Béla Fleck took the banjo from Appalachian porches to African villages and Carnegie Hall

Guitarist Charlie Byrd brought bossa nova to the US after a government-sponsored tour

The Mutual and Cultural Exchange Act of 1961, also known as the Fulbright–Hays Act, sought to spread understanding through education and cultural exchanges. Its passage led to a government-sponsored music tour of South America featuring jazz guitarist Charlie Byrd. In Brazil, Byrd was introduced to the music of João Gilberto and returned to the United States eager to incorporate bossa nova into his own music.

Bluegrass, a subgenre of country music, allows every participant to take a solo

The music grew popular after World War II and, like country, was based on a combination of blues, spirituals and Celtic folk songs. Bluegrass has a "high, lonesome sound," as pioneered by Bill Monroe, and features breaks for every melody instrumentalist to take a solo.

20th-century country music was influenced by Hawaiian instruments

When people talk about influences on country music, they mention the European and African folk traditions that blended together to form the earliest country standards. Hawaiian music has had an incredible influence on country music, too, though, especially in terms of the genre's sound: the steel guitar and lap steel.

American blues music provided the framework for rock 'n' roll, jazz, and other American forms.

Jazz brought together ragtime and blues

Ragtime was a popular music genre that blended African-American spirituals, European folk songs, and military marches. Blues, brought to New Orleans by free Black people seeking opportunities, allowed musicians to play within basic standards. Jazz combined both forms by merging the syncopated, dance-friendly sounds of ragtime with the soulful, brass-instrumental style of the blues.

Wynton Marsalis believes syncopation is part of jazz's American character

The trumpeter argues that jazz's approach to syncopation is part of an American tradition that offers the unexpected, citing Jonas Salk, Mark Twain, and fusion cuisine as parallels.

Country music can be traced back to Colonial America

The genre begins with the folk music of the Colonial settlers, blending the area’s regional sounds, including gospel, African spirituals, and Anglo-Saxon, Scottish, and Celtic ballads.

Jazz improvisations are often based on well-known standards

Similar to blues, folk, and country music, jazz relies on a shared tradition of common songs that its artists learn, cover, and rework in their own unique ways. Jazz musicians are often able to easily improvise with other musicians because they share a knowledge of the songs and their languages.

A 1962 concert at Carnegie Hall introduced the American press to bossa nova

Bossa nova was still largely under the radar when João Gilberto, Luiz Bonfa, Sergio Mendes, and others performed at the storied Carnegie Hall in New York. Brazilian musician Gilberto Gil noted that the showcase's success was surprising to both the musicians and Brazilians, who began taking the music more seriously as a cultural export.

Revisiting the milieu of the Greenwich Village music scene

Few neighborhoods of the world stand out as more productive of a robust music scene than New York City's Greenwich Village, the bohemian launchpad of Joan Baez, Bob Dylan, and other folk artists of the 1960s and '70s. Expert David Browne discusses why it became so significant in this episode of "Sound Opinions."

Ken Burns believes country music is an essential American art form

Ken Burns’ massive 2019 miniseries “Country Music” explores the genre and its rich history. In this interview with writer Walter Isaacson, Burns explains what drew him to country, his definition of this “mongrel” music, and why he considers it to be an integral part of American culture.

New Orleans' Congo Square birthed what would become jazz

The city's enslaved people congregated in the city square on Sundays, bringing together the musical traditions of their disparate cultures through drum circles, communal dancing, and call-and-response singing. The rhythmic style that evolved in the area would eventually give rise to ragtime and, subsequently, jazz.

Jelly Roll Morton claimed he invented jazz, though experts disagree

The pianist and arranger was one of the genre's biggest names in the early 20th century, though very few believed him when he claimed he had invented the music in 1902. One of his biggest contributions to the genre was a 1938 session with ethnomusicologist Alan Lomax, who recorded nearly 8 hours of music and stories that have become an essential part of the music's history.

An ethnomusicologist breaks down bossa nova's American popularity

Kaleb Goldschmitt is a professor at Wellesley College who wrote the book "Bossa Mundo: Brazilian Music in Transnational Media Industries," which analyzed how and why bossa nova became so popular in the US in the early 1960s. According to Goldschmitt, much of it was due to the music's seemingly apolitical aesthetic, a notion that was reinforced by the Brazilian government.

'The beautiful thing about learning is nobody can take it away from you.'

