A Camus scholar believes 'The Stranger' is often misread as a role model

The first line of 'The Stranger' is one of literature's most famous openings

The novel's first sentence thrusts readers into the narrator Mersault's world, but its meaning can shift depending on the translation. A 1988 translation by Matthew Ward attempted to "Americanize" the text, removing some Britishisms and bringing it closer to what Camus intended in the original French manuscript. That included changing "Mother" to "Maman," a more familiar—and childlike—name. (Some readers may experience a paywall.)

A 2015 Algerian novel reconsiders Camus' 'The Stranger'

Kamel Daoud's "The Meursault Investigation" exists in the same universe as Camus' famous novel, but it expands the world to imagine the story from the Arab Algerian perspective, showing the impact its main character's actions had on real people. Rather than focusing on the existential awakening of one man, it considers the longtail impact of colonialism in Algeria.

'The Stranger' remains a popular novel for teenagers

Camus' book's themes—alienation, transgression, and existentialism—continue to resonate with adolescent reader. That's also true of other popular teenage touchstones, like Aldous Huxley's "Brave New World," George Orwell's "Nineteen Eighty-Four," and Sylvia Plath's "The Bell Jar," which are still widely read—and assigned by high school teachers. (Some users may experience a paywall.)

Camus' books are largely ignored in Algerian schools

The writer was born in Algiers, wrote fondly of his home, and is perhaps the most well-known Algerian-born writer of all time, but his works are no longer taught. In 2010, a series of events to commemorate the 50th anniversary of his death was not permitted by the authorities. Scholars say that's because Camus believed the North African country should remain a French colony; after it gained independence in 1962, Camus' work fell out of fashion.

Kamel Daoud's 'The Meursault Investigation' earned him a fatwa

Although the novel was read by many as a criticism of Camus' "The Stranger" and French colonialism in Algeria, it was also read by some as blasphemous. In December 2014, a member of the Islamic Awakening Front, a militant Islamist group, said the book "placed the Koran in doubt, along with the sanctity of Islam" and called for Daoud's execution.

Albert Camus' 'The Fall' encourages readers to live without illusions

The writer's final complete novel is a series of dramatic monologues from Jean-Baptiste Clamence, who tries to explain to a stranger the sound of laughter that began following him. As the "Philosophize This!" podcast argues, the book is Camus' attempt at wrestling with some of the thornier aspects of existentialism in a form that's more digestible than a dense philosophical tome.

Camus and Sartre admired each other's work before becoming friends

The two writers, who would later be considered two of the biggest names associated with existentialism, wrote positive reviews of each others' early work, with Camus praising Sartre's novel "Nausea" and story collection "The Wall" and, later, Sartre favorably compared Camus' "The Stranger" to Franz Kafka and Ernest Hemingway. Still, their reviews included some critiques, hinting at the larger disagreements that would come much later.

Camus was once a communist, but eventually disavowed the ideology

The writer belonged to the French Communist Party and the Algerian Communist Party in the mid-1930s, but he was eventually expelled for refusing to downplay objections to French colonialism. By the time he published "The Rebel," he was vocally anti-communist, believing it was a utopian ideology that often relied on violence.

Camus won the Nobel Prize in literature in 1957 for his philosophical essays and fiction

The philosopher and novelist was one of the youngest writers to win the award, at just 44. In his acceptance speech, he spoke on the role of an artist in a world that seemed increasingly bleak. "Each generation doubtless feels called upon to reform the world," he said. "Mine knows that it will not reform it, but its task is perhaps even greater. It consists in preventing the world from destroying itself."

Read Albert Camus' 'Myth of Sisyphus and Other Essays'

Camus' most famous work of nonfiction is this collection of philosophical essays. Perhaps the most resonant entry is the title essay, which reimagines the Greek myth of a man condemned to roll a boulder for all eternity. Rather than presenting the story as a cautionary tale about defying the gods, as the original myth intended, Camus considered Sisyphus an "absurd hero" for his actions and imagined him smiling as he endlessly toiled at his repetitive punishment.

