One journalist argued New Journalism writers prioritized ego over public service

Critics of New Journalism believe the form shares unreliable information

After Gay Talese’s 2016 book on Gerald Foos was found to lack factual accuracy, criticism of New Journalism returned to the limelight. Some believe the narrative focus requires abandoning the facts and leaves too much room for writers to make up material rather than present what actually happened.

Tom Wolfe wrote a humorous account of the birth of New Journalism

Wolfe explains the style came from journalists attempting to make fact-based reporting read like a novel, arguing that traditional reporting left readers “bored to tears.” Instead of emphasizing an objective point of view, Wolfe favored detailed descriptions that established complex characters, painted interesting scenes, and shared dialogue.

Gay Talese never fully accepted the title ‘New Journalism’

“I don't think it was new, and I don’t think it was journalism,” he said. He instead viewed what he and other writers were doing as defining reality using a storytelling technique. In other words, storytelling that wasn’t fiction.

Gonzo Journalism places the author at the center of the events

Some may describe Gonzo as a more daring style of subjective reporting than New Journalism, as it prioritizes the personal experience and opinions of the writer. Gonzo pieces also tend to feature hyperbole, comedy and taboo subjects.

Olivia Nuzzi serves as a modern example of New Journalism

Writer Lily Isaacs argues that Nuzzi, a political journalist known for engaging in personal relationships with her subjects, can be viewed as an inheritor of New Journalism. Isaacs claims Nuzzi’s departure from purely objective reporting has informed her profiles, leading to intimate insights into her subjects' psychology.

'Frank Sinatra Has a Cold' is one of the seminal works of New Journalism

The profile broke with convention by focusing on the story of pursuing the story rather than one that celebrated the subject. Vanity Fair called it "the greatest literary-nonfiction story of the 20th century." (Some users may experience a paywall.)

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

Why some writers believe there's a new romanticism

Journalist and novelist Ross Barkan argues that a crushing political system and alienating technology have led people to become more interested in the offline, analog world and the beauty of nature and emotion. In this essay, he defines this as "the new romanticism," and predicts it will come to define the culture of the 2020s.

Writer Gay Talese has unorthodox practices for researching his stories

Since Talese began working at the New York Times in the 1950s, he has woven eccentric details into his stories about the people he covers. His immersive journalistic methods, such as living in a nudist colony, sparked controversy, but also helped him uncover aspects of people's lives.

Joseph Pulitzer mainstreamed yellow journalism

One way Joseph Pulitzer revolutionized the newspaper industry was by developing an approach to reporting that relied on sensationalism and could be a little loose with the facts. Pulitzer and rival William Randolph Hearst pushed that sensationalism to the next level in their competition to attract readers.

Critics argue social media made 'foodie' culture increasingly superficial

For 40 years, being a "foodie" meant possessing knowledge and expertise about ingredients, restaurants, and flavors. Now, the author argues, being a foodie has more to do with documenting aesthetically pleasing meals than critical consumption. She argues for increased attention toward the complex systems that bring food to our tables.

Americans think being informed is a priority for voting, but don't prioritize reading the news.

Joseph Pulitzer created modern journalism

Long before there was cable news, there were newspapers, and Joseph Pulitzer was their king. A Hungarian immigrant, Pulitzer began his career as a reporter himself before buying a newspaper that he could shape with his editorial vision. Pulitzer's papers were bold, provocative, and visually striking, setting a new standard for newspapers nationwide as they moved into the 20th century.

Journalism's real drama made 'All the President's Men' irresistible for Robert Redford

Robert Redford was drawn to Watergate not by Nixon, but by the partnership of two contrasting journalists—Woodward and Bernstein. In the interview, he explains how he shaped the film's documentary style to spotlight the story rather than the scandal.

Read the New York Times Magazine’s 1985 cover story on Basquiat

The profile, entitled “New Art, New Money,” captures the artist in the middle of his rise to fame. It also hints at some of his frustrations with that position. In talking about the demands a gallery placed on him, he said, ''I wanted to be a star … not a gallery mascot.'' (Some readers may experience a paywall.)

The growing role of AI in journalism

As artificial intelligence (AI) becomes more widely available, journalism must adapt and establish ethical norms for how the technology is used. This report from the Center for News, Technology & Innovation looks at the issue from every angle, including legal considerations, potential biases in datasets, and the speed at which AI capabilities are changing. It also includes links to recent studies on the use of AI in journalism.

