Simone de Beauvoir's lone play has mostly been overlooked

Simone de Beauvoir's 'The Second Sex' merged existentialism with feminism

De Beauvoir’s 1949 philosophical treatise criticized patriarchy and its negative impact on women. She argued that gender differences were mainly due to socialization rather than innate qualities, writing that “one is not born, but rather becomes, a woman.” In turn, de Beauvoir believed women should refuse predetermined gender roles and instead define themselves, echoing a key tenet of existentialism.

In the 1950s, the Vatican included Simone de Beauvoir's 'The Second Sex' on its list of forbidden books.

Camus directed a Picasso-penned play

The show, called "Desire Caught by the Tail," was written by Picasso in 1941 while living in Nazi-occupied Paris. It was first staged in 1944, featuring several French intellectuals, including Albert Camus, who directed, as well as Jean-Paul Sartre and Simone de Beauvoir, who had starring roles.

One of Sartre and de Beauvoir's lovers accused them of exploitation

The philosophical duo's open relationship sometimes included shared partners, including de Beauvoir's students. One of those students, Bianca Lamblin, wrote a book, "A Disgraceful Affair," about the experience and characterized it as sexual exploitation.

Philosopher and playwright Jean-Paul Sartre staged his first play while he was imprisoned in a POW camp.

Disillusioned mid-century playwrights, such as Samuel Beckett and Eugène Ionesco, brought existentialist ideas to the stage through the Theater of the Absurd.

Sartre spent his time in the French Army working on a novel

The writer's physical limitations (including partial blindness and balance issues) prohibited him from serving on the front lines. Instead, he worked as a military meteorologist. The job was not very demanding, so he spent most of his time writing. He told Simone de Beauvoir it was "extremely peaceful work; indeed I cannot think of any branch of the services that has a quieter, more poetic job."

Simone de Beauvoir, the influential feminist and existentialist philosopher, was a serious hiker.

Sartre and de Beauvoir had an open romantic relationship

The two figureheads of existentialist thought were romantic partners, though they had a publicly open relationship and never lived together. As de Beauvoir says in the interview below, "third persons knew our relationship dwarfed any we could have with them."

Samuel Beckett's 'Waiting for Godot' dramatizes existential absurdity

The play, originally staged in 1953, is notorious for its lack of action. For the most part, its two principal characters, Vladimir and Estragon, spend the majority of the play wondering whether a mysterious Godot will ever appear. By the end, Godot has still not arrived, yet Vladimir and Estragon do not move, a choice that reflects the existential notion that humans often hope in vain for meaning that does not exist.

Jean-Paul Sartre worked on 'Being and Nothingness' while a prisoner of war

The Nazis invaded France in May 1940. Sartre, as a member of the French Army, was taken prisoner that June. While he was in captivity, he studied Martin Heidegger and worked on "Being and Nothingness," one of his most famous philosophical works.

Sartre and de Beauvoir's literary journal was named after a Charlie Chaplin movie

The couple founded the magazine Les Temps Modernes in 1945 and it quickly became essential reading for French intellectuals. Its name came from "Modern Times," Charlie Chaplin's 1936 movie that satirized the industrial revolution's dehumanizing effects.

Existentialist literature explores the philosophy's ideas

Existentialism isn't confined to philosophical texts. Some of the movement's figureheads, like Albert Camus and Jean-Paul Sartre, were also novelists. Christina Howells, Professor of French at the University of Oxford, suggests this is because existentialism, as a philosophy, requires human stories to be fully understood, and literature makes the experience of the human condition more present and immediate.

Albert Camus' 'The Fall' encourages readers to live without illusions

The writer's final complete novel is a series of dramatic monologues from Jean-Baptiste Clamence, who tries to explain to a stranger the sound of laughter that began following him. As the "Philosophize This!" podcast argues, the book is Camus' attempt at wrestling with some of the thornier aspects of existentialism in a form that's more digestible than a dense philosophical tome.

Novelist Richard Wright joined the existentialists in Paris

The author of “Black Boy” and “Native Son” left the United States in 1946 to escape his home country’s racial inequality. In Paris, he explored existentialist ideas and spent time with Simone de Beauvoir and Jean-Paul Sartre. “The Outsider,” a novel he wrote while living in France, embraced many of the philosophy’s central themes.

Many writers considered 'existentialist' didn't identify with the term

“Existentialism” was first introduced in 1943 by philosopher Gabriel Marcel. Jean-Paul Sartre and Simone de Beauvoir readily adopted the term, but others, such as Albert Camus and Martin Heidegger, rejected it. Earlier philosophers, like Søren Kierkegaard and Friedrich Nietzsche, were long dead by the time the word was in vogue.

Camus won the Nobel Prize in literature in 1957 for his philosophical essays and fiction

The philosopher and novelist was one of the youngest writers to win the award, at just 44. In his acceptance speech, he spoke on the role of an artist in a world that seemed increasingly bleak. "Each generation doubtless feels called upon to reform the world," he said. "Mine knows that it will not reform it, but its task is perhaps even greater. It consists in preventing the world from destroying itself."

