Pop art brought 'low culture' to the fine art world

Pop art explored the concepts of mass production and consumerism

Consumerism emerged from industrial capitalism, promoting the idea that consuming goods was linked to personal success and happiness. Artists, especially pop artists, approached this cultural phenomenon through various perspectives, some supportive of consumerism and others against. Figures like Andy Warhol embraced mass media imagery and mimicked its style, while many artists rejected the “commodification” of things by creating art that couldn’t be sold or focusing on experiences rather than objects.

The 1980s neo-pop movement put pop art back in the zeitgeist

Pop art’s legacy is perhaps best exemplified in its longevity. Long after the end of pop art’s classical phase, a neo-pop revival ushered in a new cohort of artists like Murakami, Hirst, and Koons who brought pop once again to the top. To this day, contemporary pop artists—young and seasoned—command high prices on the open market.

Both British and American pop art took inspiration from US culture

Pop art emerged in the mid-1950s in Britain and the late 1950s in America. American pop art focused on representational art and was directly inspired by living within American popular culture, using hard edges and distinct forms. Its British sibling, on the other hand, took a more academic approach, viewing American culture from a distance and employing irony and parody.

MoMA hosted 1962's 'Symposium on Pop Art,' which made the term 'pop art' official

MoMA's history with pop art and its conceptual roots extends to its early origins, and its collection of works includes iconic works like Warhol's "Campbell's Soup Cans" and Lichtenstein's "Drowning Girl."

Painter Wayne Thiebaud's portraits of 20th-century Americana are often called 'pop art,' the kitschy movement associated with Andy Warhol that focused on commercialism and everyday objects, but Thiebaud disliked the term and the movement.

A collage sparked the pop art movement

Richard Hamilton’s "Just what is it that makes today’s homes so different, so appealing?"—originally an illustration for a 1956 exhibition on modern living and collaborative art practices—would later become the nascent symbol of pop art.

Appropriation is a common feature of pop art

Many of pop art’s most famous works appropriate objects or (more controversially) artwork and photography with new techniques and contexts, a practice that extends beyond pop into movements like readymade and Dada. Some pop artists, like Elaine Sturtevant, even made copies in partnership with the help of their targets.

Some argue that appropriation in pop art is simply plagiarism

Some of pop art’s most recognizable works rely on the art of appropriation, lifting advertisements, product images, and—in Roy Lichtenstein’s case—comic book panels drawn by other artists. Artnet dives into a 2023 documentary exploring the complicated legacy of appropriation and high versus low art through interviews with comic artists whose work Lichtenstein copied into million-dollar masterpieces.

Andy Warhol, explained

Andy Warhol wasn't just an artist—he was a cultural force. From his early days working as a New York illustrator to managing The Velvet Underground and creating experimental films, Warhol blurred the line between art and commerce, leaving a legacy that changed pop culture forever.

Explore works by essential female pop artists

Like so many art movements, the pantheon of pop art was mostly men, despite the contributions of several important women artists to its aesthetics and history. See paintings from British pop founder Pauline Boty and several artists who worked with, or exhibited alongside, the likes of Warhol and Haring.

The Guggenheim houses works from some of pop art’s biggest names

British writer and curator Lawrence Alloway was an early champion of pop art—some claim he coined the term in 1958. He organized the 1963 “Six Painters and the Object” exhibition at the Guggenheim, featuring heavy hitters including Johns, Lichtenstein, and Warhol.

Indigenous art's influence on pop art often goes uncredited

Keith Haring’s iconic imagery, often known for its accessibility, was deeply inspired by the artwork of the Indigenous people of Australia. Their artwork influenced aspects of Haring's paintings, such as flat block colors and symmetrical compositions. While some critics find Haring to have appropriated their culture, others find his work to be pushing a message of unity and togetherness.

Pop artist Yayoi Kusama is arguably the most famous living female artist

The Japanese pop artist is one of many figures whose work challenged ideas of traditional fine art. Keith Haring, Andy Warhol, Takashi Murakami, and Claes Oldenburg are among the other artists known for defining pop art.

Andy Warhol's presence continues to persist in pop culture

Warhol produced iconic album art for The Rolling Stones and The Velvet Underground. He also inspired rappers Jay-Z and Tyler, the Creator. Warhol’s immense influence on art and pop culture elevated him to celebrity status, and his identity and style continue to be referenced in sometimes unexpected corners of cultural consciousness.

Learn how to make a print like pop artist Andy Warhol.

Picasso was initially ignored by the US art market

Picasso's now-iconic style was radical for its time and, as such, was something the US art market initially ignored. Hugh Eakin, author of "Picasso's War: How Modern Art Came to America," tells the story of the social norms, tax laws, and influential figures like lawyer John Quinn that set the course for modern art in America in the early 1900s.

