his mustache. Dalí feared occult activity and sent a blade of grass, receiving $10,000 for it.

The theory behind Dalí's 'Un Chien Andalou'

The 16-minute "Un Chien Andalou," or "an Andalusian dog," was shocking for 1929, when it was released and remains unsettling today. This brief video essay explores how the film sought to disrupt standard conceptions of art and meaning, making it an essential example of surrealism.

Watch Salvador Dalí and Luis Buñuel's landmark surrealist short film

Made in 1929, the silent short film "Un Chien Andalou" ("An Andalusian Dog") marked Dalí's entrance into the surrealist movement. Dreamy and disturbing, the film projects images like a hand covered in ants and a razor slicing an eye, and follows no obvious structure. Watch it here.

Alfred Hitchcock's 1945 film 'Spellbound,' starring Ingrid Bergman, features a surreal scene designed by Salvador Dalí.

Salvador Dalí had pet anteaters he (supposedly) took on walks

Known for his adept and weird public relations stunts, Dalí kept exotic pets, such as an ocelot named Babou, as well as anteaters. The insectivorous mammal accompanied him on walks (though it may have just been for a photo op) and on talk show appearances.

See Salvador Dalí's art at MoMA

The Museum of Modern Art in New York City hosts some of Dalí's most recognizable works, including "The Persistence of Memory," pictured below, and its famous melting clocks. MoMA acquired the painting in 1934, after it became a sensation in 1932.

Dada artists satirized the horrors of World War I

The movement’s early performances were absurd cabarets featuring experimental poetry, avant-garde music, and maskwork. Much of it was reckoning with the growing deathcounts of World War I, with work that often lampooned Western imperialism and supposed rationality.

The ideas of Einstein and Freud combined in 'The Persistence of Memory'

The Persistence of Memory was painted on a canvas roughly the size of a sheet of paper, depicting a desolate landscape with melting clocks, ants, and a distorted figure. The piece incorporates Freud and Einstein's ideas, resulting in a haunting composition symbolizing time's fluidity and Dalí's personal anxieties.

In 2023, a Dalí painting was purchased from a house clearing sale for $200

"Vecchio Sultano," a 1966 work by Salvador Dalí, was sold in a house clearance sale in the UK in 2023.

Why Orwell fought in the Spanish civil war

Orwell wanted to volunteer for the International Brigades, a loose conglomerate of leftists fighting against Franco's Nationalists, in order to participate in what he saw as a struggle against fascism. The group rejected him, though Orwell still made his way to Barcelona to fight with a smaller sect, an experience that's laid out in this history from William Chislett.

Sartre eventually denounced communism

The French philosopher was a long-time ardent supporter of communism and the USSR. He finally spoke out against the movement with the 1956 Soviet invasion of Hungary, saying that the move was "made possible by 12 years of terror and imbecility."

The Bauhaus artists who became Nazi collaborators

The Nazis deplored the Bauhaus style, until they found a way to use it for themselves. This deep dive explores the connection between the Nazis and three Bauhaus-affiliated designers—Franz Ehrlich, who was sent to Buchenwald and forced to design the camp's gates (seen below), Fritz Ertl, who designed the shower rooms at Auschwitz, and Herbert Bayer, who helped design Third Reich propaganda.

Picasso's 'Guernica' protested the bombing of a Basque village

By 1937, Picasso's fame and influence had already made him a legend. Yet an unprovoked war crime in Guernica, Spain that same year—where 25 bombers dropped 100,000 pounds of bombs and explosives on civilians—inspired one of his most moving works.

Picasso was one of the 20th century's most influential artists

The artist is recognized as one of the inventors of cubism, which simplified figures and scenes into flattened geometric shapes and imagined arrangements. The movement spurred new styles in response and led to increasingly abstract art. Styles like futurism, dada, De Stijl, and art deco were built on the simple forms, abstract ideas, collage, and found objects of early cubism.

Goya's 'The Second of May 1808' inspired Picasso's 'Guernica'

Goya’s painting commemorated Spanish resistance to Napoleon’s armies, making it a notable part of both the history of Spain and the romantic movement. But it took scholars over a century to realize the impact it had on Pablo Picasso, whose own anti-war work, “Guernica,” used Goya’s painting as a reference.

Adolf Hitler deeply admired Henry Ford, citing him as an inspiration for "Mein Kampf"

Hitler frequently praised Ford's anti-semitic viewpoints, both before and during the Holocaust. While Ford denied being sympathetic to the Nazi regime, Hitler kept a portrait of Ford on his desk, and Ford accepted the highest military award available to a foreign citizen from the Nazi government.