Camus' books are largely ignored in Algerian schools

The writer was born in Algiers, wrote fondly of his home, and is perhaps the most well-known Algerian-born writer of all time, but his works are no longer taught. In 2010, a series of events to commemorate the 50th anniversary of his death was not permitted by the authorities. Scholars say that's because Camus believed the North African country should remain a French colony; after it gained independence in 1962, Camus' work fell out of fashion.

A theater group staged 'Waiting for Godot' at San Quentin prison in 1957

The play, about being stuck, resonated with inmates. Critics noted that the incarcerated audience empathized with its hopeless characters much more than those at the show's North American premiere in Miami, who'd walked out in disgust.

An existentialist reading list

If you’re looking for a starting point for diving into existentialist thought, this is a great resource. Its titles are not exactly obscure—Albert Camus’ “The Stranger,” Franz Kafka’s “The Trial,” and Søren Kierkegaard’s “Either/Or” are among the most famous works in Western literature—but the list provides some digestible context for each text, which will help you decide the best place to begin your journey.

Sartre admired American novelist William Faulkner

In addition to writing philosophy and fiction, Jean-Paul Sartre was also a literary critic. His 1939 essay on Faulkner's "The Sound and the Fury" focused on the way the American novelist commented on time, favorably comparing him to Marcel Proust. Ultimately, Sartre argues Faulkner's "despair" about a "closed future" is a result of the "social conditions of our present life." Ever the existentialist, though, Sartre suggests this reality is something that should inspire rather than depress.

Sartre panned 'Citizen Kane'

Jean-Paul Sartre was primarily known for his philosophy, fiction, and drama, but he was also a critic. In 1945, he wrote a rather negative review of Orson Welles' "Citizen Kane," deriding Welles' decision to tell the story in the past tense, writing, "film in the past tense is the antithesis of cinema. Therefore 'Citizen Kane' is not cinema."

Zora Neale Hurston's 'Spunk' spent decades languishing in the Library of Congress

The author, known for her masterwork "Their Eyes Were Watching God," wrote the play in 1935, but it was mostly unknown. In 1997, it was re-discovered in the Library of Congress' drama collection, a repository for plays that were not copyrighted because they were never staged.

Read Albert Camus' 'Myth of Sisyphus and Other Essays'

Camus' most famous work of nonfiction is this collection of philosophical essays. Perhaps the most resonant entry is the title essay, which reimagines the Greek myth of a man condemned to roll a boulder for all eternity. Rather than presenting the story as a cautionary tale about defying the gods, as the original myth intended, Camus considered Sisyphus an "absurd hero" for his actions and imagined him smiling as he endlessly toiled at his repetitive punishment.

Existential dread still informs popular comedies

Although the Theater of the Absurd was primarily a 20th-century trend, a similar kind of existentialist-minded comedy still exists in popular culture. Films like “Everything Everywhere All At Once” and television shows like “BoJack Horseman” tackle the same issues that existentialist thinkers like Sartre, Beauvoir, and Camus explored, transforming those profound questions into thought-provoking and crowd-pleasing works of comedy.

A Camus scholar believes 'The Stranger' is often misread as a role model

The writer and philosopher Jonathan Rée notes that part of the reason why the book was so popular was that it was an easy pick for students learning French to translate. What's often lost in translation, though, is that the book's narrator, Meursault, who murders a man, is not intended to be a role model.

Camus and Sartre admired each other's work before becoming friends

The two writers, who would later be considered two of the biggest names associated with existentialism, wrote positive reviews of each others' early work, with Camus praising Sartre's novel "Nausea" and story collection "The Wall" and, later, Sartre favorably compared Camus' "The Stranger" to Franz Kafka and Ernest Hemingway. Still, their reviews included some critiques, hinting at the larger disagreements that would come much later.

Camus grew up in poverty

Albert Camus' father died when he was less than a year old, leaving his mother, a cleaning woman, and his grandmother to raise him in a poor neighborhood of Belcourt (now Belouizdad). It was an experience he'd reflect on in his unfinished autobiographical novel, "The First Man."

Jean-Paul Sartre famously wrote that 'Hell is—other people'

The line appears toward the end of the play "No Exit." One character, realizing that he's confined to live out the rest of his days with the play's other two characters, exclaims, "There's no need for red-hot pokers. Hell is—other people!"

Jane Austen used satire to critique women's place in society

Although the novelist is sometimes dismissed as a romance writer, her stories feature pointed societal critiques, especially of women's limited options and challenged popular notions that women were subservient and passive.

During the COVID-19 pandemic, readers returned to Camus' 'The Plague'

The 1947 novel, about a city in Algeria that enacts a city-wide quarantine to battle a deadly outbreak, captured readers' attention in the early months of 2020. In the UK, over 2,000 copies of the book were sold in March of that year, over six times what it had sold the month before.

