Mary Cassatt helped establish the Impressionists' legacy in the US by persuading wealthy patrons to collect their work.

Mary Cassatt carved space for women in the Impressionist movement

The painter was one of three women to exhibit with the French artists, and the only American. Cassatt broke ground by focusing on subjects largely ignored by the male-dominated art world, such as maternity and womanhood.

How Cassatt's early life influenced her art

The painter came from an affluent background but was determined to become an artist, a decision that was at odds with her father's wishes. Still, she began art school at 15, where she was one of the few female students and not permitted to paint portraits of live models. This brief documentary from The Art Tourist explains how those formative experiences taught Cassatt to challenge conventional approaches in her work.

Explore a timeline of Mary Cassatt's career

This collection from The Art Story situates Cassatt's major works chronologically and provides historical context, allowing you to see how her interactions with both the French Impressionists and Japanese printmaking influenced her work.

Mary Cassatt and Edgar Degas both influenced each other's work and challenged one another to try new techniques in their painting, though their relationship eventually soured for unclear reasons.

See a collection of Mary Cassatt's artwork

The Metropolitan Museum of Art's digital collection includes 15 of Cassatt's works, including several iconic watercolors, like "Portrait of the Artist" and "Mother Playing with Child." Alongside them, you can read helpful contextual information assembled by Cassatt scholar H Barbara Weinberg.

The impressionist painters—the 19th-century group that included Monet, Renoir, Cassatt, and more—got their name from a critic who used the term in a negative review, claiming they were unable to paint more realistic scenes.

Comparing the impressionism of Monet and Cassatt

Claude Monet and Mary Cassatt were both Impressionists, but that's not all they had in common. This quick comparative analysis of Monet's "The Beach at Trouville" and Cassatt's "Little Girl in a Blue Armchair" shows how both paintings subtly comment on the class of their subjects.

Cassatt participated in a fundraiser for women's suffrage against her family's wishes

The painter took part in a 1915 charity exhibition in support of women's right to vote. That offended some of her family members, especially her sister-in-law, who were opposed to the cause. In response, Cassatt sold works that had originally been designated for them.

Mary Cassatt's sister, Lydia, moved to Paris to manage her household so Mary could focus on her painting, a dynamic that inadvertently turned Lydia into her sister's muse.

Explore a feminist reading of Mary Cassatt's work

Artsy's Olivia Horn considers the American Impressionist's work from a 21st-century perspective, unpacking how her focus on women's lives was a revolutionary act for the 19th century that still resonates today.

Mary Cassatt was not a fan of Mother's Day

When Mother's Day was first proposed as a holiday in 1913, the American Impressionist opposed it, believing that women's suffrage was a far more important issue. The holiday was established by an act of Congress in 1915; Congress did not pass the 19th Amendment, which guaranteed women the right to vote, until 1919.

Cassatt painted more than just mothers and daughters

In one 1884 portrait, she captured her brother, Alexander Cassatt, and her nephew during a family holiday. The image is just as tender as her paintings of mothers and daughters, with the father and son—their faces near mirror images—in an intimate embrace.

What made Mary Cassatt's art radical

Although the American Impressionist's work is sometimes dismissed as overly sentimental, these Cassatt specialists argue that her portrayals of women are often subtly subversive, emphasizing how they defy the gender norms of the time.

Scholars note that many Cassatt paintings are about women's labor

The women in her portraits are often performing domestic work, something that contemporary scholars consider a subtle protest of how women's labor was often overlooked during Cassatt's time. Fittingly, Cassatt often hired working-class women as models, ensuring the portraits were not only accurate but that the subjects were appropriately compensated.

How Cassatt experimented with the then-new medium of pastels

Cassatt is primarily noted for her paintings and prints, though she also experimented with pastels, a novel medium for the 19th century. Art scholar Marjorie Shelley walks through one of Cassatt's pastel works with a close analysis of 1914's "Mother and Child."

Mabel Dodge Luhan facilitated art from Georgia O'Keeffe and others

Mabel Dodge Luhan was a writer, but she's better known art patron. She organized the 1913 "Armory Show" in New York that introduced European modernism to the US and invited artists (including Georgia O'Keeffe, Ansel Adams, Willa Cather, and Robinson Jeffers) to Taos, New Mexico, to cultivate a "Paris West."

Americans touring the Louvre were inspired to create their own grand museums

The one-time royal residence was first transformed into a public museum in 1793 amid the French Revolution. Americans visiting in the early 1800s were both turned off by the aristocratic grandeur and compelled by the open access to the public. James Fenimore Cooper, the author of "The Last of the Mohicans," apparently came and measured the length of galleries.

How Mary Cassatt pioneered printmaking

In 1890, the artist attended an exhibition in Paris featuring a vast collection of 725 Japanese woodblock prints. Inspired by the work, she told a friend she could not stop thinking about "color on copper," and eventually used a metal plate "intaglio" technique to execute her vision. This video recreates how she made it happen.

