Phil Spector's Philles Records was home to several definitive girl group singles

Phil Spector's 'wall of sound' revolutionized girl groups—and pop music

The method captured a room of live musicians and transmitted the sound into a basement outfitted with more speakers and microphones. That sound was then sent into the central control room, producing a massive recording that sounded unlike anything else in pop music.

The Ronettes' 'Be My Baby' is a quintessential 'wall of sound' record

The 1963 single features one of the most recognizable drumbeats in the world; many critics consider the song the greatest pop recording of all time. If nothing else, it's a definitive example of both the classic girl group sound and Phil Spector's ingenious 'wall of sound.'

Before becoming a country superstar, Dolly Parton recorded girl group-style singles as a teenager, including one that became a hit outside the US.

The American girl groups of the 1950s and '60s had a profound influence on The Beatles, who frequently paid homage to acts like the Marvelettes and the Ronettes

Hear the first classic girl group record: the Chantels’ ‘Maybe’

While there were all-female vocal groups before the Chantels, most critics consider the group’s 1957 single “Maybe” to be the first record of the classic girl group sound because it established the model’s foundational elements: a mid-tempo backbeat, soaring harmonies, and yearning lyrics.

Watch a definitive girl group documentary

The 1983 documentary "Girl Groups: The Story of a Sound" features archival footage of some of the Shirelles, the Ronettes, the Shangri-Las, and more alongside interviews with the performers and songwriters. It's a fascinating look back at the music, told by the people who pioneered it.

Carole King wrote—and later regretted—the song 'He Hit Me (And It Felt Like a Kiss),' which she now believes excuses domestic violence.

The Shirelles' 'Will You Love Me Tomorrow' was the first girl group record to reach No. 1

The 1960 song, composed by husband-and-wife Brill Building occupants Gerry Goffin and Carole King, was more than a little suggestive. The main character wondered if her partner would abandon her after a night of passion, leading to some stations banning the record. But it also propelled the song to the top of the Billboard Hot 100.

Brian Wilson originally wrote the Beach Boys' classic 'Don't Worry Baby' for the Ronettes, but the legendary girl group rejected it.

The classic girl group sound arrived with doo-wop

Doo-wop was a type of vocal-based pop music popular in the '50s that coincided with the rise of early rock 'n' roll. The mid-tempo, harmony-heavy songs about teenage life provided the template for the girl group sound, which arrived at the end of the decade.

A legendary rock writer ranks the greatest girl group records

Greil Marcus is considered one of the greatest American rock writers of all time, providing a literary legitimacy to rock ‘n’ roll when it was still considered mere pop culture. This 1975 essay on the great girl group records is the perfect example, offering a thought-provoking analysis of the era’s definitive singles.

The Brill Building was a breeding ground for girl group classics

New York City's Brill Building housed the working offices for over 160 music industry professionals, including some of the country's finest songwriters, such as Neil Diamond, Burt Bacharach, and George Clinton. Below is a 1959 picture of three more Brill Building pros: Carole King, Paul Simon, and Gerry Goffin.

The Shaggs weren't good musicians, but they still made a classic

In 1969, the three sisters recorded "Philosophy of the World"; only 100 copies were publicly distributed. The record became a cult classic thanks to its strange backstory (their father forced them into playing music) and the band's amateurism. Critic Lester Bangs wrote, "They can't play a lick! But mainly they got the right attitude, which is all rock'n'roll's ever been about from day one."

Explore a critics' list of the 100 best songs of the 1960s, featuring records by the Beach Boys, the Ronettes, Miles Davis, and more.

The Beach Boys' Brian Wilson said 'Be My Baby' is 'the greatest record ever produced.'

The Beatles were not an immediate success in the US—their label rejected their first two singles, and the band was mocked on the TV show 'American Bandstand.'

The '90s saw a resurgence of the girl group

The '90s saw a resurgence of the girl group, with acts like TLC, the Spice Girls, and Destiny's Child turning the model on its head. While still strongly influenced by the '50s and '60s girl groups, these acts also worked in hip-hop and dance music. More significantly, they emphasized female empowerment—or "girl power"—rather than adolescent yearning.

Clive Davis was responsible for signing influential artists and superstars, including Patti Smith, Bruce Springsteen, and Alicia Keys.

