In 1922, Zelda Fitzgerald was commissioned to write a satirical review of her husband's latest novel

Twain ruthlessly criticized other writers

The writer was known for lambasting popular writers of his time, including Jane Austen and Robert Louis Stevenson. One of his most famous takedowns is “Fenimore Cooper’s Literary Offences,” an essay that simultaneously mocks Cooper’s popular adventure tales and satirizes the pretentiousness of literary criticism. Remarking on Cooper’s novel “The Deerslayer,” Twain wrote, “its conversations are—oh! Indescribable; its love-scenes odious; its English a crime against the language.”

Jane Austen used satire to critique women's place in society

Although the novelist is sometimes dismissed as a romance writer, her stories feature pointed societal critiques, especially of women's limited options and challenged popular notions that women were subservient and passive.

Some Harlem Renaissance figures criticized Zora Neale Hurston's most famous novel when it was released

Zora Neale Hurston's "Their Eyes Were Watching God" is now considered one of the masterpieces of the Harlem Renaissance, though some in the movement criticized it when it was released in 1937. Both Alain Locke and the writer Richard Wright felt that Hurston's novel lacked depth. Wright was particularly harsh, writing that "her novel carries no theme, no message, no thought. In the main, her novel is not addressed to the Negro, but to a white audience whose chauvinistic tastes she knows how to satisfy."

Searching for 'The Great Gatsby' in Kentucky

F. Scott Fitzgerald's classic novel "The Great Gatsby" is usually associated with New York and its extremely wealthy enclaves, but this Atlas Obscura podcast tracks down another location Fitzgerald portrayed in the book: Louisville, Kentucky, the setting for Daisy and Tom Buchanan's wedding, as well as the place where Fitzgerald spent two miserable months during World War I.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ was a letter to an editor

Wolfe pitched a story about custom-made cars to Esquire with a satirical angle. While struggling to actually put the piece together, he explained to the editor what he wanted it to be. The editor published the letter as is, removing the greeting. The seminal article became a book of essays.

In 1969, a group of reporters wrote an intentionally bad and salacious novel under a pen name to prove that sex sells more than quality. It sold 20,000 copies within a few months and spent 13 weeks on the New York Times Bestseller list.

Twain read (and lampooned) classic literature

Ever the ironist, Twain claimed to have “ no liking for novels or stories.” Obviously, that was untrue: He read widely, devouring books by Charles Dickens, slave narratives, and texts on astronomy. He also loved John Milton’s “Paradise Lost,” which he called “something everybody wants to have read and nobody wants to read.”

Gay Talese ran up expenses close to $5,000 to pursue ‘Frank Sinatra Has a Cold’

In this retrospective, Talese reflects on the making of the legendary article that pioneered a new literary style. He offers his critiques of the modern state of profiles, arguing the industry no longer produces compelling work.

‘The Kentucky Derby Is Decadent and Depraved’ signaled the birth of Gonzo Journalism

The 1970 essay opens with a crude conversation between Hunter S. Thompson, the author, and a man at an airport bar. Thompson’s first-person account places him as an active participant. Instead of focusing on the race itself, Thompson paints vivid details of his experience with the hedonistic scene surrounding it.

Camus and Sartre admired each other's work before becoming friends

The two writers, who would later be considered two of the biggest names associated with existentialism, wrote positive reviews of each others' early work, with Camus praising Sartre's novel "Nausea" and story collection "The Wall" and, later, Sartre favorably compared Camus' "The Stranger" to Franz Kafka and Ernest Hemingway. Still, their reviews included some critiques, hinting at the larger disagreements that would come much later.

Sir Thomas Overbury's poem "A Wife" inspired its subject to poison him

Overbury wrote the critical poem to suggest that the ex-wife of his friend Robert Carr, Frances Howard, had failed in her marital duties. Its contents enraged her, leading her to craft a conspiracy that left Overbury dead from poisoning.

'Let us learn to show our friendship for a man when he is alive and not after he is dead.'