- American musician BB King (1925-2015)

Dylan influenced many of his contemporaries

Dylan's groundbreaking approach to songwriting didn't just change his career; it changed the trajectory of American popular music. This podcast from the National Association of Music Merchants' oral history project features interviews with several Dylan compatriots and fans–including Pete Seeger, Emmylou Harris, and Robbie Robertson–who detail how Dylan changed their careers and how they viewed songwriting.

Western swing merged country with jazz

For as long as country music has been set to record, its artists have experimented with the genre’s boundaries. Look no further than this track from 1946, Bob Wills’ “Roly Poly.” The song is a classic example of Western swing, a country subgenre that blended country and jazz.

Free jazz embraced the avant-garde

Ornette Coleman's 1959 album "The Shape of Jazz to Come" abandoned traditional notions of melody and structure, inadvertently creating "free jazz," a subgenre that embraced absolute musical freedom and gained popularity in the countercultural 1960s.

Chuck Berry was one of rock 'n' roll's early innovators.

Buddy Bolden assembled the first jazz ensemble

The New Orleans cornetist was a legend in the city, sometimes referred to as "king," for his electrifying performances, which captivated local dance halls by blending ragtime, blues, and gospel music. Unfortunately, recording technology was limited at the time, so there are no recordings of Bolden, though the song "Buddy Bolden's Blues" remains a standard to this day.

Jazz was an integral part of the Harlem Renaissance

The Great Migration transformed New York City's Harlem neighborhood into the epicenter of Black American art, with artists such as Duke Ellington, Louis Armstrong, and Bessie Smith regularly performing. The music not only provided the backbeat to the cultural scene—it often influenced it, with Harlem Renaissance poets, in particular, inspired by jazz's approach to rhythm and improvisation.

The Great Migration spread jazz to various parts of the country

The large-scale migration of Black Americans looking to escape Jim Crow laws in the South began in 1915 and helped bring New Orleans music to other parts of the country, including Chicago, New York, Kansas City, Detroit, and Los Angeles.

Listen to the music David Attenborough recorded during his expeditions around the world

During this audio documentary feature, Attenborough plays musical performances by communities he encountered while producing natural history series, including Gamelan orchestras in Bali, palace music in Tonga, and Aboriginal didgeridoo players. With each recording, he provides anecdotes about when it was made, decades ago.

Arthur Russell's avant-garde music spanned many genres

The classically trained cellist moved to San Francisco in the early 1970s, mingling with the hippie movement and the Beat Generation. After arriving in New York in 1973, he began exploring the nascent punk and disco scenes, infusing them with his classical training; however, his eclectic style might've been part of the reason he never broke through during his lifetime. That variety, though, is what draws so many devoted listeners to his work today.

Jean-Paul Sartre was amazed by American jazz

The French philosopher wrote about a 1947 trip to a New York jazz club as a transcendent experience, describing the magic of the relationship between performer and audience: "You shout, they shriek, they whistle, they are possessed, you are possessed."

Charlie Parker's 'Ornithology' is one of bebop jazz's defining standards—and a self-referential nod to Parker's nickname, Bird.

Miles Davis' 'Kind of Blue' changed the genre by pioneering modal jazz

Davis was an adept bebop trumpet player, but he grew tired of the style. With 1959's "Kind of Blue," he pioneered a new style of jazz, called modal jazz, that focused less on improvising on chord progressions and more on open, tone-based expression.

'Shuffle Along,' a 1921 Broadway musical, brought jazz to American musical theater and helped pave the way for Black culture in the 20th century.

Listen to Woody Guthrie's 1940 concept album about agricultural and economic destruction, 'Dust Bowl Ballads.'

Bob Dylan often reworks his vocal melodies, even for his classic songs

Bob Dylan is an unpredictable live artist willing to reinvent his classics as they age. This analysis by Steven Rings, a music professor, breaks down the evolution of the singing style in "A Hard Rain’s A‐Gonna Fall," which transformed in one 1994 performance and then continued growing.

The history of music explained in 8 minutes

Traditional music history focuses on composers and sees music as an object. Historian Michael Spitzer focuses on music's role in everyday activity and sees it not as an object, but an activity. This brief history illuminates the fundamental role music plays in human culture, and sounds a hopeful not for music in the internet age.

In the 1920s, country was often called 'hillbilly music'

The term was meant to describe the rural people who typically performed the Appalachian folk music. Though Black people were also making country music at the time, their records were categorized as “race music.”

