A 2015 Algerian novel reconsiders Camus' 'The Stranger'

Kamel Daoud's 'The Meursault Investigation' earned him a fatwa

Although the novel was read by many as a criticism of Camus' "The Stranger" and French colonialism in Algeria, it was also read by some as blasphemous. In December 2014, a member of the Islamic Awakening Front, a militant Islamist group, said the book "placed the Koran in doubt, along with the sanctity of Islam" and called for Daoud's execution.

A Camus scholar believes 'The Stranger' is often misread as a role model

The writer and philosopher Jonathan Rée notes that part of the reason why the book was so popular was that it was an easy pick for students learning French to translate. What's often lost in translation, though, is that the book's narrator, Meursault, who murders a man, is not intended to be a role model.

Camus' books are largely ignored in Algerian schools

The writer was born in Algiers, wrote fondly of his home, and is perhaps the most well-known Algerian-born writer of all time, but his works are no longer taught. In 2010, a series of events to commemorate the 50th anniversary of his death was not permitted by the authorities. Scholars say that's because Camus believed the North African country should remain a French colony; after it gained independence in 1962, Camus' work fell out of fashion.

Albert Camus' 'The Fall' encourages readers to live without illusions

The writer's final complete novel is a series of dramatic monologues from Jean-Baptiste Clamence, who tries to explain to a stranger the sound of laughter that began following him. As the "Philosophize This!" podcast argues, the book is Camus' attempt at wrestling with some of the thornier aspects of existentialism in a form that's more digestible than a dense philosophical tome.

The first line of 'The Stranger' is one of literature's most famous openings

The novel's first sentence thrusts readers into the narrator Mersault's world, but its meaning can shift depending on the translation. A 1988 translation by Matthew Ward attempted to "Americanize" the text, removing some Britishisms and bringing it closer to what Camus intended in the original French manuscript. That included changing "Mother" to "Maman," a more familiar—and childlike—name. (Some readers may experience a paywall.)

Camus was born in Algeria, but was considered French

French Algeria was segregated between Arabs and "pieds-noirs," which was then a derogatory name for the million-plus Europeans living in the North African country. Camus was one of the latter, and throughout his life, he argued for political rights for Arabs while also believing the country should remain part of France. Pieds-noirs largely fled the country after it gained independence in 1962.

Camus grew up in poverty

Albert Camus' father died when he was less than a year old, leaving his mother, a cleaning woman, and his grandmother to raise him in a poor neighborhood of Belcourt (now Belouizdad). It was an experience he'd reflect on in his unfinished autobiographical novel, "The First Man."

Camus and Sartre admired each other's work before becoming friends

The two writers, who would later be considered two of the biggest names associated with existentialism, wrote positive reviews of each others' early work, with Camus praising Sartre's novel "Nausea" and story collection "The Wall" and, later, Sartre favorably compared Camus' "The Stranger" to Franz Kafka and Ernest Hemingway. Still, their reviews included some critiques, hinting at the larger disagreements that would come much later.

'The Stranger' remains a popular novel for teenagers

Camus' book's themes—alienation, transgression, and existentialism—continue to resonate with adolescent reader. That's also true of other popular teenage touchstones, like Aldous Huxley's "Brave New World," George Orwell's "Nineteen Eighty-Four," and Sylvia Plath's "The Bell Jar," which are still widely read—and assigned by high school teachers. (Some users may experience a paywall.)

Camus was once a communist, but eventually disavowed the ideology

The writer belonged to the French Communist Party and the Algerian Communist Party in the mid-1930s, but he was eventually expelled for refusing to downplay objections to French colonialism. By the time he published "The Rebel," he was vocally anti-communist, believing it was a utopian ideology that often relied on violence.

Read Albert Camus' 'Myth of Sisyphus and Other Essays'

Camus' most famous work of nonfiction is this collection of philosophical essays. Perhaps the most resonant entry is the title essay, which reimagines the Greek myth of a man condemned to roll a boulder for all eternity. Rather than presenting the story as a cautionary tale about defying the gods, as the original myth intended, Camus considered Sisyphus an "absurd hero" for his actions and imagined him smiling as he endlessly toiled at his repetitive punishment.

During the COVID-19 pandemic, readers returned to Camus' 'The Plague'

The 1947 novel, about a city in Algeria that enacts a city-wide quarantine to battle a deadly outbreak, captured readers' attention in the early months of 2020. In the UK, over 2,000 copies of the book were sold in March of that year, over six times what it had sold the month before.

Camus won the Nobel Prize in literature in 1957 for his philosophical essays and fiction

The philosopher and novelist was one of the youngest writers to win the award, at just 44. In his acceptance speech, he spoke on the role of an artist in a world that seemed increasingly bleak. "Each generation doubtless feels called upon to reform the world," he said. "Mine knows that it will not reform it, but its task is perhaps even greater. It consists in preventing the world from destroying itself."

