The Shirelles' 'Will You Love Me Tomorrow' was the first girl group record to reach No. 1

Hear the first classic girl group record: the Chantels’ ‘Maybe’

While there were all-female vocal groups before the Chantels, most critics consider the group’s 1957 single “Maybe” to be the first record of the classic girl group sound because it established the model’s foundational elements: a mid-tempo backbeat, soaring harmonies, and yearning lyrics.

Billboard's first No. 1 single was Tommy Dorsey Orchestra's 'I'll Never Smile Again'

The song was No. 1 on Billboard’s Best Selling Retail Records chart, the predecessor to the Hot 100. The chart only measured record copies sold, excluding other indicators of popularity, like sheet music sales or jukebox plays, that were used on other charts.

'Where Did Our Love Go' was the first of 12 No. 1 singles for the Supremes

Phil Spector's Philles Records was home to several definitive girl group singles

The label, formed by Spector and Lester Sill, released most of Spector's early "wall of sound" recordings, including the Crystals' "Then He Kissed Me" and the Ronettes' "Be My Baby." This 1963 compilation, "Philles Records Presents Today's Hits," collects some of the label's early hits.

Carole King wrote—and later regretted—the song 'He Hit Me (And It Felt Like a Kiss),' which she now believes excuses domestic violence.

Watch a definitive girl group documentary

The 1983 documentary "Girl Groups: The Story of a Sound" features archival footage of some of the Shirelles, the Ronettes, the Shangri-Las, and more alongside interviews with the performers and songwriters. It's a fascinating look back at the music, told by the people who pioneered it.

The Brill Building was a breeding ground for girl group classics

New York City's Brill Building housed the working offices for over 160 music industry professionals, including some of the country's finest songwriters, such as Neil Diamond, Burt Bacharach, and George Clinton. Below is a 1959 picture of three more Brill Building pros: Carole King, Paul Simon, and Gerry Goffin.

Before becoming a country superstar, Dolly Parton recorded girl group-style singles as a teenager, including one that became a hit outside the US.

The American girl groups of the 1950s and '60s had a profound influence on The Beatles, who frequently paid homage to acts like the Marvelettes and the Ronettes

Dolly Parton's 'I Will Always Love You' is a widely covered standard that's been a No. 1 hit multiple times.

Barrett Strong's 'Money (That's What I Want)' was Motown's first hit record, reaching both Billboard's R&B and pop charts in 1960.

The classic girl group sound arrived with doo-wop

Doo-wop was a type of vocal-based pop music popular in the '50s that coincided with the rise of early rock 'n' roll. The mid-tempo, harmony-heavy songs about teenage life provided the template for the girl group sound, which arrived at the end of the decade.

The Ronettes' 'Be My Baby' is a quintessential 'wall of sound' record

The 1963 single features one of the most recognizable drumbeats in the world; many critics consider the song the greatest pop recording of all time. If nothing else, it's a definitive example of both the classic girl group sound and Phil Spector's ingenious 'wall of sound.'

Maurice Williams and the Zodiacs' 'Stay' is the shortest song ever to hit No. 1 on the Billboard Hot 100 chart.

'9 to 5' was Dolly Parton's first No. 1 pop hit.

The Beach Boys' Brian Wilson said 'Be My Baby' is 'the greatest record ever produced.'

Check out the records stocked in the jukebox at the Stonewall Inn, the bar responsible for modern Pride celebrations.

The artists with the most No. 1 singles

Scoring a No. 1 single is a difficult task—less than 4% of the songs that have made Billboard's Hot 100 chart have ever reached the top spot. This list breaks down the most elite hitmakers in Billboard history, including the Supremes, Taylor Swift, and the Beatles, who released an incredible 20 No. 1 singles.

Phil Spector's 'wall of sound' revolutionized girl groups—and pop music

The method captured a room of live musicians and transmitted the sound into a basement outfitted with more speakers and microphones. That sound was then sent into the central control room, producing a massive recording that sounded unlike anything else in pop music.

Watch Bill Haley bring rock 'n' roll to mainstream America with his first performance on 'The Ed Sullivan Show.'

Dolly Parton released her first recording at age 13, a rockabilly number she cowrote called 'Puppy Love.'

Brian Wilson originally wrote the Beach Boys' classic 'Don't Worry Baby' for the Ronettes, but the legendary girl group rejected it.

Destiny's Child was the biggest girl group of the 2000s

Before she was the mononymous superstar, Beyoncé Knowles was one-fourth of Destiny's Child, the biggest girl group of the 2000s. The group's second album, "The Writing's on the Wall"—which included hits about female independence like "Bills, Bills, Bills"—sold 13 million copies, making it one of the bestselling girl group records of all time.

The Boswell Sisters were the precursors to the American girl group

The jazz trio, popular in the '20s and '30s, doesn't share much in common with the sounds of the well-known pop-oriented girl groups, but the sisters' prominence in a male-dominated industry provided an early example for later groups. Check out their appearance in the 1932 film "The Big Broadcast," performing the song "Crazy People."

As a girl, Billie Holiday fell in love with music while scrubbing the floors of a brothel

Record players were rarities in the 1920s, but Holiday had access to one at Alice Dean's, the brothel in Baltimore where she scrubbed floors. It was there that she listened to her heroes, Louis Armstrong and Bessie Smith.

