Camus and Sartre had a public falling out over communism

Camus was once a communist, but eventually disavowed the ideology

The writer belonged to the French Communist Party and the Algerian Communist Party in the mid-1930s, but he was eventually expelled for refusing to downplay objections to French colonialism. By the time he published "The Rebel," he was vocally anti-communist, believing it was a utopian ideology that often relied on violence.

Camus and Sartre admired each other's work before becoming friends

The two writers, who would later be considered two of the biggest names associated with existentialism, wrote positive reviews of each others' early work, with Camus praising Sartre's novel "Nausea" and story collection "The Wall" and, later, Sartre favorably compared Camus' "The Stranger" to Franz Kafka and Ernest Hemingway. Still, their reviews included some critiques, hinting at the larger disagreements that would come much later.

Sartre eventually denounced communism

The French philosopher was a long-time ardent supporter of communism and the USSR. He finally spoke out against the movement with the 1956 Soviet invasion of Hungary, saying that the move was "made possible by 12 years of terror and imbecility."

The FBI kept tabs on Camus and Sartre

Jean-Paul Sartre worked as an American correspondent for Combat, the newspaper edited by Albert Camus. While he was in the States, J. Edgar Hoover's FBI kept tabs on him, concerned that Combat was publishing unfavorable portrayals of the US.

Camus died in a car crash, an act some believe was orchestrated by the KGB.

Camus edited an underground newspaper during World War II

The paper, called "Combat," was aligned with the French Resistance fighting against the Nazi occupation. Like his fiction, his journalism was clear-eyed: When Hiroshima and Nagaski were bombed, he criticized the many writers impressed with the destruction, writing, "our technical civilization has just reached its greatest level of savagery."

Jean-Paul Sartre rejected his Nobel Prize in literature in 1964, believing it was antithetical to his role as an artist.

Sartre and de Beauvoir had an open romantic relationship

The two figureheads of existentialist thought were romantic partners, though they had a publicly open relationship and never lived together. As de Beauvoir says in the interview below, "third persons knew our relationship dwarfed any we could have with them."

Camus directed a Picasso-penned play

The show, called "Desire Caught by the Tail," was written by Picasso in 1941 while living in Nazi-occupied Paris. It was first staged in 1944, featuring several French intellectuals, including Albert Camus, who directed, as well as Jean-Paul Sartre and Simone de Beauvoir, who had starring roles.

Camus' books are largely ignored in Algerian schools

The writer was born in Algiers, wrote fondly of his home, and is perhaps the most well-known Algerian-born writer of all time, but his works are no longer taught. In 2010, a series of events to commemorate the 50th anniversary of his death was not permitted by the authorities. Scholars say that's because Camus believed the North African country should remain a French colony; after it gained independence in 1962, Camus' work fell out of fashion.

One of Sartre and de Beauvoir's lovers accused them of exploitation

The philosophical duo's open relationship sometimes included shared partners, including de Beauvoir's students. One of those students, Bianca Lamblin, wrote a book, "A Disgraceful Affair," about the experience and characterized it as sexual exploitation.

Camus contracted tuberculosis as a teenager

There was still little understanding of treatment for the disease at the time; for most people, a tuberculosis diagnosis was a death sentence. The 17-year-old Camus was quarantined in his uncle's house, where he grew into an avid reader. Scholars note that the experience would inform his later work, including his 1947 novel "The Plague."

Sartre admired American novelist William Faulkner

In addition to writing philosophy and fiction, Jean-Paul Sartre was also a literary critic. His 1939 essay on Faulkner's "The Sound and the Fury" focused on the way the American novelist commented on time, favorably comparing him to Marcel Proust. Ultimately, Sartre argues Faulkner's "despair" about a "closed future" is a result of the "social conditions of our present life." Ever the existentialist, though, Sartre suggests this reality is something that should inspire rather than depress.

Camus was born in Algeria, but was considered French

French Algeria was segregated between Arabs and "pieds-noirs," which was then a derogatory name for the million-plus Europeans living in the North African country. Camus was one of the latter, and throughout his life, he argued for political rights for Arabs while also believing the country should remain part of France. Pieds-noirs largely fled the country after it gained independence in 1962.

Camus won the Nobel Prize in literature in 1957 for his philosophical essays and fiction

The philosopher and novelist was one of the youngest writers to win the award, at just 44. In his acceptance speech, he spoke on the role of an artist in a world that seemed increasingly bleak. "Each generation doubtless feels called upon to reform the world," he said. "Mine knows that it will not reform it, but its task is perhaps even greater. It consists in preventing the world from destroying itself."

Sartre panned 'Citizen Kane'

Jean-Paul Sartre was primarily known for his philosophy, fiction, and drama, but he was also a critic. In 1945, he wrote a rather negative review of Orson Welles' "Citizen Kane," deriding Welles' decision to tell the story in the past tense, writing, "film in the past tense is the antithesis of cinema. Therefore 'Citizen Kane' is not cinema."

