Jazz legend Louis Armstrong was once the honorary king of the Zulu krewe

The Zulu krewe dons black face paint, but says it's not blackface

The majority Black organization was founded in the early 1900s, when Mardi Gras was still segregated. They painted their faces black, both to comply with the Mardi Gras rule requiring masks and to reenact a vaudeville sketch. In recent years, their facepaint has been criticized by some as a form of Jim Crow minstrelsy.

Buddy Bolden assembled the first jazz ensemble

The New Orleans cornetist was a legend in the city, sometimes referred to as "king," for his electrifying performances, which captivated local dance halls by blending ragtime, blues, and gospel music. Unfortunately, recording technology was limited at the time, so there are no recordings of Bolden, though the song "Buddy Bolden's Blues" remains a standard to this day.

New Orleans' Congo Square birthed what would become jazz

The city's enslaved people congregated in the city square on Sundays, bringing together the musical traditions of their disparate cultures through drum circles, communal dancing, and call-and-response singing. The rhythmic style that evolved in the area would eventually give rise to ragtime and, subsequently, jazz.

Jazz was an integral part of the Harlem Renaissance

The Great Migration transformed New York City's Harlem neighborhood into the epicenter of Black American art, with artists such as Duke Ellington, Louis Armstrong, and Bessie Smith regularly performing. The music not only provided the backbeat to the cultural scene—it often influenced it, with Harlem Renaissance poets, in particular, inspired by jazz's approach to rhythm and improvisation.

Watch a 1934 short film starring Cab Calloway

Singer and bandleader Cab Calloway was a major figure in the Harlem Renaissance's music scene. He was also one of the biggest names in jazz's swing era and would go on to be the first Black American to have a nationally syndicated radio show and the first to sell a million copies of a record. In this 1934 short film, "Cab Calloway's Hi-De-Ho," he reenacts his upbeat performances at Harlem's Cotton Club.

The Great Migration spread jazz to various parts of the country

The large-scale migration of Black Americans looking to escape Jim Crow laws in the South began in 1915 and helped bring New Orleans music to other parts of the country, including Chicago, New York, Kansas City, Detroit, and Los Angeles.

'Lift Every Voice and Sing' was written to celebrate Abraham Lincoln's birthday, but would go on to become the 'Black national anthem' and a Juneteenth tradition.

Mardi Gras has inspired several songs

New Orleans is a historic music town—with deep-rooted jazz, R&B, and blues traditions, to name a few—so it's no surprise that its annual Carnival has led to more than a few Mardi Gras-themed songs through the decades. One of the most famous is Professor Longhair's 1959 track "Go to the Mardi Gras," an upbeat shuffle that's still played at parades today.

'Shuffle Along,' a 1921 Broadway musical, brought jazz to American musical theater and helped pave the way for Black culture in the 20th century.

A taxonomy of Mardi Gras' many krewes

There's more than one kind of krewe in New Orleans. This handy guide breaks down some of the most famous (such as the Krewe of Zulu and the Krewe of Rex) and explains the differences between a "super krewe" and a "walking krewe."

New Orleans' Mardi Gras celebration is driven by autonomous 'krewes'

A city ordinance prohibits commercial advertising, and the parade has no central coordinator. Instead, its many activities are organized by individual "krewes"—private clubs of dues-paying members who construct and ride the parades' many colorful floats. The spelling is a faux Old English form of the word "crew," taken from the Mistick Krewe of Comus, who used the stylized language ironically.

The Rex krewe determines the king of Mardi Gras

Rex—which means "king" in Latin—was formed in 1872. In preparation for a visit from Russia's Grand Duke Alexis Romanoff, city leaders worked to more formally organize the event to attract tourists. One of the changes they brought was selecting an annual Rex, or King of the Carnival.

'Livery Stable Blues' was the first jazz recording and helped popularize the genre

The 1917 song by the Original Dixieland Jass Band was the first jazz recording to be issued and put the New Orleans sound on the national stage, along with inspiring several soundalikes.