Gay Talese ran up expenses close to $5,000 to pursue ‘Frank Sinatra Has a Cold’

In this retrospective, Talese reflects on the making of the legendary article that pioneered a new literary style. He offers his critiques of the modern state of profiles, arguing the industry no longer produces compelling work.

Craig Claiborne invented the modern food critic

The New York Times critic began his column "Directory to Dining" in 1962. While there had been restaurant reviews before then, Claiborne's ethical standards and appreciation for a variety of cuisines established a new kind of food critic and, in the process, a new kind of eater. (Some readers may experience a paywall.)

The 21st-century novel is increasingly autofictional

Although autofiction, a literary genre blending autobiography and fiction, has been around for millennia, it has become a popular mode in the 21st century. This extensive study of the genre—which analyzes works by Megan Boyle, Tao Lin, and others—argues that the form has become more prevalent because it mirrors the defining technology of the times: social media.

Winning Pulitzers doesn't attract readers to newspapers.

The Beats autobiographical impulse is still influential

The Beats autobiographical approach to literature is seen in contemporary autofiction. While autofiction emerged as a literary term in the 1970s, its philosophy has several antecedents, including Colette’s Claudine novels, Marcel Proust’s "In Search of Lost Time" and Beat writer Jack Kerouac’s "On the Road."

‘The Kentucky Derby Is Decadent and Depraved’ signaled the birth of Gonzo Journalism

The 1970 essay opens with a crude conversation between Hunter S. Thompson, the author, and a man at an airport bar. Thompson’s first-person account places him as an active participant. Instead of focusing on the race itself, Thompson paints vivid details of his experience with the hedonistic scene surrounding it.

A writer's reflection on 'The Falling Man' - the man who fell from the World Trade Center

In an excerpt from his ‘Press Box’ interview with Bryan Curtis, writer Tom Junod discusses his Esquire story about the image of a man who fell or jumped from the North Tower on Sept. 11, 2001.

How the New Yorker went from poker game to powerhouse

After 100 years in print, the New Yorker is still going strong, publishing weekly issues featuring the best in long-form journalism, cultural criticism, and short fiction. This history of the magazine's founding and early years shows how its balance of high and lowbrow culture, along with a fortuitous game of poker, led to its longstanding success.

'Shipping Out' can be viewed as a more recent example of subjective journalism

Later retitled "A Supposedly Fun Thing I'll Never Do Again," Wallace's essay details his existential experience on a cruise ship with biting wit. Arguably more Gonzo than New Journalism, Wallace laments the pressure to have fun in the commercialized cruise atmosphere that brings out feelings of dread more than pleasure.

Many journalists are shying away from sharing mug shots when reporting crime

News outlets used to cover crime with mug shots of the accused. Some outlets even published mug shot photo galleries, collections of easily acquired content that drove clicks and, hopefully, advertising dollars. However, this practice has fallen out of favor as journalists question the lasting impact of immortalizing mug shots of accused perpetrators, at least some of whom are ultimately cleared of the alleged crime.

Novels often use perspective as a narrative device

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.

In 1969, a group of reporters wrote an intentionally bad and salacious novel under a pen name to prove that sex sells more than quality. It sold 20,000 copies within a few months and spent 13 weeks on the New York Times Bestseller list.

Journalists are increasingly unionizing

The LA Times was a famously anti-union paper—until its owner sought to cut costs by consolidating positions across its portfolio. This paper isn’t alone. Over the past few years, as the news business struggled, many publications kicked their unionizing efforts up a notch.

Pulitzer's newspapers were intended for the masses

His newspapers, the St. Louis Post-Dispatch and the New York World, transformed journalism by marketing to a mass audience rather than just the elite.

In 1974, Norman Mailer touted graffiti as an intellectual art form

The Pulitzer Prize winner explored the style in his 1974 Esquire essay, "The Faith of Graffiti," before expanding on it in a book with 81 photos by Jon Naar. In it, he traces the form back to its ancient roots and compares graffiti writers to Renaissance painters.

A teenage Dickens found work as a political journalist

Dickens found work as a reporter for the Mirror of Parliament, a weekly newspaper focused on the British legislature. After a few years, he moved to the Morning Chronicle, where he began producing his creative work. Professor John Drew, author of "Dickens, the Journalist," said that the writer "realized he could wield a much more direct, if not more glamorous kind of power, by using his position as a leading writer of fiction and a magazine editor."