Explore an interactive timeline of rock 'n' roll's origins in blues, swing, country, and other genres.

Ray Charles' 'Modern Sounds in Country & Western Music' albums blurred genre lines

Released in the midst of the Civil Rights Movement, Charles’ records showed that country music, by then largely segregated, was an American music, no matter one’s background.

Arnold Schoenberg's atonal music influenced generations of musicians who followed.

The electric microphone led to a country music boom

The electric microphone provided enhanced audio and greater portability, saving the fledgling record industry and making recording outside of New York and Camden, New Jersey, possible. This proved critical for capturing early country and rock ‘n’ roll.

The mesmerizing harmonies of Georgia's 'singing village' feast

Listen along to a polyphonic feast in Georgia known as a Supra. The event is a long-held tradition in the "singing village" of Lakushdi, featuring intricate, stunning musical harmonies sung by attendees and performers. Learn how the singing is learned and performed and participate in the feast from afar with this fascinating podcast.

Coltrane's 'Giant Steps' pushed the limits of jazz

The saxophonist's 1960 recording features chord progressions that have become known as the "Coltrane Changes." Improvising over them is remarkably difficult and has become a rite of passage for jazz musicians.

Turning trash into music

In a town built on a landfill, a music teacher and young musicians created an orchestra using instruments made entirely from trash. From oil cans to bottle caps, they turned waste into music.

Woody Guthrie emblazoned 'This machine kills fascists' on his guitar, a phrase he borrowed from war machinery.

Watch a 1934 short film starring Cab Calloway

Singer and bandleader Cab Calloway was a major figure in the Harlem Renaissance's music scene. He was also one of the biggest names in jazz's swing era and would go on to be the first Black American to have a nationally syndicated radio show and the first to sell a million copies of a record. In this 1934 short film, "Cab Calloway's Hi-De-Ho," he reenacts his upbeat performances at Harlem's Cotton Club.

'Jazz Samba' is considered the start of the American bossa nova craze

The 1962 album by Stan Getz and Charlie Byrd was an unexpected hit, reaching the top of the Billboard album chart and receiving a Grammy nomination for album of the year. Its lead single, "Desafinado," won the Grammy for best jazz performance and is now considered one of the genre's classic tracks.

Some critics argue bebop and free jazz led to jazz's decline in popularity

Although jazz was once a popular art form, it has largely been confined to the margins of pop culture, with many of the genre's current bestselling albums from previous decades. Some critics argue that this is because the music betrayed its position as dance music and focused instead on musical proficiency.

Jazz musicians use different melodic approaches to produce improvised performances

While jazz musicians are known for their improvisational skills, they rely on years of training and a complex understanding of compositions to inform their improvised solos, using a song's structure and chords to make their in-the-moment choices. Although jazz artists could, in theory, play whatever they wanted, musicians often employ common melodic approaches—such as scalar improvisation and arpeggios—to generate solos.

Jazz's popularity inspired a moral panic

When jazz exploded in the 1920s, some believed the music's sudden popularity was the sign of a rotten nation, with one 1920 address at the University of Wisconsin proclaiming, "We are in deadly fear of the Jazz Devil, the demon which is consuming the country." Often, the connections were racialized, with columnists and preachers suggesting that jazz's Black artists were attempting to degrade white America.

See a timeline of jazz's history

Jazz began in 19th-century New Orleans, though its roots go back even further. This timeline situates the music's evolution alongside American and world history, offering an illuminating exploration of the genre.

As a girl, Billie Holiday fell in love with music while scrubbing the floors of a brothel

Record players were rarities in the 1920s, but Holiday had access to one at Alice Dean's, the brothel in Baltimore where she scrubbed floors. It was there that she listened to her heroes, Louis Armstrong and Bessie Smith.

The GI Bill—the 1944 legislation that gave World War II veterans benefits including funding for college—helped build the first college jazz programs.

Philip Glass was once an assistant to Ravi Shankar, the Indian music legend who introduced the Beatles to Eastern music.

Bebop's freedom inspired the Beat Generation

The jazz style took off in the 1940s, mesmerizing listeners with its wild, improvised solos. It had a particular impact on the writers of the Beat Generation, including Jack Kerouac and Allen Ginsberg, who saw in bebop's freedom a model for what they could achieve through the written word. Beat writers like Lawrence Ferlighetti and Kenneth Rexroth even incorporated live jazz in their poetry readings.