Mini-portraits were shared as love tokens in Elizabethan England

19th-century 'vinegar valentines' sometimes mocked recipients

In Victorian England, cards were sent to paramours and crushes, but they were also sometimes sent to people the sender disliked and would belittle them for their occupations or appearances. It was also expected that anyone who received a Valentine's Day card would send one in return, so there was a subgenre of responses, including rejections for unwanted suitors.

Esther Howland built a Valentine's Day card empire in 19th-century New England

In 1849, Howland launched her card business, the New England Valentine Company, in her home, staffing an assembly line with her friends, who'd piece together the intricate valentines. The cards were elaborately decorated, with silk, lace, and romantic verse. Howland's annual sales eventually grew to $100K and helped popularize the holiday in the US.

Englishmen in the 17th century mixed their blood into wine to show devotion

In order to demonstrate their love for a woman, some young Englishmen would stab themselves in the arm and mix the blood into their wine. They'd then toast the object of their affection and drink to their honor.

Romanticism changed the norms of the artworld

Romanticism’s expressiveness led to a change in the norms of portrait painting, favoring emotion, nuance, and less conventional subjects. One such example is Géricault’s portraits of mental illness, depicting patients, including a kleptomaniac and a “child snatcher,” in states of expressive emotion.

An artist used forensic techniques to recreate Jane Austen's face

For over two centuries, there was only one accepted portrait of the writer—an 1810 sketch done by Cassandra Austen, Jane's sister. Artist Melissa Dring used that as a basis for her waxwork of the author, along with eyewitness accounts from people who'd met the writer.

Read a 19th-century guide to writing a Valentine's Day card

Thomas Richardson's "London Fashionable Gentleman's Valentine Writer" offers readers romantic messages they can send to the objects of their eyes—along with some chippy kiss-offs for unwanted suitors. It might be sincere, or it might be satire. Either way, it's an entertaining read. (Some readers may experience a paywall.)

See a collection of Valentine's Day cards from the past century

Hallmark helped popularize (and commercialize) the holiday in the early 20th century, largely through its greeting cards. This digital collection includes cards from the 1910s through the 2000s, allowing you to see how the holiday—and our popular understanding of romance—has evolved. Below is a card from the 1930s.

Nine Shakespeare paintings by pre-Raphaelite John Everett Millais

In the 19th century, pre-Raphaelites like Millais sought to showcase life and nature honestly, using common references like the Bible, ordinary people and Shakespeare. Explore some of Millais' better known paintings inspired by the Bard here, including his world-renowned "Ophelia."

Dalí partnered with Hallmark to design surreal Christmas cards

Dalí pursued commercial work throughout his career. In 1948, Hallmark released a set of Christmas cards designed by the artist. A decade later, he created images for additional holidays, including Valentine's Day, Easter, and Mother's Day.

Reforms reducing postage rates helped popularize Valentine's Day cards

In 1845, Congress voted to slash postage rates, paving the way for larger swaths of the American public to send and receive mail. This convenience was capitalized on by paper and stationery sellers who sought to profit from the holiday. Esther Howland's New England Valentine Company was the first major commercial producer of valentines in the US, but Hallmark followed a few decades later.

Elizabeth I removed her eyebrows to draw attention to her chest

The queen thought that this kind of grooming (which sometimes even included shaving some of her forehead) would cause viewers to find her face blank and, as a result, look south to her breasts.

Scientists used mass spectrometry to determine the materials in a 1690 painting

Previously used to map the distribution of molecules on biological tissue samples, researchers combined the technique with machine learning to uncover six layers of pigments, binders, and a thin gold leaf layer within *The Marriage of the Virgin*, from a collection in the Metropolitan Museum of Art. The technique may help identify and track artists' material use to learn about pieces of unknown provenance. (Some readers may experience a paywall.)

In 'Life of a Showgirl,' Taylor Swift nods to Pre-Raphaelite muse Elizabeth Siddal

Born in 1829, Siddal was an artist and poet who would become immortalized when she modeled for John Everett Millais' 1852 painting 'Ophelia,' depicting the suicidal lover from Shakespeare's 'Hamlet.' For years, Swift has alluded to Siddal as an exemplar of the sidelined female artist.

A medievalist explains how romantic love emerged as a cultural concept

Many long-form stories written in English were originally considered "romances," a term derived from the Old French word for "the speech of the people." But changes in medieval culture, triggered by a number of 12th-century church reforms, led to a new interest in what we now consider romantic love, including a new view of marriage as a pursuit of love rather than a transaction. Those new perspectives were then reflected in the period's popular stories, including stories in Chaucer's "Canterbury Tales."

Thomas and Anne Rogers were famous counterfeiters in 17th-century England

The pair used a practice called “coin clipping,” shaving the edges off silver coins to decrease their weight before sending them back into circulation. When banknotes rather than coins gained popularity, counterfeiting methods evolved—in the 1700s, an early banknote counterfeiter named Mary Butterworth created counterfeit paper money using starched cloth and a hot iron to transfer the pattern of a banknote onto paper.

