O'Connor raised 40 peacocks, which became symbols for her fiction

A film crew captured a 5-year-old Flannery O’Connor and her talented chicken

British Pathé, an international news program, ventured out to Georgia to film O’Connor (then known by her given name, Mary) and her chicken, whom she’d taught to walk backward. O’Connor would later joke that it was the highlight of her life.

O’Keeffe discredited sexual interpretations of her flower paintings

In 1943, the artist famously explained her intention to call attention to flowers by making them large and detailed. O’Keeffe added that while she wanted people to notice her flowers, they ended up projecting their own associations that didn’t reflect her own ideas.

O’Keeffe collected animal skulls and bones for her art

O’Keeffe used bones as motifs in her work throughout her time in New Mexico. She famously stated, “The bones do not symbolize death to me. They are shapes that I enjoy … They're very lively.”

O’Connor’s caretaker Emma Jackson had an early impact on her views

Flannery O'Connor had conflicting views on race. She criticized racism and mocked segregationists, yet made racist jokes. Scholars recently unearthed details from the O’Connor archive about Emma Jackson, a Black woman hired young Flannery's caretaker. O'Connor recounted learning about racism after being scolded for spending too much time with Jackson.

O’Connor was shaped by her time with Sally and Robert Fitzgerald

After Iowa, O’Connor moved to Connecticut to stay in the garage apartment of Sally and Robert Fitzgerald—the legendary translator of Homer, Sophocles, and other classics—while working on her first novel, “Wise Blood.” Like O’Connor, the Fitzgeralds were devout Catholics, and the three attended mass every morning.

A selection of author Flannery O'Connor's witty letters

Flannery O'Connor wrote darkly humorous novels while cultivating a richly devout Catholic faith. One of the most renowned American authors of the 20th century, she also wrote many letters in a very charming and witty style. Read a selection of her best epistles here.

In Iowa, Flannery O'Connor decided to pursue creative writing

O’Connor enrolled in a master’s program in journalism at the University of Iowa, intending to pursue political cartooning, but quickly switched to creative writing. Her thesis was a collection of stories called “The Geranium.” The title story was eventually her first published piece.

O'Connor believed grotesque fiction was realistic

O'Connor argued that although the style might not be recognizable to all readers, "the grotesque" attempts to reckon with life's inherent mystery. "Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader," she said, "unless it is grotesque, in which case it is going to be called realistic."

Flannery O'Connor originally wanted to be a cartoonist

In college, the famed writer worked as a cartoonist for the school newspaper and literary magazine, using surreal black-and-white linoleum prints to comment on everything from student life to World War II.

O’Connor’s stories feature Southern outcasts thrust into bizarre situations

The Deep South is presented as a shadowy place, filled with scheming figures posing as upstanding citizens, like the conniving door-to-door Bible salesman of “Good Country People,” and smug intellectuals receiving their comeuppances, like the condescending college graduate of “Everything That Rises Must Converge.”

Georgia O'Keeffe's flower paintings are often assumed to be sexual, though the artist claimed she was simply interested in highlighting the beauty of flowers that most people neglect.

After Flannery O'Connor's death, the writer's mother insisted her daughter be buried with a smile on her face.

O’Connor despised romantic portrayals of the South

1939’s “Gone With the Wind” presented a rosy image of the Old South, something a 14-year-old O’Connor allegedly despised. Later, she wrote “A Late Encounter With the Enemy,” a story mocking how Confederate Army veterans were honored at the film’s premiere.

John Steinbeck often drew a pig with wings next to his signature, a character he affectionately called 'Pigasus.'

Inside the pigeon race with $50K at stake

More than 1,000 pigeons are released each year at the American Racing Pigeon Union convention as owners wait to see which of the birds arrives home first. This essay unwraps the niche activity's paradoxical love for the birds despite its at times utilitarian treatment of them.

Poet Robert Lowell encouraged O'Connor to turn away from commercial appeal

When O'Connor secured a publisher for "Wise Blood," her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O'Connor biographer Brad Gooch elaborates on that advice.

Flannery O’Connor is a major figure in American literature

In her lifetime, O’Connor wrote 31 short stories and two novels. She was awarded three O. Henry Awards, the most prestigious honor for a short story writer. In 1972, she was posthumously awarded the National Book Award for her “Collected Stories.”

'Ram’s Head, White Hollyhock—Hills' marked a shift in O’Keeffe’s life and work

After a severe drought in the 1930s killed many animals near her home, O’Keeffe started collecting and painting their skulls. Her new style was interpreted as surreal and even macabre by many, presenting a shocking turn from her lighthearted flower portraits.

