'The grotesque' describes a feature of Gothic literature

O'Connor believed grotesque fiction was realistic

O'Connor argued that although the style might not be recognizable to all readers, "the grotesque" attempts to reckon with life's inherent mystery. "Of course, I have found that anything that comes out of the South is going to be called grotesque by the Northern reader," she said, "unless it is grotesque, in which case it is going to be called realistic."

Horror evolved from Gothic literature

Although creepy tales can be found in nearly every folk tradition, the roots of modern horror can be traced back to Gothic literature, which focused on the battle between humans and unnatural, evil forces.

Literary theorists distinguish between ‘terror’ and ‘horror’

In her essay “On the Supernatural in Poetry,” gothic novelist Ann Radcliffe defined “terror” as the lurking, unseen specter in a story—something that defined gothic literature. “Horror,” on the other hand, was the explicit portrayal of it. For her, the former was artistic, while the latter was cheap.

Horror stories often rely on tropes

All literary genres use tropes, a word used to describe established plot devices, character types, and themes. Horror has many of them, like the "Creepy Child" and the "Evil Mask." Some are based on folklore, like the "Deal with the Devil."

The human cost of creating medieval monsters

The concept and creation of monsters have been used since time immemorial to communicate social norms and the consequences of breaking them. Some so-called monsters were judged as such solely due to having features that would be considered birth defects in modern times. This in-depth article explores the human cost of creating medieval monsters, many of whom were defined by a physical appearance that deviates from the expected.

Horace Walpole’s ‘The Castle of Otranto’ was the first Gothic novel

Walpole’s 1764 novel takes place in a haunted castle, with self-closing doors, moving pictures, and a wandering ghost—many of the tropes that would come to define the Gothic and horror genres, and influence other genres like fantasy.

Early English fantasy writers built on horror and Gothic texts

After the success of 19th-century books like Mary Shelley’s “Frankenstein” and Robert Louis Stevenson’s “The Strange Case of Dr. Jekyll and Mr. Hyde,” readers were eager for more stories that deviated from realism. Early 20th-century texts like George MacDonald’s “Phantastes” and Lord Dunsany’s “The King of Elfland’s Daughter” met the moment, laying the groundwork for the fantasy genre.

Body horror is a subgenre that uses anxieties about appearance

Made popular in the 1980s through films like “The Fly,” the body horror subgenre focuses on physical transformation and violence. It gained significant attention in 2024, thanks to the critical attention “The Substance” received, including an Academy Award nomination for best picture.

Rather than relying on blood and gore, folk horror involves remote settings and ancient traditions.

Horror is an artistic genre aimed at scaring its audiences

Whether it's a movie, novel, comic book or any of the genre's other terrifying incarnations, horror's primary purpose is to scare its audiences. Throughout its history, the style has evolved and splintered, and now includes many subgenres, like the slasher flick, the found footage film, and even the horror comedy.

Dystopian literature is focused on oppressive societies

The subgenre can come in many forms, but its shared traits are the way it reflects the anxieties and satirizes the utopian thinking of its writers’ societies. One of the earliest examples is Jonathan Swift's "Gulliver's Travels."

Fantasy is a genre that relies on the supernatural

Fantasy is a literary genre that embraces supernatural and magical elements. While the stories often follow common narrative archetypes, like a quest, they frequently take place in elaborately constructed worlds, which sometimes have their own complex physics, lifeforms, and societies.

The word 'vampire' appeared in the English-speaking world in the 1730s

However, earlier mentions of creatures with similar characteristics existed throughout Medieval Europe. For example, people often spoke of revenants—restless dead creatures who tormented the living. Historians believe these stories grew in popularity in part because of influence from the Catholic Church, which was emphasizing the idea of purgatory. These older revenant stories eventually influenced modern vampire folklore.

Ghosts can work as powerful literary devices

Noteworthy American novels like Toni Morrison’s "Beloved" tell us how spirits help deliver information and greater truths unknown to the characters. Wondering about our souls is common in literature, and the phantoms in these tales offer a unique way of contemplating the complicated experience of being human.

Writer Washington Irving was the first to call New York City 'Gotham,' referencing an Anglo-Saxon word for a village of fools.

Googie architecture, a cousin of mid-century modernism, was a popular style for American roadside attractions.

The ‘Universal Monsters’ series solidified horror as a film genre

Before 1931, most scary movies were billed as “mystery” or “suspense” with grounded explanations for anything "supernatural." That changed with “Dracula,” which presented the character as a real vampire who drank victims' blood. Universal continued adapting similar titles, including HG Wells’ “The Invisible Man” and Edgar Allan Poe’s short stories.