Camus contracted tuberculosis as a teenager

There was still little understanding of treatment for the disease at the time; for most people, a tuberculosis diagnosis was a death sentence. The 17-year-old Camus was quarantined in his uncle's house, where he grew into an avid reader. Scholars note that the experience would inform his later work, including his 1947 novel "The Plague."

Camus directed a Picasso-penned play

The show, called "Desire Caught by the Tail," was written by Picasso in 1941 while living in Nazi-occupied Paris. It was first staged in 1944, featuring several French intellectuals, including Albert Camus, who directed, as well as Jean-Paul Sartre and Simone de Beauvoir, who had starring roles.

Camus died in a car crash, an act some believe was orchestrated by the KGB.

An existentialist reading list

If you’re looking for a starting point for diving into existentialist thought, this is a great resource. Its titles are not exactly obscure—Albert Camus’ “The Stranger,” Franz Kafka’s “The Trial,” and Søren Kierkegaard’s “Either/Or” are among the most famous works in Western literature—but the list provides some digestible context for each text, which will help you decide the best place to begin your journey.

Camus was a soccer goalie as a teenager

The writer played for Algiers Racing University but had to quit after contracting tuberculosis. He remained a fan, though, once suggesting that the game taught him important lessons about morality. In the 1957 interview below, he briefly reflects on his time as a goalie and speaks about his recent Nobel Prize.

Existentialist literature explores the philosophy's ideas

Existentialism isn't confined to philosophical texts. Some of the movement's figureheads, like Albert Camus and Jean-Paul Sartre, were also novelists. Christina Howells, Professor of French at the University of Oxford, suggests this is because existentialism, as a philosophy, requires human stories to be fully understood, and literature makes the experience of the human condition more present and immediate.

Camus and Sartre had a public falling out over communism

The two were close friends, sometimes collaborating throughout the 1940s, but the release of Camus' 1951 book, "The Rebel," led to a schism over differing views on communism.

Camus credited a teacher with his success

After winning the Nobel Prize in literature in 1957, Camus wrote a letter to Louis Germain, his former teacher, thanking the man for "the affectionate hand" he extended to Camus as a student. In the short note, he'd go on to write, "without your teaching and example, none of all this would have happened."

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

Camus edited an underground newspaper during World War II

The paper, called "Combat," was aligned with the French Resistance fighting against the Nazi occupation. Like his fiction, his journalism was clear-eyed: When Hiroshima and Nagaski were bombed, he criticized the many writers impressed with the destruction, writing, "our technical civilization has just reached its greatest level of savagery."

Camus was influenced by American culture, especially literature and jazz

He loved the work of writers like William Faulker and Ernest Hemingway, and loved drinking whiskey and listening to jazz. He also admired the actor Humphrey Bogart and his striking performance in the noir classic "The Big Sleep." He was delighted when his wife gave him a Burberry raincoat, thinking it made him look more like Bogart.

The FBI kept tabs on Camus and Sartre

Jean-Paul Sartre worked as an American correspondent for Combat, the newspaper edited by Albert Camus. While he was in the States, J. Edgar Hoover's FBI kept tabs on him, concerned that Combat was publishing unfavorable portrayals of the US.

Novelist Richard Wright joined the existentialists in Paris

The author of “Black Boy” and “Native Son” left the United States in 1946 to escape his home country’s racial inequality. In Paris, he explored existentialist ideas and spent time with Simone de Beauvoir and Jean-Paul Sartre. “The Outsider,” a novel he wrote while living in France, embraced many of the philosophy’s central themes.

Check out a list of 50 great novels under 200 pages, including works by Albert Camus, Shirley Jackson, James Baldwin, and more.

The man behind the dark novel abandoned on the floor of the Bastille

As tensions rose in the days before the French Revolution of 1789, Donatien Alphonse François attempted to fan the flames by shouting at passersby about false horrors happening inside the Bastille where he was imprisoned. This 39-minute podcast...

Simone de Beauvoir's lone play has mostly been overlooked

Although primarily known as a philosopher, Beauvoir wrote the play "The Useless Mouths," which debuted in Paris in November 1945. The work is about a government allowing "useless" citizens—women, children, the elderly—to starve during a food shortage. While it's not widely staged, some Beauvoir scholars believe it's a significant text that explores many of the existential themes she explores in her other work.

Sartre admired American novelist William Faulkner

In addition to writing philosophy and fiction, Jean-Paul Sartre was also a literary critic. His 1939 essay on Faulkner's "The Sound and the Fury" focused on the way the American novelist commented on time, favorably comparing him to Marcel Proust. Ultimately, Sartre argues Faulkner's "despair" about a "closed future" is a result of the "social conditions of our present life." Ever the existentialist, though, Sartre suggests this reality is something that should inspire rather than depress.