Flannery O’Connor’s recommended reading

O’Connor was a rabid reader and a prolific letter writer, often suggesting (and sometimes criticizing) books to friends and admirers. This list distills those recommendations into a compact list, praising Henry James, Edgar Allan Poe, and National Geographic. It’s a good reading list and a fascinating window into O’Connor’s influences.

Alice Walker admired Flannery O’Connor for her honest portrayal of the South

Walker wrote “The Color Purple,” which won the Pulitzer Prize for Fiction, making her the first Black woman to win the award. In her essay “A South Without Myths,” she calls O’Connor “the first great modern writer from the South,” particularly because her work abandoned nostalgia for the antebellum world.

O’Connor shared lengthy, intimate letters with Betty Hester, a recluse

When O’Connor’s private letters were released in “The Habit of Being,” readers wondered about the identity of “A,” who had an intimate (possibly romantic) relationship with the writer. Decades later, “A” was revealed to be Betty Hester, a reclusive file clerk. Scholars still debate whether the two were romantically involved.

O’Keeffe was part of a movement of American artists changing previous norms

One of the most recognizable names of the American modernism movement from the early 1900s, O’Keeffe’s portrayals of nature strayed from realism and prioritized emotional truth, using elements like bold colors and abstract shapes to capture the feeling of observing her subjects.

Watch a Yale professor’s take on O’Connor’s ‘Wise Blood’

O’Connor’s first novel is about Hazel Motes, a World War II veteran who returns home and sets out to form an anti-religious congregation. It’s a striking debut and one that Yale professor Amy Hungerford taught in her course “The American Novel Since 1945.”

Joyce Carol Oates praised King's working-class characters

Joyce Carol Oates is a writer who, like Stephen King, has a massive body of work that moves between styles and genres. Unlike King, she was never derided by critics as being overly commercial. Introducing King at Princeton University in 1997 and 2016, she made the case for King as a serious American writer in the Gothic tradition of Edgar Allan Poe.

O’Keeffe’s first collection of charcoal drawings was influenced by Japanese artists

Prioritizing personal interpretations over literal ones, O’Keeffe’s abstract drawings challenged the classical approach to capturing nature in art. This initial set of drawings caught the attention of art dealer Alfred Stieglitz and forever changed the trajectory of her career.

O’Keeffe made more than 2,000 pieces of art in her lifetime

See an interactive timeline that provides insight into just how prolific the artist was. Differentiated by year, the visualization shows when she was particularly active, and allows you to see the artwork from each year. Below is "Oriental Poppies" from 1928.

Flannery O’Connor believed the South was ‘Christ-haunted’

O’Connor was a lifelong Catholic who spent most of her life in the Protestant Bible Belt, the setting for nearly all her fiction often infused with Catholic themes. “I think it is safe to say that while the South is hardly Christ-centered, it is most certainly Christ-haunted,” she wrote.

George Orwell, avid outdoorsman

The writer is often pigeonholed as either a cranky paranoiac or a self-righteous scold, but this essay by Danny Heitman explores a lesser-known side of Orwell's personality: his love for nature, something that's subtly expressed in some of his greatest works.

Georgia O’Keeffe is one of the most significant modern artists in American history

Known for her distinct style and outsider persona, O’Keeffe is a key figure in US art history and one of the few female artists to have a dedicated museum. Read her biography to learn more about how her rural upbringing led to her eventual worldwide fame.

Bruce Springsteen's 'Nebraska' was influenced by writer Flannery O'Connor

Springsteen became obsessed with the "Southern gothic" writer when he began working on the songs for "Nebraska," inspired by O'Connor's tragic characters and grotesque imagery.

Charlie Parker's 'Ornithology' is one of bebop jazz's defining standards—and a self-referential nod to Parker's nickname, Bird.

An academic on why the animals in 'Animal Farm' matter

Although Orwell intentionally wrote his 1945 novella as an allegory of the Russian Revolution, Charlotte Sleigh—an associate professor of science and technology—argues that the text can also be used to understand (and complicate) our relationship with the nonhuman world.

Why both the left and the right use 'Animal Farm' as an allegory

Figures from both ends of the political spectrum have claimed Orwell's novella as their own, sometimes ignoring inconvenient aspects of the plot or details of Orwell's biography. This analysis of those political reactions explores why the text is so malleable.

Read a 1984 interview with Dolly Parton, conducted by artist Andy Warhol.