The Zulu krewe's coconuts are highly coveted 'throws'

The long-running krewe is known for its finely decorated and highly sought-after coconuts, which it tosses from its floats. In 1987, the group faced lawsuits alleging injuries from its coconut tosses, but the state legislature responded with the "Coconut Bill," which freed the krewe from liability for such claims.

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

Duke Ellington's 'Harlem' takes listeners on a stroll through the neighborhood

"Sir Duke" was one of the Harlem Renaissance's major musicians, recording several songs that would become jazz standards. 1950's "Harlem" is an ode to the neighborhood, alternating styles (including a Latin groove and a New Orleans funeral dirge) to pay homage to the diverse cultures that populate it.

Jazz's popularity inspired a moral panic

When jazz exploded in the 1920s, some believed the music's sudden popularity was the sign of a rotten nation, with one 1920 address at the University of Wisconsin proclaiming, "We are in deadly fear of the Jazz Devil, the demon which is consuming the country." Often, the connections were racialized, with columnists and preachers suggesting that jazz's Black artists were attempting to degrade white America.

See a timeline of jazz's history

Jazz began in 19th-century New Orleans, though its roots go back even further. This timeline situates the music's evolution alongside American and world history, offering an illuminating exploration of the genre.

Sun Ra, a free jazz legend, claimed he was an angel

Sun Ra is one of jazz's most storied cult acts, with a career that spans multiple decades, dozens of hard-to-find self-released albums, and a sound that challenged even the most adventurous listeners. Ra, born Herman Blount, claimed to be from Saturn and once told an interviewer that "Star Wars" was "very accurate."

Jelly Roll Morton claimed he invented jazz, though experts disagree

The pianist and arranger was one of the genre's biggest names in the early 20th century, though very few believed him when he claimed he had invented the music in 1902. One of his biggest contributions to the genre was a 1938 session with ethnomusicologist Alan Lomax, who recorded nearly 8 hours of music and stories that have become an essential part of the music's history.

Jazz brought together ragtime and blues

Ragtime was a popular music genre that blended African-American spirituals, European folk songs, and military marches. Blues, brought to New Orleans by free Black people seeking opportunities, allowed musicians to play within basic standards. Jazz combined both forms by merging the syncopated, dance-friendly sounds of ragtime with the soulful, brass-instrumental style of the blues.

The best jazz albums of all time

Diving into the history of jazz can be intimidating, but this list is a helpful guide, highlighting the best of the best, with titanic recordings from Louis Armstrong, Billie Holiday, Miles Davis, Dave Brubeck, Alice Coltrane, Oscar Peterson, and more.

The NAACP encouraged and accommodated the early Harlem Renaissance

The National Association for the Advancement of Colored People, a civil rights organization better known as the NAACP, recognized the disenchantment Black soldiers who served in World War I experienced when returning home to a segregated country and began advancing, and, in many ways, funding a "New Negro Movement," which would lead to the Harlem Renaissance.

Guy Lombardo first played ‘Auld Lang Syne’ on New Year’s Eve because of a cigar sponsorship

The bandleader was booked to play a New Year’s Eve concert live on CBS radio program called the Robert Burns Panatela Show, named after its sponsor, a cigar brand. Lombardo, noting the cigar's name, decided “Auld Lang Syne,” penned by the poet Robert Burns, would be both a fitting tribute and, thematically, a great way to enter a new year.

The Black cultural renaissance happened in places other than Harlem

Although the Harlem Renaissance is often cited as the singular Black arts movement of the early 20th century, similar cultural movements were occurring concurrently in other American cities. Places like Kansas City, Washington, DC, and Roanoke, Virginia, also had innovative Black cultural scenes.

The first recorded American Mardi Gras was in Alabama

French explorers observed celebrations in what would become the United States in the late 1600s, but the first recognized modern American Mardi Gras took place in Mobile, Alabama, on New Year's Eve, running from 1830 into 1831. By 1840, the town had incorporated costumes, masks, and themes into its parade. After the Civil War, Mobile's Mardi Gras was moved to the more traditional date of Fat Tuesday. By 1850, a group from Mobile migrated to New Orleans, bringing the city's traditions with it.