Meyer Wolfsheim in F. Scott Fitzgerald's "The Great Gatsby"

Camus was influenced by American culture, especially literature and jazz

He loved the work of writers like William Faulker and Ernest Hemingway, and loved drinking whiskey and listening to jazz. He also admired the actor Humphrey Bogart and his striking performance in the noir classic "The Big Sleep." He was delighted when his wife gave him a Burberry raincoat, thinking it made him look more like Bogart.

One of Sartre and de Beauvoir's lovers accused them of exploitation

The philosophical duo's open relationship sometimes included shared partners, including de Beauvoir's students. One of those students, Bianca Lamblin, wrote a book, "A Disgraceful Affair," about the experience and characterized it as sexual exploitation.

Many critics panned Emily Brontë's 'Wuthering Heights' when it was released

The 1847 novel, initially published under a pseudonym, was seen by some early readers as obscene and cruel. One particularly brutal review from Graham's Lady's Magazine read, "How a human being could have attempted such a book as the present without committing suicide before he had finished a dozen chapters, is a mystery."

In 2008, one writer demonstrated the fickle nature of wine reviews

Robin Goldstein submitted a fake restaurant to the well-respected Wine Spectator for a competition. He created a website for the fake Milan-based business, complete with a menu of wines the magazine itself had disparaged. That didn't stop Wine Spectator from naming Goldstein's ruse among that year's winners.

Read a 19th-century guide to writing a Valentine's Day card

Thomas Richardson's "London Fashionable Gentleman's Valentine Writer" offers readers romantic messages they can send to the objects of their eyes—along with some chippy kiss-offs for unwanted suitors. It might be sincere, or it might be satire. Either way, it's an entertaining read. (Some readers may experience a paywall.)

Virginia Woolf admired 'The Tale of Genji'

Widely considered one of the defining voices of modernist literature, Virginia Woolf was known for her experiments with stream-of-consciousness narration, nonlinear storytelling, and psychologically complex characters. In a 1925 essay about Murasaki Shikibu’s “The Tale of Genji,” largely considered the world’s first novel, Woolf explains how Shikibu’s style captures the intricacies of living in ways only the novel can.

Sartre admired American novelist William Faulkner

In addition to writing philosophy and fiction, Jean-Paul Sartre was also a literary critic. His 1939 essay on Faulkner's "The Sound and the Fury" focused on the way the American novelist commented on time, favorably comparing him to Marcel Proust. Ultimately, Sartre argues Faulkner's "despair" about a "closed future" is a result of the "social conditions of our present life." Ever the existentialist, though, Sartre suggests this reality is something that should inspire rather than depress.

The first draft of the classic American novel 'Of Mice and Men' was torn to shreds by John Steinbeck's dog.

A book series aimed at World War II soldiers helped popularize works like 'The Great Gatsby' and 'Of Mice and Men.'

Tom Wolfe wrote a humorous account of the birth of New Journalism

Wolfe explains the style came from journalists attempting to make fact-based reporting read like a novel, arguing that traditional reporting left readers “bored to tears.” Instead of emphasizing an objective point of view, Wolfe favored detailed descriptions that established complex characters, painted interesting scenes, and shared dialogue.

Diving into 'The Flame and the Flower,' the book that popularized 'bodice ripper' romance

The 1972 Kathleen E. Woodiwiss novel helped create the romance subgenre featuring historical settings and intense, steamy sex scenes. It was an under-the-radar sensation, quietly selling millions of copies while simultaneously courting controversy for its portrayals of rape. In this essay, Jeannette Cooperman revisits the book to see how it reads 50 years after its publication.

Poet Robert Lowell encouraged O'Connor to turn away from commercial appeal

When O'Connor secured a publisher for "Wise Blood," her publisher envisioned it as a broad, commercial comedy, something Lowell—the accomplished poet whom she met after graduate school at Yaddo, an artist colony in upstate New York—suggested she avoid, encouraging her to lean into her more esoteric and darker interests. This interview with O'Connor biographer Brad Gooch elaborates on that advice.