An existentialist reading list

If you’re looking for a starting point for diving into existentialist thought, this is a great resource. Its titles are not exactly obscure—Albert Camus’ “The Stranger,” Franz Kafka’s “The Trial,” and Søren Kierkegaard’s “Either/Or” are among the most famous works in Western literature—but the list provides some digestible context for each text, which will help you decide the best place to begin your journey.

Camus credited a teacher with his success

After winning the Nobel Prize in literature in 1957, Camus wrote a letter to Louis Germain, his former teacher, thanking the man for "the affectionate hand" he extended to Camus as a student. In the short note, he'd go on to write, "without your teaching and example, none of all this would have happened."

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

Camus and Sartre had a public falling out over communism

The two were close friends, sometimes collaborating throughout the 1940s, but the release of Camus' 1951 book, "The Rebel," led to a schism over differing views on communism.

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

Camus died in a car crash, an act some believe was orchestrated by the KGB.

Camus grew up in poverty

Albert Camus' father died when he was less than a year old, leaving his mother, a cleaning woman, and his grandmother to raise him in a poor neighborhood of Belcourt (now Belouizdad). It was an experience he'd reflect on in his unfinished autobiographical novel, "The First Man."

Camus contracted tuberculosis as a teenager

There was still little understanding of treatment for the disease at the time; for most people, a tuberculosis diagnosis was a death sentence. The 17-year-old Camus was quarantined in his uncle's house, where he grew into an avid reader. Scholars note that the experience would inform his later work, including his 1947 novel "The Plague."

Camus was influenced by American culture, especially literature and jazz

He loved the work of writers like William Faulker and Ernest Hemingway, and loved drinking whiskey and listening to jazz. He also admired the actor Humphrey Bogart and his striking performance in the noir classic "The Big Sleep." He was delighted when his wife gave him a Burberry raincoat, thinking it made him look more like Bogart.

Camus was born in Algeria, but was considered French

French Algeria was segregated between Arabs and "pieds-noirs," which was then a derogatory name for the million-plus Europeans living in the North African country. Camus was one of the latter, and throughout his life, he argued for political rights for Arabs while also believing the country should remain part of France. Pieds-noirs largely fled the country after it gained independence in 1962.

Camus was a soccer goalie as a teenager

The writer played for Algiers Racing University but had to quit after contracting tuberculosis. He remained a fan, though, once suggesting that the game taught him important lessons about morality. In the 1957 interview below, he briefly reflects on his time as a goalie and speaks about his recent Nobel Prize.

Camus edited an underground newspaper during World War II

The paper, called "Combat," was aligned with the French Resistance fighting against the Nazi occupation. Like his fiction, his journalism was clear-eyed: When Hiroshima and Nagaski were bombed, he criticized the many writers impressed with the destruction, writing, "our technical civilization has just reached its greatest level of savagery."

Existentialist literature explores the philosophy's ideas

Existentialism isn't confined to philosophical texts. Some of the movement's figureheads, like Albert Camus and Jean-Paul Sartre, were also novelists. Christina Howells, Professor of French at the University of Oxford, suggests this is because existentialism, as a philosophy, requires human stories to be fully understood, and literature makes the experience of the human condition more present and immediate.

Sartre admired American novelist William Faulkner

In addition to writing philosophy and fiction, Jean-Paul Sartre was also a literary critic. His 1939 essay on Faulkner's "The Sound and the Fury" focused on the way the American novelist commented on time, favorably comparing him to Marcel Proust. Ultimately, Sartre argues Faulkner's "despair" about a "closed future" is a result of the "social conditions of our present life." Ever the existentialist, though, Sartre suggests this reality is something that should inspire rather than depress.