Jazz provided a soundtrack for the Civil Rights Movement

Songs like Billie Holiday's "Strange Fruit," which portrayed the grim brutality of lynching, and John Coltrane's "Alabama," which was modeled on the rhythm of a speech by Martin Luther King Jr., were the backbeat of the movement.

The Harlem Globetrotters played their first game in 1927

Black players were not permitted on the existing professional basketball teams, but Abe Saperstein—the team's original coach, owner, manager, and sometimes player—leaned into the team's all-Black roster, nodding to New York's historically Black neighborhood even though the team didn't play there until the late 1960s.

During COVID-19, New Orleanians turned their houses into floats

After the 2021 Mardi Gras parades were canceled, New Orleans resident Joy Boudreaux joked on social media that residents should turn their homes into floats. They followed suit and interested (socially distanced) revellers followed maps of participating homes.

The legendary jazz beef of Miles Davis and Wynton Marsalis

Miles Davis might be the most recognizable name in jazz history, renowned for his landmark albums "Kind of Blue" and "Bitches Brew," and his unceasing artistic experimentation. By the 1980s, however, Davis was a pariah in jazz circles, causing him to set his sights on the poster child for the genre's purists: the much younger Wynton Marsalis. This overview of the rivalry by journalist James Kaplan details the origins—and the apex—of this now legendary beef.

How a Harlem Renaissance poet teamed up with a Wright brother

Paul Laurence Dunbar is one of the most influential poets from the Harlem Renaissance, a loose collection of Black artists who redefined American literature in the early 20th century. He was also an entrepreneur. He founded a short-lived newspaper, the Dayton Tattler, alongside Orville Wright, one of the famous Wright Brothers who pioneered aviation. This article explores how their friendship defied the societal norms of the time and led to a pioneering publication.

Champagne has a rich history in hip-hop

The drink is both aspirational and a bragging right. Famous artists name-check brands like Cristal, and up-and-comers long for the day when sparkling wine will flow like water. The trend traces back to the early 1990s and Branson B., “hip-hop’s unofficial sommelier.” The Harlem-based artist would bring bottles of his favorite bubbly to parties, celebrations, and, crucially, recording studios, where friends like the Notorious B.I.G. were laying down some of rap’s foundational tracks.

Wynton Marsalis believes syncopation is part of jazz's American character

The trumpeter argues that jazz's approach to syncopation is part of an American tradition that offers the unexpected, citing Jonas Salk, Mark Twain, and fusion cuisine as parallels.

Basquiat's crown appears throughout several works

The artist first used the crown in 1981’s "Red Kings," which placed crowns over two heads. He’d continue using the motif throughout his career, often to highlight important figures, many of them Black, whom he believed had been overlooked.

Augusta Savage's masterpiece was destroyed after a limited exhibition

"Life Every Voice and Sing," sometimes called "The Harp," debuted at the 1939 New York World's Fair. Based on the James Weldon Johnson poem (and eventual unofficial Black national anthem) of the same name, the massive, 16-foot-tall sculpture depicted a kneeling Black man holding a bar of music in front of 12 chorus singers. After the fair ended in 1940, Savage was unable to pay to preserve it, so it was destroyed.

In 1924, elephants from the Central Park Zoo marched in Macy's inaugural parade

Enormous balloons didn’t make an appearance until 1927, and the parade wasn’t televised until 1948. But no matter the decade, a visit from Santa Claus has always been a highlight.

Watch Billie Holiday's only feature film appearance in 'New Orleans'

The 1947 film wasn't known for its sophisticated plot, which mainly centers on a white opera singer who learns about the beauty of blues and jazz. It's more notable for featuring some of those genre's biggest stars, including Holiday, who played a singing maid and the love interest of Louis Armstrong. You can see her first scene around the 11-minute mark.