Ten of the most horrifying moments in film

Many films in the genre lean into gratuitous horror, putting off the average viewer. This list of ten moments highlights particularly terrifying scenes from films that otherwise met with mainstream acclaim, from "Mulholland Drive" to "The Lord of the Rings."

German expressionism produced some of horror’s earliest classics

After World War I, German filmmakers turned from reality to the surreal, fusing experimental art with the nascent world of film. Some of the movement’s most notable films, like FW Murnau’s “Nosferatu: A Symphony of Horror” and Robert Wiene’s “The Cabinet of Dr. Caligari,” were intent on frightening their audiences.

A comparative analysis of the romance and horror genres' overlap

Both genres aim to make their readers' hearts pound, albeit in different ways. Romance novelist Trilina Pucci argues that the gap between the two aims is much slimmer than it may seem, with some horror tropes (like a man enraged by the abuse of his wife) and romance tropes (like the subgenre of dark romance) blurring the line.

Ghost stories across cultures often trace back to traumatic events

From a bat-like demon in Tanzania to a malevolent woman figure hovering above your sleeping body, the four disturbing tales outlined in this NPR article offer a glimpse into how happenings from WWII or the Aztec Empire haunt people’s memories.

Peruse the works of spooky 19th-century writer Edgar Allen Poe

Edgar Allen Poe is one of the central figures of Gothic and Romantic literature of the 19th century, penning famous short stories like "The Tell-Tale Heart" and the long poem "The Raven." This digital library collects over 130 of his works in one...

Ancient ghost stories appeared in texts like 'The Odyssey'

Sharing ghost tales has been around for centuries. Ancient Mesopotamia, Rome, and Greece each had their own chilling stories about encountering spirits. Find mentions of specters in some of history’s most famous writings like the "Epic of Gilgamesh" and "The Odyssey."

Critics often use the word ‘Shakespearean’ to describe a dramatic story

Calling something “Shakespearean” often denotes a high-quality work of art or a story that recalls one of the Bard’s plays.

‘Frankenstein’ is a classic horror novel

Few novels have been as influential as Mary Shelley’s “Frankenstein.” The 1818 novel is considered the first science fiction novel and a cornerstone of the horror genre. The text has also been widely adapted for the screen and is responsible for at least two major archetypes: the creature and the mad scientist.

The story of serial killer Ed Gein who inspired pop culture

The creators of antagonists from "Silence of the Lambs" and "Texas Chainsaw Massacre" took notes from this horrifying Wisconsinite's story, known for body-snatching and creating keepsakes from corpses.

Fantasy is heavily influenced by myths, legends, and folk tales

In fantasy, anything is possible, mirroring the supernatural worlds of history’s earliest stories. The narrative voice of fantasy is often similar to early tales, too, with an affinity for the magisterial rather than the contemporary.

A pop culture taxonomy of the Byronic hero

The Byronic hero, a moody but ultimately noble archetype credited to Lord Byron, isn’t just a fixture of romanticism: the character type can still be found throughout popular culture. Look no further than this detailed explainer from TV Tropes, which illustrates the Byronic hero’s characteristics and appearances in different media.

Contemporary horror novelists on their favorite scary stories

Ten of horror's best writers name the books that still give them nightmares. From established classics, like Stephen King's "IT" and Shirley Jackson's "The Haunting of Hill House," to unexpected picks like Katherine Dunn's "Geek Love," this collection of scary stories is a perfect reading list for Halloween.

The perception of haunted places is influenced by psychology, setting and suggestion

Gothic architecture and tragic histories contribute to the perception of hauntings. Infrasound and black mold can cause experiences reminiscent of paranormal phenomena. Although paranormal investigators use technology to seek natural explanations, many paranormal experiences remain non-falsifiable.

Stephen King is drawn to horror's childish power

This 1986 appearance promoting King's directorial debut finds him reflecting on what makes horror, which he says is its ability to strip away pretense, reducing supposedly sophisticated people to terrified children. He also seems to have already soured on the movie business, calling filmmaking "a primitive way to create," a not-so-subtle dig at Stanley Kubrick's adaptation of "The Shining," which notoriously disappointed King.

Bram Stoker's 'Dracula' was inspired by a seafood-induced nightmare.

‘Horror hosts’ helped build the genre’s cult following

Horror is now considered high art, but much of its cult popularity is due to the B-movies that defined the genre. Starting in the 1950s, many of these low-grade films were licensed on the cheap by television networks to fill airtime, introduced by “horror hosts”—MCs with campy, over-the-top personas.