The Boswell Sisters were the precursors to the American girl group

The jazz trio, popular in the '20s and '30s, doesn't share much in common with the sounds of the well-known pop-oriented girl groups, but the sisters' prominence in a male-dominated industry provided an early example for later groups. Check out their appearance in the 1932 film "The Big Broadcast," performing the song "Crazy People."

A 'girl group' is an all-female vocal group

It's not a perfect descriptor, but it's the one that stuck, due mainly to the definitive girl groups of the late 1950s that sang about teenage love. Since then, though, the girl group sound has evolved, even if the term has remained the same.

Check out the records stocked in the jukebox at the Stonewall Inn, the bar responsible for modern Pride celebrations.

Minnelli collaborated with Pet Shop Boys on an album in the 1980s

Her 1989 album "Results" was a rare venture into contemporary pop. Produced by the British pop duo, the tracks are dark and synthy, infused with Minnelli's show-tune background. Music videos that resulted, like for the song "Losing My Mind," are also shot in a style reminiscent of the Pet Shop Boys. (Some readers may experience a paywall.)

The Beatles' labels released almost twice as many of the band's records in the US to capitalize on the band's popularity.

Stan Getz initially didn't want to release 'The Girl from Ipanema,' which would go on to become one of the most popular jazz recordings ever.

As a girl, Billie Holiday fell in love with music while scrubbing the floors of a brothel

Record players were rarities in the 1920s, but Holiday had access to one at Alice Dean's, the brothel in Baltimore where she scrubbed floors. It was there that she listened to her heroes, Louis Armstrong and Bessie Smith.

Microphone technology made crooning possible

Before the electric microphone, vocalists needed to project to have their voices captured. The new technology, however, made softer, more intimate singing possible, leading to a new style of singing that took off in the late 1920s, with "crooners" becoming some of the first American pop stars.

'Where Did Our Love Go' was the first of 12 No. 1 singles for the Supremes

Destiny's Child was the biggest girl group of the 2000s

Before she was the mononymous superstar, Beyoncé Knowles was one-fourth of Destiny's Child, the biggest girl group of the 2000s. The group's second album, "The Writing's on the Wall"—which included hits about female independence like "Bills, Bills, Bills"—sold 13 million copies, making it one of the bestselling girl group records of all time.

The most popular drum sound of the 1980s was discovered by accident

You know it when you hear it: the distinct snare drum of songs like Phil Collins' "In the Air Tonight" or Bruce Springsteen's "Born in the USA." It's called "gated reverb," and it's something most people associate, for better or worse, with the sound of the '80s. This Vox explainer breaks down how it was discovered by accident, thanks to a microphone typically used for communication that picked up additional sounds.

The Beatles' 'Tomorrow Never Knows,' the final track from 1966's 'Revolver,' used innovative recording methods—including a rudimentary form of sampling—to redefine the sound of popular music.

Judee Sill's admirers hear a legend gone before her prime

The singer-songwriter released only two albums in her lifetime: 1971's self-titled and 1973's "Heart Food." Critics and contemporaries (including Graham Nash and David Crosby) praised both, though they were commercial flops. She died of a drug overdose in 1979 and had grown so obscure by then that no obituary was published. In the early 2000s, her recordings were reissued and found a new generation of fans.

The surprising and strange sources behind 12 famous songs

Britney Spears's "Toxic" borrowed strings from a 1981 Bollywood film, Billie Eilish sampled The Office, and one duo made an entire album using only the sounds of their Whirlpool washing machine. Explore how sampling can pull from pretty much anywhere.

Listen to "Yesterday and Today," the 1966 Beatles album only released in the US.

'New wave' was coined for listeners put off by punk's ethos

The term was a reference to New Wave cinema, an iconoclastic, largely French form. Sire Records' Seymour Stein is believed to have pushed to use it to describe the label's bands, many of which came from the CBGB's scene, to avoid the negative associations with "punk rock." Sire ran a promotional campaign named "Don't Call It Punk" that made that message clear.

Biz Markie's "Alone Again" changed the laws for sampling

Before 1991, there was no established legal standard for the gray area of sampling. That changed when Gilbert O-Sullivan sued Biz Markie for using his song "Alone Again (Naturally)." After the case, labels were required to clear all samples, and artists were discouraged from creating sample-heavy music.