The Beatles were not an immediate success in the US—their label rejected their first two singles, and the band was mocked on the TV show 'American Bandstand.'

'Over the Rainbow' became a widely covered standard

Judy Garland’s original 1939 version won the Academy Award for best original song, though it never appeared on the Billboard pop singles chart (which didn’t appear until 1940). Twenty different versions of the song by other artists—including Willie Nelson, Patti LaBelle, and Israel "Iz" Kamakawiwo'ole—have appeared on numerous Billboard charts.

Although payola was made illegal in 1960, it likely continued on the Billboard charts through the '70s

In his book “Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves,” music journalist Chris Dalla Riva argues that payola, the music industry term for undisclosed paid publicity, likely continued into the 1970s with the Billboard chart. Dalla Riva cites chart irregularities and reports about Bill Wardlow, Billboard’s then director of sales, who was a known booster for disco label Casablanca Records.

Dolly Parton's 'I Will Always Love You' was written as a goodbye for her musical collaborator, Porter Wagoner.

Elvis Presley wanted to record 'I Will Always Love You,' but Dolly Parton refused.

A legendary rock writer ranks the greatest girl group records

Greil Marcus is considered one of the greatest American rock writers of all time, providing a literary legitimacy to rock ‘n’ roll when it was still considered mere pop culture. This 1975 essay on the great girl group records is the perfect example, offering a thought-provoking analysis of the era’s definitive singles.

A 'girl group' is an all-female vocal group

It's not a perfect descriptor, but it's the one that stuck, due mainly to the definitive girl groups of the late 1950s that sang about teenage love. Since then, though, the girl group sound has evolved, even if the term has remained the same.

Billboard's early music charts were racially segregated

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

Billie Holiday's label refused to release 'Strange Fruit,' a protest song about lynching, because of fears of negative reactions from southern retailers.

Motown Records used an assembly-line approach to songwriting, inspired by founder Berry Gordy's time at Ford Motor Company.

‘Torch songs’ are passionate expressions of unrequited love

The term comes from an idiom about dedicated romantics carrying torches for their love interests. The style was especially popular for female vocalists before the rise of rock ‘n’ roll and significantly influenced early girl group records.

Is the love song dying?

This visual essay, compiled using 65 years of industry data, is an entertaining trip through the history of pop music, exploring whether or not music has grown less romantic. But, at its heart, this isn't about the Billboard charts—it's about the many different ways we define romance.

Explore a critics' list of the 100 best songs of the 1960s, featuring records by the Beach Boys, the Ronettes, Miles Davis, and more.

'Take Me Out to the Ballgame,' the song that's now a 7th inning tradition at every MLB game, was inspired by a billboard advertisement.

Bossa nova standard 'The Girl from Ipanema,' made famous by Astrud Gilberto, is one of jazz's most famous songs.

Mort Sahl released the first stand-up album

There were comedy records that came before “The Future Lies Ahead,” but Sahl’s 1958 album, released by jazz imprint Verve, was the first official recording that captured a complete stand-up set.

Taylor Swift's songwriting resonated with teenage girls around the world

One fan recalls that the themes of Swift's early songs included hope, betrayal, and a sense of being unremarkable but wanting to be special. She argues that these themes were especially powerful to young girls, regardless of where they were from.

Stan Getz initially didn't want to release 'The Girl from Ipanema,' which would go on to become one of the most popular jazz recordings ever.

Mariah Carey's 'All I Want for Christmas Is You' is the longest-running No. 1 single

In 2025, the 1994 track spent 20 weeks atop Billboard’s Hot 100 chart. The song has been a popular Christmas number since its release, but streaming has elevated it to a perennial chart-topper: Every time someone plays the song on a service like Spotify (something that’s likely to happen every holiday season), they’re effectively casting a vote for it to hit the chart.

'Livery Stable Blues' was the first jazz recording and helped popularize the genre

The 1917 song by the Original Dixieland Jass Band was the first jazz recording to be issued and put the New Orleans sound on the national stage, along with inspiring several soundalikes.

Bob Newhart was the first comedian to have a chart-topping album with his 1960 record 'The Button-Down Mind of Bob Newhart.'

The Beatles loved Motown Records, covering some of the label's songs while honing their skills as a club act in Germany.

Billie Holiday ensured performances of 'Strange Fruit' had the right context

In the song's earliest performances at Cafe Society in New York, one of a few truly integrated nightclubs in the society, the song was always performed last, after bar service had stopped, with a single spotlight on Holiday so audiences would pay close attention to the lyrics. Later, Holiday included her ability to perform the song in her concert contracts, allowing her to sing it even if venue owners were nervous about its protest message.

Microphone technology made crooning possible

Before the electric microphone, vocalists needed to project to have their voices captured. The new technology, however, made softer, more intimate singing possible, leading to a new style of singing that took off in the late 1920s, with "crooners" becoming some of the first American pop stars.

'The Jazz Singer,' the first film with synchronized sound, changed Hollywood

Movies changed forever in 1927, when Warner Bros. released "The Jazz Singer," the first feature film with integrated dialogue. Based on a Broadway musical, the movie starred Al Jolson as the son of a Jewish cantor who wants to be a popular singer.