The FBI kept tabs on Camus and Sartre

Jean-Paul Sartre worked as an American correspondent for Combat, the newspaper edited by Albert Camus. While he was in the States, J. Edgar Hoover's FBI kept tabs on him, concerned that Combat was publishing unfavorable portrayals of the US.

A prominent writer analyzes Thoreau's apparent contradictions

Some call Thoreau a monkish hermit living in the woods, while others say he's a privileged layabout who was playacting a simple life. In this essay, Rebecca Solnit argues that both of those assessments are caricatures that reduce a complex man who reckoned with complex ideas.

Camus directed a Picasso-penned play

The show, called "Desire Caught by the Tail," was written by Picasso in 1941 while living in Nazi-occupied Paris. It was first staged in 1944, featuring several French intellectuals, including Albert Camus, who directed, as well as Jean-Paul Sartre and Simone de Beauvoir, who had starring roles.

During the COVID-19 pandemic, readers returned to Camus' 'The Plague'

The 1947 novel, about a city in Algeria that enacts a city-wide quarantine to battle a deadly outbreak, captured readers' attention in the early months of 2020. In the UK, over 2,000 copies of the book were sold in March of that year, over six times what it had sold the month before.

Novelist Richard Wright joined the existentialists in Paris

The author of “Black Boy” and “Native Son” left the United States in 1946 to escape his home country’s racial inequality. In Paris, he explored existentialist ideas and spent time with Simone de Beauvoir and Jean-Paul Sartre. “The Outsider,” a novel he wrote while living in France, embraced many of the philosophy’s central themes.

Many writers considered 'existentialist' didn't identify with the term

“Existentialism” was first introduced in 1943 by philosopher Gabriel Marcel. Jean-Paul Sartre and Simone de Beauvoir readily adopted the term, but others, such as Albert Camus and Martin Heidegger, rejected it. Earlier philosophers, like Søren Kierkegaard and Friedrich Nietzsche, were long dead by the time the word was in vogue.

Jean-Paul Sartre rejected his Nobel Prize in literature in 1964, believing it was antithetical to his role as an artist.

Novels sometimes use unreliable narrators

When we read a book, we’re effectively forced to take the narrator’s word for what’s unfolding. But what if that narrator has a biased take on those events? What if, in a general sense, that narrator can’t be trusted? Enter the unreliable narrator, a strategic way of shaping a story that adds an additional layer to the narrative.

Sartre spent his time in the French Army working on a novel

The writer's physical limitations (including partial blindness and balance issues) prohibited him from serving on the front lines. Instead, he worked as a military meteorologist. The job was not very demanding, so he spent most of his time writing. He told Simone de Beauvoir it was "extremely peaceful work; indeed I cannot think of any branch of the services that has a quieter, more poetic job."

Simone de Beauvoir's lone play has mostly been overlooked

Although primarily known as a philosopher, Beauvoir wrote the play "The Useless Mouths," which debuted in Paris in November 1945. The work is about a government allowing "useless" citizens—women, children, the elderly—to starve during a food shortage. While it's not widely staged, some Beauvoir scholars believe it's a significant text that explores many of the existential themes she explores in her other work.

Stephen King, Octavia Butler, and Anthony Burgess all grew to regret books they'd published

Some, like Butler, regretted writing predictable, trope-heavy books. Others, like King and Burgess, regretted that what they'd intended as satire had been misunderstood as endorsements.

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

Understanding Thoreau's critique of American work

John Kaag, a coauthor of "Henry at Work: Thoreau on Making a Living," explains how the writer is often mischaracterized as a layabout who avoided responsibilities. Kaag, though, notes that Thoreau was a jack-of-all-trades—working as a schoolteacher and a handyman, and even for his father's pencil-manufacturing company—who came to believe that relentless striving was getting in the way of authentic living.

