O’Keeffe discredited sexual interpretations of her flower paintings

Georgia O'Keeffe's flower paintings are often assumed to be sexual, though the artist claimed she was simply interested in highlighting the beauty of flowers that most people neglect.

O’Keeffe was part of a movement of American artists changing previous norms

One of the most recognizable names of the American modernism movement from the early 1900s, O’Keeffe’s portrayals of nature strayed from realism and prioritized emotional truth, using elements like bold colors and abstract shapes to capture the feeling of observing her subjects.

O’Keeffe’s first collection of charcoal drawings was influenced by Japanese artists

Prioritizing personal interpretations over literal ones, O’Keeffe’s abstract drawings challenged the classical approach to capturing nature in art. This initial set of drawings caught the attention of art dealer Alfred Stieglitz and forever changed the trajectory of her career.

O’Keeffe made more than 2,000 pieces of art in her lifetime

See an interactive timeline that provides insight into just how prolific the artist was. Differentiated by year, the visualization shows when she was particularly active, and allows you to see the artwork from each year. Below is "Oriental Poppies" from 1928.

Georgia O’Keeffe is one of the most significant modern artists in American history

Known for her distinct style and outsider persona, O’Keeffe is a key figure in US art history and one of the few female artists to have a dedicated museum. Read her biography to learn more about how her rural upbringing led to her eventual worldwide fame.

Explore Georgia O’Keeffe’s paintings of New York

While the artist is most commonly associated with painting natural landscapes, specifically in the American Southwest, O’Keeffe also captured the industrial world while living in New York City. Her time in New York played a crucial role in establishing her reputation in the art world.

O’Keeffe’s journey to become an artist started at a young age in Wisconsin

In 1905, she left behind her life on the farm to attend art school in Chicago. While studying, the artist won the William Merritt Chase prize for a still life. Her style eventually evolved and caught the attention of important figures in the New York art scene.

Georgia O'Keeffe's subjects evolved based on the landscapes she lived in

Texas horizons, New York skyscrapers, and New Mexico deserts are examples of the subjects O'Keeffe famously painted over the course of her life. While her style remained mostly consistent throughout her seven-decade career, her surroundings significantly changed the content of her artwork.

'Ram’s Head, White Hollyhock—Hills' marked a shift in O’Keeffe’s life and work

After a severe drought in the 1930s killed many animals near her home, O’Keeffe started collecting and painting their skulls. Her new style was interpreted as surreal and even macabre by many, presenting a shocking turn from her lighthearted flower portraits.

O’Keeffe collected animal skulls and bones for her art

O’Keeffe used bones as motifs in her work throughout her time in New Mexico. She famously stated, “The bones do not symbolize death to me. They are shapes that I enjoy … They're very lively.”

O’Keeffe’s relationship with a younger Juan Hamilton caused controversy

Juan Hamilton was broke, divorced and 27 years old when he met an 85-year-old O’Keeffe to ask for a job. She eventually gave him one, and they developed a close friendship and artistic partnership, while also fueling rumors of a romantic relationship. After she died, he received her house and a large portion of her estate.

Listen to the experiences of an art historian who met Georgia O'Keeffe

Wanda M. Corn wrote the biography "Georgia O'Keeffe: Living Modern" and recounts her experience interviewing the artist in New Mexico. Hear interesting details from an O'Keeffe expert, including specifics about her clothes, her home and her upbringing.

One Mary Cassatt painting features a sly political message

Critics had long been puzzled by the unrealistic flower pinned to the woman's chest in the 1905 painting "Mother and Child." In exploring the painting's history, researcher Nikki Georgopulos discovered that the flower alluded to a women's suffrage badge popular at the time, something Cassatt emphasized in the painting's original title, "Woman With a Sunflower."

Georgia O'Keeffe and her sisters had an artistic rivalry

Despite their close relationship, a rift between the siblings emerged after Ida and Catherine, Georgia's younger sisters, began exhibiting their own paintings. Some also speculate that their dynamic was influenced by Georgia's husband, Alfred Stieglitz, who expressed romantic interest in Ida.

Alfred Stieglitz was a significant photographer in the American modern art movement

Stieglitz took hundreds of famous portraits of O’Keeffe and helped cement her reputation in New York by showcasing her work in his famed gallery. (This resource contains some artistic nudity.)

In 1949, O’Keeffe moved to the tiny desert village of Abiquiu, New Mexico

After nearly 15 years of trying to buy an idyllic hacienda from the church, she succeeded and moved in in 1949. The three-acre property featured a view of the Chama River Valley, which inspired many of her paintings.

See the collection and interior of Santa Fe’s Georgia O’Keeffe Museum

The museum hosts hundreds of the artist’s paintings and many personal objects. Follow along while a curator shares context behind some of her iconic works and offers insights into O’Keeffe’s life and career.