Mardi Gras revelers on floats are required to wear masks

Masks are worn to encourage revellers to embrace their wild side without letting their identity get in the way. That's something New Orleans takes seriously: If you're riding on a Mardi Gras float, city law requires that you wear a mask.

The Harlem Hellfighters, WWI's longest-serving US regiment

The nickname was given to the 369th Infantry Regiment, an all-Black fighting force of Americans attached to the French Army during World War I. The group fought for 191 days, longer than any other regiment in the United States Army, and lost more men (1,500) than any other.

Sartre was an elaborate prankster as a student

After Charles Lindbergh completed his first solo transatlantic voyage in 1927, the French philosopher—then a student at Paris' École normale supérieure—called various newspapers to tell them the American pilot would be granted an honorary degree. Over 500 people showed up to find a Lindbergh lookalike Sartre had hired. "The public fell for it, and an old man even kissed his hand," Sartre later wrote.

Read a Langston Hughes poem on 'Jazz as Communication'

The essay, delivered in 1956 at the Newport Jazz Festival, offers a poetic take on defining jazz, suggesting that it is the root of both literature and music. “Jazz is a great big sea,” he says. “It washes up all kinds of fish and shells and spume and waves with a steady old beat, or off-beat.”

Billboard's early music charts were racially segregated

In 1942, the publication introduced the Harlem Hit Parade chart, listing the top 10 records sold at select record stores in the majority-Black borough of New York. In 1945, it changed the chart’s name to Most Played Juke Box Race Records, using the music industry term (“race record”) that identified recordings by Black artists, even if they played music markedly similar to the white artists on the other charts.

Langston Hughes performed with Muddy Waters at the Newport Jazz Fest

Hughes became involved with the Rhode Island music festival in 1956, sensing an opportunity to introduce the predominantly white audience to Black culture. In 1960, he helped book Muddy Waters for a blues session that featured the music alongside Hughes' poetic explanation of its history. The final song of the set, "Goodbye Newport Blues," found Waters' pianist singing lyrics Hughes had written earlier that day.

Nelson Mandela delivered his famous anti-apartheid speech in court in 1964

During the Rivonia Trial, Mandela was charged along with several others for opposing South Africa's apartheid government, and expected to be sentenced to death. He showed up to court wearing traditional Xhosa attire and delivered an hours-long address against racial domination. Nelson said he hoped to live to see realized his ideal of a democratic and free society, but announced that he was prepared to die for his cause.

A guide to the major figures of the Harlem Renaissance

The Harlem Renaissance was a multidisciplinary arts movement that included literature, music, dance, film, theater, photography, visual art, political activism, and more. This primer includes some of its most influential artists, including Oscar Micheaux, Zora Neale Hurston, Paul Robeson, Fats Waller, WEB DuBois, and more, and allows you to explore their lives and major works.

Whitman's view on slavery was informed by a trip to New Orleans

In 1848, Walt Whitman traveled with his brother to New Orleans to pursue a job opportunity at the Daily Crescent newspaper. While there, he witnessed firsthand the horrors of the slave trade, an experience that would inform the political and artistic projects that followed.

One of the earliest Memorial Day ceremonies was held by newly freed Black Americans in South Carolina

On May 1, 1865, roughly 10,000 people, mostly freed slaves, paraded around a Charleston racetrack where Union prisoners had been buried, predating the first national commemoration at Arlington National Cemetery by three years.

Music was a profound inspiration for Basquiat

The prolific artist loved music, obsessing over David Bowie, Aretha Franklin, and numerous jazz figures. Many of his favorites appeared in his paintings, creating a body of work that also acts as a glossary of influences. Below is a 1984 portrait of Max Roach, the jazz drummer. (Some readers may experience a paywall.)

Warren Zevon's sardonic takes landed him in the Rock and Roll Hall of Fame

Warren Zevon was posthumously inducted into the Rock and Roll Hall of Fame in 2025. Political writer Andrew Walworth highlights Zevon's keen interest in international politics, which often found their way into his memorably wry lyrics.

Paul Simon recorded his landmark album 'Graceland' in South Africa, in defiance of a UN-approved cultural boycott.