Andy Warhol’s Catholic background influenced his art

Warhol’s life and work hold clear religious through lines, from his Byzantine Catholic upbringing to reexaminations of his catalog, including an unfinished work for the 1968 world’s fair commissioned for the Catholic Church through a local Catholic university.

Andy Warhol’s 'Exploding Plastic Inevitable' shows were multimedia performance art

If you wandered into one of Andy Warhol’s "Exploding Plastic Inevitable" events in the 1960s, you might have encountered a Velvet Underground performance, go-go dancers, strobe lights, guerrilla filmmakers asking very personal questions, and mimes. Warhol was on the cutting edge of many art forms, and performance art was no exception.

Jasper Johns’ works often captured familiar symbols and made them abstract

Some of pop art’s most famous works toy with the push and pull between recognizable and hidden. ARTnews dissects seven well-known pieces by Jasper Johns—including works of American flags and maps—to explore the relationship between obvious iconography and invited analysis common to the genre.

Banksy turned graffiti into high art

The anonymous artist is renowned for his puckish, often stenciled street art. He's also known for the eye-popping sales those works command once they're up for auction. This podcast dives into the history of the singular artist, exploring how a British graffiti artist became a cultural icon.

Gary Panter's punk art defined the '70s and '80s counterculture

The artist got his start providing fliers and logos for early Los Angeles punk bands, but later took his psychedelic, Pop Art-vision to designing on "Pee-Wee's Playhouse," for which he won three Emmy Awards.

Graffiti became an integral part of hip-hop culture

The visual art form began taking off in New York alongside the music of hip-hop. Both were postmodern forms of art that repurposed preexisting materials. For graffiti, that was by using the city as canvas. For rap, that was through sampling. This retrospective not only shows how the two forms intersected, but also how the public perception of both changed over time.

The theory behind public art

Proponents of public art, including graffiti, argue that its free access and visibility breaks down the elitism and financial barriers of galleries and museums, allowing people to interact or ignore the work as they see fit.

Widespread use of LSD sparked a counter-cultural artistic movement in the 1960s

The trippy visuals often associated with LSD flourished in the 1960s as the drug became more widespread. Psychedelic design, defined by its undulating text and graphics, ultimately grew beyond just visuals, spawning psychedelia, a term that includes art, music, and cultural experiences based on psychedelic experiences.

Andy Warhol’s famous works employed a 'machine-like' technique

Warhol’s silk-screen printing style—rough, noticeably imperfect, and painterly—was the result of a refined technique in service of a grainy tabloid aesthetic.

Picasso was one of the 20th century's most influential artists

The artist is recognized as one of the inventors of cubism, which simplified figures and scenes into flattened geometric shapes and imagined arrangements. The movement spurred new styles in response and led to increasingly abstract art. Styles like futurism, dada, De Stijl, and art deco were built on the simple forms, abstract ideas, collage, and found objects of early cubism.

'The Armory Show' brought modernism and the 'avant-garde' to the US.

Many critics dismissed Norman Rockwell as overly sentimental

The painter’s portraits of American life were often dismissed as commercially minded, banal, or kitschy, especially when compared with the more abstract art of the time. Rockwell, however, was undeterred, commenting that he wanted to produce work that would make viewers “want to sigh and smile at the same time.”

Keith Haring was inspired by graffiti's accessibility

The visual artist—known for his vibrant pop art—loved how graffiti was a democratic form, available to everyday people who wouldn't otherwise visit museums or galleries. He began drawing chalk murals in New York subway stations, remarking that it was an ideal venue because it attracted a diverse audience.

American modernism highlighted a rapidly changing America

Featuring work from 1915 to 1950, the movement illustrates the country's evolution between World War I and World War II. Artists captured the loss and uncertainty of a post-war, industrialized world.

Rockwell's Saturday Evening Post created an idealized American life

The Saturday Evening Post’s circulation exploded in the early 20th century, due in no small part to Rockwell’s iconic cover illustrations, which often portrayed idyllic portraits of American life from the not-so-distant past. This documentary explores how Rockwell’s covers played on national nostalgia, creating a vision of the country that grew to be associated with the American Dream.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

David Hockney's 'Splash' paintings depicted the Brit's adoration for California

Bradford-born David Hockney saw the lure of California as an escape from the dreariness of London and a symbol of social and sexual freedom. Sotheby’s reflects on Hockney’s series of three "Splash" paintings, capturing ephemeral moments and the magic of America as a cultural export in the 1960s.