Imagining the memoirs of aging Disney princesses

This resource shares a collection of drawings that humorously imagine the books Disney princesses would write as middle-aged women. See Cinderella’s guide to passive income or Sleeping Beauty’s story of becoming sober in this creative collection of comics.

While on vacation, writer Mary Shelley was inspired by a challenge from British poet Lord Byron to write the novel 'Frankenstein.'

Critics have debated 'the great American novel,' arguing which book best captures the spirit of American literature since the 19th century.

14 famous authors trash-talking classic books

Just because something's considered a "classic" doesn't mean it's universally loved. Even the world's most respected writers don't agree on what defines great literature. Look no further than this list of writers criticizing canonical texts, like Charlotte Brontë deriding Jane Austen's "Pride and Prejudice" or Virginia Woolf on James Joyce's "Ulysses." The most succinct might be Aldous Huxley on Jack Kerouac's "On the Road": "I got a little bored after a time. I mean, the road seemed to be awfully long."

Mozart's 'The Marriage of Figaro' satirizes aristocratic privilege

“The Marriage of Figaro” tells a tale about young lovers, deception, and dynamics between the aristocracy and their servants. Critiquing French society just years before the French Revolution began, this rebellious work of art experienced wild success while also being the subject of censorship and bans in the late 1700s.

Georgia O'Keeffe's flower paintings are often assumed to be sexual, though the artist claimed she was simply interested in highlighting the beauty of flowers that most people neglect.

Debunking the myth of Dickinson's antisocial seclusion

It's true that the poet largely kept to herself in her late-30s, spending nearly all her time at her father's house, and when she did venture out into the world, she'd wear white, facts that led American history to label her a strange, antisocial recluse. But, as this essay shows, that image is not entirely true, evident in the many relationships she maintained through her letters.

Modernist novels used unconventional narrative approaches

Modernist writers in the early 20th century sought to capture the complexities of the human mind in their fiction. Novelists like Virginia Woolf, James Joyce, Jean Rhys, and William Faulkner experimented with the form by using unconventional approaches to narrative, time, and structure. This lecture from Dr. Madeleine Davies from the University of Reading explains how modernists revolutionized fiction, using Woolf’s “Mrs. Dalloway” as a primary example.

Eleanor Roosevelt's son wrote mystery novels starring his mother

Elliott Roosevelt wrote 20 novels about a fictional version of his mother, an amateur detective. Titles included "Murder and the First Lady," "The White House Pantry Murder," and "New Deal for Death."

Novels often use perspective as a narrative device

Classic novels like "The Great Gatsby," "Passing," and "Heart of Darkness" are told from characters' limited perspectives, inviting readers to consider how that narrator might be intentionally or unintentionally crafting the story in a particular way.

100 different book covers for Virginia Woolf's ‘Mrs. Dalloway’

Virginia Woolf's 1925 novel "Mrs. Dalloway" is among the most influential books in the English language and a preeminent example of British modernism. It's been published by several imprints and in multiple countries over the last century, creating a fascinatingly diverse collection of covers. This Literary Hub article lists 100 of the best, illustrating Woolf's lasting relevance and, curiously, the many ways her book can be interpreted.

Charles Dickens legally separated from his wife, then tried to have her committed to a mental asylum.

Although it's now considered a pivotal film in the history of American cinema, 'The Wizard of Oz' was initially panned by some of its contemporary critics.

Why 2 literary writers think you should read Colleen Hoover

The "It Ends With Us" author is one of the most successful contemporary writers in American literature; she's also one of the most derided. Elizabeth Kaye Cook and Melanie Jennings argue that the criticism is mostly unfounded and that literary types should embrace more commercial authors like Hoover.