Sartre spent his time in the French Army working on a novel

The writer's physical limitations (including partial blindness and balance issues) prohibited him from serving on the front lines. Instead, he worked as a military meteorologist. The job was not very demanding, so he spent most of his time writing. He told Simone de Beauvoir it was "extremely peaceful work; indeed I cannot think of any branch of the services that has a quieter, more poetic job."

Jean-Paul Sartre worked on 'Being and Nothingness' while a prisoner of war

The Nazis invaded France in May 1940. Sartre, as a member of the French Army, was taken prisoner that June. While he was in captivity, he studied Martin Heidegger and worked on "Being and Nothingness," one of his most famous philosophical works.

The Beats autobiographical impulse is still influential

The Beats autobiographical approach to literature is seen in contemporary autofiction. While autofiction emerged as a literary term in the 1970s, its philosophy has several antecedents, including Colette’s Claudine novels, Marcel Proust’s "In Search of Lost Time" and Beat writer Jack Kerouac’s "On the Road."

The theory behind Dalí's 'Un Chien Andalou'

The 16-minute "Un Chien Andalou," or "an Andalusian dog," was shocking for 1929, when it was released and remains unsettling today. This brief video essay explores how the film sought to disrupt standard conceptions of art and meaning, making it an essential example of surrealism.

Performance artist Thierry Mandon turns solitary domestic scenes into spectacless

Suspended in the air and attached to severed buildings, artist Mandon appears engrossed in his book while lying in bed or sitting at a table. Mandon satirizes our everyday habits while attracting and amusing passersby.

Before he was a famous novelist, John Steinbeck wrote a werewolf murder mystery.

Novels often use perspective as a narrative device

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.

One of Sartre and de Beauvoir's lovers accused them of exploitation

The philosophical duo's open relationship sometimes included shared partners, including de Beauvoir's students. One of those students, Bianca Lamblin, wrote a book, "A Disgraceful Affair," about the experience and characterized it as sexual exploitation.

Postmodern novels challenged narrative itself

Postmodernism describes the cultural movement following World War II, which found artists and thinkers responding to the horrors of the war by challenging the conventional narratives they believed allowed for it. In literature, postmodernist writers played with genre, gallows humor, and intertextuality, interrogating the form itself.

Sartre and de Beauvoir had an open romantic relationship

The two figureheads of existentialist thought were romantic partners, though they had a publicly open relationship and never lived together. As de Beauvoir says in the interview below, "third persons knew our relationship dwarfed any we could have with them."

The earliest novelistic writing about a real-life murder might be an 1875 essay by poet Celia Thaxter

Though the nonfiction novel "In Cold Blood" is often cited as the beginning of the true crime genre, records show that true crime narratives were woven for decades before the novel's 1965 serialization. In "A Memorable Murder," Thaxter recounts the slaughter of her neighboring New England islanders.

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

Samuel Beckett's 'Waiting for Godot' dramatizes existential absurdity

The play, originally staged in 1953, is notorious for its lack of action. For the most part, its two principal characters, Vladimir and Estragon, spend the majority of the play wondering whether a mysterious Godot will ever appear. By the end, Godot has still not arrived, yet Vladimir and Estragon do not move, a choice that reflects the existential notion that humans often hope in vain for meaning that does not exist.

Writer DH Lawrence, a 20th-century writer known for challenging social conventions, argued that the novel is the height of literary expression.

Simone de Beauvoir's 'The Second Sex' merged existentialism with feminism

De Beauvoir’s 1949 philosophical treatise criticized patriarchy and its negative impact on women. She argued that gender differences were mainly due to socialization rather than innate qualities, writing that “one is not born, but rather becomes, a woman.” In turn, de Beauvoir believed women should refuse predetermined gender roles and instead define themselves, echoing a key tenet of existentialism.

Critics have debated 'the great American novel,' arguing which book best captures the spirit of American literature since the 19th century.

Many writers considered 'existentialist' didn't identify with the term

“Existentialism” was first introduced in 1943 by philosopher Gabriel Marcel. Jean-Paul Sartre and Simone de Beauvoir readily adopted the term, but others, such as Albert Camus and Martin Heidegger, rejected it. Earlier philosophers, like Søren Kierkegaard and Friedrich Nietzsche, were long dead by the time the word was in vogue.

Inside 'Blood Meridian' author Cormac McCarthy's library of 20,000 books

The reclusive writer published 12 novels and taught himself stonemasonry and quantum physics, among myriad other skills and subjects. Since he died in 2023, scholars have been mining his personal library for lessons on his influences, interests, and more.

Toni Morrison's novels were popular postmodern texts

Toni Morrison’s novels broke new ground in American fiction by using bold structures and colloquial voices to reckon with the country’s past, developing her approach through classic early novels like “The Bluest Eye” and “Beloved,” all the way to later works like “Home.” Morrison once said, “The meaning of a novel is in its structure.”