The de stijl movement embraced bright colors and abstract images

The 20th-century movement sought to develop a universal language for the modern era by fusing form and function. Modern day viewers will recognize its bright colors and clean aesthetic, popular with retro-styled book and album covers.

Picasso was a major influence on Jean-Michel Basquiat

Both Picasso and Basquiat are major figures of 20th-century art, with distinctive styles that flew in the face of the formalized standards of their respective times. Below is one of Basquiat's portraits of Picasso, who influenced the younger artist’s approach to form, from 1984.

View Jean-Michel Basquiat's artwork

The iconic artist had a short career, but he produced a massive body of work and changed the style of American art by bringing together pop art, graffiti, hip-hop, and punk. His work still hangs in galleries across the world. View scans of the most famous ones here.

The criticism of 'selling out' has waned in the 21st century

Although patronage was a regular part of artists’ income throughout the 19th century, the insult “sell out” gained prominence in the 1950s. The jazz and folk communities, in particular, levied the term at artists they believed had sacrificed their integrity for financial gain.

Norman Rockwell had a 21st-century resurgence

For decades, he was written off by the art world as a simplistic commercial artist, but critics began to reconsider Rockwell's work many years after his death. Arguably, the height of that resurgence came in 2011, when President Barack Obama hung "The Problem We All Live With" (on loan from the Norman Rockwell Museum) in the White House to mark the 50th anniversary of Ruby Bridges' desegregation walk.

The 19th-century American arts and crafts movement featured artists alienated by mass production who looked to return to handmade objects.

The widespread violence of World War I birthed surrealism

Following World War I, artists used unconventional forms of expression to make sense of the death and destruction they'd witnessed for years. Life as they knew it had ended, and movements like Surrealism, founded by André Breton, rebelled against tradition.

Postmodernism is a cultural movement that valued pluralism

Postmodernism is an artistic movement (in architecture, fashion, music, literature, and more) that embraced fragmentation, eclecticism, pastiche, and pluralism. The movement's practitioners reacted against modernism, which valued Enlightenment ideals, high culture, and clean aesthetics.

Some critics argue bebop and free jazz led to jazz's decline in popularity

Although jazz was once a popular art form, it has largely been confined to the margins of pop culture, with many of the genre's current bestselling albums from previous decades. Some critics argue that this is because the music betrayed its position as dance music and focused instead on musical proficiency.

The 'Old Guitarist' challenged art's standards of beauty

For much of Western art history, the definition of “beauty” in art was dictated by academies rather than personal taste. Artists like Picasso challenged these standards with works considered “ugly” for discarding anatomical accuracy or linear perspective in favor of a feeling.

Defining Dalí's surreal aesthetic

Salvador Dalí is known for his modernist paintings, but his surreal aesthetic has lived on long after his passing, with elements of his art making their way into fashion, film, and interior decorating. This incisive Artnet explainer unpacks the elements that make up Dalí's larger artistic vision and highlights the ways they still appear throughout popular culture.

He also influenced contemporary artist George Condo

The scale and reach of Picasso and cubism inspired artists and art movements throughout the early to mid-20th century. In fact, his influence can still be seen in artists today. One such artist, George Condo (known for painting the album cover of Kanye West’s “My Beautiful Dark Twisted Fantasy,” pictured below), heavily references Picasso’s visual language, transmuting the legendary artist’s geometric shapes and perspectives for a more contemporary audience.

Some art critics believe that Liminalism, a form of art exploring the uncanny yet familiar, defines our present moment

While analyzing images of abandoned malls or empty hallways, art historians and critics argue that this style captures the feelings of this moment in time. Liminalism, they propose, expresses prominent themes in our age like anonymity, alienation, and anxiety.

Picasso is known as one of the creators of cubism

Cubism is an artistic style pioneered by Pablo Picasso and Georges Braque in the early 20th century. Cubist works portray objects and people from multiple perspectives rather than from one fixed position. This helpful explainer from The National Galleries of Scotland breaks down the history of the style and movement, offering some examples of cubist works.

After World War I, consumerism began to usurp frugality as a foundational value in American life and culture.

The frenemies who shaped Modern Art

Matisse and Picasso are two of the biggest names in Modern Art, with works that redefined the possibilities of painting in the 20th century. While they were often cast as rivals, this Artnet article highlights their more complicated relationship, which was somewhere between a friendship, a mentorship, and an ongoing competition.

The Beats also influenced the imagery of the 1960s

First editions of Burroughs’s "The Naked Lunch," Kerouac’s "The Dharma Bums," and Ferlinghetti’s "A Coney Island of the Mind" were just as notable for their text as they were for their design, which anticipated the psychedelic imagery of 1960s countercultural touchstones like Ken Kesey, Andy Warhol, and R. Crumb.