Jean-Paul Sartre worked on 'Being and Nothingness' while a prisoner of war

The Nazis invaded France in May 1940. Sartre, as a member of the French Army, was taken prisoner that June. While he was in captivity, he studied Martin Heidegger and worked on "Being and Nothingness," one of his most famous philosophical works.

Twain read (and lampooned) classic literature

Ever the ironist, Twain claimed to have “ no liking for novels or stories.” Obviously, that was untrue: He read widely, devouring books by Charles Dickens, slave narratives, and texts on astronomy. He also loved John Milton’s “Paradise Lost,” which he called “something everybody wants to have read and nobody wants to read.”

Sartre eventually denounced communism

The French philosopher was a long-time ardent supporter of communism and the USSR. He finally spoke out against the movement with the 1956 Soviet invasion of Hungary, saying that the move was "made possible by 12 years of terror and imbecility."

Novelist Jean Toomer was uncomfortable with the term 'Negro writer'

Toomer's modernist novel "Cane" is, among critics, one of the great works of the Harlem Renaissance. Toomer, however, was uncomfortable with his work being labeled as "Negro," including in Alain Locke's movement-defining collection "The New Negro." He found the title both reductive and inaccurate: He was mixed-race, telling writer Claude McKay that he was "French, Dutch, Welsh, Negro, German, Jewish and Indian," and preferred to be considered "American."

Sartre was an elaborate prankster as a student

After Charles Lindbergh completed his first solo transatlantic voyage in 1927, the French philosopher—then a student at Paris' École normale supérieure—called various newspapers to tell them the American pilot would be granted an honorary degree. Over 500 people showed up to find a Lindbergh lookalike Sartre had hired. "The public fell for it, and an old man even kissed his hand," Sartre later wrote.

One of Sartre and de Beauvoir's lovers accused them of exploitation

The philosophical duo's open relationship sometimes included shared partners, including de Beauvoir's students. One of those students, Bianca Lamblin, wrote a book, "A Disgraceful Affair," about the experience and characterized it as sexual exploitation.

Sartre panned 'Citizen Kane'

Jean-Paul Sartre was primarily known for his philosophy, fiction, and drama, but he was also a critic. In 1945, he wrote a rather negative review of Orson Welles' "Citizen Kane," deriding Welles' decision to tell the story in the past tense, writing, "film in the past tense is the antithesis of cinema. Therefore 'Citizen Kane' is not cinema."

Jean-Paul Sartre famously wrote that 'Hell is—other people'

The line appears toward the end of the play "No Exit." One character, realizing that he's confined to live out the rest of his days with the play's other two characters, exclaims, "There's no need for red-hot pokers. Hell is—other people!"

'Everybody else is working to change, persuade, tempt and control them. The best readers come to fiction to be free of all that noise.'

- Author Philip Roth (1933-2018)

One teacher's lesson on existentialism and social media use

During a unit on existentialist literature and philosophy, one teacher at Massachusetts’ Phillips Academy asked students to surrender their cell phones to test Kierkegaard’s thoughts on the danger of conformity and Sartre’s belief that humans are “condemned to be free.” Many of them were surprised to find how liberated they felt once they left behind social media.

A critic evaluates Orwell's lesser-known books

Orwell is primarily known for "Animal Farm" and "1984," but The Critic's Alexander Larman argues that Orwell's other titles—especially the 1936 novel "Keep the Aspidistra Flying"—are also worthy reads. (Some users may experience a paywall.)

Jean-Paul Sartre believed 'existence precedes essence'

The existentialist figurehead argued that humans are not born with an identity or purpose; instead, they develop them throughout their lives. For Sartre, this meant making meaning for oneself rather than relying on authorities (like religion or government) to provide it.

Why both the left and the right use 'Animal Farm' as an allegory

Figures from both ends of the political spectrum have claimed Orwell's novella as their own, sometimes ignoring inconvenient aspects of the plot or details of Orwell's biography. This analysis of those political reactions explores why the text is so malleable.