Georgia O'Keeffe's subjects evolved based on the landscapes she lived in

Explore Georgia O’Keeffe’s paintings of New York

While the artist is most commonly associated with painting natural landscapes, specifically in the American Southwest, O’Keeffe also captured the industrial world while living in New York City. Her time in New York played a crucial role in establishing her reputation in the art world.

Georgia O’Keeffe is one of the most significant modern artists in American history

Known for her distinct style and outsider persona, O’Keeffe is a key figure in US art history and one of the few female artists to have a dedicated museum. Read her biography to learn more about how her rural upbringing led to her eventual worldwide fame.

O’Keeffe was part of a movement of American artists changing previous norms

One of the most recognizable names of the American modernism movement from the early 1900s, O’Keeffe’s portrayals of nature strayed from realism and prioritized emotional truth, using elements like bold colors and abstract shapes to capture the feeling of observing her subjects.

Georgia O'Keeffe's flower paintings are often assumed to be sexual, though the artist claimed she was simply interested in highlighting the beauty of flowers that most people neglect.

O’Keeffe’s journey to become an artist started at a young age in Wisconsin

In 1905, she left behind her life on the farm to attend art school in Chicago. While studying, the artist won the William Merritt Chase prize for a still life. Her style eventually evolved and caught the attention of important figures in the New York art scene.

Tracking Georgia O’Keeffe paintings across America

Explore different significant locations where the painter’s works have lived, including the White House, from 1997 to 2004. Pick a nearby museum to witness the masterpieces up close.

O’Keeffe made more than 2,000 pieces of art in her lifetime

See an interactive timeline that provides insight into just how prolific the artist was. Differentiated by year, the visualization shows when she was particularly active, and allows you to see the artwork from each year. Below is "Oriental Poppies" from 1928.

Listen to the experiences of an art historian who met Georgia O'Keeffe

Wanda M. Corn wrote the biography "Georgia O'Keeffe: Living Modern" and recounts her experience interviewing the artist in New Mexico. Hear interesting details from an O'Keeffe expert, including specifics about her clothes, her home and her upbringing.

O’Keeffe’s first collection of charcoal drawings was influenced by Japanese artists

Prioritizing personal interpretations over literal ones, O’Keeffe’s abstract drawings challenged the classical approach to capturing nature in art. This initial set of drawings caught the attention of art dealer Alfred Stieglitz and forever changed the trajectory of her career.

In 1949, O’Keeffe moved to the tiny desert village of Abiquiu, New Mexico

After nearly 15 years of trying to buy an idyllic hacienda from the church, she succeeded and moved in in 1949. The three-acre property featured a view of the Chama River Valley, which inspired many of her paintings.

See the collection and interior of Santa Fe’s Georgia O’Keeffe Museum

The museum hosts hundreds of the artist’s paintings and many personal objects. Follow along while a curator shares context behind some of her iconic works and offers insights into O’Keeffe’s life and career.

'Ram’s Head, White Hollyhock—Hills' marked a shift in O’Keeffe’s life and work

After a severe drought in the 1930s killed many animals near her home, O’Keeffe started collecting and painting their skulls. Her new style was interpreted as surreal and even macabre by many, presenting a shocking turn from her lighthearted flower portraits.

Georgia O'Keeffe and her sisters had an artistic rivalry

Despite their close relationship, a rift between the siblings emerged after Ida and Catherine, Georgia's younger sisters, began exhibiting their own paintings. Some also speculate that their dynamic was influenced by Georgia's husband, Alfred Stieglitz, who expressed romantic interest in Ida.

O’Keeffe collected animal skulls and bones for her art

O’Keeffe used bones as motifs in her work throughout her time in New Mexico. She famously stated, “The bones do not symbolize death to me. They are shapes that I enjoy … They're very lively.”

O’Keeffe discredited sexual interpretations of her flower paintings

In 1943, the artist famously explained her intention to call attention to flowers by making them large and detailed. O’Keeffe added that while she wanted people to notice her flowers, they ended up projecting their own associations that didn’t reflect her own ideas.

Japanese artwork often incorporates bold colors, clean lines, and natural subjects

While Japanese art is diverse and continues to adopt new styles and techniques, the Japanese approach to painting nature inspired Georgia O’Keeffe, who was known for depicting the environment in a detailed yet realistic manner. Below is "The Great Wave off Kanagawa," from 1931, by Hokusai.

Georgia O’Keeffe was the most expensive female artist of all time from 2014 to 2025

She earned the title posthumously with the $44.4M sale of 1932’s "Jimson Weed/White Flower No.1." Frida Kahlo took the title back in November 2025 for the sale of "El sueño (La cama)" for $54.6M.