In 2020, Loyola University Maryland removed O’Connor’s name from a dormitory

The decision was made after a student petition, citing private letters using racial epithets. Hundreds of writers and academics wrote an open letter criticizing the move, including novelist Alice Walker, who said, “We must honor Flannery for growing. Hide nothing of what she was, and use that to teach.”

Listen to Flannery O'Connor read her story 'A Good Man Is Hard To Find'

"A Good Man Is Hard To Find," published in 1953, is O'Connor's most well-known story—and the most representative of her style and themes. This recording, from a 1959 appearance at Vanderbilt University, features the author reading to a live audience.

Georgia O'Keeffe's subjects evolved based on the landscapes she lived in

Texas horizons, New York skyscrapers, and New Mexico deserts are examples of the subjects O'Keeffe famously painted over the course of her life. While her style remained mostly consistent throughout her seven-decade career, her surroundings significantly changed the content of her artwork.

One Mary Cassatt painting features a sly political message

Critics had long been puzzled by the unrealistic flower pinned to the woman's chest in the 1905 painting "Mother and Child." In exploring the painting's history, researcher Nikki Georgopulos discovered that the flower alluded to a women's suffrage badge popular at the time, something Cassatt emphasized in the painting's original title, "Woman With a Sunflower."

Listen to the experiences of an art historian who met Georgia O'Keeffe

Wanda M. Corn wrote the biography "Georgia O'Keeffe: Living Modern" and recounts her experience interviewing the artist in New Mexico. Hear interesting details from an O'Keeffe expert, including specifics about her clothes, her home and her upbringing.

Exploring bird skulls

Birds inspire us to fly—but what about bird skulls? This collection of various birds' preserved skulls offers a peculiar "bird's-eye" view. See the many surprising shapes of beaks and eyeholes, from mockingbirds to turkeys, in this fascinating visual collection.

Illustrator Ian Falconer's 'Olivia' piglet character was based on his niece

The New Yorker illustrator first began drawing fun pictures of a young pig named Olivia in the 1990s for his niece of the same name. Now, the books have sold millions and have been turned into a TV show. Meet the real Olivia behind the character in this brief interview.

Charles Dickens' pet raven likely inspired Edgar Allan Poe's 'The Raven.'

The scarecrow isn't an effective tool for farms, but it is a potent symbol in horror

Scarecrows are no longer the best way for farmers to prevent birds from messing with their crops, but the humanlike figures are still found in horror movies. Folklorists say that's because they recall an agrarian past that makes modern viewers uneasy.

After being diagnosed with lupus, O'Connor moved to her family's Georgia farm

In 1950, O'Connor began feeling ill and returned to Georgia, where she was diagnosed with lupus, the same disease that killed her father when O'Connor was just 15. After the diagnosis, O'Connor and her mother moved to Andalusia, the family farm north of Milledgeville, Georgia.

Jean Stafford’s ‘A Mother in History’ followed the mother of JFK’s assassin

Marguerite Oswald, the mother of Lee Harvey Oswald, leaned into the public eye after her son’s crime. Stafford’s decision to interview her was the subject of controversy, but offered an interesting character study of a maligned woman openly inclined to make money off the attention she was receiving.

Hear 2 literature professors unpack the legacy of 'Animal Farm'

The University of Oxford's David Dwan—a professor of English literature and intellectual history—is an Orwell scholar who has written about the author's politics, especially as they relate to "Animal Farm." In this conversation with Dr. Nathan Waddell, from the University of Birmingham, UK, Dwan explores how framing the novella as a beast fable both made it more accessible and allowed it to be overly simplified.

Explore Georgia O’Keeffe’s paintings of New York

While the artist is most commonly associated with painting natural landscapes, specifically in the American Southwest, O’Keeffe also captured the industrial world while living in New York City. Her time in New York played a crucial role in establishing her reputation in the art world.

Poet Geoffrey Chaucer inspired the modern, romantic version of Valentine's Day

In the 1380s, the "Canterbury Tales" author wrote "The Parliament of Fowls," a 700-line poem about birds that choose their mates on St. Valentine's Day. The poem argued that romantic love—for fowls and humans alike—was an ideal, and linked the holiday with that sentiment.

Georgia O'Keeffe and her sisters had an artistic rivalry

Despite their close relationship, a rift between the siblings emerged after Ida and Catherine, Georgia's younger sisters, began exhibiting their own paintings. Some also speculate that their dynamic was influenced by Georgia's husband, Alfred Stieglitz, who expressed romantic interest in Ida.

Read George Orwell's essay 'Why I Write,' the writer's memoir on how he came to literature.