'Graffiti' comes from the Italian for 'a scribbling'

The word was first used in 1851 to describe the ancient inscriptions on Pompeii's walls. "Graffiti" is the plural form of "graffito," which means "a scribbling."

Dystopian literature is a form of speculative fiction

The classification includes any fiction that "speculates" about how society might operate in the future or in contexts different from the present reality. The genre is an umbrella term for science fiction, fantasy, alternative historical fiction, dystopian and utopian fiction, and apocalyptic and post-apocalyptic fiction.

JRR Tolkien believed fairy tales needed dramatic reversals of fortune

Tolkien coined the term "eucatastrophe" to define what he believed as an essential key to good storytelling: “The consolation of fairy-stories [is] the joy of the happy ending: or more correctly of the good catastrophe, the sudden joyous ‘turn.'"

Brutalism's definition has shifted over time

The term originally referred to a modernist style popular in Great Britain following World War II. They were large, optimistic projects that often facilitated community. Later, though, brutalism came to mean buildings primarily made of concrete that appear sinister or authoritarian.

Ghost stories can help us process death

Scholar Coya Paz’s research into ghost stories indicated that people often use them to grieve and remember tragic histories. Paz notes that specters in stories almost always demand to be acknowledged. She also shares the three most common types of ghosts we hear about are either vengeful, unwelcoming, or comforting.

Arnold Schoenberg's experimentations with dissonance and sound influenced the way films are scored.

Hitchcock films thrive on the terror of the ordinary

Hitchcock's films rely on seemingly ordinary elements—like birds or hotels—but slowly turn them into menaces, thanks to the director's pioneering camera techniques. (Some readers may experience a paywall.)

The history of ghosts, explained

The afterlife has perplexed humans across different periods, cultures, and belief systems. The desire to understand what comes next is often explored through the telling of ghost stories. Learn more about the spooky phenomena here.

How the Grimm Brothers saved the fairy tale

Jacob and Wilhelm Grimm are responsible for putting the oral stories of the German people into print through the 1800s. Though not intended for children (and often quite violent), these folk tales would become the basis for the modern fairy tale. This article from the world's foremost Grimm specialist, Jack Zipes, uncovers the history of the Brothers Grimm and details how the stories intended to codify German values would eventually spread across the globe.

Some theorize that horror's artifice turns fear into enjoyment

The “excitation transfer theory” suggests that the unpleasant feelings a jump scare might elicit (like shortness of breath) are quickly relieved when the audience member remembers what they’re witnessing is fake.

Tove Jansson's illustrations for 'The Hobbit' rankled some of its diehard fans

The Nordic illustrator was asked to contribute illustrations for the 1960 Swedish translation of J.R.R. Tolkien's "The Hobbit." Some fans were critical, though, arguing that the images didn't accurately represent Tolkien's Middle-earth. One of their most convincing pieces of evidence was Jansson's portrayal of Gollum, which she turned into a massive beast. After seeing it, Tolkien realized he needed to specify that the character was "a small, slimy creature."

Ghosts didn't say 'boo' until the 19th century

The word derives from Scotland in the early modern era and was often used to assert oneself. Eventually, it became a way to startle someone, and by the 19th century, was the go-to utterance of literary spirits.

A guide to brutalism, architecture's most polarizing style

Brutalism is an architectural style that emphasizes raw materials, bold lines, and limited ornamentation. Although it was most popular in the middle of the 20th century, its fans can still be found across the globe, championing the misunderstood buildings in the world's major cities. This article from Dwell defines the style and unpacks why people feel so passionately about this design style.

Horror exploded as a commercial literary genre in the late 1960s

Ira Levin’s 1967 novel “Rosemary’s Baby” showed publishers horror was a viable commercial genre. That was proven again in 1971, with William Peter Blatty’s “The Exorcist” and again in 1974 with Stephen King’s “Carrie.” The books dealt with societal fears (the occult, drugs, sex) during a time of political upheaval.

The scarecrow isn't an effective tool for farms, but it is a potent symbol in horror

Scarecrows are no longer the best way for farmers to prevent birds from messing with their crops, but the humanlike figures are still found in horror movies. Folklorists say that's because they recall an agrarian past that makes modern viewers uneasy.

Elephant bones likely inspired the cyclops character that appears in 'The Odyssey.'

One writer believes fantasy is a form of realism

The literary genre has become massively popular in the 2020s, turning a previously marginal form into a mainstream concern. Spufford, a literary novelist who grew up loving books that explored fantastic worlds, argues that fantasy is so popular because it so accurately reflects the real world.