A profile of Dickinson's ambiguous but close relationship with Susan Gilbert

Gilbert met Dickinson in 1850, and the two women quickly became very close, with Dickinson often pining for Gilbert in letters. In this essay, critic Maria Popova calls the relationship "beautiful, heartbreaking, unclassifiable," and details how it came to inspire Dickinson's writing, even after Gilbert married Dickinson's brother.

'Shipping Out' can be viewed as a more recent example of subjective journalism

Later retitled "A Supposedly Fun Thing I'll Never Do Again," Wallace's essay details his existential experience on a cruise ship with biting wit. Arguably more Gonzo than New Journalism, Wallace laments the pressure to have fun in the commercialized cruise atmosphere that brings out feelings of dread more than pleasure.

Watch a Yale professor’s take on O’Connor’s ‘Wise Blood’

O’Connor’s first novel is about Hazel Motes, a World War II veteran who returns home and sets out to form an anti-religious congregation. It’s a striking debut and one that Yale professor Amy Hungerford taught in her course “The American Novel Since 1945.”

Why art history is filled with miserable brides

Paintings from the 19th century are filled with unhappy brides. The women are often visibly disturbed by their pending nuptials, sometimes even during the wedding ceremony. This Artnet article unpacks four famous examples of this trend, analyzing how and why the respective artists portrayed these disappointed figures.

Gay Talese's 1966 Frank Sinatra profile was written without an interview with Sinatra

After numerous rejections from Sinatra, Esquire, and writer Gay Talese continued to pursue the profile, gathering information from observing Sinatra and interviewing friends and fans of his. Readers (and future writers) admired the way Talese captured the many layers of Sinatra’s personality from his generosity to his short temper.

David Foster Wallace admired Stephen King's writing

David Foster Wallace was one of the most acclaimed American writers of the 1990s and early 2000s, releasing dense, philosophically informed works of literary fiction. When the syllabus for an undergraduate literature course he taught surfaced through his archives at the University of Texas, many of his fans were surprised to find it included so much supposedly commercial fiction, including Stephen King's "Carrie." Below are his annotations on two pages of the novel.

Writer James Baldwin once criticized Langston Hughes for squandering his talent

In 1959, Baldwin, the author of renowned works like “Go Tell It on the Mountain” and “Giovanni’s Room,” reviewed Hughes’ “Selected Poems” for the New York Times. Baldwin panned the book, writing, “Every time I read Langston Hughes I am amazed all over again by his genuine gifts—and depressed that he has done so little with them.” (Some readers may experience a paywall.)

Stephen King, Octavia Butler, and Anthony Burgess all grew to regret books they'd published

Some, like Butler, regretted writing predictable, trope-heavy books. Others, like King and Burgess, regretted that what they'd intended as satire had been misunderstood as endorsements.

A scholarly analysis of romance's enduring popularity

Diane Winston, a media scholar at the University of Southern California, argues that romance novels have remained popular because they've historically offered women shame-free ways to explore their identities and sexualities. She notes that's even more true today, with contemporary romance novels, from romantasy bestsellers to "Heated Rivalry," more willingly explore social dynamics.

‘The Kandy-Kolored Tangerine-Flake Streamline Baby’ mapped a major transition

The hilarious 1963 story offered insight into how Americans were shifting away from elite interests to “low culture” by focusing on customized cars and their teen enthusiasts in Southern California. Wolfe pokes fun at the trend while also recognizing young people’s post-war desire for freedom, individualism and creativity.

A critic evaluates Orwell's lesser-known books

Orwell is primarily known for "Animal Farm" and "1984," but The Critic's Alexander Larman argues that Orwell's other titles—especially the 1936 novel "Keep the Aspidistra Flying"—are also worthy reads. (Some users may experience a paywall.)

O’Connor was shaped by her time with Sally and Robert Fitzgerald

After Iowa, O’Connor moved to Connecticut to stay in the garage apartment of Sally and Robert Fitzgerald—the legendary translator of Homer, Sophocles, and other classics—while working on her first novel, “Wise Blood.” Like O’Connor, the Fitzgeralds were devout Catholics, and the three attended mass every morning.