Camus grew up in poverty

Albert Camus' father died when he was less than a year old, leaving his mother, a cleaning woman, and his grandmother to raise him in a poor neighborhood of Belcourt (now Belouizdad). It was an experience he'd reflect on in his unfinished autobiographical novel, "The First Man."

Read Albert Camus' 'Myth of Sisyphus and Other Essays'

Camus' most famous work of nonfiction is this collection of philosophical essays. Perhaps the most resonant entry is the title essay, which reimagines the Greek myth of a man condemned to roll a boulder for all eternity. Rather than presenting the story as a cautionary tale about defying the gods, as the original myth intended, Camus considered Sisyphus an "absurd hero" for his actions and imagined him smiling as he endlessly toiled at his repetitive punishment.

A Camus scholar believes 'The Stranger' is often misread as a role model

The writer and philosopher Jonathan Rée notes that part of the reason why the book was so popular was that it was an easy pick for students learning French to translate. What's often lost in translation, though, is that the book's narrator, Meursault, who murders a man, is not intended to be a role model.

Albert Camus' 'The Fall' encourages readers to live without illusions

The writer's final complete novel is a series of dramatic monologues from Jean-Baptiste Clamence, who tries to explain to a stranger the sound of laughter that began following him. As the "Philosophize This!" podcast argues, the book is Camus' attempt at wrestling with some of the thornier aspects of existentialism in a form that's more digestible than a dense philosophical tome.

Camus credited a teacher with his success

After winning the Nobel Prize in literature in 1957, Camus wrote a letter to Louis Germain, his former teacher, thanking the man for "the affectionate hand" he extended to Camus as a student. In the short note, he'd go on to write, "without your teaching and example, none of all this would have happened."

Sartre spent his time in the French Army working on a novel

The writer's physical limitations (including partial blindness and balance issues) prohibited him from serving on the front lines. Instead, he worked as a military meteorologist. The job was not very demanding, so he spent most of his time writing. He told Simone de Beauvoir it was "extremely peaceful work; indeed I cannot think of any branch of the services that has a quieter, more poetic job."

Poet Robert Lowell was once convinced communists were invading an artist colony

In 1949, the Pulitzer winner accused Elizabeth Ames, director of the Yaddo artist colony in Saratoga Springs, New York, of colluding with Agnes Smedley, a journalist who'd been staying on the property for years and who was working on a project sympathetic to communist causes.

Sartre and de Beauvoir's literary journal was named after a Charlie Chaplin movie

The couple founded the magazine Les Temps Modernes in 1945 and it quickly became essential reading for French intellectuals. Its name came from "Modern Times," Charlie Chaplin's 1936 movie that satirized the industrial revolution's dehumanizing effects.

Camus was a soccer goalie as a teenager

The writer played for Algiers Racing University but had to quit after contracting tuberculosis. He remained a fan, though, once suggesting that the game taught him important lessons about morality. In the 1957 interview below, he briefly reflects on his time as a goalie and speaks about his recent Nobel Prize.

Jean-Paul Sartre worked on 'Being and Nothingness' while a prisoner of war

The Nazis invaded France in May 1940. Sartre, as a member of the French Army, was taken prisoner that June. While he was in captivity, he studied Martin Heidegger and worked on "Being and Nothingness," one of his most famous philosophical works.

Camus was influenced by American culture, especially literature and jazz

He loved the work of writers like William Faulker and Ernest Hemingway, and loved drinking whiskey and listening to jazz. He also admired the actor Humphrey Bogart and his striking performance in the noir classic "The Big Sleep." He was delighted when his wife gave him a Burberry raincoat, thinking it made him look more like Bogart.

Sartre believed those who deny their own freedom are operating in 'bad faith'

In "Existentialism is a Humanism," Sartre argues that humans are "condemned to be free"—they are not confined to a divine fate, which means they must take the responsibility of creating their own destinies. Those who reject this freedom, by his estimation, are living in "bad faith."

A 2015 Algerian novel reconsiders Camus' 'The Stranger'

Kamel Daoud's "The Meursault Investigation" exists in the same universe as Camus' famous novel, but it expands the world to imagine the story from the Arab Algerian perspective, showing the impact its main character's actions had on real people. Rather than focusing on the existential awakening of one man, it considers the longtail impact of colonialism in Algeria.

Philosopher and playwright Jean-Paul Sartre staged his first play while he was imprisoned in a POW camp.

See the list of alleged communists Orwell gave to the British government

In 1949, Orwell provided a list of communist sympathizers to a British anti-communist propaganda unit, naming figures like actor Charlie Chaplin and writer John Steinbeck. When it was made public in 2003, some called Orwell a government informant, though others blamed his tuberculosis, which would take his life a year later, while others blamed his romantic interest in the woman who asked him for the names.

Novelist Richard Wright joined the existentialists in Paris

The author of “Black Boy” and “Native Son” left the United States in 1946 to escape his home country’s racial inequality. In Paris, he explored existentialist ideas and spent time with Simone de Beauvoir and Jean-Paul Sartre. “The Outsider,” a novel he wrote while living in France, embraced many of the philosophy’s central themes.