O'Connor raised 40 peacocks, which became symbols for her fiction

O'Connor was drawn to peacocks because of their dichotomy—people were drawn to the beauty of their feathers but turned off by the ugliness of their behavior. It was an apt symbol for her fiction and the birds featured prominently on several of her books' covers.

Tracking Georgia O’Keeffe paintings across America

Explore different significant locations where the painter’s works have lived, including the White House, from 1997 to 2004. Pick a nearby museum to witness the masterpieces up close.

Georgia O’Keeffe and Frank Lloyd Wright were longtime friends

In the early 1930s, famed architect Frank Lloyd Wright invited Georgia O’Keeffe to become the master artist at the newly formed Taliesin Fellowship. O’Keeffe turned him down, but the letter sparked a decades-long friendship, rooted in their shared love for art and American landscapes, which continued until his death.

Georgia O’Keeffe was the most expensive female artist of all time from 2014 to 2025

She earned the title posthumously with the $44.4M sale of 1932’s "Jimson Weed/White Flower No.1." Frida Kahlo took the title back in November 2025 for the sale of "El sueño (La cama)" for $54.6M.

O’Connor despised romantic portrayals of the South

1939’s “Gone With the Wind” presented a rosy image of the Old South, something a 14-year-old O’Connor allegedly despised. Later, she wrote “A Late Encounter With the Enemy,” a story mocking how Confederate Army veterans were honored at the film’s premiere.

What made Mary Cassatt's art radical

Although the American Impressionist's work is sometimes dismissed as overly sentimental, these Cassatt specialists argue that her portrayals of women are often subtly subversive, emphasizing how they defy the gender norms of the time.

Japanese artwork often incorporates bold colors, clean lines, and natural subjects

While Japanese art is diverse and continues to adopt new styles and techniques, the Japanese approach to painting nature inspired Georgia O’Keeffe, who was known for depicting the environment in a detailed yet realistic manner. Below is "The Great Wave off Kanagawa," from 1931, by Hokusai.

O’Connor’s caretaker Emma Jackson had an early impact on her views

Flannery O'Connor had conflicting views on race. She criticized racism and mocked segregationists, yet made racist jokes. Scholars recently unearthed details from the O’Connor archive about Emma Jackson, a Black woman hired young Flannery's caretaker. O'Connor recounted learning about racism after being scolded for spending too much time with Jackson.

Explore a feminist reading of Mary Cassatt's work

Artsy's Olivia Horn considers the American Impressionist's work from a 21st-century perspective, unpacking how her focus on women's lives was a revolutionary act for the 19th century that still resonates today.

Mabel Dodge Luhan facilitated art from Georgia O'Keeffe and others

Mabel Dodge Luhan was a writer, but she's better known art patron. She organized the 1913 "Armory Show" in New York that introduced European modernism to the US and invited artists (including Georgia O'Keeffe, Ansel Adams, Willa Cather, and Robinson Jeffers) to Taos, New Mexico, to cultivate a "Paris West."

Scholars note that many Cassatt paintings are about women's labor

The women in her portraits are often performing domestic work, something that contemporary scholars consider a subtle protest of how women's labor was often overlooked during Cassatt's time. Fittingly, Cassatt often hired working-class women as models, ensuring the portraits were not only accurate but that the subjects were appropriately compensated.

The 'Old Guitarist' challenged art's standards of beauty

For much of Western art history, the definition of “beauty” in art was dictated by academies rather than personal taste. Artists like Picasso challenged these standards with works considered “ugly” for discarding anatomical accuracy or linear perspective in favor of a feeling.

Many critics dismissed Norman Rockwell as overly sentimental

The painter’s portraits of American life were often dismissed as commercially minded, banal, or kitschy, especially when compared with the more abstract art of the time. Rockwell, however, was undeterred, commenting that he wanted to produce work that would make viewers “want to sigh and smile at the same time.”

O’Connor shared lengthy, intimate letters with Betty Hester, a recluse

When O’Connor’s private letters were released in “The Habit of Being,” readers wondered about the identity of “A,” who had an intimate (possibly romantic) relationship with the writer. Decades later, “A” was revealed to be Betty Hester, a reclusive file clerk. Scholars still debate whether the two were romantically involved.

The impressionist painters—the 19th-century group that included Monet, Renoir, Cassatt, and more—got their name from a critic who used the term in a negative review, claiming they were unable to paint more realistic scenes.

O'Connor believed grotesque fiction was realistic

O'Connor argued that although the style might not be recognizable to all readers, "the grotesque" attempts to reckon with life's inherent mystery. "Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader," she said, "unless it is grotesque, in which case it is going to be called realistic."