Georgia O’Keeffe and Frank Lloyd Wright were longtime friends

In the early 1930s, famed architect Frank Lloyd Wright invited Georgia O’Keeffe to become the master artist at the newly formed Taliesin Fellowship. O’Keeffe turned him down, but the letter sparked a decades-long friendship, rooted in their shared love for art and American landscapes, which continued until his death.

O’Keeffe’s relationship with a younger Juan Hamilton caused controversy

Juan Hamilton was broke, divorced and 27 years old when he met an 85-year-old O’Keeffe to ask for a job. She eventually gave him one, and they developed a close friendship and artistic partnership, while also fueling rumors of a romantic relationship. After she died, he received her house and a large portion of her estate.

Alfred Stieglitz was a significant photographer in the American modern art movement

Stieglitz took hundreds of famous portraits of O’Keeffe and helped cement her reputation in New York by showcasing her work in his famed gallery. (This resource contains some artistic nudity.)

Mabel Dodge Luhan facilitated art from Georgia O'Keeffe and others

Mabel Dodge Luhan was a writer, but she's better known art patron. She organized the 1913 "Armory Show" in New York that introduced European modernism to the US and invited artists (including Georgia O'Keeffe, Ansel Adams, Willa Cather, and Robinson Jeffers) to Taos, New Mexico, to cultivate a "Paris West."

Dorothea Lange's iconic 'Migrant Mother' photo was just one image of many she captured of the woman with her children.

Sculptor and painter Charles M. Russell focused on the Old West

The Montana artist, known for his realistic portrayals of cowboys and Native American life, began to gain national attention after traveling to New York and establishing connections in the art world. Still, he spent most of his time in Great Falls, Montana, where he completed approximately 4,000 works.

How Cassatt's early life influenced her art

The painter came from an affluent background but was determined to become an artist, a decision that was at odds with her father's wishes. Still, she began art school at 15, where she was one of the few female students and not permitted to paint portraits of live models. This brief documentary from The Art Tourist explains how those formative experiences taught Cassatt to challenge conventional approaches in her work.

How legendary artists overcame creative block

For most artists, creative block—the unfortunate experience when new ideas suddenly disappear—is inevitable. This Artsy article looks at six artists (including Picasso, Monet, and O’Keeffe) who dealt with creative block and overcame it by experimenting with new media, moving to a new place, or by sheer willpower. It also highlights one artist, Chuck Close, who claims that he never dealt with creative block because he simply viewed his artistic practice as any other job.

A gallery of famous artists and their dogs

Picasso often featured his photographer's dog, Lump, in paintings, due to an unusually close connection. George O'Keeffe adopted chow chows as companions and protectors in the New Mexico desert. See the pets of Lucian Freud, Frida Kahlo, and more.

In Iowa, Flannery O'Connor decided to pursue creative writing

O’Connor enrolled in a master’s program in journalism at the University of Iowa, intending to pursue political cartooning, but quickly switched to creative writing. Her thesis was a collection of stories called “The Geranium.” The title story was eventually her first published piece.

Picasso had several distinct periods

Picasso was known for his ever-evolving style, which art historians have often divided into his artistic periods. Warmer color palettes and subjects characterized his Pink Period (sometimes called the Rose Period). Other phases focused on neoclassical, surrealist, and mythological art and subjects. Below is Family of Saltimbanques from the Pink Period.

In 1949, photography changed Picasso's perspective

Picasso never stopped experimenting, moving through new and familiar styles and materials throughout his life. Despite that, most people only associate Picasso with painting. But in 1949, a chance encounter with Albanian-American photographer Gjon Mili brought yet another medium into Picasso’s world: light.

O'Connor raised 40 peacocks, which became symbols for her fiction

O'Connor was drawn to peacocks because of their dichotomy—people were drawn to the beauty of their feathers but turned off by the ugliness of their behavior. It was an apt symbol for her fiction and the birds featured prominently on several of her books' covers.

Picasso's 'Les Demoiselles d'Avignon' is seen as the start of cubism

The 1907 work rejects many of the art world norms of the time, like linear perspective and realistic depictions of light. Picasso's painting also nods to African masks, demonstrating a willingness to indulge in styles outside the Western canon.

After being diagnosed with lupus, O'Connor moved to her family's Georgia farm

In 1950, O'Connor began feeling ill and returned to Georgia, where she was diagnosed with lupus, the same disease that killed her father when O'Connor was just 15. After the diagnosis, O'Connor and her mother moved to Andalusia, the family farm north of Milledgeville, Georgia.

The 'Old Guitarist' challenged art's standards of beauty

For much of Western art history, the definition of “beauty” in art was dictated by academies rather than personal taste. Artists like Picasso challenged these standards with works considered “ugly” for discarding anatomical accuracy or linear perspective in favor of a feeling.