David Hockney was renowned throughout the late 20th century for his colorful paintings, though later in life he drew attention for experimenting with his iPad.

How Monet’s paintings changed the way we see London

Between 1899 and 1901, legendary French Impressionist painter Claude Monet produced over 100 paintings of London consistently shrouded in fog. Art historians claim this series left a permanent mark on how we perceive the capital city, inevitably layered in obscuring and dramatic mist. See some of the paintings and read more here.

Browse Emily Dickinson's collection of plant life

The poet began collecting plant life as a teen and assembling a herbarium, a collection of dried and pressed plants. The original book is housed in Harvard's rare book collection, but you can view digital scans of every page through the university's digital library.

Poet Geoffrey Chaucer inspired the modern, romantic version of Valentine's Day

In the 1380s, the "Canterbury Tales" author wrote "The Parliament of Fowls," a 700-line poem about birds that choose their mates on St. Valentine's Day. The poem argued that romantic love—for fowls and humans alike—was an ideal, and linked the holiday with that sentiment.

The 18th-century French painter of goofy selfies

Long before smartphones existed, French artist Joseph Ducreux was posing for effect in his self-portraits. A minor aristocrat during the French Revolution, Ducreux depicted himself with unusual expressions, forgoing the typical staid pose for effusive ones. This article collects those paintings and tells the painter's story and his unlikely resurgence through online memes.

Tulips were once viewed as alternative investments in Holland

In the 1600s, during a period of relative wealth for the Dutch after they gained their independence from Spain, some started collecting rare flower bulbs that created speckled and striped tulips.

Cassatt painted more than just mothers and daughters

In one 1884 portrait, she captured her brother, Alexander Cassatt, and her nephew during a family holiday. The image is just as tender as her paintings of mothers and daughters, with the father and son—their faces near mirror images—in an intimate embrace.

Why art history is filled with miserable brides

Paintings from the 19th century are filled with unhappy brides. The women are often visibly disturbed by their pending nuptials, sometimes even during the wedding ceremony. This Artnet article unpacks four famous examples of this trend, analyzing how and why the respective artists portrayed these disappointed figures.

Many critics dismissed Norman Rockwell as overly sentimental

The painter’s portraits of American life were often dismissed as commercially minded, banal, or kitschy, especially when compared with the more abstract art of the time. Rockwell, however, was undeterred, commenting that he wanted to produce work that would make viewers “want to sigh and smile at the same time.”

Washington sat for a portrait at least 12 times during his career

Those sittings were primarily for painter Charles Willson Peale. Without photographs, capturing the accurate physique of the tall, commanding Washington is difficult—but you can get a sense of his appearance with this collection of paintings over several decades.

Peter Brueghel's 'Hunters in the Snow' depicts winter beauty and hardship

The Dutch painter and printmaker is known for centering ordinary subjects at a time when protestant iconoclasts protested religious images and reduced the Church's role as an arts patron. The famous painting is often viewed as a cozy winter scene, but reveals the difficulties of harsh winters during the Little Ice Age in Europe.

The 19th-century painters of the Hudson River School were among the first American romantics, with portraits that displayed the natural beauty of the young country.

One hundred rare, vintage photos of the British royal family

Their power may be in symbol only, but the Royal family commands our attention anyway. Take a look through the last few decades at some of the more choice, unknown shots of the Royal family, from Queen Elizabeth II to King Charles III.

Medieval elites prized narwhal tusks as mythical “unicorn horns”

During the Middle Ages and the Renaissance, narwhal tusks were believed to be unicorn horns, possessing healing and anti-poisonous properties. Coveted by Europe’s elites, they became royal gifts—with one even presented to Queen Elizabeth I by explorer Martin Frobisher.

Conversation candy hearts were originally message-free medicinal lozenges

In 1847, a Boston pharmacist invented a machine that automated the production of his pharmacy's medicinal lozenges and then formed the New England Confectionery Company, which later became part of the company now known as NECCO. By the late 1800s, they were producing cookies with Valentine-themed messages and eventually brought the romantic messages to their smaller lozenges, which they later called Sweethearts.

Charles Dickens' novels inspired a young Norman Rockwell

Rockwell is considered a narrative painter who tells stories through his portraits of everyday Americans. The interest in using images to tell stories began at a young age, when his father read Dickens aloud to him while the young Norman illustrated the books’ scenes.

Mary Cassatt's 'The Child's Bath' was a rare sight for 19th-century art

Drs. Beth Harris and Steven Zucker note that this portrait of an intimate moment between mother and daughter might have been out of place in 1893, but that its subject matter alludes to spiritual images from the Renaissance or Baroque periods.

Mary Cassatt helped establish the impressionists' legacy in the US by persuading wealthy patrons to collect their work.