Pop artist Yayoi Kusama is arguably the most famous living female artist

The Japanese pop artist is one of many figures whose work challenged ideas of traditional fine art. Keith Haring, Andy Warhol, Takashi Murakami, and Claes Oldenburg are among the other artists known for defining pop art.

Photographer captures glowing flowers in ultraviolet light

Debora Lombardi utilizes ultraviolet light to reveal unseen colors in flowers, re-shaping their natural beauty. Beginning during the lockdown of March 2020, Lombardi's experimentation evolved, culminating in a series recognized by the World Photography Organization. Her work highlights vibrant purples, blues, and yellows, transforming flowers into surreal, otherworldly specimens by exposing them to UV light in her Italy-based studio.

How Cassatt's early life influenced her art

The painter came from an affluent background but was determined to become an artist, a decision that was at odds with her father's wishes. Still, she began art school at 15, where she was one of the few female students and not permitted to paint portraits of live models. This brief documentary from The Art Tourist explains how those formative experiences taught Cassatt to challenge conventional approaches in her work.

Dorothea Lange's iconic 'Migrant Mother' photo was just one image of many she captured of the woman with her children.

Mary Cassatt carved space for women in the Impressionist movement

The painter was one of three women to exhibit with the French artists, and the only American. Cassatt broke ground by focusing on subjects largely ignored by the male-dominated art world, such as maternity and womanhood.

In 'Cut Piece,' Yoko Ono invited the audience to her clothes

Much more than simply John Lennon’s partner, Yoko Ono is a prolific multimedia artist in her own right. Her 1964 performance "Cut Piece" invited audience members to come onstage and cut away pieces of her clothing. She described the piece as being about solidarity between women and the possibility for world peace, saying, “By not fighting, we show them that there's a whole world, which could exist by being peaceful.”

In Iowa, Flannery O'Connor decided to pursue creative writing

O’Connor enrolled in a master’s program in journalism at the University of Iowa, intending to pursue political cartooning, but quickly switched to creative writing. Her thesis was a collection of stories called “The Geranium.” The title story was eventually her first published piece.

Poet Robert Lowell encouraged O'Connor to turn away from commercial appeal

When O'Connor secured a publisher for "Wise Blood," her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O'Connor biographer Brad Gooch elaborates on that advice.

Jasper Johns’ works often captured familiar symbols and made them abstract

Some of pop art’s most famous works toy with the push and pull between recognizable and hidden. ARTnews dissects seven well-known pieces by Jasper Johns—including works of American flags and maps—to explore the relationship between obvious iconography and invited analysis common to the genre.

How Van Gogh painted 'Irises' in an asylum

Van Gogh’s painting titled “Irises” (1889) remains one of his most-recognized works. Created soon after the artist checked himself into an asylum, the oil painting depicts flowers from the overgrown garden in the institution. Discover more about the work and other masterpieces Van Gogh constructed during a personally tumultuous time.

The scientists trying to prove Jackson Pollock's symbolism

Jackson Pollock is one of the most famous American artists in history. He is well-known for his Abstract Expressionist "drip paintings," which seemed to defy interpretation. But following the artist's posthumous bipolar diagnosis, a team of scientists attempted to prove that his symptoms, including mania and psychosis, caused Pollock to embed images under his thrown paint.

2 art historians break down Mary Cassatt's 'Little Girl in a Blue Armchair'

Dr. Steven Zucker and Dr. Beth Harris analyze Cassatt's 1878 painting, highlighting how the perspective places viewers on the same level as the child portrayed and how this affects our impression of the little girl.

O’Connor was shaped by her time with Sally and Robert Fitzgerald

After Iowa, O’Connor moved to Connecticut to stay in the garage apartment of Sally and Robert Fitzgerald—the legendary translator of Homer, Sophocles, and other classics—while working on her first novel, “Wise Blood.” Like O’Connor, the Fitzgeralds were devout Catholics, and the three attended mass every morning.

In 'Life of a Showgirl,' Taylor Swift nods to Pre-Raphaelite muse Elizabeth Siddal

Born in 1829, Siddal was an artist and poet who would become immortalized when she modeled for John Everett Millais' 1852 painting 'Ophelia,' depicting the suicidal lover from Shakespeare's 'Hamlet.' For years, Swift has alluded to Siddal as an exemplar of the sidelined female artist.

Picasso’s legacy is often intertwined with his personal relationships

Family revelations and quotes show the legendary artist as both tender and cruel, and his fame and romantic advances sometimes had disastrous effects on those around him.

Listen to 3 scholars discuss the work of Emily Dickinson

Fiona Green, Linda Freedman, and Paraic Finnerty—three British academics who study Dickinson—discuss the poet's life, distinctive writing style, and impact on the generations who followed, illustrating that part of Dickinson's appeal lies in her open-ended verse, which invites readers' many interpretations.

Cassatt participated in a fundraiser for women's suffrage against her family's wishes.