Frank Lloyd Wright's landscape design relied on abstractions

Wright was interested in finding abstract patterns in nature and attempted to match those patterns through the landscaping on his properties. He also often introduced foreign plants into his gardens, a choice that some experts say was a commentary on American identity and aesthetics.

Bruce Springsteen's 'Nebraska' was influenced by writer Flannery O'Connor

Springsteen became obsessed with the "Southern gothic" writer when he began working on the songs for "Nebraska," inspired by O'Connor's tragic characters and grotesque imagery.

The world's most famous portraits

"Afghan Girl" (1984), "Migrant Mother" (1936), and Marilyn Monroe in a billowing skirt (1954) are among the most famous portraits of all time. Capturing both unbelievable tragedy and delight, these 15 images are some of the most captivating in human history.

William Eggleston was one of the first non-commercial photographers working in color

When he began exhibiting his work in the '70s, most color photography was limited to advertising. Eggleston's "democratic" stills of working-class Americana were filled weith vibrant color and would go on to influence generations of photographers and filmmakers.

Margaret Keane outwitted her plagiarist husband by recreating her work in a courtroom

The artist, known for her portraits of large-eyed children, sued her ex-husband, who claimed he was the real artist. The judge asked them to both paint in court to demonstrate the real artist. Her ex-husband declined; Keane painted a work in 53 minutes and was awarded $4M.

David Hockney's 'Splash' paintings depicted the Brit's adoration for California

Bradford-born David Hockney saw the lure of California as an escape from the dreariness of London and a symbol of social and sexual freedom. Sotheby’s reflects on Hockney’s series of three "Splash" paintings, capturing ephemeral moments and the magic of America as a cultural export in the 1960s.

Picasso is known as one of the creators of cubism

Cubism is an artistic style pioneered by Pablo Picasso and Georges Braque in the early 20th century. Cubist works portray objects and people from multiple perspectives rather than from one fixed position. This helpful explainer from The National Galleries of Scotland breaks down the history of the style and movement, offering some examples of cubist works.

The 19th-century painters of the Hudson River School were among the first American romantics, with portraits that displayed the natural beauty of the young country.

The sound of country music has evolved over its lifespan

Like any genre, country music is constantly evolving. This in-depth analysis from NPR illustrates how the notoriously traditionally minded industry has been redefined, time and time again, by its greatest artists. More recently, it highlights stars like Kacey Musgraves, Sam Hunt, and Maren Morris for taking it in new directions.

Scholars note that many Cassatt paintings are about women's labor

The women in her portraits are often performing domestic work, something that contemporary scholars consider a subtle protest of how women's labor was often overlooked during Cassatt's time. Fittingly, Cassatt often hired working-class women as models, ensuring the portraits were not only accurate but that the subjects were appropriately compensated.

Picasso was initially ignored by the US art market

Picasso's now-iconic style was radical for its time and, as such, was something the US art market initially ignored. Hugh Eakin, author of "Picasso's War: How Modern Art Came to America," tells the story of the social norms, tax laws, and influential figures like lawyer John Quinn that set the course for modern art in America in the early 1900s.

What made Mary Cassatt's art radical

Although the American Impressionist's work is sometimes dismissed as overly sentimental, these Cassatt specialists argue that her portrayals of women are often subtly subversive, emphasizing how they defy the gender norms of the time.

See some of Picasso's most famous works

Picasso is one of history’s most famous painters. He redefined the standards of artistic beauty and forged a unique, revolutionary modern style. Today, he inspires artists looking to challenge the status quo. The Museu Picasso in Barcelona, the artist’s hometown, holds nearly 5,000 of Picasso’s early works, making it the perfect place to glimpse the ideas and range of his artistic practice. Below is 1917's "Fruit Bowl."

Picasso is known as one of the creators of cubism

In the early 1900s, cubism redefined modern art by breaking objects into geometric shapes and showing multiple perspectives at once. Developed by Pablo Picasso and Georges Braque, it challenged the idea that art should mirror reality, and laid the foundation for many movements that followed.

Mary Cassatt carved space for women in the Impressionist movement

The painter was one of three women to exhibit with the French artists, and the only American. Cassatt broke ground by focusing on subjects largely ignored by the male-dominated art world, such as maternity and womanhood.

Cassatt painted more than just mothers and daughters

In one 1884 portrait, she captured her brother, Alexander Cassatt, and her nephew during a family holiday. The image is just as tender as her paintings of mothers and daughters, with the father and son—their faces near mirror images—in an intimate embrace.

Flannery O'Connor originally wanted to be a cartoonist

In college, the famed writer worked as a cartoonist for the school newspaper and literary magazine, using surreal black-and-white linoleum prints to comment on everything from student life to World War II.