The Velvet Underground is often considered a starting point for punk rock

The band blended Warhol’s Pop Art with Beat poetry, early rock ‘n’ roll and the European avant-garde, creating a sound that was often chaotic, noisy and abrasive. The band’s debut album, “The Velvet Underground and Nico,” sold poorly, but (supposedly) everyone who purchased a copy started a band.

Explore Abbey Road Studios, the site that invented stereo recording and was the site of most of the Beatles' recordings.

The Buzzcocks' 1975 self-released EP inspired a DIY ethos for punk

Punk sought to dismantle the self-importance of mainstream rock, favoring simple arrangements, short songs, and raw passion over sophistication or expertise. When the Buzzcocks struggled to find a label to release their debut record, “Spiral Scratch,” they took that do-it-yourself approach and applied it to business by releasing it themselves.

Before the Velvet Underground, Lou Reed was a workaday songwriter

His job at Pickwick Records, a label that churned out budget records for department stores, was to crank out generic pop fare. One of those songs was 1964’s “The Ostrich,” a dance song in the style of Chubby Checker’s “The Twist” and Little Eva’s “The Loco-Motion.”

Sun Ra and his band operated a grocery store in Philadelphia

Ra arrived in Philadelphia in 1968, settling into a home in the city's Germantown neighborhood with his band, the Arkestra, where they would practice for hours on end. The ban also operated a grocery store called Pahroah's Den, which sold produce, candy, and Sun Ra records. You can see scenes from the store, along with several astonishing performances, in the 1980 documentary "A Joyful Noise."

Brian Wilson and the Beach Boys were an influence on early punk rock

The Beach Boys' sunny sound profoundly influenced early punk acts like the Ramones, who took Brian Wilson's sugary hooks and ramped up the tempo.

How Rock and Roll Hall of Fame inductees New Order forged a new sound

Formed in the ashes of post-punk outfit Joy Division, the British group incorporated synthesizers and pulsating, disco beats for "Blue Monday," their early single that would come to define the 1980s sonic landscape.

An early Sly and the Family Stone live recording was discovered in 2002

A live recording of the legendary funk band in 1967—shortly before their mainstream breakthrough—was found in 2002 by two of the band's unofficial archivists. However, the full recording, "The First Family: Live at Winchester Cathedral 1967," wasn't released until 2025.

An early Sex Pistols show is credited with inspiring other influential acts

When the Sex Pistols first ventured out to a small music hall in Manchester, only 40 people were in attendance. But, like the longtail influence of the first Velvet Underground album, the show's impact was massive: In the crowd that night were members of Buzzcocks, the Smiths, and Joy Division.

Patti Smith's 'Horses' was the first album from the CBGB scene

The poet’s debut album, released in 1975, blended literature and the early New York punk sound. Smith called the combination “three chords merged with the power of the word.” Throughout the album, she references and repurposes earlier rock hits (including Them’s “Gloria” and Chris Kenner’s “Land of 1,000 Dances”).

Listen to the 'Deep Six' compilation, one of the first collections of grunge

In the '80s, "grunge" was still not a widely used term, though there was a distinct sound coming from Seattle, one that blended punk and metal. C/Z Records decided to document the emerging sound in 1985 by releasing a compilation with six of the city's cutting-edge bands, including Green River, Melvins, and Soundgarden.

Brian Wilson and the Beach Boys were an influence on early punk rock

The Beach Boys' sunny sound profoundly influenced early punk acts, such as the Ramones, who took Brian Wilson's sugary hooks and ramped up the tempo. In the 1980s, 1990s, and 2000s, California pop-punk acts such as the Descendents, Green Day and Blink-182 continued the tradition.

Billie Holiday's label refused to release 'Strange Fruit,' a protest song about lynching, because of fears of negative reactions from southern retailers.

Although payola was made illegal in 1960, it likely continued on the Billboard charts through the '70s

In his book “Uncharted Territory: What Numbers Tell Us about the Biggest Hit Songs and Ourselves,” music journalist Chris Dalla Riva argues that payola, the music industry term for undisclosed paid publicity, likely continued into the 1970s with the Billboard chart. Dalla Riva cites chart irregularities and reports about Bill Wardlow, Billboard’s then director of sales, who was a known booster for disco label Casablanca Records.

Barrett Strong's 'Money (That's What I Want)' was Motown's first hit record, reaching both Billboard's R&B and pop charts in 1960.