Mary Cassatt's 'The Child's Bath' was a rare sight for 19th-century art

Drs. Beth Harris and Steven Zucker note that this portrait of an intimate moment between mother and daughter might have been out of place in 1893, but that its subject matter alludes to spiritual images from the Renaissance or Baroque periods.

Picasso was initially ignored by the US art market

Picasso's now-iconic style was radical for its time and, as such, was something the US art market initially ignored. Hugh Eakin, author of "Picasso's War: How Modern Art Came to America," tells the story of the social norms, tax laws, and influential figures like lawyer John Quinn that set the course for modern art in America in the early 1900s.

Hear a quick but insightful analysis of Mary Cassatt's 'The Boating Party'

Karen Jackson travels to the National Gallery of Art in Washington, D.C., to study an oil painting from 1893, walking listeners through a close reading of the canvas. Even if you can't make it to the museum, you can pull the image up and follow her guided analysis.

The 19th-century painters of the Hudson River School were among the first American romantics, with portraits that displayed the natural beauty of the young country.

Pierre-Auguste Renoir's 'Dance at Le Moulin de la Galette' is considered an impressionist masterpiece that captures the fleeting moments of working-class people at a beer hall.

How Monet’s paintings changed the way we see London

Between 1899 and 1901, legendary French Impressionist painter Claude Monet produced over 100 paintings of London consistently shrouded in fog. Art historians claim this series left a permanent mark on how we perceive the capital city, inevitably layered in obscuring and dramatic mist. See some of the paintings and read more here.

The Metropolitan Museum of Art, explained

The Metropolitan Museum of Art, founded in 1870, houses 1.5 million works spanning centuries—from ancient Egyptian artifacts to impressionist masterpieces. Its iconic Fifth Avenue building, designed by architect Richard Morris Hunt, and tranquil Cloisters location reflect its dedication to showcasing global creativity.

One Mary Cassatt painting features a sly political message

Critics had long been puzzled by the unrealistic flower pinned to the woman's chest in the 1905 painting "Mother and Child." In exploring the painting's history, researcher Nikki Georgopulos discovered that the flower alluded to a women's suffrage badge popular at the time, something Cassatt emphasized in the painting's original title, "Woman With a Sunflower."

JMW Turner inspired the impressionists

JMW Turner was a prominent member of the Romantic movement, known for his expressive, colorful, and threatening paintings of coastal and marine scenes. Later in his career, he pushed his style to more intense colors and abstract forms, inspiring and preceding the abstract art movements, like Impressionism.

Explore Mary Cassatt's colorful 'Set of 10' prints

Inspired by Japanese woodblock prints, Cassatt set out to create works by placing "color on copper." The result is this 1891 collection of images depicting women in their private and public lives. Below is "The Bath," one of those 10.

The rise of the museum gift shop

While museum gift shops are commonplace now, they weren’t when the Met opened in 1870. Nevertheless, the museum was one of the first to offer copies of several of their paintings for visitors to display in their own homes. Read about how the museum gift shop has evolved and how they decide what to carry with this look behind the scenes from Artsy.

O’Keeffe’s journey to become an artist started at a young age in Wisconsin

In 1905, she left behind her life on the farm to attend art school in Chicago. While studying, the artist won the William Merritt Chase prize for a still life. Her style eventually evolved and caught the attention of important figures in the New York art scene.

O’Keeffe was part of a movement of American artists changing previous norms

One of the most recognizable names of the American modernism movement from the early 1900s, O’Keeffe’s portrayals of nature strayed from realism and prioritized emotional truth, using elements like bold colors and abstract shapes to capture the feeling of observing her subjects.

The Guggenheim houses works from some of pop art’s biggest names

British writer and curator Lawrence Alloway was an early champion of pop art—some claim he coined the term in 1958. He organized the 1963 “Six Painters and the Object” exhibition at the Guggenheim, featuring heavy hitters including Johns, Lichtenstein, and Warhol.

Picasso was a major influence on Jean-Michel Basquiat

Both Picasso and Basquiat are major figures of 20th-century art, with distinctive styles that flew in the face of the formalized standards of their respective times. Below is one of Basquiat's portraits of Picasso, who influenced the younger artist’s approach to form, from 1984.

The frenemies who shaped Modern Art

Matisse and Picasso are two of the biggest names in Modern Art, with works that redefined the possibilities of painting in the 20th century. While they were often cast as rivals, this Artnet article highlights their more complicated relationship, which was somewhere between a friendship, a mentorship, and an ongoing competition.

2 art historians break down Mary Cassatt's 'Little Girl in a Blue Armchair'

Dr. Steven Zucker and Dr. Beth Harris analyze Cassatt's 1878 painting, highlighting how the perspective places viewers on the same level as the child portrayed and how this affects our impression of the little girl.

Mary Cassatt created a massive mural titled "Modern Woman" for the 1893 World's Fair, but it mysteriously disappeared after the fair ended and hasn't been found since.

Alfred Stieglitz was a significant photographer in the American modern art movement

Stieglitz took hundreds of famous portraits of O’Keeffe and helped cement her reputation in New York by showcasing her work in his famed gallery. (This resource contains some artistic nudity.)