Scholars note that many Cassatt paintings are about women's labor

The women in her portraits are often performing domestic work, something that contemporary scholars consider a subtle protest of how women's labor was often overlooked during Cassatt's time. Fittingly, Cassatt often hired working-class women as models, ensuring the portraits were not only accurate but that the subjects were appropriately compensated.

The history of iconic pigments used in seven famous paintings

While art paints can be bought by the bucket at any craft store today, pigments throughout history have been difficult to come by. Art historian Kelly Grovier traces the fascinating history of pigments that make up hidden layers in masterpieces from Picasso and Hokusai’s Prussian Blue to Vermeer’s shade of red.

Picasso’s early masterpiece conceals a long-lost secret

Art historians have studied Picasso's Blue Period throughout the last century, but researchers have now uncovered something previously unknown: an underpainting of a woman under one of the artist's portraits.

Blake's 'illuminated manuscripts' blended poetry and painting

Blake's poetry was often accompanied by the author's complementary illustrations. They’re masterful works of art, pieces that were unlike anything else in Blake’s time—or in ours. Thankfully, The William Blake Archive has scanned all of the original manuscripts, allowing you to see the majestic books in their entirety.

Revisiting the ornamental hermit craze of the 1700s

One of the more elaborate gardening trends of the 18th century was the placement of a well-designed hermitage within the landscape, a throwback to the more religious antiquity and the Middle Ages. The trend went so far for some that they hired real live hermits, preferably older, bearded, and willing to stay quiet and out of the way. Read about the wild trend here.

A history of manicules, or the little hands in books and posters

Manicules are illustrated hands used in many contexts to point something out, whether by medieval readers to highlight passages or in 19th-century advertising. The hands have a quirky, persistent history, showing up over hundreds of years in everything from Petrarch's books to computer cursors and the US Postal Service's "Return to Sender" stamp.

See a collection of Mary Cassatt's artwork

The Metropolitan Museum of Art's digital collection includes 15 of Cassatt's works, including several iconic watercolors, like "Portrait of the Artist" and "Mother Playing with Child." Alongside them, you can read helpful contextual information assembled by Cassatt scholar H Barbara Weinberg.

Monks and peasants once used cobwebs as canvases for painting

The tradition goes back to the 16th century, when the delicate canvases were hung in churches and cloisters. The difficulty in painting on the cobwebs was intended to illustrate one's devotion to their faith.

One Mary Cassatt painting features a sly political message

Critics had long been puzzled by the unrealistic flower pinned to the woman's chest in the 1905 painting "Mother and Child." In exploring the painting's history, researcher Nikki Georgopulos discovered that the flower alluded to a women's suffrage badge popular at the time, something Cassatt emphasized in the painting's original title, "Woman With a Sunflower."

See a massive collection of Norman Rockwell's paintings

Rockwell's works sought to capture authentic scenes from American life and, in the process, came to define the American ideal. This collection includes 244 of his paintings, from his early days at the Saturday Evening Post through his more socially minded work for Look, to the end of his career. Below is 1951's "Saying Grace."

In the 20th century, Valentine's Day became more commercialized

Historian Elizabeth Nelson notes that companies sought "to turn holidays into opportunities for selling things from candy to flowers to magazine advertisements" in the 1900s. Hallmark, founded in 1911, pushed the holiday toward elementary students, who aimed to collect cards from as many classmates as possible.

Riveting artwork from the battlefields during World War I

During World War I, the United States government commissioned eight artists to accompany American Expeditionary Forces to Europe to sketch and document what they saw. Drawing tanks, soldiers, shattered villages, and even German prisoners of war, the artists preserved much of the war as a matter of historical record and to rally support back home.

Breaking down how Dickinson viewed letters as an extension of her poetry

The poet's many correspondences were dashed with playful arrangements of text, offering her pen pals surprises once they opened their envelopes. Jana Dambrogio and Daniel Starza Smith explain how Dickinson even creatively used the 19th-century security technique of letterlocking in poetic ways.

Understanding the relationship between Dickinson and Thomas Wentworth Higginson

One of Dickinson's most significant pen pals was Thomas Wentworth Higginson, a minister, politician, and writer, who became a trusted creative adviser and, after her death, one of the editors of her first published volumes. Their relationship began after Dickinson sent him a letter asking, "Are you too deeply occupied to say if my Verse is alive?"

Queen Elizabeth's 70-year pen-pal in North Dakota

Adele Hankey, 96, a resident of Park River, North Dakota, has exchanged letters with the late Queen Elizabeth II for 70 years on their shared birthday.

'Roses are red, violets are blue' has a long, twisting history

The earliest known use of the phrase, a stock romance form used in greeting cards, is in Edmund Spenser's "The Faery Queen" from 1590 (excerpt below). By 1785, Joseph Ritson updated the verse and connected it to Valentine's Day, creating a cliché that's still used today.

When the Treaty of Paris ended the Revolutionary War in 1783, British officials refused to pose for the portrait of the negotiations, leaving the painting partially unfinished.