Camus edited an underground newspaper during World War II

The paper, called "Combat," was aligned with the French Resistance fighting against the Nazi occupation. Like his fiction, his journalism was clear-eyed: When Hiroshima and Nagaski were bombed, he criticized the many writers impressed with the destruction, writing, "our technical civilization has just reached its greatest level of savagery."

Jean-Paul Sartre rejected his Nobel Prize in literature in 1964, believing it was antithetical to his role as an artist.

Watch a 2008 interview with Gloria Steinem, a leading voice in second-wave feminism.

'The Stranger' remains a popular novel for teenagers

Camus' book's themes—alienation, transgression, and existentialism—continue to resonate with adolescent reader. That's also true of other popular teenage touchstones, like Aldous Huxley's "Brave New World," George Orwell's "Nineteen Eighty-Four," and Sylvia Plath's "The Bell Jar," which are still widely read—and assigned by high school teachers. (Some users may experience a paywall.)

A 2015 Algerian novel reconsiders Camus' 'The Stranger'

Kamel Daoud's "The Meursault Investigation" exists in the same universe as Camus' famous novel, but it expands the world to imagine the story from the Arab Algerian perspective, showing the impact its main character's actions had on real people. Rather than focusing on the existential awakening of one man, it considers the longtail impact of colonialism in Algeria.

One Mary Cassatt painting features a sly political message

Critics had long been puzzled by the unrealistic flower pinned to the woman's chest in the 1905 painting "Mother and Child." In exploring the painting's history, researcher Nikki Georgopulos discovered that the flower alluded to a women's suffrage badge popular at the time, something Cassatt emphasized in the painting's original title, "Woman With a Sunflower."

‘A Raisin in the Sun’ made history in 1959

The play was the first on Broadway written by a Black woman. Lorraine Hansberry, the playwright, was 29 when it debuted at the Ethel Barrymore Theatre on March 11, 1959.

Performance artist Thierry Mandon turns solitary domestic scenes into spectacless

Suspended in the air and attached to severed buildings, artist Mandon appears engrossed in his book while lying in bed or sitting at a table. Mandon satirizes our everyday habits while attracting and amusing passersby.

Steve Martin and Robin Williams once starred in Samuel Beckett's 'Waiting for Godot,' one of the most well-regarded examples of the existential movement called 'Theater of the Absurd.'

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

'A Modest Proposal' is one of history's most notorious satires

Jonathan Swift’s 1729 essay suggested that the starving Irish could stave off poverty by selling their children as food. Although it’s funny—albeit rather dark in form—it’s a classic example of Juvenalian satire, as it so pointedly criticizes the indifference of English elites.

Albert Camus believed existence was 'absurd'

He didn't use "absurd" as we often do—meaning something silly—but instead to describe humans' desire to ascribe meaning and transcendence in a world that provided neither. Camus believed we needed to acknowledge and accept this absurdity rather than hopelessly believing we'd one day overcome it.

Although not known for horror, a young Tennessee Williams wrote a gothic radio play

The "Streetcar Named Desire" author wrote "The Strangers," a short script, while a student at the University of Iowa in the 1930s. Andrew Gulli, managing editor for the literary magazine that published the unearthed piece, said that it blends classic '30s radio horror with themes Williams would revisit in later, more famous work.

Billie Jean King on playing tennis before Title IX

Before Title IX, tennis legend Billie Jean King not only had to deal with limited resources; she also had to deal with isolating experiences, like being excluded from team photos at Long Beach State and being told to "get lost" by male teammates. (Some readers may experience a paywall.)

Scholars note that many Cassatt paintings are about women's labor

The women in her portraits are often performing domestic work, something that contemporary scholars consider a subtle protest of how women's labor was often overlooked during Cassatt's time. Fittingly, Cassatt often hired working-class women as models, ensuring the portraits were not only accurate but that the subjects were appropriately compensated.

Toni Morrison's novels were popular postmodern texts

Toni Morrison’s novels broke new ground in American fiction by using bold structures and colloquial voices to reckon with the country’s past, developing her approach through classic early novels like “The Bluest Eye” and “Beloved,” all the way to later works like “Home.” Morrison once said, “The meaning of a novel is in its structure.”

Sartre eventually denounced communism

The French philosopher was a long-time ardent supporter of communism and the USSR. He finally spoke out against the movement with the 1956 Soviet invasion of Hungary, saying that the move was "made possible by 12 years of terror and imbecility."

Camus was once a communist, but eventually disavowed the ideology

The writer belonged to the French Communist Party and the Algerian Communist Party in the mid-1930s, but he was eventually expelled for refusing to downplay objections to French colonialism. By the time he published "The Rebel," he was vocally anti-communist, believing it was a utopian ideology that often relied on violence.

In 1922, Zelda Fitzgerald was commissioned to write a satirical review of her husband's latest novel

The review of "The Beautiful and the Damned" might have been comedic, but it was also illuminating, allowing Zelda to acknowledge her husband's tendency to use material from her diaries in his fiction and interrogate the way female characters were often portrayed in novels written by men.