Dylan was called 'the voice of his generation,' but rejected the title

By the mid-60s, Dylan made it clear he had no desire to be a spokesman for anyone but himself. He found the title stifling and believed it would prevent him from creating authentic art.

Read George Orwell's essay 'Why I Write,' the writer's memoir on how he came to literature.

The Pulitzer Prize has had its fair share of controversies

From fabricated articles to fiction that inspired FBI surveillance, these are five of the most controversial moments in Pulitzer Prize history. Among them is the Pulitzer board's decision not to give novelist Sinclair Lewis the 1921 award for fiction. This snub led the author of "Main Street" to become the first Pulitzer recipient to reject the prize in 1926.

Beats emphasized the importance of 'spontaneous prose'

Beat writer Jack Kerouac believed literature should aim to be more like jazz, using improvisation to burrow down to the root of the subconscious. In this video from the University of Pennsylvania’s Modern and Contemporary Poetry course, Professor Al Filreis directs a conversation of Kerouac’s manifesto, “Essential of Spontaneous Prose.”

How a Seattle scenester pranked The New York Times with ridiculous grunge 'slang'

In 1992, The New York Times was eager to report on the grunge phenomenon. When a Times reporter called Megan Jasper, who'd previously worked at Sub Pop, she decided to have some fun, feeding him a fake "Lexicon of Grunge."

The Vintage Contemporaries imprint defined the voice of 1980s and 1990s American fiction

The carefully curated line of fiction featured some of the brightest stars in late-20th-century American literature, including Jay McInerney, Cormac McCarthy, and Don DeLillo, and featured eye-catching covers that looked like nothing else on bookshelves.

Watch writer John Steinbeck's Nobel Prize acceptance speech.

The criticism of 'selling out' has waned in the 21st century

Although patronage was a regular part of artists’ income throughout the 19th century, the insult “sell out” gained prominence in the 1950s. The jazz and folk communities, in particular, levied the term at artists they believed had sacrificed their integrity for financial gain.

Understanding Thoreau's critique of American work

John Kaag, a coauthor of "Henry at Work: Thoreau on Making a Living," explains how the writer is often mischaracterized as a layabout who avoided responsibilities. Kaag, though, notes that Thoreau was a jack-of-all-trades—working as a schoolteacher and a handyman, and even for his father's pencil-manufacturing company—who came to believe that relentless striving was getting in the way of authentic living.

Dan Buettner, the journalist who popularized the term blue zones, fires back at criticisms of blue zones in this 2026 letter to the editor published by STAT News.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

How does someone become the ‘voice of a generation’?

From modern authors like Sally Rooney and JD Salinger, to the 19th century Pre-Raphaelite Brotherhood, the concept of artists voicing a generation's sentiments goes way back. Read this analysis to understand the concept's history and uncover the potential issues with generalizing a generation's feelings.

Actors on 'All the President's Men' immersed themselves in real-world reporting

Dustin Hoffman and Robert Redford spent months shadowing the real Carl Bernstein and Bob Woodward—working at The Washington Post, living with Bernstein's family, and studying their mannerisms—to bring authentic nuance to their portrayals of Watergate's investigative journalists.

Joan Didion interviewed The Grateful Dead in 1967, before they became music icons.

The evolving categories of the Pulitzer mirror the state of contemporary journalism

The inaugural prizes in 1917 selected four winners: two for newspaper journalism (including a look inside the German Empire amid World War I) and two for books. However, the slate has evolved to include online-only outlets (2009), magazines (2015), and audio reporting (2020). The 2024 Pulitzers, in particular, marked a noticeable shift: More digital outlets were awarded than traditional newspapers, illustrating a sharp decline in local newspapers and a rise in digital outlets.

John Hersey’s ‘Hiroshima’ focused on the stories of atomic bomb victims

The nonfiction book is considered one of the earliest pieces of New Journalism and an arresting case against nuclear warfare. Describing the pain, wounds and trauma of six ordinary citizens, “Hiroshima” played a powerful role in American perception of the war by focusing on its human toll.

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

Many critics dismissed Norman Rockwell as overly sentimental

The painter’s portraits of American life were often dismissed as commercially minded, banal, or kitschy, especially when compared with the more abstract art of the time. Rockwell, however, was undeterred, commenting that he wanted to produce work that would make viewers “want to sigh and smile at the same time.”