Camus was once a communist, but eventually disavowed the ideology

The writer belonged to the French Communist Party and the Algerian Communist Party in the mid-1930s, but he was eventually expelled for refusing to downplay objections to French colonialism. By the time he published "The Rebel," he was vocally anti-communist, believing it was a utopian ideology that often relied on violence.

Camus and Sartre admired each other's work before becoming friends

The two writers, who would later be considered two of the biggest names associated with existentialism, wrote positive reviews of each others' early work, with Camus praising Sartre's novel "Nausea" and story collection "The Wall" and, later, Sartre favorably compared Camus' "The Stranger" to Franz Kafka and Ernest Hemingway. Still, their reviews included some critiques, hinting at the larger disagreements that would come much later.

Camus and Sartre had a public falling out over communism

The two were close friends, sometimes collaborating throughout the 1940s, but the release of Camus' 1951 book, "The Rebel," led to a schism over differing views on communism.

Salvador Dalí designed the Chupa Chups lollipop logo

The ubiquitous lollipop design actually comes from the mind of Salvador Dalí. Dalí had no problem creating commercial work for the right price and agreed to create the eye-catching logo. Dalí's skill for attracting attention explains why the logo is placed on top rather than the side.

Although primarily known for his painting, Pablo Picasso was also a poet.

Picasso’s legacy is often intertwined with his personal relationships

Family revelations and quotes show the legendary artist as both tender and cruel, and his fame and romantic advances sometimes had disastrous effects on those around him.

The 20th-century rise of fascism affected the World Cup

Spain, in the midst of a civil war, did not participate, and Japan, after invading China, pulled out of the competition. An additional six Central and North American teams scratched by the time that year's World Cup began.

Jean-Paul Sartre rejected his Nobel Prize in literature in 1964, believing it was antithetical to his role as an artist.

The FBI kept tabs on Camus and Sartre

Jean-Paul Sartre worked as an American correspondent for Combat, the newspaper edited by Albert Camus. While he was in the States, J. Edgar Hoover's FBI kept tabs on him, concerned that Combat was publishing unfavorable portrayals of the US.

Existentialism inspired Franklin Roosevelt and Martin Luther King Jr.

The Danish philosopher, sometimes called “the father of existentialism,” believed that individuals needed to resist the temptation of conformity and instead discover their authentic selves. His work became remarkably influential in the 20th century. In 1944, Roosevelt said that reading Kierkegaard made him understand how the Nazis could’ve enacted so much violence. In 1959, King wrote that existentialism was “especially meaningful for our time.”

Picasso was initially ignored by the US art market

Picasso's now-iconic style was radical for its time and, as such, was something the US art market initially ignored. Hugh Eakin, author of "Picasso's War: How Modern Art Came to America," tells the story of the social norms, tax laws, and influential figures like lawyer John Quinn that set the course for modern art in America in the early 1900s.

Dreaming under the Nazi Regime

Days after Hitler seized power, a man told psychoanalyst Charlotte Beradt that he had dreamed of being forced to raise his arm in a Nazi salute ("It took me half an hour to get my arm up, inch by inch"). Beradt recorded this dream and many others so they "might one day serve as evidence." This is an English translation of her work, "The Third Reich of Dreams."

Camus directed a Picasso-penned play

The show, called "Desire Caught by the Tail," was written by Picasso in 1941 while living in Nazi-occupied Paris. It was first staged in 1944, featuring several French intellectuals, including Albert Camus, who directed, as well as Jean-Paul Sartre and Simone de Beauvoir, who had starring roles.

Freud and Jung were once friends. What drove them to break up?

Austrian psychologist Sigmund Freud and Swiss psychiatrist Carl Jung were fast friends, immediately hitting it off the first time they met in 1907. This four-minute video dives into the intellectual divide that drove them apart.

Sartre admired American novelist William Faulkner

In addition to writing philosophy and fiction, Jean-Paul Sartre was also a literary critic. His 1939 essay on Faulkner's "The Sound and the Fury" focused on the way the American novelist commented on time, favorably comparing him to Marcel Proust. Ultimately, Sartre argues Faulkner's "despair" about a "closed future" is a result of the "social conditions of our present life." Ever the existentialist, though, Sartre suggests this reality is something that should inspire rather than depress.