Existentialist literature explores the philosophy's ideas

Existentialism isn't confined to philosophical texts. Some of the movement's figureheads, like Albert Camus and Jean-Paul Sartre, were also novelists. Christina Howells, Professor of French at the University of Oxford, suggests this is because existentialism, as a philosophy, requires human stories to be fully understood, and literature makes the experience of the human condition more present and immediate.

Kamel Daoud's 'The Meursault Investigation' earned him a fatwa

Although the novel was read by many as a criticism of Camus' "The Stranger" and French colonialism in Algeria, it was also read by some as blasphemous. In December 2014, a member of the Islamic Awakening Front, a militant Islamist group, said the book "placed the Koran in doubt, along with the sanctity of Islam" and called for Daoud's execution.

Many writers considered 'existentialist' didn't identify with the term

“Existentialism” was first introduced in 1943 by philosopher Gabriel Marcel. Jean-Paul Sartre and Simone de Beauvoir readily adopted the term, but others, such as Albert Camus and Martin Heidegger, rejected it. Earlier philosophers, like Søren Kierkegaard and Friedrich Nietzsche, were long dead by the time the word was in vogue.

Basquiat and Warhol were friends and collaborators before a bitter falling out

The two men were tight, but they also offered what the other lacked in the art world: Basquiat inspired Warhol, and Warhol gave Basquiat art-world credibility. They began working together, producing 160 collaborative works between 1983 and 1985. A 1985 exhibition of their joint works was a massive flop, though, and the friendship never recovered.

Sartre was an elaborate prankster as a student

After Charles Lindbergh completed his first solo transatlantic voyage in 1927, the French philosopher—then a student at Paris' École normale supérieure—called various newspapers to tell them the American pilot would be granted an honorary degree. Over 500 people showed up to find a Lindbergh lookalike Sartre had hired. "The public fell for it, and an old man even kissed his hand," Sartre later wrote.

Sartre's 1980 funeral attracted a massive crowd

The legendary existentialist died April 15, 1980. A week later, mourners packed the streets of Paris to pay tribute. Estimates suggest that between 20,000 and 50,000 people were in attendance. In the Associated Press footage below, you can watch them following the hearse from the hospital where the thinker died to his resting place in Montparnasse Cemetery.

The frenemies who shaped Modern Art

Matisse and Picasso are two of the biggest names in Modern Art, with works that redefined the possibilities of painting in the 20th century. While they were often cast as rivals, this Artnet article highlights their more complicated relationship, which was somewhere between a friendship, a mentorship, and an ongoing competition.

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

A mescaline-induced hallucination stayed with Jean-Paul Sartre throughout his life

In 1935, Sartre was injected with mescaline, a psychedelic drug that was then used to treat alcoholism and depression, by his friend at the Hôpital Sainte-Anne in Paris. It was not a good trip: Sartre saw nightmarish crabs for days and suffered a mental breakdown. For the rest of his life, crustaceans like the ones he saw during the hallucination appeared in his works.

Salvador Dalí and Coco Chanel bonded over art and fashion

In the late 1930s, Chanel hosted the eccentric artist to like and work in her home. Despite their differing styles, the two icons collaborated, and Chanel even inspired Dalí to mimic her perfume in his artwork.

The Surrealists shunned Dalí for his fascination with fascism

Dalí had a fascination with Adolf Hitler and was also a fan of Spanish dictator Francisco Franco. It's unclear how serious Dalí was about it; regardless, his admiration for authoritarians got him expelled by the antiwar and progressive surrealists.

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

Freud and Jung were once friends. What drove them to break up?

Austrian psychologist Sigmund Freud and Swiss psychiatrist Carl Jung were fast friends, immediately hitting it off the first time they met in 1907. This four-minute video dives into the intellectual divide that drove them apart.

In the 1950s, the Vatican included Simone de Beauvoir's 'The Second Sex' on its list of forbidden books.

During the COVID-19 pandemic, readers returned to Camus' 'The Plague'

The 1947 novel, about a city in Algeria that enacts a city-wide quarantine to battle a deadly outbreak, captured readers' attention in the early months of 2020. In the UK, over 2,000 copies of the book were sold in March of that year, over six times what it had sold the month before.

'The Stranger' remains a popular novel for teenagers

Camus' book's themes—alienation, transgression, and existentialism—continue to resonate with adolescent reader. That's also true of other popular teenage touchstones, like Aldous Huxley's "Brave New World," George Orwell's "Nineteen Eighty-Four," and Sylvia Plath's "The Bell Jar," which are still widely read—and assigned by high school teachers. (Some users may experience a paywall.)

Sartre wrote an 8-hour screenplay for a Freud biopic

Sartre was hired to write the screenplay for what would eventually become John Huston's 1962 film "Freud: The Secret Passion," about the life of the psychoanalyst. Sartre, however, had trouble sticking to the parameters of Hollywood. An early draft was estimated to be five hours long. Rather than shortening it, as Huston suggested, Sartre extended it to eight hours and was eventually removed from the production.